Rincewind

#Pratchat44 Notes and Errata

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These are the episode notes and errata for episode 44, “Cosmic Turtle Soup“, featuring guest Joel Martin, discussing the 2nd Discworld novel, 1986’s The Light Fantastic.

Iconographic Evidence

You can listen to the State Swim jingle right here:

The ridiculous fight between Xander and cheerleader-turned-vampire Harmony, occurs in Buffy: the Vampire Slayer‘s fourth season, in the seventh episode “The Initiative”. But you can see it on YouTube:

Notes and Errata

  • The episode title is references Joel’s comments that this book is the “primordial soup” of the Discworld books yet to come, the analogy of the “cosmic ocean” put forward by Carl Sagan in his book and television series Cosmos, and of course Great A’Tuin the World Turtle himself.
  • The term “hat-trick” does indeed originate with cricket, where it means taking three wickets (i.e. getting the batter out) on three consecutive deliveries (i.e. a single bowl of the ball). It has since spread to other sports and to mean more generally three successful attempts in a row. (In football, it specifically refers to a player scoring three goals in one game.) The term dates back to 1858, when English cricketer Heathfield Harman Stephenson performed the first recorded hat-trick; fans collected up money for him and used it to buy a hat, which they presented to him to commemorate the achievement. While this story seems well-documented, if Helen Zaltzman (see below) has taught Ben anything, it’s to be suspicious of neat etymological explanations…
  • The custom of throwing hats in the air to celebrate a victory or achievement is said by multiple sources to be a military tradition: cadets graduating to officer status would be given new hats, or at least no longer need to wear their old cadet ones, and they would symbolically throw them away. At least one story says this started specifically at the US Naval Academy with the class of 1912.
  • Helen Zaltzman is a comedian, writer and podcaster best known for the long-running comedy podcast Answer Me This? with fellow comedian Olly Mann, and her more recent show, The Allusionist, which explores language in as many different ways as possible. The Allusionist started out as part of the Radiotopia Network, but went fully independent in 2020 as part of Helen putting her money where her mouth was in backing diversity and inclusion in podcasting. If you enjoy the show, please consider supporting The Allusionist via Patreon. Oh, and we nearly forgot: Helen also makes a Veronica Mars recap podcast called Veronica Mars Investigations! Helen is the best.
  • “Commitment to the bit“, or “commit to the bit“, is a common phrase in comedy circles. It means to stick with a joke or comic premise all the way to the end, rather than shy away from it because it it doesn’t immediately work, or is impractical or uncomfortable. It’s obviously not always a good tactic, as seen recently during Eurovision 2021. Iceland employed actor Hannes Óli Ágústsson to relay their jury’s points in character as Olaf Yohansson from the comedy film Eurovision Song Contest: The Story of Fire Saga. Olaf’s whole shtick is that he only likes one song, “Ja Ja Ding Dong”, which he awkwardly and angrily demands at every opportunity. At the contest, he tried to give Iceland’s 12 points to the song – twice. Few things are as hated at Eurovision as a country’s jury announcer talking too long before delivering the points, so this over-commitment to the bit did not go down well.
  • The Colour of Magic was first published on the 24th of November, 1983 (one day after the 20th anniversary of Doctor Who!), and so its 35th anniversary was two weeks before #Pratchat14, published on December 8, 2018. It originally had cover art of Great A’Tuin swimming through space painted by Alan Smith; the Josh Kirby art first appeared on the first UK paperback edition, published in March 1985. The Light Fantastic was first published on the 2nd of June, 1986, so we’re a bit closer to the anniversary this time around!
  • Liz’s “double book” is the combined edition of The Colour of Magic and The Light Fantastic published in 2008, to tie in with The Mob’s two-part television adaptation The Colour of Magic, which also combined both books. They had previously been collected as a single volume in 1999 as The First Discworld Novels.
  • Liz’s annoyance with the “cosmic turtle business” at the start of many of the earlier Discworld books is well documented in many previous episodes.
  • In The Colour of Magic, Krull’s spaceship the Potent Voyager is only vaguely described as being made of bronze and looking “like a great flying fish”. The graphic novel depicts it as fish shaped, but without the wing-fins of a flying fish.
  • The Rocket Clock is one of the clocks used by the Australian version of Playschool to help tell the time in the 1980s. (The other famous one is the Flower Clock.) As you might expect, it resembles a space rocket, with a clock on the top section, and a bottom section which rotates to reveal a small diorama connected to a theme explored in that episode. The original version of the clock, used from 1966 to at least the 1980s, is now in the collection of the National Museum of Australia.
  • Mr Squiggle was a long-running Australian children’s program starring puppet character Mr Squiggle, “the Man in the Moon”. It ran for forty years between 1959 and 1999. Mr Squiggle, who would arrive in “Rocket“, his smoke-belching impatient rocket ship, had a pencil for a nose. He would use it to turn “squiggles” – scribbles sent in by children – into pictures. Because he was a marionette, puppeteer Norman Heatherington was watching upside down from above, so a lot of his drawings were upside down. This led to him having to tell his assistant, who was holding the puppet’s hand to keep him still, that “Everything’s upside down, Miss Jane”. He would later inspire the title of #Pratchat55: “Mr Doodle, the Man on the Moon“.
  • In the tabletop roleplaying game Dungeons & Dragons, players create characters whose power is measured in “levels”. As they accumulate experience, they gain levels of power and new abilities. In the current edition all characters can reach up to level 20, with wizards learning more and more powerful spells as they level up. Ben has mentioned Dungeons & Dragons many times, as far back as #Pratchat4; his article “What Even Is Dungeons & Dragons?” is a good primer for the novice, though note it’s a little sweary.
  • The Necrotelicomnicon is mentioned in several books, including The Colour of Magic, Sourcery and Moving Pictures. It’s a pun on the Necronomicon, a fictional book of evil magic written by the “Mad Arab Abdul Alhazred” that appears in the stories of H. P. Lovecraft.
  • “Vancian magic” is the sort used in older editions of Dungeons & Dragons, in which a wizard must study their spell book and memorise a spell, fixing it in their mind, before they can cast it. Once cast, the spell leaves their mind entirely, and they must memorise it anew to cast it again. The name comes from the source that inspired this form of spellcasting, the “Dying Earth” books by American writer Jack Vance.
  • The comic with several different Joker origin stories is probably 2020’s Three Jokers, by Geoff Johns and Jason Fabok, which reveals that three of the stories are correct – there have been more than one Joker all along. But he’s had many other origin stories; this article from Screen Rant runs through many of them.
  • In case the pun is lost on you, timber is wood that’s been prepared for building, usually by being sawn into planks. Timbre is the quality of tone of a sound, especially a voice or musical instrument. You can think of it as all the things that distinguish two sounds of the same frequency from each other.
  • The Tooth Fairy – well, one of them at least – plays a major part in Hogfather (#Pratchat24). Buggy Swires is a gnome exterminator living in Ankh-Morpork; he returns in several books, starting with Feet of Clay (#Pratchat24). The pictsies known as the Mac Nac Feegle first appear in Carpe Jugulum (#Pratchat36).
  • Toadstool houses are the traditional homes of Smurfs, small blue creatures invented in 1959 by Belgian cartoonist Peyo. We previously talked about them in #Pratchat9, “Upscalator to Heaven“, about Pratchett’s second tiny people book, Truckers; and in #Pratchat36, “Home Alone, But Vampires“, about the book that introduced the Nac Mac Feegle, Carpe Jugulum. (There’s more detail about the Smurfs in the show notes for #Pratchat36.)
  • Lonely Planet is a prominent publisher of travel guides for tourists on a budget. In the pre-smartphone days every backpacker bought a Lonely Planet guide to the country where they were headed, but in recent years – especially since the global pandemic – their business has waned. The company was started in Australia by Maureen and Tony Wheeler in 1972, but was later sold to the BBC and is now owned by Red Media, the company behind CNET, Metacritic and GameSpot, among other prominent online media outlets.
  • Pratchett writes about tiny people many times, including in his first novel The Carpet People, the Bromeliad trilogy (Truckers, Diggers and Wings), and the various tiny denizens of the Discworld, most prominently gnomes and pictsies.
  • While houses made of food or confectionary date back further, the gingerbread cottage appears in the fairytale of “Hansel and Gretel”, collected and published by the Brothers Grimm in 1812. “Hansel and Gretel” is the archetypal story of Aarne–Thompson–Uther type 327A. Pratchett returns to the idea in the witches books, especially Wyrd Sisters (#Pratchat4). The witches refer to Aliss Demurrage, aka “Black Aliss”, as a witch who worked some of the greatest magic, but also as a cautionary tale: she built a gingerbread cottage, a sure sign she’d gone to the bad, and by the end was making poisoned apples before she was pushed into her own oven by children she was trying to eat. (Her cottage is also said to be in Skund, leading some Pratchett fans to suggest that Granny Whitlow was an alias she used to lure children.)
  • The Rite of AshkEnte is performed here, and also in Mort (when it summons Mort as well as Death), Reaper Man, and Soul Music (where it summons Susan). Death tends to show up without needing to be asked in later books.
  • We have a play with the famous “you have my sword” sequence from the film Lord of the Rings: The Fellowship of the Ring, which doesn’t appear in the book. (Frodo does say “I will take the Ring to Mordor!” and then “Though I do not know the way” in the book, but Elrond decides who will accompany him after the council is over.) Here’s the dialogue from the movie:

Frodo: I will take it. I will take it. I will take the Ring to Mordor. Though… I do not know the way.
Gandalf: I will help you bear this burden, Frodo Baggins, as long as it is yours to bear.
Aragorn: If by my life or death I can protect you, I will. You have my sword.
Legolas: And you have my bow.
Gimli: And my axe!

The Lord of the Rings: Fellowship of the Ring (2001, dir. Peter Jackson)
  • You can find Fury’s drawing of the Luggage as Trunkie from The Last Continent in the notes for #Pratchat29, “Great Rimward Land“.
  • The Last Continent was published twelve years after The Light Fantastic, in 1998, so Liz was pretty close with her guess of ten years.
  • Liz suggests the Luggage might have “a chamber full of pigs?” in reference to the “having your enemies’ corpses eaten by pigs” method of getting away with murder. This features prominently in the television series Deadwood and Guy Richie’s film Snatch. You can find a list of uses as the “Fed to Pigs” trope on TV Tropes. Ben also mentions a bath full of (Hollywood style) acid, most famously used by Walter White in Breaking Bad.
  • Pratchett uses the Megalith pun in Lords and Ladies: “It was always cheaper to build a new 33-MegaLith circle than upgrade an old slow one.” This is a pun on MegaHertz (MHz), the unit used to measure the clock speed or clock rate of computer processors – in simple terms, how many instructions they execute per second. In the 1980s, home computers used chips like Intel’s 386, which had speeds of between 16 and 40 MHz. While it was used heavily in marketing, clock speed was not a sure measure of computer performance.
  • Pratchett moved to Broad Chalke in Wiltshire in 1993, seven years after The Light Fantastic was published. Before that he lived in the village of Rowberrow, Somerset, about 67 kilometres (or about 42 miles) to the northwest. He was never very far from many sites of ancient interest, but Broad Chalke was only a stone’s throw (sorry) from Stonehenge.
  • There are several stone circles better than Stonehenge, depending on who you ask and how you define “better”, but the one at Avebury is about 30km to the north and much, much bigger. Longtime British YouTuber Tom Scott made this video about it.
  • The Small Faint Group of Boring Stars is mentioned again in The Last Continent; the wizards travel quite far back in time, to an age when the stars were much closer and less faint (though possibly just as boring).  
  • The Free and Sovereign State of Yucatán is one of the 52 states of Mexico. There are several theories behind its name, and there are two versions of the “Your Finger You Fool” type: one involves the Mayan phrase Ma’anaatik ka t’ann, or “I do not understand you”, and the other uh yu ka t’ann, or “hear how they talk”. Another involves the casava plant, known locally as yuca (see #Pratchat41, “The Adventures of Crab Boy and Trouser Girl” for more on this plant) which was cultivated in the area, the name Yucatá meaning “land of yucas”. A third one suggests the name comes from the local Chontal Maya people, who call themselves the Yokot’anob or Yokot’an, meaning “the speakers of Yoko ochoco“.
  • Cohen is not in fact mentioned in The Colour of Magic; this is the first time we meet him.
  • The famous “What is best in life?” dialogue was made famous by Arnold Schwarzenegger in the 1982 film Conan the Barbarian, based on the Conan stories of Robert E Howard. The lines in full are below; they don’t appear in Robert E Howard’s stories, but are instead inspired by words attributed to Genghis Khan himself…

Mongol General: Hao! Dai ye! We won again! This is good but what is best in life?
Mongol Soldier: The open steppe, fleet horse, falcons at your wrist and the wind in your hair.
Mongol General: Wrong! Conan, what is best in life?
Conan: To crush your enemies, see them driven before you and to hear the lamentation of their women.

Conan the Barbarian (1982, dir. John Milius)
  • The people around the breakfast table in The Truth are Mr Windling and the other lodgers at Mars Arcanum’s guest house, where William de Worde lives. He doesn’t tell them he’s the editor of The Ankh-Morpork Times. (We covered The Truth in #Pratchat42, “Truth, the Printing Press and Every -ing“.
  • The cover art we’re talking about is the Josh Kirby art for the Corgi edition, still mostly in use today. You can find it on the official Josh Kirby website.
  • The “uncanny valley” describes the discomfort felt at seeing an artificial creature that is very like, but not mistakable for, the real thing. It can apply to anything living but is strongest – and most often used – to refer to the effect produced by androids and computer-generated representations of faces. There are many theories that try and account for why these things creep it out.
  • In Stanley Kubrick’s 1980 film version of The Shining, based on Stephen King’s 1977 novel, a pair of creepy twins appear as ghosts. The “Grady twins” are not twins in the book, but sisters aged 8 and 10, and are only mentioned, rather than appearing as ghosts. In the film, they appear to the young psychic Danny Torrance, dressed identically and speaking to him in unison saying “Come and play with us” – now a famous classic line of horror cinema. Though Kubrick denied it was intentional, many have pointed out that the look of the twins in the film resembles the photograph Identical Twins, Roselle, New Jersey, 1967 by American photographer Diane Arbus.
  • Mort was published in November 1987, so about seventeen months after The Light Fantastic. Liz’s guess of seven months is spot on for the third Discworld book, though – Equal Rites was published in January 1987!
  • It was announced on the 28th of April, 2020 that Narrativia had made an exclusive new deal with Motive Pictures and Endeavour Content to produce “definitive” and “absolutely faithful” Discworld adaptations for the screen. So far no actual productions have been announced, but the Narrativia website now has sections for all of the major Discworld screen projects of the last decade or so. The page about the new Discworld deal still lists only the initial agreement.
  • The extra space in Death’s House is described near the start of Soul Music, when Death watches Albert flit from the edge of his impossibly large office to the edge of the carpet around his desk:

Death gave up wondering how Albert covered the intervening space when it dawned on him that, to his servant, there was no intervening space…

Pratchett, Soul Music (1994)
  • By season three of The Good Place, the humans who are at the centre of the show have been exposed to a lot of the weirdness that exists beyond the material world. Near the end of the season, an accident in the “Interdimensional Hole of Pancakes” sends Chidi briefly to another realm, and when he returns he describes it like this:

Chidi Anagonye: I… I just saw a trillion different realities folding onto each other like thin sheets of metal forming… a single blade.

Michael: Yeah yeah, the Time-Knife. We’ve all seen it.

The Good Place, season 3 episode 12, “Chidi Sees the Time-Knife” (2019)
  • The Untempered Schism is “a gap in the fabric of reality from which can be seen the whole of the Vortex” of space and time. It’s introduced at the end of the third season of the revived Doctor Who in the penultimate episode, “The Sound of Drums”. The Doctor explains that it’s an initiation rite for young Gallifreyans, who at the age of eight must stare into it; according to him, “some would be inspired, some would run away, and some would go mad.” He says he ran away; the Master instead went mad, constantly hearing “the drumming”, though this is later revealed to be more than it seems.
  • The Doctor Who universe influencer jokes refer to the city of New New York, as introduced in the episode “New Earth”; the “EarPods” used by alternate universe Cybermen to control and convert humans, as seen in the two-part season two story “Rise of the Cyberman”/”The Age of Steel”; and the Adipose, a species of creatures whose cute babies could be incubated in a human body by accumulating fat tissue, under the guise of a diet pill, as seen in the season four opening episode “Partners in Crime”. The idea of influencers in the Whoniverse isn’t a million miles away from the later BBC fiction podcast Doctor Who: Redacted, published in April 2022, which features a gang of podcasters who follow a conspiracy theory about a blue box associated with mysteries throughout human history.
  • Icelandic names are subject to some fairly strict conventions, overseen by the Icelandic Naming Committee. There’s a list of around 4,000 traditional Icelandic names which can be used freely, but new names must be approved by the committee. In addition, by convention Icelandic people take either their father’s or mother’s name as a surname, appended with -son, –dottir or (since 2019) –bur for son, daughter or child, respectively. Episode 87 of The Allusionist podcast, “Name v. Law”, covers some of this in detail, though note it was released in 2018, before the change allowing non-gendered suffixes. The Allusionist returned to Icelandic names in December 2021 for episode 147, the second of the two-part story, “Survival: Today, Tomorrow” about trying to change the Icelandic language.
  • “That bit in The Hobbit” is Chapter II, “Roast Mutton”, when Bilbo is scouting ahead of the company of dwarves and comes upon three trolls named William, Bert and Tom. Bilbo is caught picking a troll’s pocket (Tolkien trolls wear trousers!), and he and the dwarves are caught. Gandalf manages to keep all three trolls arguing with each other, distracting them until the sun comes up and turns them to stone.
  • 5G, short for fifth-generation, is the name given to the newest mobile communications network technology being rolled out around the world. 5G is capable of far greater data transfer speeds than its predecessor 4G, at least at short range. It has been the subject of many conspiracy theories that claim it causes health problems in humans, despite a lack of any evidence that this is true. These theories mutated during 2020 to suggest that 5G caused or spread COVID-19, and they were believed enough that 5G towers in several countries were vandalised.
  • Lackjaw does indeed describe himself as “of the dwarfish persuasion“.
  • The magic shop trope can be traced back as far as H. G. Wells’ stories The Crystal Egg (1897) and The Magic Shop (1903). TV Tropes lists it as “The Little Shop That Wasn’t There Yesterday” and has many other examples. Pratchett revisits it in a more traditional way in Soul Music (discussed by us in #Pratchat19, “It Don’t Mean a Thing if It Ain’t Got Rocks In”), where Buddy buys his guitar. It’s not the same shop, though – the proprietor is an old woman who seems quite happy with her lot, and she seems to sell only musical instruments.
  • We keep mentioning Howl’s Moving Castle, so it’s probably a good idea for us to do that Diana Wynne Jones episode we keep talking about. Previous episodes where this book have been mentioned include #Pratchat17, #Pratchat26, #Pratchat30 and #Pratchat43. In a nutshell: Howl is a wizard who lives as a recluse in a castle that not only can move from place to place, but has a magical front door that can open in one of several fixed locations.
  • Cane toads, Rhinella marina, are native to the Americas and were introduced to Australia from Hawaii in 1935 for purposes of pest control on sugar cane farms. We previously talked about them in #Pratchat22, “The Cat in the Prat“, where we recommended in the episode notes the documentaries Cane Toads: An Unnatural History (1988) and its sequel, Cane Toads: The Conquest (2010). You can indeed still get various souvenirs made from dead toads; you can see examples at the website Souvenirs Australia (though it’s not a pretty sight).
  • The “critical Black Mass” pun is not about wizards or gods, but rather books of magic. It comes up in a description of the library as Trymon heads there to bribe the Librarian while the wizards are still speaking to Death.
  • Bethan is not mentioned in Interesting Times. Rincewind does mention in Sourcery that he was a guest at Cohen’s wedding to “a girl of about Conina’s age”, but Bethan isn’t mentioned by name and Rincewind gives no indication that he knows how the marriage went.
  • We looked up Echidna penises for #Pratchat12, “Brooms, Boats and Pumpkinmobiles“.
  • Rincewind will return in The Last Hero, The Science of Discworld II: The Globe, The Science of Discworld III: Darwin’s Watch and The Science of Discworld IV: Judgment Day. He’s also a minor character in Unseen Academicals, and mentioned briefly in Raising Steam.
  • Michael Moorcock’s “Wizardry and Wild Romance: A Study of Epic Fantasy” is less an essay, and more of a book, first published in 1987. An expanded edition, now 206 pages long, was released in 2004.
  • Blades in the Dark is a tabletop roleplaying game written and designed by John Harper and published in 2015. It’s set in an “industrial-fantasy” world, and players form a company of criminals who try to stake a claim for themselves in the inescapable city of Duskvol, surrounded by horror and haunted by deadly ghosts. Among its distinctive features are a system of retroactively planning heists and packing gear, which gets you into the action quicker. If industrial-fantasy isn’t your thing the system has also been used to make several other games in other genres.
  • Campaign settings are the various fantasy worlds used for Dungeons & Dragons and other games which aren’t tied too much to a specific universe. D&D has a large number of these covering various sub-genres of fantasy, from the post-apocalyptic sword and sorcery of Dark Sun to the gothic horror of Ravenloft. There are too many to list them all, since aside from the dozens of official ones there are many more published independently. (Ben’s favourite is probably Planescape, which both ties together all the others in a weird multiverse, and introduces an interdimensional hub city on the inside of a ring in the theoretical centre of everything.)
  • Mage: The Ascension, first published in 1993, was the third game in the World of Darkness series of modern horror roleplaying games, following Vampire: the Masquerade and Werewolf: the Apocalypse. Mage is also effectively a sequel to the earlier game about medieval wizards, Ars Magicka, but in the modern world the rise of science and rational thought means magic doesn’t work like it used to.
  • Cavaliers of Mars by Rose Bailey is the latest in a fine tradition of games that seek to emulate the “planetary romance” genre of fiction. These were science fiction or fantasy stories from around the turn of the twentieth century in which the fantastic adventures take place on other worlds – either in our own solar system as in A Princess of Mars by Edgar Rice Burroughs (adapted as the hugely underrated film John Carter), or in other galaxies entirely – for example, James Herbert’s Dune is sometimes classified as a planetary romance.
  • The Old-School Renaissance or Revival – usually abbreviated to OSR – is a movement in roleplaying game communities which prefers the early versions of Dungeons & Dragons and similar games from the 1970s and 1980s. There are now many games that seek to recapture the feel of those games, either by re-implementing the original rules (a genre known as “retro-clones”) or writing games with more modern rules but the old-school philosophy in mind. Exactly what that philosophy is varies according to who you ask, but it usually means a smaller set of rules, and more reliance on both player skill (as opposed to rules which emulate the skill of the characters being played) and rulings by the Game Master (who OSR games often call the referee). Famous examples include Torchbearer, The Black Hack, Dungeon Crawl Classics, the Old School Reference and Index Compilation (OSRIC) and Old-School Essentials. Dungeon World isn’t usually counted as an OSR game, but it has many similarities. (It’s a translation of D&D-like fantasy into the now super popular “Powered by the Apocalypse” framework, created by Meguey & Vincent Baker for their post-apocalyptic RPG Apocalypse World.)
  • The six flavours of quarks are up, down, charmed, strange, top and bottom. “Flavour” is the name given to unique combinations of other characteristics like spin and charge; it’s sometimes also called “species”. Quarks form other particles, like neutrons and protons, when three of them are combined in different flavour combinations.
  • The World War II realtime Twitter account is @RealTimeWWII. It tweets “on this day” war events from the years 1939 to 1945, and is currently up to 1943 on its second time around.
  • In Chinese numerology, four – 四 (Anglicised as sì or sei) – is inauspicious because it sounds like the word for “death”, 死 (sǐ or séi). This causes as serious an aversion as Europeans traditionally have to the number thirteen, and just as some might have triskaidekaphobia, in China and other parts of East Asia, tetraphobia is common enough that buildings do not number floors using the digit 4.

#Pratchat57West5 Notes and Errata

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These are the episode notes and errata for bonus Pratchat episode 57 West 5, “Daniel Superbaboon“, discussing the 1986 short story “The High Meggas“.

Notes and Errata

  • The episode title is…well, if you’ve read the story, you get it. Ben would share his draft title idea, but he’s actually pretty sure it will work even better for The Long Mars, so we’ll wait until that episode comes out.
  • Our previous Long Earth episodes are #Pratchat31, “It’s Just a Step to the West“, and #Pratchat46, “The Helen Green Preservation Society”. We talk about The Long Mars in #Pratchat57, “Get Your Dad to Mars!”
  • “The High Meggas” was first published in 2012 – but A Blink of the Screen wasn’t actually its first appearance! The Long Earth was published four months earlier, and one of the first editions – specifically the “Iron Edition” with a metallic cover, produced in an edition of 8,000, mostly for Waterstones – included the short story at the end, along with an author’s note which seems to match the one in A Blink of the Screen. Interestingly, Colin Smythe’s website suggests that the story was written “in late 1985 or early 1986 after completing Equal Rites“, which contradicts Pratchett’s introduction, which places it in between The Colour of Magic and The Light Fantastic. Either timeline works, though The Colour of Magic would have been sent to Colin Smythe years before 1985, since it was published in 1983. This could mean Smythe is right, and the story was actually written between The Light Fantastic (published in June 1986) and Equal Rites (published in January 1987, and so written in 1986). But if Pratchett’s recollection is correct, it’s possible he was just doodling with these ideas for years – which certainly makes sense given how developed the concepts are in “The High Meggas”.
  • “Hard science fiction“, as we explained in the notes for #Pratchat31, is “realistic” science fiction that tries to stick to established science, or plausible extensions of it.
  • The “fan on speed-dial” was David Langford, an editor and writer who became one of Pratchett’s close friends. He was one of the first people to review The Colour of Magic and The Light Fantastic in their first editions, both for White Dwarf magazine, and as a result was asked to give a reader review for the manuscript of Equal Rites by Gollancz. His feedback was well received, and he continued to provide notes at an early stage for each novel thereafter, eventually corresponding directly with Terry via letters and email. He wasn’t just on call to prevent the repetition of jokes, but also to act as part of a collective Discworld encyclopaedia (this was in the days before wikis, remember). This arrangement continued up to Thud! As well as a long list of non-fiction and short fiction, Langford write a novel that Pratchett loved, The Leaky Establishment, and edits the long-running and multiple Hugo Award-winning fanzine Ansible, which is still going today. (It’s named after a term for a long-distance communicator coined by Ursula Le Guin in her 1966 novel Rocannon’s World.) Dave also compiled the two Discworld quiz books, Unseen University Challenge and The Wyrdest Link. You can find out more about Dave and Ansible at ansible.uk.
  • Libertarianism – the philosophy or political position of libertarians – believes in maximum personal freedoms, usually (if we may editorialise) the detriment of society as a whole. It’s particularly popular in the United States, where it’s linked to some of the ideas behind the founding of the country and its split with the United Kingdom, but in practice it usually means a resistance to all forms of government intervention, both personally and in the free market ideal of capitalism, and usually a strong distrust of authority. Its influence on the politics of America, and particularly the Republican Party, has been profound, especially over the last four decades or so.
  • Ron Swanson – played by the wonderful Nick Offerman – is a character in the American sitcom Parks and Recreation (2009-2015). Swanson is the Director of the Parks and Recreation Department of Pawnee, Illinois, but despite his senior role in local government is a staunch libertarian who tries to reduce his department’s activity as much as possible. (He’s a big softie at heart, though, which is why we love him.)
  • The “double-tap” rule is the idea in fiction that competent killers always make sure their target is dead, usually by shooting them twice. It comes from the military term “double-tap”, which means to shoot twice in rapid succession – a technique introduced in the 1930s to overcome limitations of full-metal jacketed ammunition. (We’d rather not go into any more detail about the history of making sure guns can kill people, but if you’ve the stomach for it some of the details are quite interesting.)
  • We filmed a special video discussion of The Carpet People for the Australian Discworld Convention, which was played as part of their Virtual Discworld Fun Day on 18 June, 2022. It’ll be released publicly soon, and we’ll link to it when you can watch it. Because it’s a discussion of the differences between the two versions of the book, and we show off the illustrations in the original, we don’t plan to release it as an audio-only episode of the podcast. Subscribers and one-off supporters already have access to a special annotated version of the video on Ko-Fi titled “A Tale of Two Carpets”. You’ll need to be a Ko-Fi donor or member to access it, and to log in. (See the Support Us page for more about how that works.)
  • Terry’s early short stories for children have been published in four volumes: Dragons at Crumbling Castle (2014), The Witch’s Vacuum Cleaner (2016), Father Christmas’s Fake Beard (2017) and The Time-Travelling Caveman (2020). These are collected from those he wrote for the Bucks Free Press between 1965 and 1973 (so between the ages of 17 and 25, skewing towards the younger end), though the third volume contains some later Christmas-themed stories as well. In his introduction to Dragons at Crumbling Castle, the only volume published before his death, Pratchett says the stories are “mostly as they were first printed”, with just “the odd tweak here, a pinch there, and a little note at the bottom where needed, and all because the younger me wasn’t as clever back then as he turned out to be.”
  • Ben couldn’t find the quote he mentions about the difference between fantasy and science fiction. Pratchett has certainly had much to say about both, but he doesn’t make such a clear distinction between the two; he’s said both that science fiction is a modern sub-set of fantasy, and something to the effect that science fiction is fantasy with bolts painted on the outside. There are multiple versions of that last one, but Ben couldn’t find a source, so treat it with a grain of salt, even if it’s definitely the sort of thing Pratchett would say.
  • The Expanse is a series of nine novels (and associated shorter fiction) beginning with 2011’s Leviathan Wakes. The books are written by “James S. A. Corey”, a pseudonym for writers Daniel Abraham and Ty Franck, who came up with the idea initially as a setting for a roleplaying game. The story takes place in a realistic 24th century future in which humans have colonised Mars and parts of the asteroid belt, and combines hard sci-fi, inter-planetary politics and class warfare with more fantastic sci-fi ideas. It was adapted for television over seven seasons between 2015 and 2022, first by SyFy, then Amazon Prime for seasons four through seven.
  • Liz’s specialist subjects have been brought up by her on the podcast before:
    • Queen Victoria Markets and (to a lesser extent) the Melbourne General Cemetery were both mentioned in #Pratchat34, “Only You Can Save Deadkind“
    • We just recently talked about magician Will Alma in #Pratchat54, “The Land Before Vimes“
  • We discussed “#ifdefDEBUG + ‘world/enough’ + ‘time'”, Pratchett’s 1990 story about machine-created artificial realities, in #Pratchat56, “do { Podcast(); } while (unreadPratchetts > 0);“.
  • In The Long Earth, the asteroid, comet or whatever it is that destroys the Earth of the Gap doesn’t yet have a name. It’s christened “Bellos” by the nerds at GapSpace, as we learn in Chapter 31 of The Long War, after the rogue planet in the 1951 film When Worlds Collide.
  • We did indeed discuss fuel weight and other considerations of air travel, especially on Concorde, in our episode about Wings, the third and final book in Pratchett’s Bromeliad trilogy. That was in #Pratchat20, “The Thing Beneath My Wings“.
  • Roger Moore was the third actor to play James Bond in the official series of films from Eon Productions, taking on the role in seven films between 1973 and 1985. “The High Meggas”, assuming it was written in 1986 (see the third note at the top of this page), was actually written in between Moore’s final Bond film and the first of his predecessor, and Ben favourite, Timothy Dalton. It’s also worth noting that while this story certainly does delve into “real Bond areas”, the stock character of the femme fatale is much older.
  • Robinson Crusoe is the titular protagonist of Daniel Defoe’s 1719 novel, The Life and Strange Surprizing Adventures of Robinson Crusoe, of York, Mariner: Who lived Eight and Twenty Years, all alone in an un-inhabited Island on the Coast of America, near the Mouth of the Great River of Oroonoque; Having been cast on Shore by Shipwreck, wherein all the Men perished but himself. With An Account how he was at last as strangely deliver’d by Pyrates. Written by Himself. Standards for titles have changed a lot in three hundred years.
  • “Manumission” is an obscure word these days; it’s a term for a slave owner freeing their slaves. Modern descriptions of such acts would more likely use the less specific terms “enfranchisement” or “emancipation”.
  • A quick guide to the other references we mention in passing:
    • Marion Robert Morrison (1907-1979), better known by his screen name John Wayne, was an American actor best known for playing heroes in Western and war films during the Golden Age of Hollywood. He was also an outspoken conservative and supporter of the Republican Party, and held some pretty horrendously racist views.
    • Captain Nemo is the captain of the Nautilus, the mystery submarine in Jules Verne’s novel Twenty Thousand Leagues Under the Sea. We previously talked about that book in #Pratchat27 and #Pratchat31, and about its sequel, The Mysterious Island, in #Pratchat45.
    • Daniel Boone (1734-1820) was a real person – a pioneer who founded European settlements in Kentucky. He published an account of his “adventures” in 1784 and became a folk hero during his own lifetime. He’s been idolised (and idealised) ever since, notably in a popular American television series that ran from 1964 to 1970 and was also broadcast in Australia.
  • While it does seem like a modern idea, even in 1986 proxy wars and secretly state-funded militias were a familiar feature of the Cold War (and go much further back in history). The Soviet-Afghan War ran from 1979 to 1989, and provided an excuse for America and other countries to supply funds and arms for Mujahideen insurgent groups to use fighting the Russian-backed Democratic Republic of Afghanistan. After the fall of the Soviet Union, their forces left Afghanistan, and a few years later the country’s government was toppled and the Taliban took over.
  • Liz loves to mention The Shawshank Redemption – it’s probably her most “left ear” conversation topic! Previous mentions include #Pratchat14, #Pratchat28, #Pratchat38, #Pratchat47 and #Pratchat53.
  • How to Host a Murder is the most famous brand of murder mystery party game. The series was first published by Decipher Inc between 1983 and 2003. They were hugely popular for a decade or so, with around two dozen published, including ones themed for teenagers and children, and even one set in the world of Star Trek: The Next Generation. Players take on the roles of guests at a dinner or other party where a murder (or sometimes another crime) has been committed, and every one of them is a suspect. Over several rounds (and between courses; it’s designed to played over dinner), players are guided by an audio recording and individual booklets, which give them secret information about themselves and other guests. Through conversation they are meant to reveal some of this information, gradually gathering enough clues together to try and work out who committed the murder. (No-one – not even the murderer – knows who did it until the end.) The series is pretty light-hearted, and often silly, with lots of puns, corny jokes, over the top characters and outlandish themes. If you’re thinking of picking one up (and they show up often in charity shops, since you can’t play the same one twice), note that some – especially the earlier ones – also feature plenty of lazy racist and sexist tropes that wouldn’t fly today.

More notes coming soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat59 Notes and Errata

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These are the episode notes and errata for Pratchat episode 59, “Charlie and the Whale Factory“, discussing Pratchett’s 2005 collaboration with Ian Stewart and Jack Cohen, The Science of Discworld III: Darwin’s Watch.

Iconographic Evidence

Feast your eyes on this video of Kat’s extraordinary Pratchett shelf!

Notes and Errata

  • The episode title is of course inspired by Roald Dahl’s 1964 children’s novel Charlie and the Chocolate Factory, in which young Charlie Bucket manages to find a “golden ticket” admiring him to the magical factory of weird chocolatier Willy Wonka. We’re not entirely sure if Charlie Darwin would rather have encountered the oddities of Wonka’s factory, but he certainly didn’t seem to have enjoyed seeing the God of Evolution’s whale production line… The book was memorably filmed in 1971 as Willy Wonka and the Chocolate Factory, with Gene Wilder playing the part of Wonka, though Dahl did not like it. It was a modest success at the time, but became a cult classic in the 1980s when it was frequently broadcast on television. A 2005 adaptation using the same title as the book was directed by Tim Burton and starred Johnny Depp as Wonka, but the less said about that the better.
  • We discussed The Science of Discworld II: The Globe in #Pratchat47, “A Finite Number of Shakespeares“, with guest Alanta Colley. We felt afterwards we hadn’t adequately expressed all of our feelings about it, so we discussed it a bit more in episode seven of our bonus subscriber only podcast, Ook Club, released in October 2021.
  • We’ve previously mentioned Richard Dawkins in #Pratchat29 and #Pratchat47. His early books on evolution are good, and The Blind Watchmaker, published in 1986, makes a great companion piece to Darwin’s Watch. But in the early 2000s he became more and more focused on being anti-religion, and in 2006, a year after The Science of Discworld III, he published The God Delusion, which argued that any belief in a god was delusional. It became his best selling work. He has continued to attract controversy over the years, thanks to his large audience and his perceived position (until fairly recently) as a representative for atheists, whether they want him or not. He’s made enough problematic statements that there’s an entire Wikipedia article titled “Views of Richard Dawkins“.
  • Redshift is an increase in the wavelength of electromagnetic radiation, including visible light, that occurs when observing objects which are moving away from us – making the light from very fast moving objects over large distances appear redder than it truly is. This is mostly observed with the light from distant stars as the universe expands. It can happen in the opposite direction too, with the wavelengths getting shorter, which is known as blueshift. Kat mentions Terry’s use of it in Thief of Time; she also mentioned that it appears in Thud! but we cut that as we didn’t want to spoil a book we’ll be covering very soon.
  • You can get a good overview of Monopoly‘s history as The Landlord’s Game via episode 189 of the 99% Invisible podcast, “The Landlord’s Game“. In recent years there’s been renewed interest in Elizabeth Magie’s original 1904 game, which tried to popularise Georgism, an alternate form of land tax. You can find out way more about it at landlords-game.com. Meanwhile, if you still think the modern game is fair, check out this monopolynerd.com blog post from 2012 which breaks down the probability of getting a full set of properties through luck (i.e. landing on them and buying them, without having to trade with other players), based on turn order.
  • I’m You, Dickhead is officially available for free here on YouTube. Note that it really lives up to the title; there’s swearing and the protagonist truly is a dickhead.
  • Bees and wasps (and ants) are members of the order Hymenoptera, a group of insects that includes more than 150,000 species. Spider wasps, the parasitic wasps which prey on spiders, are in the family Pompilidae; there are around 5,000 species of them, most of which specialise in specific kinds of spider.
  • The telephone is usually attributed to Alexander Graham Bell, who was the first American to be granted a patent for the device in February 1876. But even at the time this was controversial; rival inventor Elisha Gray also filed for a patent the same day, and Bell’s patent was suspended for three months so the matter could be settled – which it was, eventually, in Bell’s favour. But there are plenty of good reasons to think this wasn’t entirely fair or just… (Ben didn’t mean to conflate this dispute with the War of the Currents, but they two conflicts have a very similar vibe.)
  • Elizabeth Fulhame was a chemist lived in Edinburgh in the late 18th century, though some details of her life are lost to history. The book from which Kat quotes is An Essay On Combustion with a View to a New Art of Dying and Painting, wherein the Phlogistic and Antiphlogistic Hypotheses are Proved Erroneous, which she published in 1794. Catalysis, which she describes in the book, is the now commonplace practice of speeding up a reaction between two chemicals by using a third substance, a catalyst, which isn’t affected by the reaction.
  • Kat is remembering The Science of Doctor Who, which did indeed star Brian Cox and was broadcast on BBC Two in November 2013 as part of the programme’s fiftieth anniversary celebrations… Which means Ben has it one the Blu-Ray box set he has of all those anniversary specials!
  • We’ve previously mentioned the cellulose billiard balls way back in #Pratchat1, “Boots Theory” (about Men at Arms), and #Pratchat10, “We’re Gonna Need a Bigger Broomstick“ (about Moving Pictures). The 99% Invisible episode about the invention of cellulose mentioned by Ben is The Post-Billiards Age from May 2015, which we also mentioned in both of those episodes.

More notes coming soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat59 – Charlie and the Whale Factory

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Scientist, writer and editor Dr Kat Day joins Liz and Ben on a timey-wimey to Roundworld, as the wizards once again try to save humanity in Pratchett’s third collaboration with Ian Stewart and Jack Cohen: 2005’s The Science of Discworld III: Darwin’s Watch.

Roundworld – the impossibly non-magical universe in a bottle which runs on rules – has gone wrong again, and the wizards feel duty-bound to set it right. Humanity’s survival depends on the publication of a specific book, but something is trying very hard to make sure its author writes a different one…or gets eaten by a giant squid. With the fate of humanity hanging in the balance, the wizards go to war – but who is their hidden enemy? And why is there one beardy fellow too many in the Great Hall?

In the (short) fiction chapters, the wizards must once again travel into Roundworld history, this time with a clear mission: to get Charles Darwin onto the Beagle so he can write The Origin of Species. In the science chapters, Jack and Ian have a focus – the importance of the theory of evolution – but they also feel free to use the time travel plot to explain infinity, DNA, the nature of science and history, and much more besides. They’ve learned to stay away from the cutting edge – but have they come entirely out of the “philosopause” they didn’t seem to know they were in last time?

Does the plot rely too much on prior knowledge of the Discworld? Is that really a problem, given the nature of the book? Did you follow the explanations of Minkowski spacetime and the different kinds of infinity, or were you happy coasting across the science chapters? Do they completely miss the point in that last non-fiction chapter – and does it really matter, when the end of the fiction part is so satisfying? Join in the conversation using the hashtag #Pratchat59 on social media!

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Guest Dr Kat Day is a chemist, a former teacher, a medical editor and a writer of both science and fiction. Kat became well known via her chemistry blog The Chronicle Flask, which is currently on hiatus; you can also find her fiction at the fiction phial. Kat is also an assistant editor for Pseudopod, the horror fiction anthology podcast from Escape Artists. Kat recommended the story “Celestial Shores” as a possible entry point for Pratchett fans, as well as “Let the Buyer Beware” from Pseudopod’s sister podcast for young adult speculative fiction, Cast of Wonders. Over on Twitter you can follow Kat at @chronicleflask, and Pseudopod at @pseudopod_org.

As usual, you can find notes and errata for this episode on our web site.

Next episode Pratchett turns sixty! As promised back in #Pratchat30, we’re doing another all-questions episode. This is your chance to send in questions about books you missed first time round, pitch your wild Discworld theories, and ask us pretty much anything you like that doesn’t fit into the usual book-focussed episode. We’d also love you to answer our questions: what are do you enjoy most about the show? What kind of episodes do you wish we’d do? Which of our opinions have you most disagreed with? And have you learned anything from us? (Ben sure has!) Send us your answers, and questions, using the hashtag #Pratchat60, or via email to chat@pratchatpodcast.com.

Oh, and in November, get ready for a double-header: not only are we reading Thud! with educator Matt Roden for #Pratchat61, but we’re cooking up a bonus crossover episode! Yes, we’re teaming up with Jo and Francine from The Truth Shall Make Ye Fret, another great Pratchett podcast, to discuss Where’s My Cow?, the hottest children’s book in Ankh-Morpork. We thought we’d let you know a little early, since it might be tricky to track down a copy…

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat29 Notes and Errata

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These are the show notes and errata for episode 29, “Great Rimward Land“, featuring guest Fury, discussing the 1998 Discworld novel The Last Continent.

Iconographic Evidence

Feast your eyes on Fury’s glorious illustration of Trunkie!

Notes and Errata

  • This episode’s title puns on the Icehouse song “Great Southern Land“, a big hit in Australia which also featured on the soundtrack of Yahoo Serious’ 1988 Australian comedy film Young Einstein. In retrospect both the song and the film might have been expected to show up parodied in The Last Continent…
  • Our pre-show disclaimer uses the phrase “going off like a frog in a sock”. “Going off” on its own means to put a lot of energy or excitement into something, sometimes in anger, but in the frog idiom always in a fun way. Unusually for Australian slang, this isn’t ironic, just a straight-up metaphor; imagine you’ve caught a frog in a sock and it’s trying to get out, and you’ll get the idea. (And no, Australians don’t actually catch frogs in socks, this is strictly a thought experiment.)
  • The Kiwi-Aussie portmanteau is spelled “Kaussie“, whereas the slang for swimwear is “cossie“; it’s short for “swimming costume”.
  • The South Australian television personality who keeps getting in fights on the Internet is Cosi, host of South Aussie with Cosi, a travel show produced by Channel 9. (Not to be confused with Cosi, the play by Australian playwright Louis Nowra, previously discussed in #Pratchat23, “The Music of the Nitt“.)
  • “Swimming togs” comes from the British slang word “togs”, which just meant clothes. It’s one of a number of slang terms now archaic in the UK which have survived in some form in Australia.
  • Helen Zaltzmann is host of The Allusionist, a podcast about language, and one of Ben’s favourites. We’re sure she’d be the first to tell you that not every word – slang or otherwise – has a satisfying true origin story.
  • Stephen Briggs was a frequent collaborator with Terry, beginning with the original map of Ankh-Morpork. He also contributed to the diaries, The Discworld Companion and many other books outside the main novels. He adapted many of the books into plays, some of which have been published, and has read the audiobook versions of more than 30 of Terry’s novels. (Stephen Fry reads the UK editions of the Harry Potter audiobooks; if you’ve heard the US versions, those are read by Jim Dale.)
  • Mike Schur’s afterlife sitcom The Good Place set much of its third season in Australia, and copped much criticism from actual Australians for the quality of the accents. You couldn’t fault the jokes, though – or the punny names of the restaurants, shops and incidental characters in those episodes.
  • Pretty Little Liars is a teen mystery TV series based on the books by American YA author Sara Shepard. The UK accented character is antagonist Alex Drake, who shows up in season 7. We’d tell you more, but…spoilers.
  • The extreme Australian wizard slang originated in a reply to a tumblr post from about JK Rowling’s the introduction of the American term for muggle, “no-maj”; you can find the original here, but just in case it vanishes from Tumblr forever, we’ll immortalise the words of user edenwolfie here (and a quick warning – we haven’t censored the print version). We’d also like to point out that Australian wizards and witches would most likely spell it “muggo”.

I can just imagine the Australian word being some awful slang that’s derived from muggle, such as “mugo”.

Ah, I can imagine it now, wizards in thongs, drinking butter-VB yelling “You’re such a fucking mugo, you wandless cunt!”

edenwolfie, Tumblr, 11 November 2015
  • Minotaur is Melbourne’s biggest independent pop culture and science fiction bookstore. Many of Terry’s early Melbourne signings occurred at its original location on Bourke Street, but it moved to Elizabeth Street in 2000.
  • PhanCon ’98 was a one-off fan science fiction convention held in Sydney in 1998. Information on it is in short supply, but guests included Terry Pratchett and British fantasy author David Gemmell.
  • Comet Shoemaker-Levy-9 broke up in 1992 and smashed into the planet Jupiter in 1994, to much excitement (on Earth at least). It was named for astronomers Carolyn Shoemaker, Eugene M. Shoemaker and David Levy, who discovered it after it had been captured by Jupiter’s gravity into a decaying orbit.
  • English scientists did indeed doubt the reality of the platypus, which not only has a unique and wonderful anatomy, but is one of just two surviving monotremes – a group of mammals that lay eggs. (The other one is the echidna.) As well as its distinctive bill, it has sharp ankle spurs which in the male can inject venom, and the ability to sense electric fields as a way of locating prey.
  • The Dreaming is a sophisticated concept in the stories of Aboriginal cultures. It has a complex relationship to space and time, existing both long ago and now, but despite the name – which was coined by Europeans – it has nothing to do with dreaming. An older term, “dreamtime”, is generally no longer considered appropriate. We recommend reading up on the topic; one good place to start is this article at Common Ground.
  • Boomerangs bought in stores and thrown to return are, indeed, toys. Hunting and war boomerangs were generally much larger, sharpened, and often had one wing longer than the other.
  • The Adventures of Priscilla, Queen of the Desert is a 1994 Australian comedy film which was a surprise box office hit often considered hugely significant in the history of queer cinema. It follows two drag queens (Hugo Weaving and Guy Pearce) and a trans woman (Terence Stamp) as they travel from Sydney through the outback to perform in Alice Springs. Though initially praised for its queer-positive message, the portrayal of Filipino character Cynthia attracted widespread criticism for relying on racist stereotypes of Asian women common in Australia. Original writer and director Stephan Elliott adapted the film into a stage musical, Priscilla, Queen of the Desert, in 2006; the musical retains the characters and plot more or less unchanged, but hasn’t been criticised nearly as much for the character of Cynthia.
  • The opal fossils gallery at the South Australian Museum is still there, and you can see the skeleton Ben mentioned. The web site is sketchy on details, so we can’t confirm if it’s an Elasmosaurus or another species of plesiosaur, but we still recommend you check it out yourself!
  • The protagonist wizard (or at least wizarding student) in Moving Pictures was Victor Tugelbend. Other wizards not part of the regular faculty include Drum Billet, Archchancellor Cutangle, Simon and Esk (Equal Rites); Igneous Cutwell (Mort); Alberto Malich (Mort and most other Death novels); and Ipslore the Red (Sourcery).
  • Dirk Gently’s Holistic Detective Agency is more-or-less a mashup of two of Douglas Adams’ Doctor Who scripts: the unfinished Shada, and City of Death, which contributed the storyline about time-travelling aliens who crash on Earth in the distant past and spark life on the planet. There are other elements in it which are wholly original, perhaps most notably the Electric Monk. This description applies to the original novel; the television adaptations, especially the US one, are very different.
  • Mot was indeed a French cartoon series about a purple monster who could travel through time and space, taking his young friend Leo on various adventures. It was based on the French children’s comics created by Alfonso Azpiri. It was aired on Australian television in the late 1990s.
  • Thanks to listener and supporter Molokov, who pointed out that Rincewind’s magical ability to find “bush tucker” might be a reference to retired army Major Les Hiddins, aka “the Bush Tucker Man“. Hiddins researched Australian native foods as part of his army career by working with Aboriginal peoples, mostly in northern Australia. He came to national fame through The Bush Tucker Man television series on the ABC in the late 80s and early 90s. In each episode Hiddins, wearing his trademark larger-than-usual Akubra hat, visited a part of Outback Australia and introduced viewers to the local edible plants and animals. Hiddins wrote several books, and then disappeared onto a remote retreat he created in the bush for retired army service people, before returning to the public eye in 2019 with a new website: bushtuckerman.com.au
  • We discussed Interesting Times back in episode 21, “Memoirs of Agatea“.
  • Black Sheep was released in 2006, written and directed by Jonathan King with special effects by Peter Jackson’s Weta Workshop. It seems the main way to watch it now is via the Amazon Prime Video streaming service, though it should also be available on DVD.
  • Terry has not always had kind things to say about Rincewind; he suggested the wizard’s job is “to meet more interesting people” than himself, lamented Rincewind’s lack of an inner monologue, and did indeed feel like he was running out of things to do with an eternally cowardly character. Agatha Christie’s negative feelings about Poirot are well-documented, from as early as 1930; in a notable quote from 1960 she describes him as a “detestable, bombastic, tiresome, ego-centric little creep”. But she refused to kill him off because she felt she had a duty to keep writing about a character that was still so popular with the public.
  • Michael Moorcock was an English fantasy author who created a number of characters including Elric of Melnibone, one of several incarnations of “the Eternal Champion”, fated to be reborn through the ages and battle in the primeval war between the forces of Law and Chaos.
  • We discussed Only You Can Save Mankind in our previous episode, “All Our Base Are Belong to You“.
  • Skippy the Bush Kangaroo (aka Skippy) was an Australian family television series about an usually smart kangaroo who helped park ranger’s son Sonny have various adventures. It was very much in the mould of Lassie or Flipper. It ran from 1968 to 1970, and there was a brief sequel series in 1992 featuring Sonny as an adult. It was broadcast in most Commonwealth countries, as well as the US and many Spanish-speaking countries including Mexico, Cuba and Spain.
  • We’ve mentioned it before, but you can find the Annotated Pratchett File at the old L-Space Web site. Its successor is the L-Space Wiki.
  • The Moa is a large extinct flightless bird, similar to a Cassowary. Like many megafauna of Australia and New Zealand, they were hunted to extinction, in the Moa’s case by the Māori peoples.
  • “Jeremy Bearimy” is an explanation of how time works in the afterlife in the sitcom The Good Place. Rather than a straight line, the flow of time there resembles a curve which looks like a signature reading “Jeremy Bearimy”. The dot in the i (or tittle) is a weird separate bit of spacetime.
  • “Guzzaline” was the term used for petrol in Mad Max: Fury Road, the fourth Mad Max movie, released in 2015. It stars Charlize Theron as Imperator Furiosa, a driver for a despotic warlord in post-apocalyptic Australia. Tom Hardy appears as Max Rockatansky, the titular character, who was the protagonist of the previous three films, where he was played by Mel Gibson.
  • When Liz refers to Darwin, she means the city, which is the capital of Australia’s Northern Territory. It was named for Charles Darwin by John Clements Wickham during a subsequent voyage of the ship Darwin took on his famous voyage, the HMS Beagle.
  • In Jurassic Park, palaeontologist Alan Grant claims to know that the Tyrannosaurus rex – portrayed in the films as a ferocious predator – has vision “based on movement”. This is one of many things that make no sense in the film. Have a few drinks with Ben, or your local friendly palaeontologist, and they’ll tell you about some others.
  • Richard Dawkins is now best known for heavy-handed criticism of religion and, most recently, feeling the need to confirm that whatever you think of it, eugenics works. But he initially found fame for his pretty good books on evolutionary biology. In The Selfish Gene, first published in 1976, he popularised the idea that the gene is the basic and most important unit of evolutionary information, and also coined the term “meme”, meaning the behavioural or cultural equivalent of a gene.
  • Historians, archaeologists and anthropologists frequently find evidence that revise the likely length of Aboriginal culture’s existence in Australia about every six months – usually making it older. Current estimates range from 50,000 to 125,000 years.
  • You can read about the Sydney baboon escape from late February 2020 in this article at The Guardian – written by previous Pratchat guest, Stephanie Convery! (Steph was a guest in #Pratchat2, and later returned for #Pratchat42.)
  • You certainly used to be able to get tea-towels and such that were supposedly from “Didjabringabeeralong, The Outback”, but these days we’d like to think we’re a bit more culturally sensitive. The unique names of many Australian towns and cities – like Wagga Wagga, Geelong and Nar Nar Goon – are drawn from local Aboriginal languages, many of which have been lost as those peoples were displaced or massacred by Europeans.
  • Tank Girl is a punk-inspired comic book series by created by British writer Jamie Hewlett and artist Alan Martin. Tank Girl is the main character, who lives in a tank in post-apocalyptic Australia. She’s accompanied on her adventures by her mutant kangaroo boyfriend, Booga. The comic was adapted into the 1995 film Tank Girl, directed by Rachel Talalay and starring Lori Petty as Tank Girl and Naomi Watts as her friend Jet Girl (who has a jetpack), with Malcolm McDowell as the antagonist. It has a cult following but was not a big success.
  • Listener Ian Banks in our Discord pointed out that another, probably more likely inspiration for the anthropomorphic animals is The Magic Pudding, a 1918 children’s book written and illustrated by famous Australian artist Norman Lindsay. The story’s main characters are Bunyip Bluegum (a koala person), human sailor Bill Barnacle, and Sam Sawnoff (a penguin person). The titular pudding, Albert, has a face, arms and legs, and regenerates, so he can supply an infinite amount of food. The story also features “pudding thieves” Patrick and Watkin, a possum and wombat respectively.
  • We want to make it clear that despite Liz’s hangups, marsupial pouches are not dirty; kangaroos lick theirs clean before their joeys enter them.
  • Barry McKenzie, a creation of Australian comedian Barry Humphries, began life as a comic strip character in the pages of UK comic magazine Private Eye in 1964. A parody of the Australian abroad, he is a hard-drinking, womanising, simple-but-forthright “larrikin” who gets himself into various scrapes. He was played by singer and actor Barry Crocker in two films in the 1970s, which also introduced Humphrie’s long-running character Dame Edna Everidge, who is Barry’s aunt. The films nearly killed director Bruce Beresford’s career, but he later went on to find fame and success, with such big films as Driving Miss Daisy and Mao’s Last Dancer.
  • “Squids” in the book is almost certainly a pun on “quid”, slang for a pound sterling in the UK and pre-decimal Australia. It’s still used occasionally as slang for money in Australia, usually in the phrase “a few quid”.
  • In case you missed it, the shearing competition in the book is clearly inspired by the Australian folk song “Click Go the Shears“.
  • We cut the discussion for time but “something for the weekend” reminded Ben of ska band Madness’s song “House of Fun”, which is about a teenager who has turned sixteen and is using various euphemisms to try and buy condoms at his local chemist.
  • In The Man From Snowy River, the actual description of the hero’s horse is “something like a racehorse undersized”.
  • As alluded to in the book, drop bears are a fictional cousin of the koala, a horrible killer animal which waits in treetops to drop on and eat children. Inventing dangerous creatures has been a long-running prank played on visitors to Australia, playing on their fears of the real deadly animals that live here. A recent incidence of the drop bear was this prank played on a UK reporter visiting to report on the bush fires.
  • The bush ballad “Waltzing Matilda” is thought by academics to describe the Great Shearer’s Strike of 1891, in which shearer’s killed a number of sheep and one of their number, being chased by police, killed himself rather than be taken alive. A lot of the slang in the song is never heard anywhere else anymore – including “jumbuck”, a term for sheep thought to have been derived from an Aboriginal language. There are many versions of the lyrics, but the most famous one was adapted by the Billy tea company. In some, Liz’s question becomes moot, as the troopers ask “Whose that jolly jumbuck”, rather than “Where’s“.
  • If you’re confused by Liz’s “cat in a bag” antics, you can read about Schrodinger’s Cat and other feline behaviours in our discussion of Pratchett’s non-fiction humour book The Unadulterated Cat. You’ll find it in #Pratchat22, “The Cat in the Prat“.
  • The Domestic Blindness sketch was indeed part of vintage 1980s Australian sketch comedy show The Comedy Company; you can find it on YouTube here.
  • Listener and previous guest Avril (who you might remember from #Pratchat16, “He Ain’t Heavy, He’s My Vorbis“) points out that the god’s love of beetles is likely a reference to English geneticist and evolutionary biologist J. B. S. Haldane, perhaps most famous for writing about abiogenesis and the idea of “primordial soup”, among many other accomplishments. In response to being asked what his study of nature might reveal about the Creator, Haldane is perported to have said “that He is inordinately fond of beetles”, due to the phenomenal number and variety of beetle species. While this exact response might be apocryphal, he definitely said something equivalent many times, both in print and in speeches.
  • Gachnar the Fear Demon appears in the fourth season Halloween episode of Buffy the Vampire Slayer, “Fear, Itself”, from 1999.
  • Australian cockroaches are not actually Australian at all – they live all over the world, and probably originally come from somewhere in Africa.
  • White-tailed spiders are small spiders native to south-eastern Australia. They are not aggressive but might bite if disturbed, and like to hide among leaf litter. They were demonised in the media during the late twentieth century as their bite supposedly caused necrosis, but medical research in the early twenty-first century didn’t find evidence of any such symptoms. Instead, the spider’s venom caused only unpleasant but mild symptoms, especially by Australian standards.
  • The Stonefish is a real fish, one of the most venomous in the world. It disguises itself as a stone in order to catch smaller fish as prey, but has sharp spines on its back which deliver venom as a defence against predators. Four of the five species live outside Australian waters; their sting can be treated with hot water (which denatures the venom) and anti-venom.
  • Last Chance to See was a 1989 radio documentary following Douglas Adams and zoologist Mark Cawardine as they travelled the world to visit nine different endangered species. Adams turned it into a book in 1990, and in 2009 Stephen Fry joined Cawardine for a sequel television series, accompanied by a new book.
  • Pauline Hanson is a right-wing populist politician from Queensland who rose to fame when she ran for federal parliament in 1995 as a member of the conservative Liberal Party. They dis-endorsed her after she made racist comments about Aboriginal Australians, and she formed her own party, One Nation, and won a seat. She was found to have committed electoral fraud and jailed, though the charges were subsequently overturned on appeal. She left her own party in 2002 over those charges, but remained a figure in the Australian media, aided by appearances on breakfast television and the reality show Dancing with the Stars. She returned to politics and One Nation in 2013, and was elected to the Australian Senate in 2016. She is famous mostly for various racist views that very much align with those of Fair Go Dibbler.
  • Lost is a TV series about a bunch of plane crash survivors who find themselves lost on a mysterious island. It famously makes no sense whatsoever and it’s generally considered that it’s creators, JJ Abrams and Damon Lindelof, were making it up as they went along to stay ahead of the guesses of fans on the Internet about what was really going on.
  • The Galah (pronounced “ga-LAR”) is a large, loud pink and grey cockatoo (a type of parrot), common in many parts of Australia. “Galah” is also slang for a ridiculous or foolish person.
  • The Sydney Gay and Lesbian Mardi Gras is a one of the largest pride parades in the world. It happens annually on the first Saturday in March, and started in 1978. It draws massive crowds from all over the world.
  • Intersex people are born with genetic and/or physical characteristics associated with both of the traditional genders. While the statistics are sometimes contested, it’s thought as many as 1.7% of people are born with some kind of intersex characteristics. The I in LGBTIAQ+ is for intersex.
  • The infamous Australian episode of The Simpsons, “Bart vs Australia”, is from the show’s sixth season in 1995.
  • The tough guy who appreciates art in Thief of Time is probably Newgate Ludd.
  • Damian Callinan’s The Merger started life as a one-man show, but was adapted in 2018 into a feature film. You can find it on the free streaming service Kanopy if you are a member of a library that subscribes to it, and its now on Netflix in many regions too.
  • The original Harry’s Cafe de Wheels started out in Woolloomooloo, a harbour-side inner suburb of Sydney, as a “caravan cafe” specialising in serving late night pies. It was founded by Harry “Tiger” Edwards in 1936. It’s been patronised by many international celebrities and there are now several Harry’s cafes around Sydney and New South Wales – though not, despite Ben’s later confusion, in Adelaide.
  • The word for the smell you get after it rains – specifically, the smell of earth after it rains – is “petrichor”. Hopefully it’s okay for us to use it as we’re not writing a poem.
  • Tropical areas – such as the northern part of Australia – are often described as having Wet seasons and Dry seasons. The Wet season is also known as monsoon season or the Rainy season in some parts of the world.
  • You can read about the six seasons described by the Kulin people of Melbourne on this web site.
  • To avoid any confusion: in Good Omens, it’s said that any cassette tape left in the glove box of a car transforms into Queen’s Greatest Hits. In Mort, it’s said that no matter what’s put into it during the day, a pantry raided in the middle of the night contains only some very specific and disappointing items.
  • “How to Make Gravy” is a 1996 song by Australian singer-songwriter (and national treasure) Paul Kelly. It was originally written and released as part of a Christmas charity album benefitting the Salvation Army, when Kelly found out the song he initially wanted to cover had already been picked by another band. In Kelly’s song the narrator, Joe, has been sent to prison; the lyrics are a letter he’s writing on December 21 (dubbed “Gravy Day” by some fans) lamenting that he won’t be home for Christmas, and giving his brother his gravy recipe, since that’s his usual contribution to the Christmas cooking. It became a surprise hit and was nominated for the APRA song of the year award in 1998. Below is the official video. (We’ll mention the song again in the Oggswatch Feast 2021 bonus Christmas episode.)
  • Captain Raymond Holt is the captain of police precinct 99 in the sitcom Brooklyn-99. He – like all the characters in the show – is wonderful.
  • Umami is the “fifth taste”, after the other basic tastes of sweet, sour, bitter and salty. The word comes from Japanese, and translates as “pleasant savoury taste”, being derived from the word umai, “delicious”. Other foods with an umami taste include various vegetables, mushrooms, shellfish, cured meats and green tea.
  • Barnaby Joyce is (as of March 2020) the current leader of the National Party, a conservative party popular in rural areas. They have a long-standing coalition with the Liberal Party; the Liberal-National coalition are currently in government. Tony Abbott is a former leader of the Liberal Party who was Prime Minister of Australia for a brief period, before being ousted in favour of the more moderate Malcolm Turnbull. He lost his seat at the last federal election. Both are pretty weird units, to use an Australian phrase, with their share of scandals, bizarre behaviour and controversy.
  • “Where the bloody hell are you?” was the key question asked by model Lara Bingle at the end of a largely ridiculed Australian tourism ad produced for the international market in 2006. It was controversially banned on release in the UK, despite costing 180 million Australian dollars, and despite its infamy was considered a failure. It was overseen by now Prime Minister Scott Morrison, who at the time was Managing Director of Tourism Australia; this led to some reprise of the question directed at him – including by Bingle herself on social media – when he was overseas on vacation during the beginning of the disastrous 2019-2020 bush fires. It was also part of the inspiration for his derisive nickname “Scotty from Marketing”. You can watch the original ad on YouTube here.
  • Paul Parker found internet fame after he angrily reacted to Prime Minister Scott Morrison’s comments that members of Australia’s volunteer fire fighting organisations “want to be out there” fighting the unprecedentedly fierce bushfires that raged in late 2019 and early 2020. In a video that went viral, he leaned out of his firetruck and asked a Channel 7 news crew to tell the Prime Minister to “go and get fucked from Nelligen”. After there were (disputed) claims this got him sacked from the Rural Fire Service (a volunteer organisation), another video emerged of him saying that Pauline Hanson was the only politician who cared about Australia. The whole saga is covered by Jan Fran in her first “The Frant” video for The Guardian.
  • “I’m not here to fuck spiders” is a slang expression meaning “I’ve got serious work to do,” most often used in response to a question about one’s intentions. It is also used as a more emphatic version of “I’m not here for a haircut”, which is a sarcastic response to being asked if one has come to a place to do the obvious thing, like being asked in a car dealership if you want to buy a car. It’s been a matter of debate for some years whether “not here to fuck spiders” is a “real” expression, or if it was invented as a joke and since been embraced by Australians. Looking through Google’s trends tool, which goes back as far as 2004, the first and biggest spike in searches for the phrase is in November 2005; then there’s very little until it slowly increases in search popularity from 2010, with smaller spikes since 2018 where it has been mentioned by Australian celebrities. The only reference Ben could find from 2005 were a series of replies to a forum post asking about the phrase, many of which seemed to suggest straight up examples of having heard it years before that… It’s worth mentioning that one of the repliers had come to the thread because they heard it from an Australian comedian, which might mean it was made up as a joke, or it could just mean that was the first time people who didn’t get it were hearing it.
  • The Man From Snowy River television show is not actually related to the 1982 film starring Sigrid Thornton and Tom Burlinson. The TV series starred Andrew Clarke as Matt McGregor, the stockman from the poem, and is set 25 years after the events depicted in the poem. It ran from 1993 to 1996.
  • Bore water is water drawn from underground sources, usually by drilling a borehole into an artesian aquifer – a porous underground layer of the Earth’s crust in which water is stored or flows. In Australia, the source is most commonly the Great Artesian Basin, a huge artesian aquifer under large parts of Queensland and its neighbour states.
  • “Advance Australia Fair” has been the official Australian anthem since 1984, though it was written far earlier, in the late 1870s. It was chosen in a plebiscite attached to the 1977 referendum about voting and political reforms. It beat “Waltzing Matilda”, “The Song of Australia”, and the previous anthem “God Save the Queen”. (For more on this, see #Pratchat53, “A (Very) Few Words by Hner Ner Hner“, in which we compare the Australian and Ankh-Morpork national anthems.)

 

#Pratchat50 Notes and Errata

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These are the episode notes and errata for Pratchat episode 50, “Salt Rat Arsenic Heat“, featuring guest Cal Wilson, discussing the 1999 Discworld companion book, “Nanny Ogg’s Cookbook“, by Terry Pratchett, Stephen Briggs and Tina Hannan, and illustrated by Paul Kidby.

Iconographic Evidence

To prove we really did cook these things, here are some photos! Be warned: the last one is not for the faint of heart…

  • Stage one of Rincewind’s Potato Cakes: mashing the potatoes!
  • The potato mixture with sage and fried onions added. (It’s already delicious.)
  • Frying up the cakes – these ones are waaaaay too big.
  • A couple of more reasonably-sized potato cakes. They turned out great!
  • The “brinner” meal with scrambled eggs made in the same pan.
  • Liz’s Wow-Wow sauce, artfully drizzled on a plate!
  • You can use it on an omelette…
  • …or on meat!
  • We apologise for this highly upsetting image…but we think you’ll agree Cal did an amazing job of making Sticky Toffee Rat Onna Stick.

Notes and Errata

  • The episode title is reference to the famous 2017 cookbook Salt Fat Acid Heat: Mastering the Elements of Good Cooking, by American chef Samin Nosrat. Nosrat also had a Netflix cooking show of the same name, which appeared in 2018. We’re sure you’ll work out how the rat comes into it, but we may not have mentioned Lord Downey’s contribution to the book: a recipe for mint humbugs which includes the ingredient “arsenic to taste”…
  • Cal’s previous episodes were #Pratchat1, “Boots Theory” from November 2017 and #Pratchat3, “You’re a Wizzard, Rincewind” from January 2018.
  • Cal’s Tiktok username is @calbowilson; look for the hashtag #baristacats.
  • To avoid any confusion:
    • The “Baristacats” are Cal’s cats, Pirate and Barnacle, who like to sit on top of the coffee machine in her kitchen, leading her to create a series of videos in which she tries and fails to get them to serve her coffee.
    • The Aristocats (1970, dir. Wolfgang Reitherman) is a Disney animated musical about a family of aristocratic cats who get into trouble and must turn to an alley cat and his friends for help.
    • “The Aristocrats” is a famous dirty joke in which a family of performers try to get a job by describing to a theatre manager the incredibly depraved and taboo-breaking things they do in their performance – usually a long list, improvised by the comedian – before being asked the name of the act; they respond with “The Aristocrats!” While it dates back to the vaudeville era, it continues to be popular in private among American comedians, with the point being to improvise the most transgressive and offensive description of the act. It was the subject of a documentary film in 2005, The Aristocrats, directed by Penn Jillette and Paul Provenza.
  • Liz’s cats are named after Isaac Asimov and Aldous Huxley. There have been recent prestige television adaptations of their best-known works: Asimov’s Foundation for Apple TV+ in 2021, and Huxley’s Brave New World for the NBC streaming service Peacock in 2020. Brave New World was cancelled after the first season, but Foundation is getting a second season.
  • The Great British Bake Off – known as The Great British Baking Show in the US – is an extremely wholesome reality television show that started in 2010. Contestants are (usually amateur) bakers, who compete in a series of challenges to impress a panel of judges, all for the glory of being crowned the best baker (there’s no prize money). It’s produced by Love Productions, originally for the BBC, where it grew to be so successful on BBC Two that it was moved to BBC One. Despite commissioning Love Productions to make other shows about sewing and pottery using the same format, the BBC made an in-house program about hair styling, Hair, in 2014. This led to a legal dispute over copyright that eventually led to Love Productions taking the show to Channel 4, where it’s been since 2017. Many countries have their own version, including Australia.
  • Bridgerton is a 2021 Regency-era period drama made for Netflix, adapted from the Bridgerton novels by American author Julia Quinn. It’s known for its racy sex scenes. We previously mentioned it in #Pratchat41, “The Adventures of Crab Boy and Trouser Girl“.
  • J H C Goatberger – publisher of the Disc-famous Almanack – and his chief printer Mr Cropper both appear in Maskerade. We discussed it in #Pratchat23, “The Music of the Nitt“.
  • The Encyclopædia Britannica is probably the most famous English-language encyclopaedia, which is a compendium of knowledge. The Britannica was first printed in 1768 in the United Kingdom, and most of its editions span multiple large volumes. In 1901 it was taken over by American managers, who shortened and simplified its language and began selling it via door-to-door salesmen. It still exists, though the last print edition was published in 2012; it’s now exclusively online at britannica.com.
  • Where Did I Come From? is the 1973 classic children’s book about sex and reproduction. It was originally subtitled “The Facts of Life Without Any Nonsense and with Illustrations”, and is the first of many similar books by Peter Mayle, an English businessman who became an advertising copywriter and then author. Mayle went on to write the Wicked Willie series of risqué cartoon books about a talking penis, which might sound familiar: they were illustrated by Gray Joliffe, the same person who drew the cats for Pratchett’s The Unadulterated Cat! More about that in #Pratchat22, “The Cat in the Prat“.
  • We’re pretty sure the “sexy origami” book mentioned by Cal is 2015’s The Amazing True Story of How Babies Are Made, by Australian cartoonist and illustrator Fiona Katauskas. She was inspired to create it because when having the talk with her own son, she found she was using the same book her parents had used – Where Did I Come From? – and thought it could use an update.
  • If you’d like to know about Ken’s underpants area, we recommend this delightful piece from Jezebel, “The Strange, Sad Story of the Ken Doll’s Crotch” from 2019, by Rich Juzwiak.
  • In Kevin Smith’s 1999 film Dogma, Alan Rickman does indeed play Metatron, the angel who is the voice of God. If you’re curious to know what his underpants area looks like, there’s a great photo of him showing it off while holding a Ken doll in this piece for Digital Spy in which Kevin Smith pays tribute to Rickman after his death in 2016.
  • Ben’s very silly quip here is a reference to Patrick Stewart’s appearance in the Ricky Gervais sitcom Extras. Like all the other big name actors who appeared in cameo roles, he plays a weird parody of himself, who tells Gervais’ main character about his idea for a facial comedy film in which he has the power to make women’s clothes fall off. His refrain is that by the time they put them back on, “It’s too late, I’ve seen everything.“
  • The recipe book plagiarism scandal we discuss is about Elizabeth Haigh’s book Makan. Singaporean-born Haigh was a contestant on the 2011 series of reality cooking show MasterChef in the UK; while she didn’t win, the experience cemented her love of cooking and she went on to great success as a chef, even opening her own restaurants, one of which – Pidgin – was awarded a Michelin star in 2017. Her book Makan was published in October 2021, but soon Sharon Wee, author of Growing Up in a Nona Kitchen, made allegations that many passages relating stories of learning to cook from a grandmother were paraphrased or directly taken from her book. Comparisons of passages where posted online by New Zealand cookbook store Cook the Books, and other authors discovered Makan seemed to “borrow” from other other books and recipe blogs too – both in the anecdotes and personal stories, and some of the recipes. You can read more detail about the scandal in this piece from Eater magazine by James Hansen, though it seems no further information has been officially disclosed, pending the outcome of legal action.
  • The introductory text that Ben reads at around the 14:30 mark is for the entire fictional book, not just the cookery section as he suggests.
  • We discussed Carpe Jugulum in #Pratchat36, “Home Alone, But Vampires“.
  • Ben mentioned some cookbooks for other fictional worlds, specifically 2012’s A Feast of Ice and Fire: The Official Game of Thrones Companion Cookbook, 1999’s Star Trek Cookbook – co-written by Ethan Philips in the persona of Neelix, the character he played on Star Trek: Voyager! – and two cookbooks based on Doctor Who. Ben was thinking of the original one from 1985, The Doctor Who Cookbook, but a newer one inspired by the revived series was published in 2016: Doctor Who: The Official Cookbook. It’s worth noting there are plenty of unofficial cookbooks for recipes based on various fictional worlds, too.
  • The character Liz mentions from Game of Thrones is Hot Pie, who appears in the second and third novels in the series, A Clash of Kings and A Storm of Swords, and the first four seasons of the television show.
  • Schnapps – from the German schnaps – isn’t a specific kind of alcohol. The original German word is used generically for any kind of strong alcoholic drink. In English it usually means one that is flavoured and sweetened with fruit, but there aren’t any rules – it’s sort of the opposite of Champagne.
  • The famous English Twitter user who grows big vegetables is 72-year-old ex-butcher Gerald Stratford (@geraldstratfor3). He’s not a farmer, but an avid vegetable gardener, and after amassing a huge following on social media published a book in 2021, Big Veg. You can read of Gerald’s rise to fame in this lovely article from Eater magazine by Jenny G Zhang. [We promise we’re not sponsored by Eater, they just seem to write the best articles about English food-related stuff! – Ben]
  • Ben would just like to clarify that when he says Nanny Ogg’s Cookbook is “a real fan’s book” (at around 23:40), he means it’s really a book for fans, not a book that’s for “real fans”. We don’t go in for that sort of gatekeeping around here – and neither did Pratchett, as evidenced by the way that he expressly tells readers where to find out more if they’re lacking context. There’s no wrong way to be a fan, except for hurting other folks with how you go about it.
  • Bergholdt Stuttley “Bloody Stupid” Johnson is first mentioned in Men at Arms, as the designer of the gardens surrounding the Patrician’s Palace, which are said to be the “high spot” of his career. His proper given names are revealed in Maskerade, in a footnote about the organs used by the Opera House and University.
  • Speaking of B S Johnson, the “pie bird” is indeed a real thing. They’re an evolution of the originally quite dull ceramic pie funnels stuck into pies to allow some of the steam to vent, preventing fruit pies from bubbling over and helping to ensure a crispy crust. In the earlier twentieth century manufacturers started making them in all kinds of animal shapes, though birds were most popular. Read all about the history of pie birds in this article by Baileyberg at Food52. (See? Not all our sources are Eater this month…)
  • We also discussed the “humour” genre of books in #Pratchat22, “The Cat in the Prat“, in relation to The Unadulterated Cat. The primer example mentioned by Ben was Real Men Don’t Eat Quiche, though there are thousands to choose from, and they continue to be published, if in smaller numbers. Modern such books are often compilations of social media accounts, like The Midnight Society, the (entirely fictional) minutes of the meetings of of club made up of famous horror, fantasy and sci-fi authors.
  • Spotted dick is indeed a real dish, also known as “spotted dog” and “railway cake” (the latter name especially common in Ireland). The English version is a baked pudding made from suet and dried fruit – most often plums, sultanas or raisins – which are the eponymous “spots”. (For more about this, see the Hogswatch Feast bonus episode.)
  • Ben did indeed research the various kinds of fat mined in Überwald for #Pratchat40, “The King and the Hole of the King“. You can find his list of them in the episode notes for #Pratchat40.
  • Vegetable suet is made from refined vegetable oils. Like animal suet it’s only readily available in the UK, and not all varieties are gluten free, so check the fine print if you’re buying some and that’s a consideration for you. Nigella Lawson’s website also recommends grated vegetable shortening as a substitute; the most easily found form of this in Australia is Copha, which is made from coconut oil. (See the link for instructions on how to grate it.)
  • As it turns out, the difference between lamb and mutton varies depending on where you’re from. In the UK sheep meat (and indeed the sheep) is called lamb in its first year, and mutton if the sheep is two or more years old. In Australia, a sheep’s age is measured instead by how many teeth – specifically permanent incisors – it has (or rather had): Australian lamb comes from a sheep with no permanent incisors; mutton is from a sheep with more than two. (Sheep usually grow a pair of new ones each year, so it works out mostly the same.) Meat from sheep in between lamb and mutton age is called “hogget”, though apparently in the UK plenty of “lamb” is actually hogget in disguise – a step down from mutton dressed as lamb, we suppose. Organic and rare breed farmers in England’s North are known to sell hogget, though. Sheep typically live for around ten to twelve years (when not eaten by foxes, wolves or humans), so seventeen year old mutton isn’t something you need to worry about.
  • The Discworld mainstay “sausage-inna-bun” first appears alongside its most famous vendor, Cut-Me-Own-Throat Dibbler, in Guards! Guards!, discussed in #Pratchat7A, “The Curious Incident of the Dragon and the Night Watch“. He shows up to hawk food to the crowd watching the hero attempt to slay the dragon, though he never says “sausage-inna-bun”; instead he describes them as “hot sausages”, and shouts “inna bun!” as one of their many attributes. On this occasion he is also selling peanuts and figgins alongside the sausages, all cooked in a tiny frying pan on his tray.
  • We previously discussed Bunnings sausages in #Pratchat21, “Memoirs of Agatea“. In brief: a “sausage sizzle” is a traditional way to raise money for charity by selling cheap (and possibly donated) sausages cooked on a barbecue in slices of bread, usually with fried onions and tomato sauce or mustard. It’s common – or it was, in pre-pandemic times – for ubiquitous hardware store chain Bunnings Warehouse to have a sausage sizzle outside its stores, usually in a carpark.
  • Roundworld drop scones are not siege ammunition, but rather small pancakes made by dropping a dollop of batter onto a frying pan. Depending on where you grew up in Australia, drop scones might be better known as pikelets. We won’t get into the discussion of what constitutes a “regular” scone, as this varies considerably around the world. (Australian ones are generally similar to English ones, though we have pumpkin and date varieties less popular elsewhere.)
  • The French word for bread is indeed pain, but Ben does not pronounce it remotely correctly. The French word uses a neutral vowel sound, not either of the “a” sounds Ben uses. Sorry French speakers.
  • We were unable to confirm it, but it does seem that Paul Kidby’s illustrations for Nanny Ogg’s Cookbook are all originals, done for this book. Certainly the ones of the imps and the various dishes don’t appear anywhere else that we know of.
  • Malicious compliance is when someone follows instructions given to them to the letter, knowing that it will cause harm or problems. It’s often described as a form of passive-aggression, though it is sometimes used as an effective form of protest against ridiculous or draconian demands from managers or officials.
  • “The Sea and Little Fishes” is the third of five published Discworld short stories. We discussed it in #Pratchat39, “All the Fun of the…Fish?” While it does introduce the Witch Trials, and names the scarecrow used for the Cursing “for several hundred years”, no further information about Unlucky Charlie is given; this section is mostly new.
  • Carved wooden lovespoons are a tradition that dates back to at least the seventeenth century. Welsh ones may be the most well known, but they’re also found in Germany, Scandanavia and Eastern Europe. While the “Lancre Loveseat” may well be inspired by them, it should also be noted that Nanny lists “Llamedosian spoon” as the appropriate gift for a fifteenth anniversary.
  • The tweet advising that women may be “fascinated” by giving them cheese was an image of a page from the 1971 book The Complete Book of Magic and Witchcraft by Kathryn Paulsen. You can read more about the history of cheese in witchcraft in this article from The Conversation, inspired by the original tweet by Gavin Wren, which we’ve included below. (Pratchat would like to note that we do not condone the use of witchcraft or any other kind of coercion when making advances toward folks of any gender.)
  • We’ll learn more about the Discworld’s Moon – and Leonard da Quirm – when we cover The Last Hero, but it is considerably closer to the Disc than our Moon is to the Earth. It has to be, as it appears about the same size, but is only about eighty miles (or 130km) across. The Earth’s Moon is over 2,150 miles across (3,475km), and about 238,855 miles (or 384,400km) away, so for the Disc’s Moon to appear about the same size, it must be a bit under 9,000 miles from the surface of the Disc. (For simplicity we’re going to ignore the likely difference in lensing effects of the Earth’s atmosphere and the Disc’s intense magical field.) For context, that’s a bit more than a third of the distance around the Earth! The Disc’s Moon likely passes much closer to the Rim, so a supermoon is probably a weekly event for places like Krull.
  • The Moon being a giant egg was a weird plot used by Doctor Who in the 2014 episode Kill the Moon.
  • Branston Pickle is a chunky, pickled chutney that’s made from diced vegetables pickled in a sauce made from vinegar, tomatoes, apples, sugar and spices. It’s been made since 1922 and continues to be hugely popular in the UK. In March 2020, manufacturer Mizkan Euro recalled some of their products as they may have been contaminated with pieces of plastic packaging. This recall affected jars with use-by dates of 2022; you can check if you have any affected jars here, but any you find in stores now will be fine.
  • Massel is an Australian brand which makes vegan stock and other vegetable-based food products. They’ve been around since 1982. Ben only ever buys the vegetable kind, but now realises that their other flavours are labelled “Chicken Style” and “Beef Style”, so they’re a good vegetarian substitute for the real deal.
  • Marzipan is made from honey, sugar and almond meal. There are different kinds but they don’t seem radically different, though when its used on fruit cakes it is usually glazed and, as Cal says, more traditional icing goes on top.
  • The Overlondon Project’s question with the emojis was as follows:
    Most practically edible and least edibly practical… 🧙‍♀️🍆🥕🍌🥒🍑🥭 and possibly 🦑
  • The restaurant in Going Postal is Le Foie Heureux – “the happy liver” in Quirmian. There isn’t a description of the food beyond how much it costs, sadly, but we can dream. The restaurant in Hogfather isn’t named, but its dishes include Mousse de la Boue dans une Panier de la Pâte de Chaussures (“mud mousse in a basket of shoe pastry”) and, as featured in this cookbook, Brodeuin Rôti Façon Ombres (“man’s boots in mud”).
  • Biers is the Ankh-Morpork bar where nobody asks your name; it’s frequented by the undead and other creatures of the night who want a place where they can escape the pressures of being normal. It makes its most notable appearances in Feet of Clay (see #Pratchat24) and Hogfather (see #Pratchat26).
  • It turns out that while you can make alcohol from cabbages, it doesn’t seem a popular choice – partly because cabbages don’t contain much sugar, so they don’t ferment into alcohol on their own. Cabbages are more usually fermented into the non-alcoholic food sauerkraut. There is, though, a cabbage wine made in Narusawa prefecture in Japan, an area which like the Sto Plains grows mainly cabbages. (Narusawa wine is also 40% grapes, though.)
  • You can buy commercial beef spreads, but the brands Ben names are beef-extract based drinks, sold in paste form similar to yeast extracts like Vegemite and Marmite. Bovril has been made in the UK since the 1870s, while Bonox is Australian, first sold in 1919 by the same company who invented Vegemite. (For more on that, see the notes for #Pratchat29, “Great Rimward Land“.)
  • Fairy bread is an Australian children’s party staple: buttered white bread sprinkled with small bits of sugar confectionary, usually spherical “hundreds and thousands” (in Ben’s opinion the superior option), or sprinkles.
  • For more on the great potato cakes vs potato scallops debate, see this survey of regional variation in Australian language conducted by the the Linguistics Roadshow in 2015. (It’s the first response.) For the record, “potato cake” won the bigger vote, but neither cake nor scallop had a clear majority.
  • You can hear an extract from Sven’s podcard in #Pratchat24, “Arsenic and Old Clays“. Note though that the bit Ben describes about the ads for Maggi noodles only appears in the full podcard, which is included in the fourth episode of our subscriber-only bonus podcast, Ook Club, from April 2020.
  • The Australian SF (“Ditmar”) Awards, or just Ditmar Awards for short, are the Australian national awards for achievement in speculative fiction and fandom. Any eligible works can be nominated by members of the Australian fan community; the awards are then voted on by members of the Australian National SF Convention (or “NatCon”) for that year. The established Australian cons take it in turns to be the NatCon; in 2021, it was Conflux in Canberra. You can see a list of all the 2021 Ditmar nominees and winners in Locus Magazine. Pratchat was also nominated for the “Best Fan Publication in Any Medium” award in 2019.
  • The Coode Street Podcast, the winner in our category this year, is a long-running bi-weekly show which describes itself as “an ongoing casual conversation between two friends about the nature of science fiction (among other things).” It launched in 2010. The two friends who host it are publisher and editor Jonathan Strahan, and editor, critic and humanities Professor Gary K. Wolfe. Prior to this win, The Coode Street Podcast had been nominated for seven Hugo Awards, the World Fantasy Award, the BSFA Award, and six Ditmar Awards…but not won any of them! (Sounds like we have a few more award nominations to rack up before we win anything…)
  • You can find out more about the cancellation of the 2022 Australian Discworld Convention on the official website at ausdwcon.org.
  • Ben is correct: Garth Nix won the Ditmar for Best Novel for his 2020 book, The Left-Handed Booksellers of London. It also won the 2020 Aurealis Award for Best Fantasy Novel, and was nominated for the 2021 Locus Award for Best Fantasy Novel.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat58 – The Barbarian Switch

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We explore every author’s worst nightmare as writer Penny Love returns to Pratchat and finds the barrier between reality and fiction getting all wibbly-wobbly in Terry Pratchett’s 1988 short story, “Final Reward“.

After a particularly bad row with his girlfriend Nicky – and a pint of wine – author Kevin Dogger decides to kill off the protagonist of his best-selling fantasy series. The next morning, Erdan the Barbarian appears on Dogger’s doorstep with the milk. He was, after all, promised a final reward: an eternity of carousing in the halls of his creator…

Content note: the story “Final Reward” contains discussion of (fictional) suicide.
If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you.

Written for the short-lived roleplaying magazine G.M., “Final Reward” is Pratchett’s go at the age-old tradition of writers writing about writers. But in true Pratchett form, it’s not just about that… Hailing from around the time of Wyrd Sisters and Pyramids, but “tinkered with” before appearing in A Blink of the Screen, it depicts an author ill at ease with the real world and human relationships – by all accounts not much like Pratchett himself at all. And then there’s the way it ends…

What did you think of this one? Have you ever written a character you’d like to meet in person? Would you swap places with them? And is this a dig at any real fantasy authors, and we’ve missed the joke? Join in the conversation using the hashtag #Pratchat58 on social media.

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Guest Penelope Love is a writer best known for her roleplaying game work, especially with Chaosium for Call of Cthulhu, including the upcoming Victorian London campaign she mentions this episode. She previously joined us for #Pratchat45, “Hogswatch in Grune“, discussing the quite Lovecraftian “Twenty Pence with Envelope and Seasonal Greeting”. Penny is also part of Campaign Coins, who as well as making gorgeous metal coins for use with tabletop games, publish Penny’s comic fantasy short story collections about “The Three Dungeoneers”, which you can find here. Penny is on Twitter as @PennyLoveWrites, or you can follow @CampaignCoins for more on their projects.

As usual, you can find notes and errata for this episode on our website.

As previously advised, due to some technical difficulties – and not a time machine, to Ben’s disappointment – the next episode to be released will be #Pratchat57, discussing the third Long Earth novel, The Long Mars, with Joel Martin. Look for it in the Pratchat podcast feed on August 25.

Next month in #Pratchat59, we’re discussing The Science of Discworld III: Darwin’s Watch with science and fiction writer, Dr Kat Day! And after that, in October, it’s finally time for another general questions episode, #Pratchat60. This is the perfect opportunity to ask us about books you missed first time round, or general questions about Discworld, Pratchett, us and the show! Send in your questions for either of those episodes via social media (using the appropriate hashtag), or send us an email at chat@pratchatpodcast.com.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat56 Notes and Errata

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These are the episode notes and errata for Pratchat episode 56, “do { Podcast(); } while ( unreadPratchetts > 0 );“, discussing the 1990 short story “#ifdefDEBUG + ‘world/enough’ + ‘time’” with guest Sean Williams.

Iconographic Evidence

Conspicuously missing from this section is that illustration from the German collection Der ganze Wahnsinn: Storys, but despite what much of the Internet is like it’s not actually okay to publicly share artwork without the artist’s permission.

However, it does appear in the picture section of A Blink of the Screen! There is presented the full, original artwork, which was painted for the cover of a 2001 German anthology of short stories, Retter der Ewigkeit, subtitled “Geschichten zwischen Diesseits und Jenseits” (roughly “Saviour of Eternity: Tales between this world and the afterlife“). This version shows the whole scene – unlike the versions used for either of the German collections – and answers a few of our questions, especially that the yellow leg is indeed that of Michael Dever in his AR chair. In the ebook edition it’s presented at quite a low resolution, and sideways (in the print edition it’s a double-page spread), which might be why Ben thought it was familiar but didn’t recognise where he’d seen it.

While it’s not amongst the images available on Josh Kirby’s official website, if we find it somewhere else public, we’ll point you to it. Sven and Ben have both shared the versions they have via the Pratchat Discord, so subscribers with access can see it there.

Notes and Errata

  • The episode title is valid C++ code, assuming that the function Podcast exists and updates the value of unreadPratchetts to avoid the podcast going on forever. Or is that what you all secretly want?
  • Philip K. Dick (1928-1982) – who’ll be mentioned quite a bit this episode – was an American science fiction author, many of whose novels and short stories have been famously adapted for the screen. These include The Man in the High Castle, Do Androids Dream of Electric Sheep? (adapted as Blade Runner), “We Can Remember It For You Wholesale” (adapted twice as Total Recall), “The Minority Report” (more about that in another note) and A Scanner Darkly, among others.
  • You can hear Sean’s episode of Splendid Chaps, “Three/Family“, over at the Splendid Chaps website. It was recorded on Sunday, 10 March 2013, at the pop-up Adelaide Fringe venue the Tuxedo Cat, and released on 23 March 2013.
  • Strata was Pratchett’s third novel, first published in June 1981, about two and a half years before The Colour of Magic. It’s features a science fiction version of the Discworld – a planet shaped like a flat disc, which seems to have been built by ancient aliens. It’s more-or-less a parody of Larry Niven’s popular Ringworld books, with many specific jokes and references. But we’ll say no more about it here, as we’ll definitely be covering it on the podcast in future.
  • The Ferals (1994-1995) was an Australian children’s television program on the ABC starring a mix of humans and puppet animals: Rattus, a rat; Modigliana, a feral cat; Mixy, a rabbit (her name is a pun on myxomatosis, a disease used to control wild pest rabbits in Australia); and a “dopey dog”, who it turns out is both not a dingo and not a Darren – his name is actually Derryn. While the original show only ran for two seasons, the puppet characters were very popular and continued to host and appear on other shows for several years. This included the five-minute Feral TV, in which the ferals ran a television station headed up by Kerry the Cane Toad (a clear parody of Kerry Packer, then owner of Australia’s Channel 9 TV network) and his assistant Rodney, a cockroach.
  • The story was written for the 1990 anthology Digital Dreams, edited by British writer, editor and sociologist specialising in religion, David V. Barrett. Barrett has a long history editing and writing for speculative fiction and similar magazines, including Vector and the Fortean Times. He also edited Tales From the Vatican Vaults, a collection of short fiction based on the premise of secret Vatican files being released to the public in an alternate history where Pope John Paul I reformed the Catholic Church. It was published in 2015, and features a few stories by authors who contributed to Digital Dreams. As we discussed, authors in the collection include Neil Gaiman, Diana Wynn Jones, Dave Langford, Storm Constantine, Ian McDonald, Keith Roberts and Andy Sawyer. You can see the cover and full list of authors at the book’s entry in the Speculative Fiction Database (SFDB).
  • The short story commentary in which Pratchett says “short stories cost me blood” and “I doubt I’ve done more than fifteen in my life” is “The Sea and Little Fishes”, which we discussed in #Pratchat39, “All the Fun of the…Fish?” The book in which this commentary appears, A Blink of the Screen, contains thirty-two short pieces of fiction. Admittedly, a few of those don’t really count as stories – see #Pratchat53 for three examples – but that’s not counting the four volumes of his early short stories for children, published separately.
  • Neil Gaiman’s short story about the troll under the bridge is titled, er… “The Troll Bridge” (or sometimes “Troll-Bridge”). It seems to have been first published in the short story collection Snow White, Blood Red in 1993, two years after the first publication of Pratchett’s story of the same name. The story was nominated for the World Fantasy Award in 1994, and has appeared in a few other places, including Gaiman’s own anthologies Angels and Visitations (1993 – probably the collection Sean is thinking of), Smoke and Mirrors (1998) and M is for Magic (2007), and was adapted into the comic book Ben read in 2016 by Colleen Doran. While he was certainly better known as a comics writer at the time, Gaiman had written and published several short stories by 1990, though his most famous short fiction came after Digital Dreams. One of his notable earlier stories is 1984’s “We Can Get Them for You Wholesale” – the title clearly riffing on Dick’s “We Can Remember It For You Wholesale” – about a young man who finds an assassin in the phone book and discovers they do bulk discounts, a very Pratchetty idea.
  • We discussed “Once and Future“, Pratchett’s 1995 short story for the collection Camelot, in #Pratchat49, “Once More, With Future“.
  • The “internal monologue” is the way many people think to themselves: in words. But while common, this is far from a universal experience – and most people assume others think in the same way as they do. Finding out otherwise often blows people’s minds, as with the cascade of articles and viral social media posts that cropped up in the way of this 2020 tweet:
  • “Atari” was never that widely-used as a synonym for game consoles, but “Nintendo” was – which is why some sources credit them with aggressively re-popularising the still fairly new generic term “game console” in the 1990s, so they could hang on to the trademark. It worked! And while some folks did (and do) use “Playstation”, “XBox” or even “Game Cube” as a stand-in for game console, those never became as widespread. (Earlier consoles were referred to as “game systems”, but by the time Nintendo massively dominated the market in the early 1990s, “console” – which differentiated a dedicated system for games from a more versatile personal computer, and from an arcade “cabinet” that could only play a single game – had become the preferred term.)
  • Genericisation can indeed make a product’s name ineligible as a trademark. This process is also known as “trademark erosion” or “genericide”, and in America – where most of the famous cases have occurred – it’s controlled by the Lanham (Trademark) Act. The Lanham Act allows a registered trade mark to be cancelled if it “becomes the generic name for the goods or services, or a portion thereof, for which it is registered”. In Australia, the Trade Marks Act 1995 has a similar clause: the mark can be cancelled if it “becomes generally accepted within the relevant trade as the sign that describes or is the name of an article, substance or service”. This has happened to some significant and surprising things: Aspirin and Heroin were both once trademark names used by the Bayer company! To protect against this modern drugs are often given a specific, non-proprietary name, with different company’s specific versions having trade names as well. Other famous examples include cellophane, dry ice, escalator, kerosene, laundromat, videotape and zipper! Examples like Hoover, Kleenex and Google (see below) have certainly become generic terms for a kind of thing, but not to the extent where a trademark has been revoked or expired. In Australia, the legal test seems to be whether the trade mark has become the only term used for a product or service.
  • The Google company went through a major restructuring in 2015 with the creation of Alphabet Inc, a new company which owned Google (the Internet services company that runs the search engine, GMail, YouTube and various other online services) and several other companies that were previously subsidiaries of Google. The driver behind this wasn’t a worry about genericisation; rather Google stated that wanted to make the company more accountable and give subsidiaries more freedom. But Google is commonly used to mean “search the Internet”, including as a verb (“I googled it”), and this has come up in court as a reason to cancel the trademark, as per the Lanham Act mentioned above. In 2017, a case in Arizona set a new precedent that the test for genericisation was whether the “primary significance of the trade mark in the minds of the consuming public” had become the product, rather than the producer. They ruled that while people did use “google” as a verb, they also understood Google was a company and not the only way to search the Internet.
  • Amstrad was a British computer company created by English tycoon and politician Alan Sugar. It operated between 1968 and 2010, and was most famous for their personal computers in the 1980s and 1990s. These included later iterations of the ZX Spectrum, which Amstrad bought from its original creator Sinclair Research, and the Amstrad Mega PC, a Windows-PC which also had a built-in Sega Mega Drive game console (known as the Sega Genesis in the US).
  • Hitachi is a Japanese company founded in 1910, which has grown into a conglomerate best known for their technology products. They no longer make personal or mainframe computers, but do make everything from military vehicles to air conditioners and the Hitachi Magic Wand, a “vibrating massager” introduced in 1968 which experienced a huge swell in sales when it featured in a 2002 episode of Sex and the City.
  • The 1980s-style retro-VR cyberpunk videogame trailer Ben remembered was for the game Jazzpunk, released in 2014. You can watch the live action Jazzpunk trailer on YouTube.
  • William Gibson’s Neuromancer, one of the first and most influential cyberpunk novels, was first published in 1984, so around six years before Pratchett wrote “#ifdefDEBUG + ‘world/enough’ + ‘time'”. Neuromancer popularised many terms and concepts which are now essential parts of the genre, and it’s also the only novel ever to have won the Nebula, Hugo and Philip K. Dick Awards.
  • “Carnie” is an American nickname for “carnival worker”; the traditional Australian equivalent is “showie”, short for “showman” or “showwoman”, since we call them “shows” rather than carnivals. We previously talked about this in #Pratchat51, where our previous research suggested the Australian term might even be a little older than the American one. (The surname in this story – and, most of the time, in real life – is spelled “Carney”.)
  • We dance around this a little in the episode, but clues in the story suggest that “Seagem” – the name for the artificial reality company that becomes a generic name for AR machines – comes from the acronym CGEM, which probably stands for “Computer Generated Environment Machines”.
  • The term AFOL, an acronym for “Adult Fan of Lego”, can be traced back to the newsgroup rec.toys.lego, where it was first coined by Matthew J. Verdier on the 14th of June, 1995 after another user, Jeff Thompson, was the first to use the phrase “adult fan of Lego”. It was a niche term for a decade or so, but in the 2010s not only had more people who grew up playing with Lego returned to it as adults, but the Lego company themselves realised there was a whole underserved market of adult Lego fans, and started making sets which would appeal to them. Unlike some other niche adult fandoms for things traditionally seen as “for kids”, the AFOL community often mingle with and involve young Lego fans too, and you’ll see whole families at Lego conventions, in stores and at events.
  • The word “paragorithm” appears in the context of Darren thinking you wouldn’t need something very complex to simulate most conversations with people, since they’re “just to reassure each other that they’re alive”. It might be a neologism Pratchett invented for “parallel algorithm”, a set of instructions for completing multiple tasks at once. These were relatively uncommon in computing at the time the story was written, since most computers weren’t capable of processing multiple instructions at once, but modern multi-threaded processors are specifically designed to do this and make extensive use of parallel processing.
  • “Technobabble” describes jargon-filled scientific-sounding nonsense, originally the sort used by technologists in the 1980s, but increasingly over time the sort used in science fiction to make it sound like the characters understand things we don’t. The term seems to have been derived from “psychobabble”, a term used to deride similar nonsense jargon used in popular psychology, coined in 1975 by writer R.D. Rosen and popularised by his 1977 book, Psychobabble: Fast Talk and Quick Cure in the Era of Feeling. Rosen specifically used the term to mean “an idiom that reduces psychological insight to a collection of standardised observations” – he was critical of the way psychology at the time sought to reduce the “infinite variety of problems” faced by people into a very small set of formal definitions.
  • “Handwavium” and “phlebotinum” are common fannish terms for substances, devices or phenomena in science fiction which behave in mysterious ways that nonetheless explain otherwise nonsensical events.
  • “Unobtainium” (or “unobtanium”) was originally engineering jargon, coined in the 1950s, for any theoretical substance that could solve a specific problem, if only it existed. It grew to also encompass substances that existed but were too expensive or rare for practical use, and by the 2000s had appeared in its traditional usage in several science fiction novels and films. In 2009, James Cameron used it as the seemingly actual name for the rare and highly valuable super-conducting mineral sought by the mining corporation his film Avatar, to much derision.
  • The book of Doctor Who memories mentioned by Ben is Behind the Sofa: Celebrity Memories of Doctor Who, edited by Steve Berry. Pratchett, while clearly not a big fan, seems mostly to have been motivated to write the introduction because it was a fundraiser for Alzheimers research. There are far too many celebrities of interest to Pratchat listeners for us to make a full list, but we will mention that the authors Ben Aaronovitch, Michael Moorcock and Gideon Defoe all appear, as does the creator of the often-mentioned-in-this-episode Black Mirror, Charlie Brooker.
  • As Ben mentions in the footnote, Handwavium is also a delightful Doctor Who podcast hosted by friends of Pratchat, “a fan and her Da (no, a fan and his daughter).” Yes, Ben managed to mess up their very cute intro, but if you want to hear a daughter and father duo discussing Doctor Who, this is the best show for it! Find it at handwavium.net.
  • My Year of Rest and Relaxation is a 2018 novel by American author Ottessa Moshfegh. We won’t spoil any more about it than Liz has already said, but we will note that it has been optioned to be adapted as a film by none other than Australia’s own Margot Robbie and her husband, Tom Ackerly.
  • The terms “fridged” and “breeder” refer to pervasive harmful tropes in the way women are portrayed in fiction, in both cases having them contribute to someone else’s story without getting to be characters in their own right. A “breeder” is a woman who only matters to the story as a mother or potential mother, while “fridging” is when a woman is killed off or harmed primarily to provide motivation for a male protagonist. The latter term was coined by comic book writer Gail Simone as the phrase “women in refrigerators”, named for a specific example of the trope from the Green Lantern comic. We previously discussed fridging in our discussion of Interesting Times in #Pratchat21, “Memoirs of Agatea“.
  • Space Invaders is a videogame developed by Tomohiro Nishikado, first released in 1978 as an arcade game by Taito Inc in Japan and Midway/Bally internationally. In case you’ve never seen it, the player controls a gun at the bottom of the screen that can move left and right, and fire straight upwards; the goal is to shoot increasingly fast and numerous waves of invading aliens before they reach the ground. Home console, computer and arcade machine versions of the game are still available today, largely unchanged except for nicer graphics and sound effects (though these often emulate the original designs). Elite is a videogame developed by British designers David Braben and Ian Bell, and first published by Acornsoft for personal computers in 1984. The player is a space pilot who operates as a freelance trader, buying and selling goods or turning to mercenary work or piracy to earn money and upgrade their ship. Its combination of space combat, wireframe 3D graphics and freedom to decide how you played made Elite a massive hit, and it spawned several sequels: Frontier: Elite II (1993), Frontier: First Encounters (1995) and more recently Elite Dangerous (2015), though these have become progressively more sophisticated. (Ben was probably thinking of Frontier: Elite II, the first one he encountered, which is why he thought there was a much bigger gap between Elite and Space Invaders.)
  • VR, Virtual Reality, is an entire simulated 3D world, while AR, Augmented Reality, is layering elements of a simulated world onto the real one. This has become a big deal over the last decade, with the launch of games like Pokemon GO that let you catch monsters at your local sightseeing spots, and hardware like the Google Glasses, that promise to deliver that Terminator-like heads up display without needing to surgically replace your eyeballs. So far, only the kind of AR that uses your mobile phone camera has really caught on, but there are new glasses and similar products touted every year…
  • It’s well-documented that Neil and Terry exchanged floppy disks via mail to write Good Omens. Here’s one of many sources for this info: Neil answering a fan’s question about the book on Tumblr in 2019.
  • Ben probably mentioned Pratchett’s interview with Bill Gates in one of our bonus episodes. It was for GQ Magazine in 1995, and unearthed by Marc Burrows during research for his biography, The Magic of Terry Pratchett, in May 2019. (You can see his viral tweet, which includes an excerpt, below.) The idea that Terry had predicted “fake news”, online misinformation and and the return of nazis twenty-four years earlier was written up in The Guardian, Gizmodo and many other news sites at the time, though as Marc notes in a follow up tweet, Gates was on the money later in the interview about the fate of physical media.
  • Grand Theft Auto, abbreviated GTA, is a series of videogames launched in 1997, originally developed by British company DMA Design. The first two games were modest successes, and featured a top-down 2D city in which the player could steal and sell cars, cause car crashes and commit other crimes as they tried to get to a goal number of points, expressed in dollars. Grand Theft Auto III translated the open world of the game to a 3D environment, and it and its sequels have been hugely successful: Grand Theft Auto V is still one of the biggest selling videogames nearly a decade after it was first published in 2013. This is partly because of its online mode, which regularly adds new content and lets players team up and commit crimes together. Since the series got popular, DMA Design was acquired by Rockstar especially for the last few games produced by Rockstar, it has been a constant source of controversy. Some of it is deserved; for example, the games are pretty misogynistic, featuring no playable female characters (except for ones you create yourself in the online version), and relying on ageing tropes of crime fiction for its female NPCs, who are all wives, sex workers and family members. It’s also held up as evidence of videogames’ influence on young people, supposedly leading them to crime and violence, but the evidence of that is less certain. The culture of players around the game, however, is definitely a problem, as it is with the broader world of mainstream videogames.
  • “The Minority Report” was originally a novella by Philip K Dick, first published in Fantastic Universe magazine in January 1956. It imagines a future in which three mutant “precogs” have pre-cognitive abilities, and predict all crime, but the creator of the Precrime department is led to discover more about how it all works when they predict he’ll murder someone he’s never heard of. It was adapted as a film, Minority Report, directed by Steven Spielberg and starring Tom Cruise in 2002, and a sequel television series set a decade later. The film and TV show change many things about the original story, including the nature and abilities of the precogs, and the ending of the story. We previously mentioned it in #Pratchat16, “He Ain’t Heavy, He’s My Vorbis“.
  • Black Mirror, mentioned many times this episode, is a British speculative fiction anthology show, mainly focusing on the consequences of technology. It was created by Charlie Brooker for Channel 4 in 2011, before being acquired by Netflix in 2015. There have been five series of 3-6 episodes, plus a Christmas special featuring multiple related stories, and an interactive “choose your own adventure” style film, Bandersnatch. Some episodes do rely on a reveal for their full impact, so we’ll be careful about spoilers, but here are some that are especially relevant to our discussion:
    • People living on digitally after death – or as a copy of a living person – feature in “Be Right Back” from series two, “San Junipero” from season three, and “USS McCallister” and “Black Museum” from series four.
    • Augmented Reality technology editing your experience of the real world appears in the special “White Christmas” and the episodes “Men Against Fire” from series three, and “Playtest” and “Arkangel” from series four.
    • Full Virtual Realities appear in many episodes, but often as a surprise or twist, so the only one we’ll mention is season five’s “Striking Vipers”.
  • We previously discussed the true nature of the Emerald City in #Pratchat12, “Brooms, Boats and Pumpkinmobiles“. In The Wonderful Wizard of Oz, visitors to the City are made to wear green-tinted glasses, and only the external walls are actually green. This idea is dropped in later books (of which there are thirteen!), which describe the city as green and don’t mention the glasses. It’s one of many differences between L Frank Baum’s original Oz books and the popular film adaptation.
  • To look through rose-coloured (or rose-tinted) glasses is to see something in its most favourable light, ignoring its negative aspects. The phrase definitely pre-dates The Wonderful Wizard of Oz, as use of it dates back to at least 1838, when it appears in Slight Reminiscences of the Rhine, Switzerland, and a Corner of Italy by English writer and traveller Mary Boddington (1776-1840). The use of “rosy” or “rose-coloured” as euphemisms for things being generally happy or pleasant is much older, attested as early as the 1700s, and probably stems from the earlier idea that having a rose-coloured complexion was seen as a sign of good health in Europe by around 1590.
  • It’s actually surprisingly difficult to get an accurate word count for books and stories; it’s not a commonly recorded statistic, and ebooks don’t tell you how long they are either (or let you copy and paste the text so your word processor can tell you.) We’re looking into a solution for this! Note that this work has already been done for many of the Discworld novels.
  • We’ve mentioned Jasper Fforde many times before; his most famous series of books are the Thursday Next series, about a detective, Next, who enters the worlds of books to solves crimes.
  • As mentioned, the story’s title is a reference to the opening lines of the poem “To His Coy Mistress” by English author Andrew Marvell. It was first published after his death, in 1681. The opening lines of the poem are: “Had we but World enough, and Time / This coyness, Lady, were no crime.” Other uses of “World Enough and Time” include the episode of Doctor Who mentioned by Ben (the penultimate episode of the tenth series, first broadcast in June 2017), and several books, including novels by Robert Penn Warren, James Kahn, and Joe Haldemann, the latter changing the title to Worlds Enough and Time.
  • Reception theory, or audience reception, is the idea that each individual reader (or listener, watcher, player etc) of a work receives, interprets and understands it through their own cultural frame of reference. Generally agreed ideas about what a work means emerge through consensus, usually amongst individuals who share a common cultural background. It stems from the work of German academic Hans-Robert Jauss (1921-1997) in the 1960s, and popularised and expanded by Jamaican-born British cultural theorist Stuart Hall (1932-2014) in the 1970s and 1980s.
  • The “Hannibal” to which Sean refers is Hannibal Lecter, specifically the version of the character who appears in the television series Hannibal, played by Mads Mikkelsen. Lecter is a forensic psychiatrist assigned to observe FBI profiler Will Graham, who has a talent for imagining himself in the role of – and thus catching – serial killers. But Lecter is himself secretly a cannibalistic serial killer, and as well as considering himself far smarter than the police (who are far from catching him), also tries to tip Will over the edge into becoming a killer himself. Lecter is best known from Anthony Hopkins’ portrayal in the 1991 film adaptation of Thomas Harris’ 1988 novel Silence of the Lambs, in which another FBI agent visits the killer in prison to enlist his help catching another killer. The television series draws instead on the other novels in which he appears: Red Dragon (1981), Hannibal (1999) and Hannibal Rising (2006). The television series was widely acclaimed and ran for three seasons on NBC between 2013 and 2015.
  • “The Gersnback Continuum” is a 1981 short story written by William Gibson. In it, a photographer is tasked withtroversy as police acti taking pictureons of “futuristic” 1930s architecture. He begins to experience visions of the alternate future world imagined by the architects and the likes of Hugo Gernsback, the publisher who pioneered pulp science fiction in the 1920s when he created the magazine Amazing Stories. The story coined the term “Raygun Gothic” for the architectural style it describes; in the story, this name is given by Cohen Downes, an editor for the London-based publisher who hires the photographer. The story was adapted in 1993 as a short film, Tomorrow Calling, originally broadcast on Channel 4 television.
  • The meme “The World If” (aka “The World Without…”, “What Society Would Be If…” etc) depicts a futuristic, supposedly utopian cityscape, accompanied by text informing us this is what the world would be like, if only one thing were different. It dates back to 2018, with the earliest example referring to the jailing of rapper Bobby Shmurda, which drew controversy for a variety of reasons, including police acting on supposedly autobiographical rap lyrics, which supposedly listed his real crimes.
  • Upload (not Uploaded) is an Amazon Original streaming series created by Greg Daniels, best known for co-creating the US version of The Office and Parks and Recreation with Michael Shur. It’s set in 2033 in a future where humans can have their consciousness uploaded into a digital afterlife as they die. The protagonist, Nathan Brown (played by Robbie Amell), dies unexpectedly and is uploaded, but he’s not free of his even more possessive, still-living girlfriend, Ingrid (Allegra Edwards), which is one of the unfortunate tropes of the show. Meanwhile his “angel” Nora (Andy Allo) – the handler from the afterlife company who looks after him – starts to think his death was suspicious. It’s run for two seasons since 2020, with a third on the way.
  • Severance is an Apple TV+ streaming series created by first-time show runner Dan Erickson. It stars Adam Scott (also best known from Parks and Recreation) as Mark, an employee at Lumon Industries. Mark works on the “severed floor”, where he and the other workers have undergone a procedure which means they can’t access their memories of their regular lives while at work, and vice versa. Ben’s only seen the first episode so far but agrees with Sean that it’s great, though be aware it’s a thriller rather than a comedy.
  • The Usborne computer books were published in the 1980s for Usborne, a UK publisher of children’s educational books. They were phenomenally popular, not least because they were approachable introductions to everything from how computers worked to how to program them at a time when most computer books were full of jargon. As well as ghosts the books also featured monsters and robots. While the originals are hard to find in print, in 2015 Usborne made them available for download from their website. Ben is pretty sure he had The Usborne First Book of the Computer from 1984, which seems rarer than the others. This might be because as far as Ben can tell it was a compilation of content from the “First Computer Library” series: All About Computers, Computer Fun and Simple BASIC. (The last two of those appear at the bottom of the page linked above, and include the computer ghosts.)
  • Agent Smith is the primary antagonist of the Wachowskis’ 1999 film, The Matrix. A computer program tasked with rooting out rogue humans connecting to the Matrix, he and his fellow Agents appear as Men in Black, with sunglasses, black suits and an earpiece. There’s something a bit off about him in the first film; he returns in the sequels The Matrix Reloaded and The Matrix Revolutions as a virus-like threat both to the free humans of Zion and the machines themselves, as he gains the ability to rewrite other programs and human consciousnesses into copies of himself. We previously talked about Smith in #Pratchat48, “Lu-Tze in the Sky with Lobsang“.
  • We previously talked about La Traviata (“the fallen woman”) in #Pratchat23, “The Music of the Nitt“. It’s an 1853 opera written by Italian composer Giuseppe Verdi, with a libretto by Francesco Maria Piave based on the French 1848 novel and 1852 play La Dame aux camélias, known in English as Camille, by Alexandre Dumas fils (son of the famous one you’re thinking of). Liz reviewed Opera Australia’s 2022 production of La Traviata for The Age.
  • We mention a few films and television series about living people this episode:
    • The Social Network is a 2010 film directed by David Fincher and written by Aaron Sorkin, adapted from the 2009 non-fiction book The Accidental Billionaires by Ben Mezrich. It tells the – or at least a – story of the creation of Facebook by Mark Zuckerberg (played by Jesse Eisenberg) in 2003, and the legal problems he faced over ownership of the idea and original website. It’s a fictionalised account, and its accuracy has been disputed; Zuckerberg was also not happy about it, saying at the time that “I wish no-one had made a movie about me while I was still alive”. Historical accuracy aside, it’s pretty great, and also stars Andrew Garfield as Eduardo Saverin, co-creator of the original “The Facebook”, and features a killer soundtrack by Trent Reznor and Atticus Ross.
    • Rocketman is a 2019 Elton John biopic starring Taron Egerton as Elton John (though it was originally supposed to be Tom Hardy), and Jamie Bell as his writing partner Bernie Taupin. It was directed by Dexter Fletcher, who may be known to listeners from his role as a young man playing Spike in the UK series Press Gang. (Fletcher had previously stepped in to finish directing Bohemian Rhapsody, the 2018 Queen biopic centred on Freddie Mercury, after Bryan Singer was fired from the project.) In contrast to The Social Network, Elton John had been trying to make a film about his life for decades, and is an executive producer on this film. (Reaction to Bohemian Rhapsody was decidedly more mixed, particularly regarding its handling of Mercury’s sexuality and family, amongst other things.)
    • Pam & Tommy is a 2022 Hulu streaming miniseries about the three-year marriage between actor Pamela Anderson (played by Lily James) and Mötley Crüe drummer Tommy Lee (played by Sebastian Stan), revolving mostly around the theft and public release of a sex tape they made on their honeymoon. It was based on a 2014 Rolling Stone article, “Pam and Tommy: The Untold Story of the World’s Most Infamous Sex Tape“. While some aspects of the production were praised, many critics pointed out that it is a story of the exploitation of Pamela Anderson without her consent – made without her consent. (She was apparently contacted to be involved in some way, but did not want to be part of it; some sources say its production caused her some distress.)
  • Biopics – whether about the living or dead – don’t legally require the permission of the subject because they are, at least in theory, based on the facts of someone’s life – and facts are not considered intellectual property. This is the same principle that allows for unauthorised biographies (many of which become the basis of biopics). Generally the only legal recourse if someone doesn’t like how they’re portrayed is to sue via libel or defamation laws, but those put the burden of proof and money on the person mounting the claim, so even wealthy subjects don’t often consider it worth trying.
  • The simulation hypothesis – the idea that we’re all simulated people in a hyper-realistic simulation of the world – has been around for a while. It was made popular by the release of The Matrix in 1999, and then again by Swedish philosopher Nick Bostrom in 2003. In Bostrom’s version, the idea is that future humans will build computers so powerful that they will be able to run millions of incredibly detailed simulations of all of human history, including human minds as sophisticated as real ones. If that were to happen, then the vast majority of human-like minds to ever exist would be simulated ones, and so it’s plausible to suggest that’s what we are – artificial minds in a computer simulation of the world.
  • Ben’s Virtual Reality game is Table of Tales: The Crooked Crown by Tin Man Games. In the game, the player is bequeathed the magical “Table of Tales” by a deceased aunt, and it comes to life. A mechanical bird, Arbitrix, is the Table’s Game Master, and helps the player take control of a group of “scoundrels” who are at first dubbed heroes, then years later framed for a crime they didn’t commit, and must go on a high seas fantasy adventure to find out who’s behind it. It plays like a single-player tabletop roleplaying game, with cards and dice for powers, direct manipulation of the pieces, and a branching narrative with multiple possible endings. The game was originally released exclusively for PlayStation VR in 2019, and was a finalist for the “Excellence in Narrative” category at the 2019 Freeplay Awards. In the last year or so it’s been released on other platforms too: PC via Steam in 2021, and in July 2022, Nintendo Switch and the Meta Quest 2 standalone VR headset. The PlayStation VR and Quest versions are VR-only; the Switch version doesn’t support VR; and the Steam version can be played either way.
  • The other Dungeons & Dragons-like VR games Ben mentions are:
    • Demeo (Resolution Games, 2021) – a multiplayer VR game similar in many ways to Table of Tales – so much so that it’s frequently mentioned in Table of Tales reviews! It’s available on Steam, Steam VR, Meta Quest and Meta Rift.
    • TaleSpire (Bouncyrock Entertainment) – not actually VR, and not a game in itself… TaleSpire is a virtual 3D environment for use with tabletop roleplaying games like Dungeons & Dragons, letting you build and share a virtual map and miniatures with other players. As of writing (July 2022) it’s still in Early Access on Steam, meaning you can buy it early to access a working but incomplete version as its being finished.
  • Wii Fit (2008) was Nintendo’s fitness game for their popular Wii game console. As well as the “Wii-mote” motion controllers, it used a custom “balance board” that ould measure the player’s centre of balance and weight, using this to assess fitness based on the (often criticised) Body-Mass Index, or BMI. Fitness activities available in the game included yoga, aerobics and other exercises, and it was a huge hit for Nintendo. Combined with Wii Fit Plus, the updated version released in 2009, it’s estimated to have sold nearly 44,000,000 copies worldwide, putting it just outside the top ten biggest-selling console games of all time.
  • Zero Latency is a free-roam VR experience company which started up in Melbourne in 2015. The “free roam” part means that players are free to move around a play area, with their movement relative to the game world and each other tracked by cameras. This is in sharp contrast to most VR games, especially headsets available for use at home, where the player remains mostly stationary while the game world moves around them. Since its launch its grown considerably, with nine locations in Australia and nearly fifty more in twenty-five other countries around the world. While most of their games are in the first-person shooter style, and the game Ben remembers is no longer on offer, they do have Engineerium, a puzzle game which sounds like it’s in a similar vein.
  • Liz’s phrase “Too much time down at the Jasmine Allen” is a reference to the perpetually crime-ridden Jasmine Allen housing estate in long-running UK police drama The Bill.
  • Terry’s poem “An Ode to Multiple Universes” was first published in the October-November 2005 issue of The Magazine of Fantasy & Science Fiction. The book in which it was collected is untitled but generally known as Terry Pratchett’s Folio or the MMXIV Green Folio, and was published for the 2014 Discworld Convention, where copies were given to attendees with a special bookmark labelling it a present from Terry. Fifty copies made it to the Australian Discworld Convention in 2015, and a few more were sold via discworld.com with proceeds going to charity.
  • Of Sean’s more than fifty novels, he suggests Pratchett fans might enjoy Her Perilous Mansion, his standalone middle grade fantasy novel first published in April 2020. The “sidequel” coming later this year (2022) is Honour Among Ghosts.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat14 – City-State Lampoon’s Disc-wide Vacation

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In episode fourteen we celebrate 35 years of the Discworld by going all the way back to the beginning! Writer and podcaster Joel Martin joins us for a bumper A’Tuin-sized discussion of the very first Discworld story, adventure, chronicle, tale…The Colour of Magic, published in 1983!

Rincewind, a wizard unable to cast spells, makes a living of sorts in the mighty city of Ankh-Morpork through his gift for languages. But his gift gets him more than he bargains for when he becomes the guide to the Discworld’s first tourist. Fresh off the boat from the distant and obscenely wealthy Counterweight Continent, naïve Twoflower has come armed with a phrasebook, a demon-powered picture box and his magical Luggage full of enormous gold coins, determined to see the barbarians, brawls and beasts he’s read about in stories back home. But seeing them is the easy part – surviving to talk about them is another matter entirely…

Though we’ve often talked about the differences between the earliest books and those that came later, The Colour of Magic introduces Ankh-Morpork, Rincewind, Death and of course Great A’Tuin and the Disc itself with varying degrees of familiarity. Split into four sections – The Colour of Magic, The Sending of Eight, The Lure of the Wyrm and Close to the Edge – it manages to be both homage and parody of multiple beloved fantasy genres, while at the same time trying to establish its world – and author – as something new. Do you think it succeeds? Did you start at the start? Use the hashtag #Pratchat14 on social media to join the conversation and tell us! We’d also love to see some fan art of the Luggage based directly on the text, rather than Kirby’s ubiquitous, fleshy baby-legged version.

Podcast: Play in new window | Download (Duration: 2:23:41 — 65.9MB)

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Guest Joel Martin is a fantasy author whose several novellas and novels include his own take on classic sword-and-sorcery, The Broken World (whose protagonist is not Kane, but Karn). For more about him and his work, visit his web site, thepenofjoel.com, or follow him on Twitter at @thepenofjoel. He also hosts the writing discussion podcast The Morning Bell with Luke Manly and Ian Laking; find it at themorningbell.com.au.

You can find full show notes and errata for this episode on our web site.

This is our final episode for the Year of the Justifiably Defensive Lobster (aka 2018), but we’ll be back in January, when we’ll fire up Queen’s Greatest Hits and kick off proceedings with one of Pratchett’s most celebrated novels: Good Omens! Yes, we’re getting in to cover Pratchett’s collaboration with Neil Gaiman before said co-author and Amazon Prime bring their version to subscribers’ screens in 2019. (Don’t worry, it’ll be on the BBC at some point too.) With twice the authors, we’re expecting twice the questions (though we’ll try and stick to our usual running time of under two hours), so send them in via social media using the hashtag #Pratchat15.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.


#Pratchat3 – You’re a Wizzard, Rincewind

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In episode three, comedian Cal Wilson is back to discuss the book that started her passion for Terry Pratchett – Sourcery! The fifth Discworld novel, published in 1989, it features the return of the inept wizard Rincewind.

Rincewind is very happy to have left his adventuring days behind him, working as assistant librarian at Unseen University in Ankh-Morpork, the Disc’s premiere college for wizards. But just as a new archchancellor is about to be named, the young boy Coin arrives. He is the eighth son of an eighth son of an eighth son – a Sourcerer, a source of raw magic, something not seen on the Disc since the ancient time of the Mage Wars. As he takes over the university and wizards across the world awaken power they’ve never known, the end of the world draws nigh…and Rincewind just can’t seem to avoid getting involved.

Rincewind was Pratchett’s first protagonist, and this novel exemplifies all the things that make us love him: genre-awareness, unrepentant cowardice, reluctant heroism, lack of any skill at wizardry and fierce self-identification as a wizard. It also sees the return of the Luggage, a living chest which follows Rincewind wherever he goes. It was a delight for us all to see these characters again, and we have grand plans to go back to their beginnings in the very first Discworld novels… In the meantime, when you’ve finished listening to this episode, get ready for the next one by reading Wyrd Sisters! We’ll be recording on January 14th, so get your questions in ASAP if you’d like us to answer them on the podcast.

Podcast: Play in new window | Download (Duration: 1:32:03 — 91.8MB)

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Guest Cal Wilson is a stand-up comedian and children’s author. She previously appeared in our first episode, “Boots Theory“, and is still on Twitter at @calbo. Her new live stand-up show, Hindsight, will be playing in multiple cities at festivals throughout 2018: this page at comedy.com.au lists a bunch of them. (You can also see the poster she mentions; it really is good!)

You can find the full notes and errata for this episode on our web site.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.