The Luggage – Pratchat

#Pratchat47 Notes and Errata

08/09/2021 by Ben Leave a Comment

These are the episode notes and errata for episode 47, “A Finite Number of Shakespeares“, featuring guest Alanta Colley, discussing the second collaboration between Terry Pratchett, Ian Stewart & Jack Cohen: 2002’s The Science of Discworld II: The Globe.

The episode title is a reversal of the “infinite monkey theorem”, which states that an infinite number of monkeys typing randomly on typewriters will “almost surely” eventually produce the complete works of Shakespeare. In this book, a single Shakespeare eventually (after much tampering with history) produces a species descended from monkeys that can invent and use typewriters – modern, storytelling humans.
The most recent Sci Fight, “Should we upload our brains into the cloud?”, was held online on Thursday, 12 August 2021. The debate is available on YouTube, and was part of Melbourne Science Gallery‘s exhibition “MENTAL“.
You can find out more about Alanta’s comedy shows, including Parasites Lost, at alantacolley.com.
Melbourne’s six lockdowns began with two in 2020 – March 29 to May 12 and the big one, from July 9 to October 26. There have been four in 2021: from February 12 to 17; May 28 until June 10; July 16 to 27; and the current one, which began on August 5 and is not expected to end until the Victorian population reaches an 80% vaccination rate, estimated to happen by December.
We covered The Science of Discworld a year ago in #Pratchat35, “Great Balls of Physics“, with guest Anna Ahveninen.
Alanta makes the reasonable assumption we’ve had “forty-six prior guests” – but, thanks to a few repeat offenders and some double-guest episodes, the actual count to date is forty (including Tansy Rayner Roberts in our first live bonus episode).
Douglas Adams’ famous love of long baths was a trait he passed on to the Captain, a character who appears at the end of most versions of The Hitchhikers’ Guide to the Galaxy, commanding his starship from the bath. You can read about his bath habit – er, Adams’, not the Captain’s – in this great piece by his friend Jon Cranter for The Guardian.
The photo of Pratchett with Jack and Ian was taken at Warwick University – where Jack and Ian were both researchers – on July 14, 1999, just after he made them honorary wizards of Unseen University, and the University made him a Honorary Doctor of Letters. (The photo from the book is different, but you can see another one in this article from the time on the Warwick University website.) This was the first of Pratchett’s ten honorary degrees, which we listed in the notes for #Pratchat27.
The History and Philosophy of Science is a distinct humanities discipline, combining the study of both…er…the history and the philosophy of science. It arose from the fact that the philosophy of science has been primarily studied from an historicist perspective: deducing what it is and how it works by studying the history of its development.
Mustrum Ridcully famously has no time for meetings or long explanations; in Reaper Man it is explained this way:

…it took him several minutes to understand any new idea put to him, and this is a very valuable trait in a leader, because anything anyone is still trying to explain to you after two minutes is probably important and anything they give up after a mere minute or so is almost certainly something they shouldn’t have been bothering you with in the first place.
Terry Pratchett, Reaper Man (1991)

On another look, Ben isn’t really sure why he was confused about how the wizards end up on Roundworld; Ridcully explains to Ponder in Chapter 5 that the elves passed through Discworld to get into Roundworld, and he and the faculty were caught up in the “trans-dimensional flux” (Ponder’s words, obviously). They landed in London because Dee had made a magic circle – Hex further explaining that while magic doesn’t work in Roundworld, it can create “passive receptors” for outside magic to connect to, as with the crystal ball he uses to communicate.
The other Discworld element (or substance, at least) Ben couldn’t remember the name of is “deitygen“, which Ridcully says is known to be produced by intelligent beings. While Narrativium is the most important element on Discworld, the world itself is said in The Truth to be composed of Air, Earth, Fire and Water – though there is also an important fifth element: Surprise.
Mind-body dualism is the idea that the mind is a non-physical substance, i.e. that mind and matter are not the same kind of thing. There are several different flavours of this philosophy. Cartesian dualism, more generally known as substance dualism, is the one discussed in the book; others are subtly different, suggesting that while there are the mind is distinct, it is not a different type of substance to ordinary matter. (Note that when we say “substance” here, we mean it in the philosophical sense that encompasses all things.)
Spontaneous Human Combustion is the idea that sometimes humans just burst into flames without any apparent external cause. It’s not taken very seriously these days, and critics and researchers – most notably science investigator Joe Nickell and forensic analyst John F. Fischer – have found that in most cases there were likely sources of flames near victims which were overlooked and not reported in popular accounts.
The bit in the book about humans being unable to imagine being a dog or a bat is in Chapter 26, “Lies to Chimpanzees”.
Liz read about the babbling baby bats in this article from the New York Times, though many new outlets picked up on this research about greater sac-winged bats (Saccopteryx bilineata), published in Science by Dr Ahana Fernandez and her team. This video from Science magazine gives you the short version.
That birds learn songs from their parents was first observed (in scientific terms at least) in the 1950s, when British ethologist Peter Marler noticed that chaffinches sang different songs in different parts of the country. His work showed that some birds are innate singers, while others learn their songs from their parents, creating regional differences or dialects. This has since been observed in many bird species.
Jack and Ian have written many other books, separately and in collaboration. Ben mentioned What Does a Martian Look Like? (aka Evolving the Alien) in #Pratchat35. On a related note, Ben spotted that in his first edition of The Science of Discworld II, in chapter 10, the authors introduce the idea of an elf visiting Earth in the distant past and observing our ancestors; this visitor is mistakenly referred to as a Martian several times afterwards, leading Ben to wonder if this was text originally written for the other book…
Ben previously mentioned Flatland and Ian Stewart’s sequel, Flatterland, in #Pratchat35. The science that Ben thought Ian did a particularly good job of explaining was string theory – the branch of physics that seeks to explain discrepancies between classic and quantum physics by saying that fundamental particles are not actually tiny points, but strings which exist in higher dimensions, and we only see the point that pokes into our three. (That’s a lie-to-Pratchat-listeners, but it’s on the right track; see chapter 16 of Flatterland, “No-Branes and P-Branes”.)
Dr Randolph M. Nesse is currently a Research Professor of Life Sciences at The Center for Evolution and Medicine at Arizona State University, and Professor Emeritus in the Departments of Psychiatry and Psychology, and the Institute for Social Research, at the University of Michigan. You can read a summary of his views on altruism and social selection – another kind of “group selection” in biology, where social groups who may not be closely related work together to survive – on his website here, with links to his articles on the subject, though he does not include the 1999 Science and Spirit piece cited in chapter 20 of The Science of Discworld II, “Small Gods”. He also wrote a book about commitment (as discussed the book), Evolution and the Capacity for Commitment, in 2001. Notably, though, he seems to have concluded that commitment offers only “a limited explanation for some special kinds of altruism … it did not offer the more general kind of explanation I wanted.” He refers to the work of Mary Jane West-Eberhard, who has studied altruism in animals, when discussing where his own work is heading.
Evolutionary medicine (including evolutionary psychiatry) is the scientific use of evolutionary biology to understand and treat diseases. It complements the standard “proximate” approach of looking for problems in an individual by looking at evolutionary explanations for why all humans have the potential to develop certain diseases. Randolph Nesse is a recognised leader in this field; his books on the subject include Why We Get Sick and Good Reasons for Bad Feelings. Evolutionary psychology is a similar approach to psychology, but while the idea behind it is sound, it suffers many of the testability and ethnocentric problems as regular psychology. Shallow interpretations of evolutionary psychology have also been used to prop up many harmful ideas, especially in terms of gender roles. Noam Chomsky, noted linguist and political activist, thinks evolutionary psychologists often ignore evidence that doesn’t support the political status quo.
The “Galaxy Song” – not “Universe Song”, though to be fair the name of the song is only mentioned in album liner notes – was originally written by Eric Idle and John du Prez for the 1983 film Monty Python’s The Meaning of Life. In the film, a medic (John Cleese) trying to convince a woman (Terry Jones) to donate her liver for a “live organ transplant” opens a door and a man (Eric Idle) steps out to accompany her through the universe while singing the song, making her feel small and insignificant enough that she agrees to the transplant. An updated version (“The Galaxy DNA Song“) was used for astrophysicist Brian Cox’s TV series Wonders of Life in 2012, and in 2016 another updated version appeared in the two-hour television program The Entire Universe Show, also hosted by Cox. It wasn’t included in any of the Python stage musicals, but an updated version did appear in the stage show Monty Python Live (Mostly) in 2014, including a video cameo by – you guessed it – Brian Cox, but also…someone else whose appearance we won’t spoil. The original is actually pretty good for the time – if you assume facts are rounded to the nearest singable number, then it gets several figures pretty close to correct. Liz may have quoted the speed of light to her teacher: the song gives this as “twelve million miles a minute” – not far off an accurate figure of 11.16 million miles per minute, though scientists would normally express it in round numbers as a bit under 300 million metres per second (299,792,458 m/s, to be more precise).
We’ve previously mentioned the 1994 film The Shawshank Redemption many times. The most significant discussions of it appear in #Pratchat14 and #Pratchat28, but we most recently talked about it in #Pratchat38 – so Ben is way off when he says we haven’t talked about it for “about 30 episodes”. (Though, given how long the last year or two has felt, we’ll give him a pass on this one.)
The history of the idea that storytelling makes humans unique goes back to at least the 1967, when the name Homo narrans was coined by German ethologist Kurt Ranke. American communications scholar Walter R Fischer used it in his later work, in which he also codified the “narrative paradigm” – the idea that all significant communication occurs through storytelling. (Pan narrans seems to be a unique contribution from Jack and Ian.)
Tom Stoppard’s Arcadia was first performed in 1993 at the Royal National Theatre in London, with a cast that included Rufus Sewell, Felicity Kendall, Bill Nighy and Emma Fielding. It is set in an English manor house belonging to the Coverly family, and happens in two time periods: in the present, two rival academics are researching the mysterious history of the house’s previous inhabitants at cross purposes, while one of the Coverly siblings is doing biology research. In the past of 1809, young lady of the house Thomasina Coverly has some advanced ideas about science and mathematics, while her tutor is caught up in drama with the house’s visiting poets. (Ben played the modern-day scientist, Valentine Coverly.)
The book Ben read about chaos theory was Chaos: Making a New Science by James Gleick. It should also be clarified that it was the play that was about complexity not chaos; the book is definitely about chaos.
The Luggage’s legs were the subject of much discussion in previous episodes; way back in #Pratchat14, when we discussed its debut in The Colour of Magic, we wondered if anyone had tried drawing it with non-human legs. It is described in the first two books only as having “little legs”, without any reference to them being human-like, or their colour, leading us to make a callout for fan art depicting them as…well, anything else! Josh Kirby has always drawn them as human-like, and made them white-person flesh coloured, despite the fact that the Luggage’s wood is a darker colour. We suspect this influenced Pratchett’s own image of the Luggage, and its next appearance in Sourcery is the first time it has “little pink legs”.
Hobbits, also known as halflings, are a kind of people found in the writings of J. R. R. Tolkien. They look like humans, but grow only to about three feet tall (hence the name), with slightly pointed ears. Aside from their size, their main difference from humans is their feet: they have extremely tough soles, and the ends of their legs from their ankles down, as well as the tops of their feet, are covered in thick curly hair to keep them warm. As a result, hobbits do not wear shoes. Clearly these sort of feet would suit the Luggage well!
John Dee (1527 – 1609) was, as described in the book, a real historical figure. An English mathematician, occultist, astronomer and astrologer (the two being far more closely linked back then), he advised Queen Elizabeth I, and is – unfortunately – credited with coining the term “British Empire”. He had one of the biggest libraries in England in his day, giving the wizards a handy portal into L-Space. In his later life, he found public opinion turning against sorcery, and while he was abroad much of his library and possessions were stolen, destroyed or burned. Once Elizabeth was dead, her successor James I had no interest in helping Dee, and he died in poverty in 1608 or 1609 at his home in Mortlake. He has been a popular character in works of fiction, though Ben is mistaken to think he has often been a villain; he’s perhaps confusing him with Doctor Destiny, a supervillain who appears in the Sandman comics by Neil Gaiman, and whose real name is John Dee, but is not meant to be the same person.
Stephen Pinker – a long-time defender of evolutionary psychology, it turns out – published The Language Instinct in 1994, well before The Science of Discworld II. The book not only argues that language is an innate trait possessed by humans, but also tries to debunk many commonly-held beliefs about language. It has been criticised for presenting too strong a view about how much of human behaviour can be explained by innate, biologically evolved instinct.
Swedish supergroup Abba reunited for performances in 2016, in the wake of the smash hit Mama Mia, a stage and film jukebox musical featuring their songs. They announced that year that they were working on new music, and a new “digital entertainment experience” featuring “ABBAtars” of the band – digital avatars of the group which would look like their 1970s selves, and which would somehow appear in concert. Two announced singles, and the ABBAtar experience, were delayed multiple times, but in August 2021 they announced Voyage, their first new album since 1981’s The Visitors. The album was released on September 2, 2021, and pictures of the band in motion capture suits – the lycra numbers with little ping-pong balls attached – accompanied many articles and made the rounds on Twitter. (Here’s the BBC one.)
Ponder and Ridcully argue about evolution in The Last Continent and The Science of Discworld, and to be fair, evolution only seems to work on the Disc on one island in its distant past, where is it the work of the God of Evolution. (See #Pratchat29 for our discussion of that!)
When Liz says “We’ve gotta Back to the Future this“, she is specifically speaking of the scenario in Back to the Future: Part II, where Marty’s carelessness allows villain Biff Tannen to go back in time and give his young self a book containing future sports results, allowing him to take over the town and run a hugely successful (and, it’s implied, criminal) business empire out of a casino. Marty and Doc have to go back in time and set history on its proper course.
Thief of Time (to be discussed in #Pratchat48) was published on the 1st of May, 2001 – a year and a day before The Science of Discworld II! It wasn’t the most recent Discworld book at the time of the latter’s release: in between, Pratchett published The Last Hero (a large-format illustrated book, published in October 2001) and The Amazing Maurice and His Educated Rodents (the first younger readers Discworld novel, published in November 2001; see #Pratchat33). But Thief of Time was the most recent “regular Discworld novel for adults”, and in fact its first paperback edition was published one year after the original hardcover – the day before The Science of Discworld II.
Night Watch is the twenty-ninth Discworld book, and the sixth of the eight City Watch books. It remains one of the most popular of the entire series. Our current plan is to discuss it for #Pratchat50 – unless you have a better idea!
Liz’s speech referencing free will (or the lack of it) was given at the last Sci-Fight she participated in, on the 20th of May, 2021. The topic was “Scientists Go to Heaven”, and Liz was (perhaps surprisingly) on the affirmative team.
Liz has said “Time is a flat circle” on a number of occasions, beginning way back in #Pratchat5; this is Ben’s first time. It refers to the idea of “eternal return” – i.e. that time repeats itself – and is specifically a reference to the first season of the television series True Detective.
Loki is a Disney+ series and part of the Marvel Cinematic Universe. In the series, a version of the trickster god Loki – as seen in the films Thor, The Avengers and others – is lifted from existence when he becomes a “variant” – a version of someone who strays from the single set of events enforced as the “sacred timeline” by a mysterious organisation known as the Time Variance Authority.
“A Bathing Ape” – or BAPE for short – is a fashion brand from Japan founded in 1993, now owned by Hong Kong fashion conglomerate I.T Group. You can see the kind of stuff they sell on their website.
The aquatic ape hypothesis is, at best, highly controversial among anthropologists. It was first suggested by marine biologist Alistair Hardy in 1960, though he described it as a “rough guess” rather than a serious theory, and according to some accounts was mortified at the sensational media attention it received at the time. It was popularised in part by Welsh television writer Elaine Morgan in her 1972 book The Descent of Woman, which challenged the highly gendered stories of human evolution – in particular the focus since the 1950s on early humans hunting and gathering, excluding the previously thought just as important activity of fishing. After receiving general acclaim for the book but criticism for the aquatic ape portion, she later published an entire book devoted to the idea, 1982’s The Aquatic Ape. The theory has been defended by many, including philosopher Daniel C Dennett (who has also suggested that both Morgan and her opponents go too far) and David Attenborough. The later seafood theory of human brains, espoused by Michael Crawford and David Marsh in their 1989 book The Driving Force: Food, Evolution and The Future (as mentioned in Chapter 8, “Planet of the Apes”), was not taken especially seriously either. All that said, there’s always room to challenge the status quo, especially if the dominant stories it supports seem to suspiciously uphold modern ideas about gender roles. So far, though, the fossil record doesn’t support the idea that early humans spent most of their time on the beach, so at best, the jury is still out.
It’s worth noting that the updated 2002 edition of the first The Science of Discworld also talks about the aquatic ape hypothesis and the importance of seafood in brain development – and goes another step further. In chapter 42, “Anthill Inside”, they mention that the savanna hypothesis is also in trouble from evidence that some areas where early human fossils are found weren’t savanna back when those humans died – they were woodlands. This is an ongoing question, and the savanna hypothesis – while still the dominant idea in the public consciousness – is described as controversial by some palaeoanthropologists and palaeobotanists, with interpretation of the habitat at that time seemingly still a bit in question.
The so-called “paleo diet” – short for palaeolithic diet – is, like most diets, a fad, in this case supposedly emulating the diet of our palaeolithic ancestors. Though versions of the idea go back at least as far as 1890s, gastroenterologist Walter L. Voegtlin really made it popular with his 1975 book The Stone Age Diet, which claimed humans ate very little other than meat up until 10,000 years ago and recommended modern humans do the same. It saw a revival at the start of the 21st century – when The Science of Discworld II was published – and the new name was seized by health scientist Loren Cordain with her 2002 book The Paleo Diet. (She also owns the copyright on that name.) While some of the recommendations of the diet probably are good for you, there’s not much in the way of proper research into the amazing health benefits Cordain and other proponents claim – and, for that matter, there’s not that much detail available about what our ancestors actually ate, either.
Neanderthals were a sister species to (or perhaps a subspecies of) modern humans; they are given the name Homo neanderthalis (or Homo sapiens neanderthalis if you think of us as Homo sapiens sapiens). They are named after the Neandertal valley in Germany, where their first fossils were found, and lived mostly in Europe until around 40,000 years ago. In the last few years, evidence has been found in Spain that Neanderthals – who lived there before modern humans – made forms of cave art, suggesting they may have been more sophisticated than the unflattering ideas given of them via the “Ugs” in Science of Discworld II.
Tool use in animals has been observed in many species, including monkeys, dolphins, birds (especially crows), and yes, octopuses. There’s some debate about what counts as a “tool”, but some animals do modify objects they find in the environment to suit their purposes; this includes crows and octopuses.
Octopuses can indeed get out of jars, as evidenced by this viral video from 2010 which did another round of the Internet in 2014. Though it should be noted that while the octopus does unscrew the lid from inside the jar, she seems perfectly happy to stay inside it.
We haven’t yet found a good source for the idea of fish returning to the location of their ancestors every four generations, but don’t confuse it with the four-generation cycle of history, which is another name for Strauss–Howe generational theory.
Robust and gracile are terms mostly used to describe two broad groups of species of our ancestor genus Australopithecus. While the concept does appear more broadly in biology, it seems much less common.
The three kinds of elephant are the African bush elephant, the African forest elephant, and the Asian elephant (referred to in the book as the Indian elephant). Genetic analysis suggests that the two African elephant species diverged more than 2.5 million years ago – the same kind of timeframe as the divergence between woolly mammoths and Asian elephants.
Let’s talk about that claim about the huge number of illegitimate children. In chapter 12, “Edge People”, Jack and Ian say “In English society, about one child in seven” are in the position that their “legal and biological parentage differ”. This is based on Elliott Philipp’s analysis of blood groups in the late 1960s, published in 1973. Blood typing was the standard form of paternity testing before DNA fingerprinting techniques were refined in 1980s, and it is pretty good at determining that someone can’t be someone’s parent – you have to get the genes for your blood type from your parents, after all. Unfortunately we have no way of checking these numbers because we can’t find the study, or any writing about it (or similar ones in the United States, for that matter). It doesn’t instil us with confidence that the book’s authors seem to have misspelled the author of the study’s name – they name “Elliott Philipp”, who we think is probably Elliot Elias Philipp (1915 – 2010), a gynaecologist and obstetrician from Stoke Newington in London, though his official biography doesn’t mention this study. In any case, the figure of “one in ten” is popularly accepted, and was the result of the surveys they cite, but they correct for the fact that an unknown father has a reasonable chance of having the same blood type as the supposed father, leading to their figure of 13-17%, or roughly one in seven. There are other figures; while there’s not as much literature about this as you might expect – or at least not any that’s easily accessible to a lay researcher – we found that a study by University of Leicester in 2009 using a survey of genetic markers in nearly 1,700 British men suggested the real figure is probably closer to one in twenty-five. Here’s a BBC article from the time – note that the Leicester researchers don’t seem to be aware (or at least, don’t mention) Philipp’s study as a possible source of the one-in-ten assumption.
Mitochondria are the “organelles” responsible for most of the generation of Adenosine triphosphate (ATP), the main source of chemical energy in cells. They are found in most cells of eukaryotic lifeforms on Earth. (An organelle is a distinct sub-structure that fulfils a specific function – so the cellular equivalent of an organ in the body.) The dominant theory is that they were once separate single-celled organisms that were absorbed and incorporated into the body of our single-celled ancestors millions of years ago. Supporting this is the fact that mitochondria have their own DNA. It’s been long thought that children only inherit the mitochondrial DNA (mtDNA) of their mothers, hence the idea of “mitochondrial Eve” – the woman from whom all modern humans inherited their mitochondria. As the book points out, this doesn’t mean there was only one woman, only the others alive at the time do not have any surviving direct female-line descendants (they could have direct descendants, but if they or their following generations only had male children, then they would have inherited another line’s mtDNA). And, as modern lines end – i.e. as women now live and have no daughters – the specific woman in question would change. More recent genetic studies from 2013 have suggested the most recent mitochondrial Eve would have lived around 155,000 years ago, about twice as far back as the estimate current at the time of The Science of Discworld II. Of note is that since at least 2018, researchers have discovered that humans can inherit some of their mtDNA from their fathers, though this seems very rare and doesn’t seem to have left a significant mark on the human genetic map.
The Richard Dawkins book Ben mentions is The River Out of Africa, which uses the metaphor of a river to represent the flow of humans – or at least human DNA – out of Africa and across the world.
The Biblical story discussed in the book, in which the Israelites agree to let the Hivites join their tribe if they get circumcised but then murder them all, is the story of Dinah and Schechem, from the book of Genesis, chapter 34.
The early version of “Sleeping Beauty” to which Liz alludes is known from its earliest written version, “Sun, Moon, and Talia”, by Italian author Giambattista Basile in his 1634 book, the Pentamerone. Rather than being waken by a handsome Prince, the magically cursed princess Talia is discovered by a king, who…look, we’ll let you look it up. It’s not okay.
Cinderella’s slippers might be described as being made of “fur” in earlier versions, but this doesn’t seem to be an allusion to what Jack and Ian are talking about. Rather “squirrel fur” was one of a number of luxury materials that a common would never be able to afford or allowed by the conventions of status to wear. Many sources we found about this debunk the idea that it’s a mistranslation of an earlier version. The famous source of the modern version, Charles Perrault’s “Cendrillon ou la petite pantoufle de verre” (“Cinderella; or, the Little Glass Slipper”) uses the unambiguous phrase “pantoufles de verre” (“glass slippers”) many times. We will also note that Ben is wrong about the story always being about shoes – sometimes the item that helps identify the mystery woman is a ring. The earliest written version, in Chinese, does feature gold shoes.
The name Rumpelstiltskin actually derives from the German name Rumpelstilzchen. As Ben mentions, this is the name of a type of goblin – a noisy one who walks with a limp, in fact – and loosely translates as “little rattle stilt”. It seems to come from the old German children’s game, Rumpele stilt oder der Poppart, which one source described as “like duck-duck-goose except instead of a goose there’s a goblin, and instead of a duck there’s a man with a limp”. The goblin player would rattle and bang on things. (Sadly it seems others also think there’s a phallic interpretation for the story, though it doesn’t seem to be an explicit part of the tale in any version we can find.)
Ilona and Peter Opie published many books; the ones relevant to this discussion are 1959’s The Lore and Language of Schoolchildren, and 1974’s The Classic Fairy Tales, which contained twenty-four stories as they first appeared in English, with a literary history.
We’ve mentioned the various folk tale indices in our show notes on previous occasions; the big one Ben usually refers to is the Aarne–Thompson–Uther Index (ATU Index), though there are others. Like the Dewey Decimal System, the idea is that stories with closer numbers are more similar, or at least share significant traits. Both Rumpelstlitskin and Cinderella are in the 500s, the grouping known as “Supernatural helpers”. Rumpelstiltskin is the main example of ATU type 500, and Cinderella is the “persecuted heroine” subtype of 510A, “Cinderella and Cap o’ Rushes”.
The high school physics experiment Ben mentions is still done in high schools today. It uses a “ticker timer”, which is basically an electromagnet which, when attached to an AC power supply, turns on and off, causing a metal strip with a point on it to vibrate up and down at a fixed speed. It has a bit of carbon paper under the metal strip, so when the strip moves down it will make a mark with the carbon on paper underneath. In the experiment, you feed a strip of ticker tape through some guiding holes under the metal strip; by attaching one end of the tape to a block of wood with wheels on it, it can be dragged through, and by measuring the distance between the dots on the tape you can measure the speed at which the truck is moving. Ben was happy to discover that searching for “ticker timer” on YouTube brought up a number of high school physics teachers (many of them in Australia) explaining the demonstration to their students – some of them even from the Before Times!
The horse galloping photography experiment was to determine whether a horse always has one foot on the ground when trotting. It was undertaken by famous American photographer Eadweard Muybridge for Leland Stanford, former Governor of California, as mentioned in the book in chapter twenty-two, “The New Narrativium”. While the story of this settling a substantial bet is popular, some historians say there’s no evidence it’s true. The two men later had a falling out when Stanford published a book about horse movement containing illustrations based on Muybridge’s photographs but giving him no credit, costing Muybridge some research funding.
Rincewind’s deep love (or indeed lust) for potatoes was first explored while he was marooned on an island at the beginning of Interesting Times.
We’ve previously mentioned Jasper Fforde in #Pratchat25 (Equal Rites), #Pratchat31 (The Long Earth) and #Pratchat35 (The Science of Discworld), as well as the second episode of our subscriber bonus podcast, Ook Club. Thursday Next is the star of his most famous series of novels, beginning with The Eyre Affair; she works for the Special Operations Network department 27 ((or SpecOps, or specifically SO-27, for short), the Literary Detectives or “LiteraTecs”. Not only is literature incredibly important in her alternate history 1985 – “WillSpeak” machines are common coin-operated vending machines which recite lines from his plays and poems – but the lines between fiction and reality are very thin, allowing her to pass into the “BookWorld” and enter the plots of well-known novels. Her father has long since disappeared, but he worked for SO-12, the ChronoGuard, tasked with protecting the timeline from paradoxes and other tampering. As a result, Shakespeare and time travel are at least minor elements (an often much more significant ones) in most of the Thursday Next novels.
Liz claims no-one knows when Shakespeare was born, or what his life was like, or who he was…some of which is true. We don’t know when he was born, but we do know he was baptised on the 26th of April, 1564; his birthday is usually celebrated on April 23, which is also the date on which he died in 1616, aged 52. We also known he was married to Anne Hathaway on the 27th of November 1582, but there’s little detail recorded of his life until he begins to make his mark on the theatre scene in 1592, when he was roasted in print by rival playwright Robert Greene. As to his identity, while no end of scholars have made themselves famous with alternative theories about his identity and very existence, at least half of the Pratchat team subscribes to the simplest theory: that he was just one guy, named William Shakespeare.
Doctor Who featured Shakespeare in the 2007 episode “The Shakespeare Code”, when the Tenth Doctor and his companion Martha Jones visit the Globe to see an original Shakespeare production and discover alien witches are influencing both Shakespeare’s play and the Globe theatre for their own ends. Doctor Who had mentioned Shakespeare several times in the classic series, implying (but never showing) that the Doctor had met him on more than one occasion.
Ben makes an unintentional pun when he says that “Shakespeare is kind of your biggest Touchstone” – Touchstone is the name of a fool, one of the major characters in Shakespeare’s comedy As You Like It.
The author who suggested Western-style science requires monotheism, which is why it didn’t develop in China was British biochemist, historian and sinologist Joseph Needham (1900-1995). A noted scholar of Chinese history and philosophy of science, he wrote many books, but Jack and Ian specifically mention “his truly gigantic History of Science in China“. His work was so influential that in history circles, the question of why China had been overtaken by the West in scientific terms, despite being centuries ahead with many of the most important inventions, is known as “the Needham Question”. Needham has been criticised for being perhaps biased in China’s favour, however, and there are many other hypotheses that have been put forward to answer the Needham Question.
We hope you enjoy the seeming non-sequitur when Liz says “On the space elevator, on the way to the banana planet“; this is a result of a previous bit where Ben gave an entirely incorrect (and thus cut) account of how banana plants move up hills, and Liz deciding that when they get to the top they build a space elevator and leave the planet.
The Milgram experiment, conducted by Yale University psychologist Dr Stanley Milgram in 1961 and published in The Journal of Abnormal and Social Psychology as “Behavioural study of obedience” in 1963, remains one of the most famous psychology experiments of all time. As the subjects were filmed – and that footage used by Milgram to capitalise on his fame by using it in a 1974 film titled Obedience – it has been shown to students of psychology and the history and philosophy of science for decades. But like many similar experiments from the time, it has since come under a great deal of scrutiny. In 2013, Australian psychologist Gina Perry published Behind the Shock Machine: The Untold Story of the Notorious Milgram Psychology Experiments; with access to all Milgram’s original papers and documentation, she felt that his methodology and the the quality of the experiment was highly questionable. Even those who think the experiment holds up – and it has, despite ethical objections, been repeated in various forms, even as recently as 2007 – many others question the conclusions that have been drawn from the results. This great piece by Cari Romm for The Atlantic from 2015 is a great primer on the legacy of the experiment, and more recent criticism.
As Ben mentions, if you’re a subscriber, keep an eye out for the next episode of the Ook Club bonus podcast – he has a few more things to say about this book!
The expression Bojack Horseman has ruined for Liz is “Fool me once, shame on you; fool me twice, shame on me.” Many sources trace its origin back to a version found in The Court and Character of King James, written by Anthony Weldon in 1650, though some suggest a similar sentiment appears in “The Embassy to Achilles” in Homer’s The Iliad – or at least its English translation by Alexander Pope, published between 1715 and 1720. (Having had a look, that latter attribution seems a bit of a long bow.) Bojack Horseman is a Netflix original animated series about depressed and self-hating anthropomorphic horse actor Bojack Horseman. In the first season’s fourth episode, a number of characters are unable to recall the expression correctly. This echoes former US President George W Bush, famous for his “Bushisms”, who also mangled it; here’s a little collection of his gaffes that includes that one, from a speech given on September 17, 2002 in Nashville.

#Pratchat47 – A Finite Number of Shakespeares

08/09/2021 by Pratchat Imps Leave a Comment

Science comedian and public health nerd Alanta Colley joins Liz and Ben on their second trip through Discworld into Roundworld, as they join Rincewind and the wizards of Unseen University in Pratchett’s second collaboration with Ian Stewart and Jack Cohen: 2002’s The Science of Discworld II: The Globe.

While on a team-building exercise in the woods near Unseen University, Archchancellor Mustrum Ridcully and his faculty are accidentally swept along when something makes its way through the Discworld into Roundworld. That something turns out to be elves – nasty, parasitic lifeforms who feast on the imagination and emotions of others. Roundworld – the universe in a bottle created by the wizards’ experiments, which somehow runs without any magic – has been altered by their presence. Now the wizards – including Rincewind, the long-suffering Egregious Professor of Cruel and Unusual Geography – have to find a way to get rid of them without dooming the local human population in the process…

Having entirely missed humankind in The Science of Discworld, the wizards are back for another go! And so are science writers Ian Stewart and Jack Cohen – but this time, they don’t want to explain cosmology, basic physics and the history of the Earth, but instead sell you on the idea that storytelling is the essential ingredient that makes humans…human.

Are we really Pans narrans, the storytelling chimpanzee, rather than Homo sapiens, the “wise man”? Is it wise to write a popular science book with an author who will guarantee the book will be read again twenty years later – and to include some “cutting edge” science, no less? What do a debunked psychological experiment, the term “overcommitment”, and filthy explanations of fairytales have to do with it? And who’s this shrewd and world-wise street wizard named Rincewind, and can we have some more of his adventures please? Let us know what you think using the hashtag #Pratchat47 on social media, and join in the conversation!

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Guest Alanta Colley is a comedian, science communicator and storyteller whose solo shows include Parasites Lost (about parasites), Days of Our Hives (about beekeeping) and The Origin of Faeces (you can probably work that one out yourself). She also wrote and performed the “comedy experiment” You Chose Poorly with our own Ben McKenzie. Since 2017 Alanta has also been the host and producer of Sci Fight, a series of comedy science debates; both Ben and Liz have been guest speakers, along with previous Pratchat guests Anna Ahveninen (#Pratchat35) and Nicholas J Johnson (#Pratchat38). You can hear Ben and Anna’s last appearance on Sci Fight in this episode of the Climactic podcast, or see the first online debate for Melbourne Science Gallery on YouTube here. Visit scifight.com.au to sign up to the mailing list, and you can find Alanta as @lannyopolis on Twitter and Instagram, via Facebook or at alantacolley.com.

You can find out more about what Liz has been writing by following her as @ElizabethFlux on Twitter or Instagram.

As usual, you can find notes and errata for this episode on our web site.

Next episode we read one of the few precious Discworld novels left to us, though luckily we got a little preview this time around; yes, we’re joining up with Susan, Death and the history monks for the very timely Thief of Time, which we’ll be discussing with journalist Ben Riley! Send us your questions using the hashtag #Pratchat48, or get them in via email: chat@pratchatpodcast.com

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat44 Notes and Errata

08/06/2021 by Ben Leave a Comment

These are the episode notes and errata for episode 44, “Cosmic Turtle Soup“, featuring guest Joel Martin, discussing the 2nd Discworld novel, 1986’s The Light Fantastic.

The episode title is references Joel’s comments that this book is the “primordial soup” of the Discworld books yet to come, the analogy of the “cosmic ocean” put forward by Carl Sagan in his book and television series Cosmos, and of course Great A’Tuin the World Turtle himself.
The term “hat-trick” does indeed originate with cricket, where it means taking three wickets (i.e. getting the batter out) on three consecutive deliveries (i.e. a single bowl of the ball). It has since spread to other sports and to mean more generally three successful attempts in a row. (In football, it specifically refers to a player scoring three goals in one game.) The term dates back to 1858, when English cricketer Heathfield Harman Stephenson performed the first recorded hat-trick; fans collected up money for him and used it to buy a hat, which they presented to him to commemorate the achievement. While this story seems well-documented, if Helen Zaltzman (see below) has taught Ben anything, it’s to be suspicious of neat etymological explanations…
The custom of throwing hats in the air to celebrate a victory or achievement is said by multiple sources to be a military tradition: cadets graduating to officer status would be given new hats, or at least no longer need to wear their old cadet ones, and they would symbolically throw them away. At least one story says this started specifically at the US Naval Academy with the class of 1912.
Helen Zaltzman is a comedian, writer and podcaster best known for the long-running comedy podcast Answer Me This? with fellow comedian Olly Mann, and her more recent show, The Allusionist, which explores language in as many different ways as possible. The Allusionist started out as part of the Radiotopia Network, but went fully independent in 2020 as part of Helen putting her money where her mouth was in backing diversity and inclusion in podcasting. If you enjoy the show, please consider supporting The Allusionist via Patreon. Oh, and we nearly forgot: Helen also makes a Veronica Mars recap podcast called Veronica Mars Investigations! Helen is the best.
“Commitment to the bit” and “commit to the bit” is common phrase in comedy circles; it means to stick with a joke or comic premise all the way to the end, rather than shy away from it because it is doesn’t immediately work, or is impractical or (for comedians unconcerned with their own or their audience’s safety) uncomfortable. It’s obviously not always good advice; a recent example would be Iceland’s choice at Eurovision 2021 to employ actor Hannes Óli Ágústsson to relay their jury’s points for the contest in character as Olaf Yohansson, his character in the comedy film Eurovision Song Contest: The Story of Fire Saga. His character’s whole shtick is to awkwardly and angrily demand the title band play the only song he likes, “Ja Ja Ding Dong”; at the contest he tries to give Iceland’s 12 points to the song twice, causing a much-hated delay in giving out the real points.
The Colour of Magic was first published on the 24th of November, 1983 (one day after the 20th anniversary of Doctor Who!), and so its 25th anniversary was two weeks before #Pratchat14, published on December 8, 2018. It originally had art of Great A’Tuin swimming through space by Alan Smith; the Josh Kirby art first appeared on a second edition published in 1989. The Light Fantastic was first published on the 2nd of June, 1986, so we’re a bit closer to the anniversary this time around!
Liz’s “double book” is the combined edition of The Colour of Magic and The Light Fantastic published in 2008, to tie in with The Mob’s two-part television adaptation The Colour of Magic, which combined both books. They had previously been collected as a single volume in 1999 as The First Discworld Novels.
Liz’s annoyance with the “cosmic turtle business” at the start of many of the earlier Discworld books is well documented in many previous episodes.
In The Colour of Magic, Krull’s spaceship the Potent Voyager is only vaguely described as being made of bronze and looking “like a great flying fish”. The graphic novel depicts it as fish shaped, but without the wing-fins of a flying fish.
The Rocket Clock is one of the two clocks used by the Australian version of Playschool in its early days to help tell the time, the other being the Flower Clock. As you might expect, it resembles a space rocket, with a clock on the top section, and a bottom section which rotates to reveal a small diorama connected to a theme of the episode. The original version of the clock, used from 1966 to at least the 1980s, is now in the collection of the National Museum of Australia.
Mr Squiggle was a long-running Australian children’s program starring puppet character Mr Squiggle, “the Man in the Moon”. It ran for forty years between 1959 and 1999. Mr Squiggle, who would arrive in “Rocket“, his smoke-belching impatient rocket ship, had a pencil for a nose. He would use it to turn “squiggles” – scribbles sent in by children – into pictures. Because he was a marionette, puppeteer Norman Heatherington was watching upside down from above, so a lot of his drawings were upside down. This led to him having to tell his assistant, who was holding the puppet’s hand to keep him still, that “Everything’s upside down, Miss Jane”.
In the tabletop roleplaying game Dungeons & Dragons, players create characters whose power is measured in “levels”. As they accumulate experience, they gain levels of power and new abilities. In the current edition all characters can reach up to level 20, with wizards learning more and more powerful spells as they level up. Ben has mentioned Dungeons & Dragons many times, as far back as #Pratchat4; his article “What Even Is Dungeons & Dragons?” is a good primer for the novice, though note it’s a little sweary.
The Necrotelicomnicon is mentioned in several books, including The Colour of Magic, Sourcery and Moving Pictures. It’s a pun on the Necronomicon, a fictional book of evil magic written by the “Mad Arab Abdul Alhazred” that appears in the stories of H. P. Lovecraft.
“Vancian magic” is the sort used in older editions of Dungeons & Dragons, in which a wizard must study their spell book and memorise a spell, fixing it in their mind, before they can cast it. Once cast, the spell leaves their mind entirely, and they must memorise it anew to cast it again. The name comes from the source that inspired this form of spellcasting, the “Dying Earth” books by American writer Jack Vance.
You can listen to the State Swim jingle right here:

The comic with several different Joker origin stories is probably 2020’s Three Jokers, by Geoff Johns and Jason Fabok, which revises the story to suggest there have been several Jokers over the years. But there have been many others; this article from Screen Rant runs through many of them.
In case the pun is lost on you, timber is wood that’s been prepared for building, usually by being sawn into planks. Timbre is the quality of tone of a sound, especially a voice or musical instrument. You can think of it as all the things that distinguish two sounds of the same frequency from each other.
The Tooth Fairy – well, one or two of them – plays a major part in Hogfather (#Pratchat24). Buggy Swires is a gnome exterminator living in Ankh-Morpork; he returns in several books, starting with Feet of Clay (#Pratchat24). The pictsies known as the Mac Nac Feegle first appear in Carpe Jugulum (#Pratchat36).
Toadstool houses are the traditional homes of Smurfs, small blue creatures invented in 1959 by Belgian cartoonist Peyo. We previously talked about them in #Pratchat9, “Upscalator to Heaven“, about Pratchett’s second tiny people book, Truckers; and in #Pratchat36, “Home Alone, But Vampires“, about the book that introduced the Nac Mac Feegle, Carpe Jugulum. (There’s more detail about the Smurfs in the show notes for #Pratchat36.)
Lonely Planet is a prominent publisher of travel guides for tourists on a budget. In the pre-smartphone days every backpacker bought a Lonely Planet guide to the country where they were headed, but in recent years – especially since the global pandemic – their business has waned. The company was started in Australia by Maureen and Tony Wheeler in 1972, but was later sold to the BBC and is now owned by Red Media, the company behind CNET, Metacritic and GameSpot, among other prominent online media outlets.
Pratchett writes about tiny people many times, including in his first novel The Carpet People, the Bromeliad trilogy (Truckers, Diggers and Wings), and the various tiny denizens of the Discworld, most prominently gnomes and pictsies.
While houses made of food or confectionary date back further, the gingerbread cottage appears in the fairytale of “Hansel and Gretel”, collected and published by the Brothers Grimm in 1812. “Hansel and Gretel” is the archetypal story of Aarne–Thompson–Uther type 327A. Pratchett returns to the idea in the witches books, especially Wyrd Sisters (#Pratchat4). The witches refer to Aliss Demurrage, aka “Black Aliss”, as a witch who worked some of the greatest magic, but also as a cautionary tale: she built a gingerbread cottage, a sure sign she’d gone to the bad, and by the end was making poisoned apples before she was pushed into her own oven by children she was trying to eat. (Her cottage is also said to be in Skund, leading some Pratchett fans to suggest that Granny Whitlow was an alias she used to lure children.)
The Rite of AshkEnte is performed here, and also in Mort (when it summons Mort as well as Death), Reaper Man, and Soul Music (where it summons Susan). Death tends to show up without needing to be asked in later books.
We have a play with the famous “you have my sword” sequence from the film Lord of the Rings: The Fellowship of the Ring, which doesn’t appear in the book. (Frodo does say “I will take the Ring to Mordor!” and then “Though I do not know the way” in the book, but Elrond decides who will accompany him after the council is over.) Here’s the dialogue from the movie:

Frodo: I will take it. I will take it. I will take the Ring to Mordor. Though… I do not know the way.
Gandalf: I will help you bear this burden, Frodo Baggins as long as it is yours to bear.
Aragorn: If by my life or death I can protect you I will. You have my sword.
Legolas: And you have my bow.
Gimli: And my axe!
The Lord of the Rings: Fellowship of the Ring (2001, dir. Peter Jackson)

You can find Fury’s drawing of the Luggage as Trunkie from The Last Continent in the notes for #Pratchat29, “Great Rimward Land“.
The Last Continent was published twelve years after The Light Fantastic, in 1998, so Liz was pretty close with her guess of ten years.
Liz suggests the Luggage might have “a chamber full of pigs?” in reference to the “having your enemies’ corpses eaten by pigs” method of getting away with murder. This features prominently in the television series Deadwood and Guy Richie’s film Snatch. You can find a list of uses as the “Fed to Pigs” trope on TV Tropes. Ben also mentions a bath full of (Hollywood style) acid, most famously used by Walter White in Breaking Bad.
Pratchett uses the Megalith pun in Lords and Ladies: “It was always cheaper to build a new 33-MegaLith circle than upgrade an old slow one.” This is a pun on MegaHertz (MHz), the unit used to measure the clock speed or clock rate of computer processors – in simple terms, how many instructions they execute per second. In the 1980s, home computers used chips like Intel’s 386, which had speeds of between 16 and 40 MHz. While it was used heavily in marketing, clock speed was not a sure measure of computer performance.
Pratchett moved to Broad Chalke in Wiltshire in 1993, seven years after The Light Fantastic was published. Before that he lived in the village of Rowberrow, Somerset, about 67 kilometres (or about 42 miles) to the northwest. He was never very far from many sites of ancient interest, but Broad Chalke was only a stone’s throw (sorry) from Stonehenge.
There are several stone circles better than Stonehenge, depending on who you ask and how you define better, but the one at Avebury is about 30km to the north and much, much bigger. Tom Scott made this video about it.
The Small Faint Group of Boring Stars is mentioned again in The Last Continent; the wizards travel quite far back in time, to an age when the stars were much closer and less faint (though possibly not less boring).
The Free and Sovereign State of Yucatán is one of the 52 states of Mexico. There are several theories behind its name, and there are two versions of the “Your Finger You Fool” type: one involves the Mayan phrase Ma’anaatik ka t’ann, or “I do not understand you”, and the other uh yu ka t’ann, or “hear how they talk”. Another involves the casava plant, known locally as yuca (see #Pratchat41, “The Adventures of Crab Boy and Trouser Girl” for more on this plant) which was cultivated in the area, the name Yucatá meaning “land of yucas”. A third one suggests the name comes from the local Chontal Maya people, who call themselves the Yokot’anob or Yokot’an, meaning “the speakers of Yoko ochoco“.
Cohen is not in fact mentioned in The Colour of Magic; this is the first time we meet him.
The famous “What is best in life?” dialogue was made famous by Arnold Schwarzenegger in the 1982 film Conan the Barbarian, based on the Conan stories of Robert E Howard. The lines in full are below; they don’t appear in Robert E Howard’s stories, but are instead inspired by words attributed to Genghis Khan himself…

Mongol General: Hao! Dai ye! We won again! This is good but what is best in life?
Mongol Soldier: The open steppe, fleet horse, falcons at your wrist and the wind in your hair.
Mongol General: Wrong! Conan, what is best in life?
Conan: To crush your enemies, see them driven before you and to hear the lamentation of their women.
Conan the Barbarian (1982, dir. John Milius)

The people around the breakfast table in The Truth are Mr Windling and the other lodgers at Mars Arcanum’s guest house, where William de Worde lives. He doesn’t tell them he’s the editor of The Ankh-Morpork Times. (We covered The Truth in #Pratchat42, “Truth, the Printing Press and Every -ing“.
The cover art we’re talking about is the Josh Kirby art for the Corgi edition, still mostly in use today. You can find it on the official Josh Kirby website.
The “uncanny valley” describes the discomfort felt at seeing an artificial creature that is very like, but not mistakable for, the real thing. It can apply to anything living but is strongest – and most often used – to refer to the effect produced by androids and computer-generated representations of faces. There are many theories that try and account for why these things creep it out.
In Stanley Kubrick’s 1980 film version of The Shining, based on Stephen King’s 1977 novel, a pair of creepy twins appear as ghosts. The “Grady twins” are not twins in the book, but sisters aged 8 and 10, and are only mentioned, rather than appearing as ghosts. In the film, they appear to the young psychic Danny Torrance, dressed identically and speaking to him in unison saying “Come and play with us” – now a famous classic line of horror cinema. Though Kubrick denied it was intentional, many have pointed out that the look of the twins in the film resembles the photograph Identical Twins, Roselle, New Jersey, 1967 by American photographer Diane Arbus.
Mort was published in November 1987, so about seventeen months after The Light Fantastic. Liz’s guess of seven months is spot on for the third Discworld book, though – Equal Rites was published in January 1987!
It was announced on April 28, 2020 that Narrativia had made an exclusive new deal with Motive Pictures and Endeavour Content to produce “definitive” and “absolutely faithful” Discworld adaptations for the screen. So far no actual productions have been announced, but the Narrativia website now has sections for all of the major Discworld screen projects of the last decade or so. The page about the new Discworld deal still lists only the initial agreement.
The extra space in Death’s House is described near the start of Soul Music, when Death watches Albert flit from the edge of his impossibly large office to the edge of the carpet around his desk:

Death gave up wondering how Albert covered the intervening space when it dawned on him that, to his servant, there was no intervening space…
Pratchett, Soul Music (1994)

By season three of The Good Place, the humans who are at the centre of the show have been exposed to a lot of the weirdness that exists beyond the material world. Near the end of the season, an accident in the “Interdimensional Hole of Pon-cakes” sends Chidi briefly to another realm, and when he returns he describes it like this:

Chidi Anagonye: I… I just saw a trillion different realities folding onto each other like thin sheets of metal forming… a single blade.
Michael: Yeah yeah, the Time-Knife. We’ve all seen it.
The Good Place, season 3 episode 12, “Chidi Sees the Time-Knife” (2019)

The Untempered Schism is “a gap in the fabric of reality from which can be seen the whole of the Vortex” of space and time. It’s introduced at the end of the third season of the revived Doctor Who in the penultimate episode, “The Sound of Drums”. The Doctor explains that it’s an initiation rite for young Gallifreyans, who at the age of eight must stare into it; according to him, “some would be inspired, some would run away, and some would go mad.” He says he ran away; the Master instead went mad, constantly hearing “the drumming”, though this is later revealed to be more than it seems.
The Doctor Who universe influencer jokes refer to the city of New New York, as introduced in the episode “New Earth”; the “EarPods” used by alternate universe Cybermen to control and convert humans, as seen in the two-part season two story “Rise of the Cyberman”/”The Age of Steel”; and the Adipose, a species of creatures whose cute babies could be incubated in a human body by accumulating fat tissue, under the guise of a diet pill, as seen in the season four opening episode “Partners in Crime”.
Icelandic names are subject to some fairly strict conventions, overseen by the Icelandic Naming Committee. There’s a list of around 4,000 traditional Icelandic names which can be used freely, but new names must be approved by the committee. In addition, by convention Icelandic people take either their father’s or mother’s name as a surname, appended with -son, –dottir or (since 2019) –bur for son, daughter or child, respectively. Episode 87 of The Allusionist podcast, “Name v. Law”, covers some of this in detail, though note it was released in 2018, before the change allowing non-gendered suffixes.
“That bit in The Hobbit” is Chapter II, “Roast Mutton”, when Bilbo is scouting ahead of the company of dwarves and comes upon three trolls named William, Bert and Tom. Bilbo is caught picking a troll’s pocket (Tolkien trolls wear trousers!), and he and the dwarves are caught. Gandalf manages to keep all three trolls arguing with each other, distracting them until the sun comes up and turns them to stone.
5G, short for fifth-generation, is the name given to the newest mobile communications network technology being rolled out around the world. 5G is capable of far greater data transfer speeds than its predecessor 4G, at least at short range. It has been the subject of many conspiracy theories that claim it causes health problems in humans, despite a lack of any evidence that this is true. These theories mutated during 2020 to suggest that 5G caused or spread COVID-19, and they were believed enough that 5G towers in several countries were vandalised.
Lackjaw does indeed describe himself as “of the dwarfish persuasion“.
The magic shop trope can be traced back as far as H. G. Wells’ stories The Crystal Egg (1897) and The Magic Shop (1903). TV Tropes lists it as “The Little Shop That Wasn’t There Yesterday” and has many other examples. Pratchett revisits it in a more traditional way in Soul Music (discussed by us in #Pratchat19, “It Don’t Mean a Thing if It Ain’t Got Rocks In”), where Buddy buys his guitar. It’s not the same shop, though – the proprietor is an old woman who seems quite happy with her lot, and she seems to sell only musical instruments.
We keep mentioning Howl’s Moving Castle, so it’s probably a good idea for us to do that Diana Wynne Jones episode we keep talking about. Previous episodes where this book have been mentioned include #Pratchat17, #Pratchat26, #Pratchat30 and #Pratchat43. In a nutshell: Howl is a wizard who lives as a recluse in a castle that not only can move from place to place, but has a magical front door that can open in one of several fixed locations.
Cane toads, Rhinella marina, are native to the Americas and were introduced to Australia from Hawaii in 1935 for purposes of pest control on sugar cane farms. We previously talked about them in #Pratchat22, “The Cat in the Prat“, where we recommended in the episode notes the documentaries Cane Toads: An Unnatural History (1988) and its sequel, Cane Toads: The Conquest (2010). You can indeed still get various souvenirs made from dead toads; you can see examples at the website Souvenirs Australia (though it’s not a pretty sight).
The ridiculous fight between Xander and cheerleader-turned-vampire Harmony, occurs in Buffy: the Vampire Slayer‘s fourth season, in the seventh episode “The Initiative”. But you can see it on YouTube:

The “critical Black Mass” pun is not about wizards or gods, but rather books of magic. It comes up in a description of the library as Trymon heads there to bribe the Librarian while the wizards are still speaking to Death.
Bethan is not mentioned in Interesting Times. Rincewind does mention in Sourcery that he was a guest at Cohen’s wedding to “a girl of about Conina’s age”, but Bethan isn’t mentioned by name and Rincewind gives no indication that he knows how the marriage went.
We looked up Echidna penises for #Pratchat12, “Brooms, Boats and Pumpkinmobiles“.
Rincewind will return in The Last Hero, The Science of Discworld II: The Globe, The Science of Discworld III: Darwin’s Watch and The Science of Discworld IV: Judgment Day. He’s also a minor character in Unseen Academicals, and mentioned briefly in Raising Steam.
Michael Moorcock’s “Wizardry and WIld Romance: A Study of Epic Fantasy” is less an essay, and more of a book, first published in 1987. An expanded edition, now 206 pages long, was released in 2004.
Blades in the Dark is a tabletop roleplaying game written and designed by John Harper and published in 2015. It’s set in an “industrial-fantasy” world, and players form a company of criminals who try to stake a claim for themselves in the inescapable city of Duskvol, surrounded by horror and haunted by deadly ghosts. Among its distinctive features are a system of retroactively planning heists and packing gear, which gets you into the action quicker. If industrial-fantasy isn’t your thing the system has also been used to make several other games in other genres.
Campaign settings are the various fantasy worlds used for Dungeons & Dragons and other games which aren’t tied too much to a specific universe. D&D has a large number of these covering various sub-genres of fantasy, from the post-apocalyptic sword and sorcery of Dark Sun to the gothic horror of Ravenloft. There are too many to list them all, since aside from the dozens of official ones there are many more published independently. (Ben’s favourite is probably Planescape, which both ties together all the others in a weird multiverse, and introduces an interdimensional hub city on the inside of a ring in the theoretical centre of everything.)
Mage: The Ascension, first published in 1993, was the third game in the World of Darkness series of modern horror roleplaying games, following Vampire: the Masquerade and Werewolf: the Apocalypse. Mage is also effectively a sequel to the earlier game about medieval wizards, Ars Magicka, but in the modern world therise of science and rational thought means magic doesn’t work like it used to.
Cavaliers of Mars by Rose Bailey is the latest in a fine tradition of games that seek to emulate the “planetary romance” genre of fiction. These were science fiction or fantasy stories from around the turn of the twentieth century in which the fantastic adventures take place on other worlds – either in our own solar system as in A Princess of Mars by Edgar Rice Burroughs (adapted as the hugely underrated film John Carter), or in other galaxies entirely – for example, James Herbert’s Dune is sometimes classified as a planetary romance.
The Old-School Renaissance or Revival – usually abbreviated to OSR – is a movement in roleplaying game communities which prefers the early versions of Dungeons & Dragons and similar games from the 1970s and 1980s. There are now many games that seek to recapture the feel of those games, either by re-implementing the original rules (a genre known as “retro-clones”) or writing games with more modern rules but the old-school philosophy in mind. Exactly what that philosophy is varies according to who you ask, but it usually means a smaller set of rules, and more reliance on both player skill (as opposed to rules which emulate the skill of the characters being played) and rulings by the Game Master (who OSR games often call the referee). Famous examples include Torchbearer, The Black Hack, Dungeon Crawl Classics and the Old School Reference and Index Compilation (OSRIC). Dungeon World isn’t usually counted as an OSR game, but it has many similarities. (It’s a translation of the now super popular “Powered by the Apocalypse” framework, created by Meguey & Vincent Baker for their post-apocalyptic RPG Apocalypse World, into a more D&D-like fantasy context.)
The six flavours of quarks are up, down, charmed, strange, top and bottom. “Flavour” is the name given to unique combinations of other characteristics like spin and charge; it’s sometimes also called “species”. Quarks form other particles, like neutrons and protons, when three of them are combined in different flavour combinations.
The World War II realtime Twitter account is @RealTimeWWII. It tweets “on this day” war events from the years 1939 to 1945, and is currently up to 1943 on its second time around.
In Chinese numerology, four – 四 (Anglicised as sì or sei) – is inauspicious because it sounds like the word for “death”, 死 (sǐ or séi). This causes as serious an aversion as Europeans traditionally have to the number thirteen, and just as some might have triskaidekaphobia, in China and other parts of East Asia, tetraphobia is common enough that buildings do not number floors using the digit 4.

#Pratchat29 – Great Rimward Land

08/03/2020 by Pratchat Imps Leave a Comment

In episode 29, Liz, Ben and guest Fury join Rincewind on a journey to a strangely familiar land in Pratchett’s 1992 loving Discworld parody of Australia, The Last Continent. (A quick content note: this one has more swearing than usual, but we bleeped the c-bombs out.)

The Librarian of Unseen University, long ago turned into an orang utan, is suffering from a magical illness. Archchancellor Ridcully and his faculty could help him – if only they knew his original human name. Unfortunately the only person likely to remember is former Assistant Librarian Rincewind, and the wizards sent him to Agatea – and then accidentally propelled him across the Disc. He ended up in XXXX – aka Fourecks, aka the Last Continent, aka “that place far away full of deadly animals” – but he’s managed to survive. The locals out in the desert seem friendly enough, at least until he asks when it will rain. But something isn’t right. The land needs a hero. What it’s got is the Eternal Coward…

Pratchett came to Australia many times, and his experience of the country seems to have rubbed off. Fourecks affectionately parodies Australian music, slang, politics and culture, including Mad Max, The Man From Snowy River, Priscilla Queen of the Desert, thongs, corks on hats, the cultural cringe, Vegemite, pie floaters and Skippy the Bush Kangaroo. It’s quite the ride for the Australian reader… Rincewind is moulded into the stereotypical “bush hero”, but his touchstones aren’t entirely post-invasion – Pratchett also tries for a nuanced and deep Discworld interpretation of Aboriginal culture and beliefs, even if he doesn’t include any actual Aboriginal characters. Do you think he makes it work? Could you follow all the Australian references? Is there enough of a plot, or is it just an excuse for a bunch of jokes? Use the hashtag #Pratchat29 on social media to join the conversation!

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Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in episode 19, discussing Soul Music. They were recently seen in Gender Euphoria, a touring multi-disciplinary show celebrating trans experiences which has played in Melbourne and Sydney. Fury’s book I Don’t Understand How Emotions Work is available online now. You can also find out more about them at their web site furywrites.com, or follow them on Twitter as @fury_writes.

Next month’s episode was going to cover Pratchett’s 2012 sci-fi collaboration with Stephen Baxter, The Long Earth, but we’ve had a change of plan! Instead, we’ll be taking a month off from book discussion to answer your questions about how to get into Pratchett, about past episodes, and about his work in general. Listen out for a special announcement with more information, and get your questions in via the hashtag #Pratchat30 by April 3rd.

You’ll find the full notes and errata for this episode on our web site.

#Pratchat21 – Memoirs of Agatea

08/07/2019 by Pratchat Imps Leave a Comment

Twenty-one today! In this episode, Elizabeth and Ben are joined by David Ryding of Melbourne UNESCO City of Literature as we rejoin Rincewind and some of his old friends in the 17th Discworld novel: 1994’s Interesting Times.

Rincewind, the worst student Unseen University ever had, has been quite literally to hell and back. But when a summons arrives in Ankh-Morpork requesting the presence of “the Great Wizzard”, his old faculty bring him home, then send him to the far-flung Agatean Empire. All is not well on the Counterweight Continent: rebels are (gently) questioning centuries of enforced order, inspired by the revolutionary pamphlet “What I Did on My Holidays”. The ruthless Lord Hong plots to change the Empire forever. The walls have failed to keep out a horde of barbarian invaders – seven of them, in fact. And it’s about to be visited by a very special kind of butterfly...

Pratchett revisits characters from his first Discworld novels, as Rincewind is reunited with Cohen the Barbarian in Twoflower’s homeland. But in 2019, twenty-five years after it was first published, his depiction of a comic fantasy Asia leaves a bit to be desired. There’s plenty going on, and some stirring speeches, but it’s also hard to ignore that nearly all the main characters are white folks “saving” a nation inspired by real-world Asian countries from itself. Is there a clear message in the book? How does this sit on the evolution of Pratchett’s work from parody to satire? And were you glad to see such old favourite characters return, or could you have done without them? We’d love to hear from you! Use the hashtag #Pratchat21 on social media to join the conversation.

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Guest David Ryding has been Director of the Melbourne UNESCO City of Literature office since its establishment in 2014 (though Melbourne has been a City of Literature since 2008). Prior to that he was director of the Emerging Writers Festival, then executive director of the NSW Writers Centre (now know as Writing NSW). You can find out more about what he does at the City of Literature office at cityofliterature.com.au, and they’re also on Twitter at @MelCityofLit. If you’re looking for other great literary podcasts made in Melbourne, you can find some listed on their site here.

You can find the full show notes and errata for this episode on our web site.

We hope you enjoyed our first ever live show, recorded at Nullus Anxietas VII, where we discussed Cohen’s previous adventure in the short story Troll Bridge! We hope to record more bonus episodes in future, and you can help us do it by supporting Pratchat.

In August we leave the Discworld and indeed the land of fiction to read one of Pratchett’s oddest books: The Unadulterated Cat, a 1989 collaboration with cartoonist Gray Joliffe in which he makes the case that the only “real cat” is one that destroys gardens, eats wildlife and makes a thorough nuisance of itself. If you have questions, send them to us via social media using the hashtag #Pratchat22.

#Pratchat29 Notes and Errata

08/03/2020 by Ben Leave a Comment

These are the show notes and errata for episode 29, “Great Rimward Land“, featuring guest Fury, discussing the 1998 Discworld novel The Last Continent.

This episode’s title puns on the Icehouse song “Great Southern Land“, a big hit in Australia which also featured on the soundtrack of Yahoo Serious’ 1988 Australian comedy film Young Einstein. In retrospect both the song and the film might have been expected to show up parodied in The Last Continent…
Our pre-show disclaimer uses the phrase “going off like a frog in a sock”. “Going off” on its own means to put a lot of energy or excitement into something, sometimes in anger, but in the frog idiom always in a fun way. Unusually for Australian slang, this isn’t ironic, just a straight-up metaphor; imagine you’ve caught a frog in a sock and it’s trying to get out, and you’ll get the idea. (And no, Australians don’t actually catch frogs in socks, this is strictly a thought experiment.)
The Kiwi-Aussie portmanteau is spelled “Kaussie“, whereas the slang for swimwear is “cossie“; it’s short for “swimming costume”.
The South Australian television personality who keeps getting in fights on the Internet is Cosi, host of South Aussie with Cosi, a travel show produced by Channel 9. (Not to be confused with Cosi, the play by Australian write Louis Nowra previously discussed in episode 23, “The Music of the Nitt“.)
“Swimming togs” comes from the British slang word “togs”, which just meant clothes. It’s one of a number of slang terms now archaic in the UK which have survived in some form in Australia.
Helen Zaltzmann is host of The Allusionist, a podcast about language, and one of Ben’s favourites. I’m sure she’d be the first to tell you that not every word – slang or otherwise – has a satisfying true origin story.
Stephen Briggs was a frequent collaborator with Terry, beginning with the original map of Ankh-Morpork. He also contributed to the diaries, The Discworld Companion and many other books outside the main novels. He adapted many of the books into plays, some of which have been published, and has read the audiobook versions of more than 30 of Terry’s novels. (Stephen Fry reads the UK editions of the Harry Potter audiobooks; if you’ve heard the US versions, those are read by Jim Dale.)
Mike Schur’s afterlife sit-com The Good Place set much of its third season in Australia, and copped much criticism from actual Australians for the quality of the accents. You couldn’t fault the jokes, though – or the punny names of the restaurants, shops and incidental characters in those episodes.
Pretty Little Liars is a teen mystery TV series based on the books by American YA author Sara Shepard. The UK accented character is antagonist Alex Drake, who shows up in season 7. We’d tell you more, but…spoilers.
The extreme Australian wizard slang originated in a reply to a tumblr post from about JK Rowling’s the introduction of the American term for muggle, “no-maj”; you can find the original here, but just in case it vanishes from Tumblr forever, we’ll immortalise the words of user edenwolfie here (and a quick warning – we haven’t censored the print version). We’d also like to point out that Australian wizards and witches would most likely spell it “muggo”.

I can just imagine the Australian word being some awful slang that’s derived from muggle, such as “mugo”.
Ah, I can imagine it now, wizards in thongs, drinking butter-VB yelling “You’re such a fucking mugo, you wandless cunt!”
edenwolfie, Tumblr, 11 November 2015

Minotaur is Melbourne’s biggest independent pop culture and science fiction bookstore. Many of Terry’s early Melbourne signings occurred at its original location on Bourke Street, but it moved to Elizabeth Street in 2000.
PhanCon ’98 was a one-off fan science fiction convention held in Sydney in 1998. Information on it is in short supply, but guests included Terry Pratchett and British fantasy author David Gemmell.
Comet Shoemaker-Levy-9 broke up in 1992 and smashed into the planet Jupiter in 1994, to much excitement (on Earth at least). It was named for astronomers Carolyn and Eugene M. Shoemaker and David Levy, who discovered it after it had been captured by Jupiter’s gravity into a decaying orbit.
English scientists did indeed doubt the reality of the platypus, which not only has a unique and wonderful anatomy, but is one of two remaining monotremes – mammals that lay eggs. (The other one is the echidna.) As well as its distinctive bill, it has sharp ankle spurs which in the male can inject venom, and the ability to sense electric fields as a way of locating prey.
The Dreaming is a sophisticated concept in the stories of Aboriginal cultures. It has a complex relationship to space and time, existing both long ago and now, but despite the name – which was coined by Europeans – it has nothing to do with dreaming. An older term, “dreamtime”, is generally no longer considered appropriate. We recommend reading up on the topic; we’ll get some recommendations for some good starting points and add them here in future.
Boomerangs bought in stores and thrown to return are, indeed, toys. Hunting and war boomerangs were generally much larger, sharpened, and often had one wing longer than the other.
The Adventures of Priscilla, Queen of the Desert is a 1994 Australian comedy film which was a surprise box office hit often considered hugely significant in the history of queer cinema. It follows two drag queens (Hugo Weaving and Guy Pearce) and a trans woman (Terence Stamp) as they travel to from Sydney through the outback to perform in Alice Springs. Though initially praised for its queer-positive message, the portrayal of Filipino character Cynthia attracted widespread criticism for relying on racist stereotypes of Asian women common in Australia. Original writer and director Stephan Elliott adapted the film into a stage musical, Priscilla, Queen of the Desert, in 2006; the musical retains the characters and plot more or less unchanged, but hasn’t been criticised nearly as much for the character of Cynthia.
The opal fossils gallery at the South Australian Museum is still there, and you can see the skeleton Ben mentioned. The web site is sketchy on details, so we can’t confirm if it’s an Elasmosaurus or another species of plesiosaur, but we still recommend you check it out yourself!
The protagonist wizard (or at least wizarding student) in Moving Pictures was Victor Tugelbend. Other wizards not part of the regular faculty include Drum Billet, Archchancellor Cutangle, Simon and Esk (Equal Rites); Igneous Cutwell (Mort); Alberto Malich (Mort and most other Death novels); and Ipslore the Red (Sourcery).
Dirk Gently’s Holistic Detective Agency is more-or-less a mashup of two of Douglas Adams’ Doctor Who scripts: the unfinished Shada, and City of Death, which contributed the storyline about time-travelling aliens who crash on Earth in the distant past and spark life on the planet. There are other elements in it which are wholly original, perhaps most notably the Electric Monk. This description applies to the original novel; the television adaptations, especially the US one, are very different.
Mot was indeed a French cartoon series about a purple monster who could travel through time and space, taking his young friend Leo on various adventures. It was based on the French children’s comics created by Alfonso Azpiri. It was aired on Australian television in the late 1990s.
Thanks to listener and supporter Molokov, who pointed out that Rincewind’s magical ability to find “bush tucker” might be a reference to retired army Major Les Hiddins, aka “the Bush Tucker Man“. Hiddins researched Australian native foods as part of his army career by working with Aboriginal peoples, mostly in northern Australia. He came to national fame through The Bush Tucker Man television series on the ABC in the late 80s and early 90s. In each episode Hiddins, wearing his trademark larger-than-usual Akubra hat, visited a part of Outback Australia and introduced viewers to the local edible plants and animals. Hiddins wrote several books, and then disappeared onto a remote retreat he created in the bush for retired army service people, before returning to the public eye in 2019 with a new web site: bushtuckerman.com.au
We discussed Interesting Times back in episode 21, “Memoirs of Agatea“.
Black Sheep was released in 2006, written and directed by Jonathan King with special effects by Peter Jackson’s Weta Workshop. It seems the main way to watch it now is via the Amazon Prime Video streaming service, though it should also be available on DVD.
Terry has not always had kind things to say about Rincewind; he suggested the wizard’s job is “to meet more interesting people” than himself, lamented Rincewind’s lack of an inner monologue, and did indeed feel like he was running out of things to do with an eternally cowardly character. Agatha Christie’s negative feelings about Poirot are well-documented, from as early as 1930; in a notable quote from 1960 she describes him as a “detestable, bombastic, tiresome, ego-centric little creep”. But she refused to kill him off because she felt she had a duty to keep writing about a character that was still so popular with the public.
Michael Moorcock was an English fantasy author who created a number of characters including Elric of Melnibone, one of several incarnations of “the Eternal Champion”, fated to be reborn through the ages and battle in the primeval war between the forces of Law and Chaos.
We discussed Only You Can Save Mankind in our previous episode, “All Our Base Are Belong to You“.
Skippy the Bush Kangaroo (aka Skippy) was an Australian family television series about an usually smart kangaroo who helped park ranger’s son Sonny have various adventures. It was very much in the mould of Lassie or Flipper. It ran from 1968 to 1970, and there was a brief sequel series in 1992 featuring Sonny as an adult. It was broadcast in most Commonwealth countries, as well as the US and many Spanish-speaking countries including Mexico, Cuba and Spain.
We’ve mentioned it before, but you can find the Annotated Pratchett File at the old L-Space Web site. Its successor is the L-Space Wiki.
The Moa is a large extinct flightless bird, similar to a Cassowary. Like many megafauna of Australia and New Zealand, they were hunted to extinction, in the Moa’s case by the Māori peoples.
“Jeremy Bearimy” is an explanation of how time works in the afterlife in the sit-com The Good Place. Rather than a straight line, the flow of time there resembles a curve which looks like a signature reading “Jeremy Bearimy”. The dot in the i (or tittle) is a weird separate bit of spacetime.
“Guzzaline” was the term used for petrol in Mad Max: Fury Road, the fourth Mad Max movie, released in 2015. It stars Charlize Theron as Imperator Furiosa, a driver for a despotic warlord in post-apocalyptic Australia. Tom Hardy appears as Max Rockatansky, the titular character, who was the protagonist of the previous three films, where he was played by Mel Gibson.
When Liz refers to Darwin, she means the city, which is the capital of Australia’s Northern Territory. It was named for Charles Darwin by John Clements Wickham during a subsequent voyage of the ship Darwin took on his famous voyage, the HMS Beagle.
In Jurassic Park, palaeontologist Alan Grant claims to know that the Tyrannosaurus rex – portrayed in the films as a ferocious predator – has vision “based on movement”. This is one of many, many things that make no sense in the film. Have a few drinks with Ben and he’ll tell you about some others.
Richard Dawkins is now best known for heavy-handed criticism of religion and, most recently, feeling the need to confirm that whatever you think of it, eugenics works. But he initially found fame for his pretty good books on evolutionary biology. In The Selfish Gene he popularised the idea that the gene is the basic and most important unit of evolutionary information, and also coined the term “meme”, meaning the behavioural or cultural equivalent of a gene.
Historians, archaeologists and anthropologists frequently find evidence that revise the likely length of Aboriginal culture’s existence in Australia about every six months. Current estimates range from 50,000 to 125,000 years.
You can read about the Sydney baboon escape from late February 2020 in this article at The Guardian – written by previous Pratchat guest, Stephanie Convery (episode 2)!
You certainly used to be able to get tea-towels and such that were supposedly from “Didjabringabeeralong, The Outback”, but these days we’d like to think we’re a bit more culturally sensitive. If you didn’t know, the unique names of many Australian towns and cities – like Wagga Wagga, Geelong and Nar Nar Goon – are drawn from local Aboriginal languages, many of which have been lost as those peoples were displaced or massacred by Europeans.
Tank Girl is a punk-inspired comic book series by created by British writer Jamie Hewlett and artist Alan Martin. Tank Girl is the main character, so called because she drives and lives in a tank in post-apocalyptic Australia. She’s accompanied on her adventures by her mutant kangaroo boyfriend, Booga. A film adaptation was made in 1995, directed by Rachel Talalay and starring Lori Petty as Tank Girl and Naomi Watts as her friend Jet Girl (who has a jetpack), with Malcolm McDowell as the antagonist. It has a cult following but was not a big success.
Listener Ian Banks in our Discord pointed out that another, probably more likely inspiration for the anthropomorphic animals is The Magic Pudding, a 1918 children’s book written and illustrated by famous Australian artist Norman Lindsay. The story’s main characters are Bunyip Bluegum (a koala person), human sailor Bill Barnacle, and Sam Sawnoff (a penguin person). The titular pudding, Albert, has a face, arms and legs, and regenerates, so he can supply an infinite amount of food. The story also features “pudding thieves” Patrick and Watkin, a possum and wombat respectively.
We want to make it clear that despite Liz’s hangups, marsupial pouches are not dirty; kangaroos lick theirs clean before their joeys enter them.
Barry McKenzie, a creation of Australian comedian Barry Humphries, began life as a comic strip character in the pages of UK comic magazine Private Eye in 1964. A parody of the Australian abroad, he is a hard-drinking, womanising, simple but forthright “larrikin” who gets himself into various scrapes. He was played by singer and actor Barry Crocker in two films in the 1970s, which also introduced Humphrie’s long-running character, Dame Edna Everidge, who is Barry’s aunt. The films nearly killed director Bruce Beresford’s career, but he later went on to find fame and success, with such big films as Driving Miss Daisy and Mao’s Last Dancer.
“Squids” in the book is almost certainly a pun on “quid”, slang for a pound sterling in the UK and pre-decimal Australia. It’s still used occasionally as slang for money in Australia, usually in the phrase “a few quid”.
In case you missed it, the shearing competition in the book is clearly inspired by the Australian folk song “Click Go the Shears“.
We cut the discussion for time but “something for the weekend” reminded Ben of ska band Madness’s song “House of Fun”, which is about a teenager who has turned sixteen and is using various euphemisms to try and buy condoms at his local chemist.
In The Man From Snowy River, the actual description of the hero’s horse is “something like a racehorse undersized”.
As alluded to in the book, drop bears are a fictional cousin of the koala, a horrible killer animal which waits in treetops to drop on and eat children. Inventing dangerous creatures has been a long-running prank played on visitors to Australia, playing on their fears of the real deadly animals that live here. A recent incidence of the drop bear was this prank played on a UK reporter visiting to report on the bush fires.
The bush ballad “Waltzing Matilda” is thought by academics to describe the Great Shearer’s Strike of 1891, in which shearer’s killed a number of sheep and one of their number, being chased by police, killed himself rather than be taken alive. A lot of the slang in the song is never heard anywhere else anymore – including “jumbuck”, a term for sheep thought to have been derived from an Aboriginal language. There are many versions of the lyrics, but the most famous one was adapted by the Billy tea company. In some, Liz’s question becomes moot, as the troopers ask “Whose that jolly jumbuck”, rather than “Where’s”.
If you’re confused by Liz’s “cat in a bag” antics, you can read about Schrodinger’s Cat and other feline behaviours in our discussion of Pratchett’s non-fiction humour book The Unadulterated Cat. You’ll find it in episode 22, “The Cat in the Prat“.
The Domestic Blindness sketch was indeed part of vintage 1980s Australian sketch comedy show The Comedy Company; you can find it on YouTube here.
Listener and previous guest Avril (who you might remember from episode 16, “He Ain’t Heavy, He’s My Vorbis“) points out that the god’s love of beetles is likely a reference to English geneticist and evolutionary biologist J. B. S. Haldane, perhaps most famous for writing about abiogenesis and the idea of “primordial soup”, among many other accomplishments. In response to being asked what his study of nature might reveal about the Creator, Haldane is perported to have said “that He is inordinately fond of beetles”, due to the phenomenal number and variety of beetle species. While this exact response might be apocryphal, he definitely said something equivalent many times, both in print and in speeches.
Gachnar the Fear Demon appears in the fourth season Halloween episode of Buffy the Vampire Slayer, “Fear, Itself”, from 1999.
Australian cockroaches are not actually Australian at all – they live all over the world, and probably originally come from somewhere in Africa.
White-tailed spiders are small spiders native to south-eastern Australia. They are not aggressive but might bite if disturbed, and like to hide among leaf litter. Their bite supposedly causes necrosis, but studies have found that such symptoms were most likely caused by infections of the bite, not the spider’s venom, which is unpleasant but mild (especially by Australian standards).
The Stonefish is a real fish, one of the most venomous in the world. It disguises itself as a stone in order to catch smaller fish as prey, but has sharp spines on its back which deliver its venom. Four of the five species live outside Australian waters; their sting can be treated with hot water (which denatures the venom) and anti-venom.
Last Chance to See was a 1989 radio documentary following Douglas Adams and zoologist Mark Cawardine as they travelled the world to visit nine different endangered species. Adams turned it into a book in 1990, and in 2009 Stephen Fry joined Cawardine for a sequel television series, accompanied by a new book.
Pauline Hanson is a right-wing populist politician from Queensland who rose to fame when she ran for federal parliament in 1995 as a member of the conservative Liberal Party. They dis-endorsed her after she made racist comments about Aboriginal Australians, and she formed her own party, One Nation, and won a seat. She was found to have committed electoral fraud and jailed, though the charges were subsequently overturned on appeal. She left her own party in 2002 over those charges, but remained a figure in the Australian media, aided by appearances on breakfast television and the reality show Dancing with the Stars. She returned to politics and One Nation in 2013, and was elected to the Australian Senate in 2016. She is famous mostly for various racist views that align very much with those of Fair Go Dibbler.
Lost is a TV series about a bunch of plane crash survivors who find themselves lost on a mysterious island. It famously makes no sense whatsoever and it’s generally considered that it’s creators, JJ Abrams and Damon Lindelof, were making it up as they went along to stay ahead of the guesses of fans on the Internet about what was really going on.
The Galah (pronounced “ga-LAR”) is a large, loud pink and grey cockatoo (a type of parrot), common in many parts of Australia. “Galah” is also slang for a ridiculous or foolish person.
The Sydney Gay and Lesbian Mardi Gras is a one of the largest pride parades in the world. It happens annually on the first Saturday in March, and started in 1978. It draws massive crowds from all over the world.
Feast your eyes on Fury’s glorious illustration of Trunkie!

Intersex people are born with genetic and/or physical characteristics associated with both of the traditional genders. While the statistics are sometimes contested, it’s thought as many as 1.7% of people are born with some kind of intersex characteristics. The I in LGBTIAQ+ is for intersex.
The infamous Australian episode of The Simpsons, “Bart vs Australia”, is from the show’s sixth season in 1995.
The tough guy who appreciates art in Thief of Time is probably Newgate Ludd.
Damian Callinan’s The Merger started life as a one-man show, but is now a feature film. You can find it on the free streaming service Kanopy if you are a member of a library that subscribes to it.
The original Harry’s Cafe de Wheels started out as a “caravan cafe” in Woolloomooloo, Sydney, specialising in serving late night pies. It was founded by Harry “Tiger” Edwards in 1936. It’s been patronised by many international celebrities and there are now several Harry’s cafes around Sydney and New South Wales – though not, despite Ben’s later confusion, in Adelaide.
The word for the smell you get after it rains – specifically, the smell of earth after it rains – is “petrichor”. Hopefully it’s okay for us to use it as we’re not writing a poem.
Tropical areas – such as the northern part of Australia – are often described as having Wet seasons and Dry seasons. The Wet season is also known as monsoon season or the Rainy season in some parts of the world.
You can read about the six seasons described by the Kulin people of Melbourne on this web site.
To avoid any confusion: in Good Omens, it’s said that any cassette tape left in the glove box of a car transforms into Queen’s Greatest Hits. In Mort, it’s said that no matter what’s put into it during the day, a pantry raided in the middle of the night contains only some very specific and disappointing items.
“How to Make Gravy” is a 1996 song by Australian singer-songwriter (and national treasure) Paul Kelly. It was originally written and released as part of a Christmas charity album benefitting the Salvation Army, when Kelly found out the song he initially wanted to perform had already been picked by another band. The narrator, Joe, has been sent to prison; the lyrics are a letter he’s writing on December 21 (dubbed “Gravy Day” by some fans) lamenting that he won’t be home for Christmas, and giving his brother his gravy recipe, since that’s his usual contribution to the Christmas cooking. It became a surprise hit and was nominated for the APRA song of the year award in 1998. Here’s the official video:

Captain Raymond Holt is the captain of police precinct 99 in the sit-com Brooklyn-99. He – like all the characters in the show – is wonderful.
Umami is the “fifth taste”, after the other basic tastes of sweet, sour, bitter and salty. The word comes from Japanese, and translates as “pleasant savoury taste”, being derived from the word umai, “delicious”. Other foods with an umami taste include various vegetables, mushrooms, shellfish, cured meats and green tea.
Barnaby Joyce is the current leader of the National Party, a conservative party popular in rural areas. They have a long-standing coalition with the Liberal Party; the Liberal-National coalition are currently in government. Tony Abbott is a former leader of the Liberal Party who was Prime Minister of Australia for a brief period, before being ousted in favour of the more moderate Malcolm Turnbull. He lost his seat at the last federal election. Both are pretty weird units, to use an Australian phrase, with their share of scandals, bizarre behaviour and controversy.
“Where the bloody hell are you?” was the key question asked by model Lara Bingle at the end of a largely ridiculed Australian tourism ad produced for the international market in 2006. It was controversially banned on release in the UK, despite costing 180 million Australian dollars, and despite its infamy was considered a failure. It was overseen by now Prime Minister Scott Morrison, who at the time was Managing Director of Tourism Australia; this led to some reprise of the question directed at him – including by Bingle herself on social media – when he was overseas on vacation during the beginning of the disastrous 2019-2020 bush fires, and contributed to his derisive nickname “Scotty from Marketing”. You can watch the original ad on YouTube here.
Paul Parker found internet fame after he angrily reacted to Prime Minister Scott Morrison’s comments that members of Australia’s volunteer fire fighting organisations “want to be out there” fighting the unprecedentedly fierce bushfires that raged in late 2019 and early 2020. In a video that went viral, he leaned out of his firetruck and asked a Channel 7 news crew to tell the Prime Minister to “go and get fucked from Nelligen”. After there were (disputed) claims this got him sacked from the Rural Fire Service (a volunteer organisation), another video emerged of him saying that Pauline Hanson was the only politician who cared about Australia. The whole saga is covered by Jan Fran in her first “The Frant” video for The Guardian.
“I’m not here to fuck spiders” is a slang expression meaning “I’ve got serious work to do,” often used in response to a question about one’s intentions. It is also used as a more emphatic version of “I’m not here for a haircut”, which is a sarcastic response to being asked if one has come to a place to do the obvious thing, like being asked in a car dealership if you want to buy a car. It’s been a matter of debate for some years whether “not here to fuck spiders” is a “real” expression, or if it was invented as a joke one that has since been embraced by Australians. Looking through Google’s trends tool, which goes back as far as 2004, the first and biggest spike in searches for the phrase is in November 2005; then there’s very little until it slowly increases in search popularity from 2010, with smaller spikes since 2018 where it has been mentioned by Australian celebrities. The only reference Ben could find from 2005 were a series of replies to a forum post asking about the phrase, many of which seemed to suggest straight up examples of having heard it years before that… It’s worth mentioning that one of the repliers had come to the thread because they heard it from an Australian comedian, which might mean it was made up as a joke, or it could just mean that was the first time people who didn’t get it were hearing it.
The Man From Snowy River television show is not actually related to the 1982 film starring Sigrid Thornton and Tom Burlinson. The TV series starred Andrew Clarke as Matt McGregor, the stockman from the poem, and is set 25 years after the events depicted in the poem. It ran from 1993 to 1996.
Bore water is water drawn from underground sources, usually by drilling a borehole into an artesian aquifer – a porous underground layer in which water is stored or flows. In Australia, the source is most commonly the Great Artesian Basin, a huge artesian aquifer under large parts of Queensland and several neighbouring states.
“Advance Australia Fair” has been the official Australian anthem since 1984, though it was written far earlier, in the late 1870s. It was chosen in a plebiscite attached to the 1977 referendum about voting and political reforms. It beat “Waltzing Matilda”, “The Song of Australia”, and the previous anthem “God Save the Queen”.

#Pratchat7 – All the Fingle Ladies

08/05/2018 by Pratchat Imps 1 Comment

In episode seven, comic book creator and illustrator Georgina Chadderton, aka George Rex, joins us to discuss the ninth Discworld novel: ~~Faust~~ Eric! Published in 1990 – alongside four other novels, making it one of Pterry’s most prolific years – it’s a shorter novel, originally published in a large format with lavish illustrations by Discworld cover artist Josh Kirby. (Also, fair warning to the pun-averse: Elizabeth really goes to town in this one…)

Eric Thurslow is surprised to find that the demon he has summoned looks suspiciously like a wizard – but not as surprised as the inept “wizzard” Rincewind is to have been summoned. Freed from the Dungeon Dimensions, he now finds himself compelled to grant wishes to an adolescent demonologist – and to his even greater surprise, he’s able to do it! Meanwhile, following along behind him across space, time and dimensions, Rincewind’s faithful Luggage is catching up to its master – and just as well, because the Prince of Hell isn’t too pleased that his plans for Eric have gone awry…

Eric is the fourth book to feature Rincewind – last seen in Sourcery – and like his previous appearances it’s a romp across the Discworld to places (and in this case times) previously unseen. Sometimes regarded as a bit of an addendum to the main Discworld series because of its short length, Eric wears its parody – and its classical allusions – proudly on its sleeve. Did you like Eric? Did you read an edition with the illustrations? We’d love to hear from you! Use the hashtag #Pratchat7 on social media to join the conversation.

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Guest Georgina Chadderton (aka George Rex) is a comic book creator and illustrator based in Adelaide. You can find her delightful autobiographical comics online at georgerexcomics.com, and at @georgerexcomics on Instagram. George was in Melbourne for a residency with 100 Story Building, where Ben works facilitating creative writing workshops for young people. George’s Etsy shop is full of cool comics, postcards, badges and prints.

We skipped ahead to make sure we could chat with Georgina while she was in Melbourne, so we’re going back a step for our June episode, where librarian Aimee Nichols will join us to talk about the very first City Watch book: Guards! Guards! We’ll be recording soon, so if you’d like us to respond to you on the podcast, get in quick! Ask your questions via social media using the hashtag #Pratchat7A. (What, you expected us to actually use the forbidden number?)

You’ll find the full notes and errata for this episode on our web site.

#Pratchat3 – You’re a Wizzard, Rincewind

08/01/2018 by Pratchat Imps 1 Comment

In episode three, comedian Cal Wilson is back to discuss the book that started her passion for Terry Pratchett – Sourcery! The fifth Discworld novel, published in 1989, it features the return of the inept wizard Rincewind.

Rincewind is very happy to have left his adventuring days behind him, working as assistant librarian at Unseen University in Ankh-Morpork, the Disc’s premiere college for wizards. But just as a new archchancellor is about to be named, the young boy Coin arrives. He is the eighth son of an eighth son of an eighth son – a Sourcerer, a source of raw magic, something not seen on the Disc since the ancient time of the Mage Wars. As he takes over the university and wizards across the world awaken power they’ve never known, the end of the world draws nigh…and Rincewind just can’t seem to avoid getting involved.

Rincewind was Pratchett’s first protagonist, and this novel exemplifies all the things that make us love him: genre-awareness, unrepentant cowardice, reluctant heroism, lack of any skill at wizardry and fierce self-identification as a wizard. It also sees the return of the Luggage, a living chest which follows Rincewind wherever he goes. It was a delight for us all to see these characters again, and we have grand plans to go back to their beginnings in the very first Discworld novels… In the meantime, when you’ve finished listening to this episode, get ready for the next one by reading Wyrd Sisters! We’ll be recording on January 14th, so get your questions in ASAP if you’d like us to answer them on the podcast.

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Guest Cal Wilson is a stand-up comedian and children’s author. She previously appeared in our first episode, “Boots Theory“, and is still on Twitter at @calbo. Her new live stand-up show, Hindsight, will be playing in multiple cities at festivals throughout 2018: this page at comedy.com.au lists a bunch of them. (You can also see the poster she mentions; it really is good!)

You can find the full notes and errata for this episode on our web site.

#Pratchat14 Notes and Errata

08/12/2018 by Ben Leave a Comment

These are the show notes and errata for episode 14, “City-State Lampoon’s Disc-wide Vacation“, featuring guest Joel Martin discussing the 1990 novel Good Omens.

A note on this episode’s title: we’ve opted to parody a parody in order to name a discussion of a parody. (Does that make it a parodyox?) The film in question is National Lampoon’s Vacation, which was released in 1983 – the same year The Colour of Magic was published! (Though you might argue our title is closer to the sequel, National Lampoon’s European Vacation, from 1985.)
The Morning Bell is recorded live at the Brunswick Street Bookstore. Liz has been a guest a few times, most recently on episode 46 (February 2017), while Ben has been on just the once, for episode 63 (November 2017).
Joel is director of Melbourne’s new speculative fiction writing festival Speculate, returning in 2019 for its second year; Liz and Ben were guests the first time around and will be again in 2019. You can see both of them in the short film made for the 2018 festival here, or visit specfic.com.au to find out more about what’s in store for 2019.
Liz’s comment about eye anatomy refers to the fact that as well as the structures found in regular human eyes which are sensitive to light – rods for dim light, and cones for bright light and (normal) colour vision – wizards also have octagons, which can detect octarine. This suggests that there is a genetic (or otherwise biological) component to being a wizard, and since Rincewind can see octarine, it seems inarguable that he really is a wizard.
Time Team began in 1994, making it much younger than The Black Adder, the first of the four series of Blackadder sit-coms, which was produced in 1983 (there’s that year again!). It also comes slightly later than Tony Robinson’s abridged audiobooks, the first of which – The Colour of Magic, of course – was first released on cassette in 1993. The unabridged versions, initially read by Nigel Planer, are harder to pin down, but seem to have begun a little later in 1997.
The ethos that “every issue could be someone’s first” is said to be the reason that Marvel comics had so much dialogue explaining stuff the characters already knew – often with accompanying editor’s notes (the asterisked, comic book equivalent of a footnote) pointing the reader to the previous issue in which the thing being explained took place!
ABBA is a Swedish pop group comprising two couples: Agnetha Fältskog and Björn Ulvaeus, and Benny Andersson and Anni-Frid Lyngstad (the band’s name is an acronym of their first names). They shot to world-wide fame in 1974 after winning the Eurovision Song Contest, but the band and their marriages broke up by 1982, as their staggering popularity caused their personal lives to suffer. They remain incredibly popular in Australia and around the world, with their music being adapted into the hit musical Mama Mia! and its filmic sequel. They announced in April that they had recorded their first new music in more than 35 years, and the new single, “I Still Have Faith in You”, is due to be released this month (December 2018)!
Japanese avant-garde artist, peace activist, musician and filmmaker Yoko Ono was long blamed by disappointed fans for the break-up of The Beatles in 1969 because of her marriage to John Lennon. These days this is generally recognised as a grossly unfair and simplistic explanation, but her name is still synonymous with the idea of an outside relationship catalysing the end of a creative partnership.
In cosmology, the steady state model is an alternative to the now generally accepted Big Bang theory. It states that the universe would continue to expand forever, but remain in a “steady state” of density as new matter is constantly created. By contrast, in the Big Bang model, the amount of matter is fixed, and the universe becomes less dense as it expands, so the expansion will slow down either to the point where it reverses and matter contracts into another singularity – the Big Crunch – or keep going long enough for all the stars to burn out and leave nothing behind but black holes – the Big Freeze. Feel free to write your own pun versions of these for Great A’Tuin, but they’ll probably be more depressing than Pratchett’s originals.
The story about translating Pratchett’s puns appears in various editions of The Discworld Companion, and definitely in the most recent (as of this writing), Turtle Recall. Ruurd Groot, who translated Pratchett into Dutch, ended up tweaking an alternate name for the Big Bang theory so that it could be interpreted as “the Making Love Outwards Model”, a name Terry loved!
As Ben mentions, the film Krull is one of a crop of cheap Star Wars rip-offs, and it was released the same year as Return of the Jedi – 1983 again! Critics were not kind to Krull, and it was a huge financial flop (the massive budget blowout caused by huge alterations to the sets didn’t help), but it’s found a cult audience of fans who appreciate its weird mix of fantasy, swashbuckling and sci-fi, outlandish ideas, and ambitious production, as well as early film roles for Robbie Coltrane and Liam Neeson. (Ben had a lot more to say about it, but the episode was already running long!)
Edgar Rice Burroughs, best known as the author of Tarzan, John Carter of Mars and The Land That Time Forgot, also wrote the Pellucidar series of novels set inside a hollow Earth full of dinosaurs and psychic pterodacyl-men. The first book, At the Earth’s Core, was adapted into another favourite film from Ben’s youth, starring Doug McClure and Peter Cushing.
You too can enjoy the video posted to Twitter of “Inside Earth Girl“.
The Monty Python sketch starring John Cleese and a hovercraft full of eels (mentioned only) is usually referred to as “Dirty Hungarian Phrasebook”. It first appeared in the twelfth episode of the second series of Monty Python’s Flying Circus in 1970, and was adapted as part of the film And Now for Something Completely Different the following year.
While continuity among Discworld books is generally pretty good, Terry’s “don’t worry about it too much” attitude has produced a surprisingly difficult to pin down chronology – in no small part because of the time travel magic employed by Granny Weatherwax halfway through Wyrd Sisters. The most widely-accepted timeline puts the events of The Colour of Magic and The Light Fantastic about two years before those in Equal Rites, three years before Mort, nine years before Sourcery, twelve years before Pyramids and twenty-one years before Guards! Guards!. Assuming Rincewind is 33 when we first meet him, which seems the most likely age, this means he is 41 when he is cast into the Dungeon Dimensions in Sourcery, and that three years pass on the Disc before he escapes in Eric!, though it’s unclear how much he’d have aged in that time. By the time we’ll meet him again in Interesting Times, the timeline has him wandering the Disc for another six years, making him at least 47, and possibly as old as 50 – but still considerably younger than David Jason, who was 68 when he played Rincewind at the beginning of his adventures in The Colour of Magic.
The Great Fire of London started in a bakery in Pudding Lane and destroyed most of the City of London over four days in September 1666, burning down over 13,000 houses and hundreds of larger structures, including St Paul’s Cathedral. Many older buildings survived the fire, including the Tower of London and several pubs and churches.
The idea of going on holiday goes back at least as far as the Roman Empire, where wealthy citizens would travel for as long as two years at a time. The more modern version dates back to the “Grand Tours” undertaken by wealthy young European men from the 17th century onwards. By the late 19th century, the innovations of the industrial revolution like steam trains and ocean liners made travel for pleasure more affordable for workers, but just like the other things he brought from the Agatean Empire, Twoflower’s brand of tourism seems a twentieth century idea, rooted in the culture of the 1950s and 60s.
It’s amazing we didn’t mention this, but Rincewind appears without his signature pointy hat. Well…he has one, of some sort, but he quickly loses it and it’s clearly not the one with “WIZZARD” written on it sequins which is later so dear to him. (It might also seem odd that someone with such a talent for languages is unable to spell his own job description in his mother tongue, but then again spelling on the Discworld is at best described as “informal”.)
Elric VIII, 428th Emperor of Melniboné – Elric of Melniboné for short – is the most famous creation of fantasy author Michael Moorcock. Physically frail and sickly, Elric is an anti-hero, reluctant ruler of his people and the only one among them to have a conscience. He is also an incarnation of the Eternal Champion, a doomed pawn in the battle between the cosmic forces of Law and Chaos across the multiverse. Early in his adventures he finds the magical black sword Stormbringer – a clear inspiration for Kring – which gives him strength, but consumes the souls of others – including many of those for whom Elric cares most.
To clarify Ben’s description of who’s keeping Twoflower alive, the Boy Emperor of the Agatean Empire sent the message asking for protection for Twoflower; the message calling for his assassination is from the Emperor’s Vizier. Both of them appear briefly in the fourth Discworld novel, Mort.
Pratchett had published three novels – and numerous short stories – prior to The Colour of Magic. The Carpet People (1971), for younger audiences, was originally written when he was 17; he later revised it, describing it as a collaboration with his younger self. The Dark Side of the Sun (1976) and Strata (1981) are comedy sci-fi novels, and contain the first appearances of a disc-shaped world – no turtle though! – and Hogswatch.
A mimic is one of a number of classic monsters from Dungeons & Dragons which appears as something innocuous – in the mimic’s case, it can change shape to resemble an inanimate object, most commonly a treasure chest. It first appeared in the original edition of the Monster Manual in 1977, and so was almost certainly an inspiration for the Luggage.
The Shawshank Redemption (1994, dir. Frank Darabont) is an award-winning film based on a novella by Stephen King. It stars Tim Robbins as a banker who is wrongfully convicted of murdering his wife and her lover, and forced to use his accountancy skills to aid the corrupt prison warden’s money laundering scheme.
The Kanes mentioned by Joel are Solomon Kane, a Puritan witch hunter created by Robert E Howard, and Kane, Karl Edward Wagner’s reimagining of the Biblical Caine, red-headed son of Adam and his first wife Lilith who is cursed by God to walk the Earth for eternity as punishment for committing the first murder. Neither are traditional sword and sorcery heroes, and Wagner’s Kane has much in common with Moorcock’s Elric. As far as we can tell, there’s no-one named Kane on the Discworld.
If you want to know more about the Winchester Mystery House, episode 162 of the 99% Invisible podcast is a great place to start.
Australian spiders – and other deadly venomous animals like snakes and jellyfish, in Australia and elsewhere – probably got so deadly because they need to guarantee a kill when they use their venom. As in so many areas of evolution, there’d be an arms race between predator and prey, forcing venom to become more and more deadly over time. And that’s a race we humans aren’t even in, since we’re so rarely killed by venomous creatures that we’ve not evolved any kind of immunity to them. Evolution thus overcompensated on its potency, because it’s better to expend more energy than strictly necessary on creating super venom to make sure 100% of predators or prey to die, than it is to make a weaker venom which might leave some victims alive, meaning they leave the creature hungry, and also gives the victim a chance to pass on their resistance to their offspring. The BBC article “Why some animals have venoms so lethal, they can’t use them” by Josh Gabbatiss from 2016 is a great exploration of all of these ideas.
Ralph Bakshi’s Fire and Ice was a collaboration between Bakshi and fantasy artist Frank Frazzetta, best known for his comic book, book cover and album cover art – including a version of Conan the Barbarian which redefined the character from the 1960s on. The film used the rotoscoping technique, in which actors were filmed and then traced to lend realistic movement to the animated characters; Bakshi also used this technique for his other films, Wizards and Lord of the Rings. Fire and Ice was released in – surprise! – 1983.
The other movie that Ben thought Joel was talking about was The Flight of Dragons, a Rankin/Bass production based on a book by Peter Dickinson, which deals largely with the question of whether magic and science are compatible. It was released in 1982, though, so clearly it was the wrong film.
The Doctor Who story with people who are naked under their holograms is the 2013 Christmas special The Time of the Doctor, in which the Church of the Papal Mainframe requests that visitors do not wear clothes while visiting. It’s the final story for Matt Smith’s Eleventh Doctor, and occurs soon after the events of the fiftieth anniversary special, The Day of the Doctor.
Pete’s Dragon is a 1977 live-action Disney musical in which a young boy, Pete, escapes an abusive foster family with the help of Elliott, a friendly, animated fire-breathing green dragon who can make himself invisible. He befriends a lighthouse keeper and his daughter while pursued by his cruel foster parents, and a travelling snake oil salesman plots to capture Elliott and use his organs for potions that might actually work. It was remade in 2016, though in the new version Pete is orphaned in a car crash in the woods and survives there for six years with Elliott’s help before being found by a park ranger. The new one has a fancy CGI dragon that probably resembles Twoflower’s, but no songs.
Death by the Books is a fortnightly podcast about mystery, crime and other someone-dies books. In episode 9, Death by Pratchett, hosts Kirsti and Lianne out themselves as massive fans of you know who. It’s a great introduction to Pratchett and the Discworld as a whole, and they might cover some of the individual books in the future – after all, someone dies in most of them… They’re also on Twitter at @deathbythebooks.
Zweiblumen is, in fact, German, and literally translates as “Two Flowers”. (Twoflower would be “Zweiblume”, but presumably Pratchett thought Zweiblumen sounded better.)
Rincewind is clearly channelling an inspiration particle when he says “This is another fine mess you’ve gotten us into,” though as usual the particles have got it slightly wrong: the famous catchphrase of Hardy, the larger half of comedy duo Laurel and Hardy, was actually “this is another nice mess you’ve gotten us into”, though the confusion is understandable since they titled one of their films Another Fine Mess.
CW’s The Flash, now in its fifth season, is itself a spin-off of Arrow, both shows based on superhero characters from DC Comics. Along with later addition Supergirl, they started out with just the one main superhero character but have since brought many fan favourites from the comics to the small screen, albeit often with a twist. Case in point: the Elongated Man, who shows up in The Flash’s fourth season, is a lesser known superhero with stretching powers, though the television version draws more on Jim Carrey’s performance in The Mask than anything from the comics.
A “backronym” is a phrase crafted to turn a specific word into an acronym, as opposed to a real acronym in which the phrase comes first. They are often associated with words that are not normally acronyms, e.g. “Something Posing As Meat” is a backronym for Spam.
In Greek mythology, Tethys is a Titan, a daughter of Uranus and Gaia, and – as is the way with Greek myths – sister and wife of the sea Titan Oceanus. One of the moons of Saturn is named for her, which makes more sense when we recall that Saturn is the Roman equivalent of Kronos, one of Tethys’ brother Titans.
Waterworld is a famously terribly 1995 post-apocalyptic action film starring Kevin Costner as the Mariner, a mutant uniquely suited to life on a future Earth drowned under the melted polar ice caps. A trader played by Kim Coates offers the Mariner a paper page from a book as a valuable commodity, repeating the word “paper” over and over; the scene has been parodied and recreated many times as one of many things people find ridiculous about the film.
The contestants from each district in The Hunger Games novels by Suzanne Collins (and their film adaptations) are given lavish quarters before being forced to fight each other to the death; the winner is also treated to a luxurious lifestyle when the games are over.
When he says we never meet wizards who aren’t inept, Ben means as major protagonists; The Light Fantastic contains numerous wizards who are extremely ept, but most of them are out to kill Rincewind (and each other). Ipslore the Red in Sourcery is likewise an antagonist, and few of the faculty of Unseen University in that book are trustworthy.

#Pratchat14 – City-State Lampoon’s Disc-wide Vacation

08/12/2018 by Pratchat Imps 1 Comment

In episode fourteen we celebrate 35 years of the Discworld by going all the way back to the beginning! Writer and podcaster Joel Martin joins us for a bumper A’Tuin-sized discussion of the very first Discworld story, adventure, chronicle, tale…The Colour of Magic, published in 1983!

Rincewind, a wizard unable to cast spells, makes a living of sorts in the mighty city of Ankh-Morpork through his gift for languages. But his gift gets him more than he bargains for when he becomes the guide to the Discworld’s first tourist. Fresh off the boat from the distant and obscenely wealthy Counterweight Continent, naïve Twoflower has come armed with a phrasebook, a demon-powered picture box and his magical Luggage full of enormous gold coins, determined to see the barbarians, brawls and beasts he’s read about in stories back home. But seeing them is the easy part – surviving to talk about them is another matter entirely…

Though we’ve often talked about the differences between the earliest books and those that came later, The Colour of Magic introduces Ankh-Morpork, Rincewind, Death and of course Great A’Tuin and the Disc itself with varying degrees of familiarity. Split into four sections – The Colour of Magic, The Sending of Eight, The Lure of the Wyrm and Close to the Edge – it manages to be both homage and parody of multiple beloved fantasy genres, while at the same time trying to establish its world – and author – as something new. Do you think it succeeds? Did you start at the start? Use the hashtag #Pratchat14 on social media to join the conversation and tell us! We’d also love to see some fan art of the Luggage based directly on the text, rather than Kirby’s ubiquitous, fleshy baby-legged version.

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Guest Joel Martin is a fantasy author whose several novellas and novels include his own take on classic sword-and-sorcery, The Broken World (whose protagonist is not Kane, but Karn). For more about him and his work, visit his web site, thepenofjoel.com, or follow him on Twitter at @thepenofjoel. He also hosts the writing discussion podcast The Morning Bell with Luke Manly and Ian Laking; find it at themorningbell.com.au.

You can find full show notes and errata for this episode on our web site.

This is our final episode for the Year of the Justifiably Defensive Lobster (aka 2018), but we’ll be back in January, when we’ll fire up Queen’s Greatest Hits and kick off proceedings with one of Pratchett’s most celebrated novels: Good Omens! Yes, we’re getting in to cover Pratchett’s collaboration with Neil Gaiman before said co-author and Amazon Prime bring their version to subscribers’ screens in 2019. (Don’t worry, it’ll be on the BBC at some point too.) With twice the authors, we’re expecting twice the questions (though we’ll try and stick to our usual running time of under two hours), so send them in via social media using the hashtag #Pratchat15.