Fury

#Pratchat29 Notes and Errata

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These are the show notes and errata for episode 29, “Great Rimward Land“, featuring guest Fury, discussing the 1998 Discworld novel The Last Continent.

Iconographic Evidence

Feast your eyes on Fury’s glorious illustration of Trunkie!

Notes and Errata

  • This episode’s title puns on the Icehouse song “Great Southern Land“, a big hit in Australia which also featured on the soundtrack of Yahoo Serious’ 1988 Australian comedy film Young Einstein. In retrospect both the song and the film might have been expected to show up parodied in The Last Continent – especially the song, since Pratchett listed it as one of his tracks when he appeared on Desert Island Discs in 1997. (Thanks to Al of Desert Island Discworld for this fact!)
  • Our pre-show disclaimer uses the phrase “going off like a frog in a sock”. “Going off” on its own means to put a lot of energy or excitement into something, sometimes in anger, but in the frog idiom always in a fun way. Unusually for Australian slang, this isn’t ironic, just a straight-up metaphor; imagine you’ve caught a frog in a sock and it’s trying to get out, and you’ll get the idea. (And no, Australians don’t actually catch frogs in socks, this is strictly a thought experiment.)
  • The Kiwi-Aussie portmanteau is spelled “Kaussie“, whereas the slang for swimwear is “cossie“; it’s short for “swimming costume”.
  • The South Australian television personality who keeps getting in fights on the Internet is Cosi, host of South Aussie with Cosi, a travel show produced by Channel 9. (Not to be confused with Cosi, the play by Australian playwright Louis Nowra, previously discussed in #Pratchat23, “The Music of the Nitt“.)
  • “Swimming togs” comes from the British slang word “togs”, which just meant clothes. It’s one of a number of slang terms now archaic in the UK which have survived in some form in Australia.
  • Helen Zaltzmann is host of The Allusionist, a podcast about language, and one of Ben’s favourites. We’re sure she’d be the first to tell you that not every word – slang or otherwise – has a satisfying true origin story.
  • Stephen Briggs was a frequent collaborator with Terry, beginning with the original map of Ankh-Morpork. He also contributed to the diaries, The Discworld Companion and many other books outside the main novels. He adapted many of the books into plays, some of which have been published, and has read the audiobook versions of more than 30 of Terry’s novels. (Stephen Fry reads the UK editions of the Harry Potter audiobooks; if you’ve heard the US versions, those are read by Jim Dale.)
  • Mike Schur’s afterlife sitcom The Good Place set much of its third season in Australia, and copped much criticism from actual Australians for the quality of the accents. You couldn’t fault the jokes, though – or the punny names of the restaurants, shops and incidental characters in those episodes.
  • Pretty Little Liars is a teen mystery TV series based on the books by American YA author Sara Shepard. The UK accented character is antagonist Alex Drake, who shows up in season 7. We’d tell you more, but…spoilers.
  • The extreme Australian wizard slang originated in a reply to a tumblr post from about JK Rowling’s the introduction of the American term for muggle, “no-maj”; you can find the original here, but just in case it vanishes from Tumblr forever, we’ll immortalise the words of user edenwolfie here (and a quick warning – we haven’t censored the print version). We’d also like to point out that Australian wizards and witches would most likely spell it “muggo”.

I can just imagine the Australian word being some awful slang that’s derived from muggle, such as “mugo”.

Ah, I can imagine it now, wizards in thongs, drinking butter-VB yelling “You’re such a fucking mugo, you wandless cunt!”

edenwolfie, Tumblr, 11 November 2015
  • Minotaur is Melbourne’s biggest independent pop culture and science fiction bookstore. Many of Terry’s early Melbourne signings occurred at its original location on Bourke Street, but it moved to Elizabeth Street in 2000.
  • PhanCon ’98 was a one-off fan science fiction convention held in Sydney in 1998. Information on it is in short supply, but guests included Terry Pratchett and British fantasy author David Gemmell.
  • Comet Shoemaker-Levy-9 broke up in 1992 and smashed into the planet Jupiter in 1994, to much excitement (on Earth at least). It was named for astronomers Carolyn Shoemaker, Eugene M. Shoemaker and David Levy, who discovered it after it had been captured by Jupiter’s gravity into a decaying orbit.
  • English scientists did indeed doubt the reality of the platypus, which not only has a unique and wonderful anatomy, but is one of just two surviving monotremes – a group of mammals that lay eggs. (The other one is the echidna.) As well as its distinctive bill, it has sharp ankle spurs which in the male can inject venom, and the ability to sense electric fields as a way of locating prey.
  • The Dreaming is a sophisticated concept in the stories of Aboriginal cultures. It has a complex relationship to space and time, existing both long ago and now, but despite the name – which was coined by Europeans – it has nothing to do with dreaming. An older term, “dreamtime”, is generally no longer considered appropriate. We recommend reading up on the topic; one good place to start is this article at Common Ground.
  • Boomerangs bought in stores and thrown to return are, indeed, toys. Hunting and war boomerangs were generally much larger, sharpened, and often had one wing longer than the other.
  • The Adventures of Priscilla, Queen of the Desert is a 1994 Australian comedy film which was a surprise box office hit often considered hugely significant in the history of queer cinema. It follows two drag queens (Hugo Weaving and Guy Pearce) and a trans woman (Terence Stamp) as they travel from Sydney through the outback to perform in Alice Springs. Though initially praised for its queer-positive message, the portrayal of Filipino character Cynthia attracted widespread criticism for relying on racist stereotypes of Asian women common in Australia. Original writer and director Stephan Elliott adapted the film into a stage musical, Priscilla, Queen of the Desert, in 2006; the musical retains the characters and plot more or less unchanged, but hasn’t been criticised nearly as much for the character of Cynthia.
  • The opal fossils gallery at the South Australian Museum is still there, and you can see the skeleton Ben mentioned. The web site is sketchy on details, so we can’t confirm if it’s an Elasmosaurus or another species of plesiosaur, but we still recommend you check it out yourself!
  • The protagonist wizard (or at least wizarding student) in Moving Pictures was Victor Tugelbend. Other wizards not part of the regular faculty include Drum Billet, Archchancellor Cutangle, Simon and Esk (Equal Rites); Igneous Cutwell (Mort); Alberto Malich (Mort and most other Death novels); and Ipslore the Red (Sourcery).
  • Dirk Gently’s Holistic Detective Agency is more-or-less a mashup of two of Douglas Adams’ Doctor Who scripts: the unfinished Shada, and City of Death, which contributed the storyline about time-travelling aliens who crash on Earth in the distant past and spark life on the planet. There are other elements in it which are wholly original, perhaps most notably the Electric Monk. This description applies to the original novel; the television adaptations, especially the US one, are very different.
  • Mot was indeed a French cartoon series about a purple monster who could travel through time and space, taking his young friend Leo on various adventures. It was based on the French children’s comics created by Alfonso Azpiri. It was aired on Australian television in the late 1990s.
  • Thanks to listener and supporter Molokov, who pointed out that Rincewind’s magical ability to find “bush tucker” might be a reference to retired army Major Les Hiddins, aka “the Bush Tucker Man“. Hiddins researched Australian native foods as part of his army career by working with Aboriginal peoples, mostly in northern Australia. He came to national fame through The Bush Tucker Man television series on the ABC in the late 80s and early 90s. In each episode Hiddins, wearing his trademark larger-than-usual Akubra hat, visited a part of Outback Australia and introduced viewers to the local edible plants and animals. Hiddins wrote several books, and then disappeared onto a remote retreat he created in the bush for retired army service people, before returning to the public eye in 2019 with a new website: bushtuckerman.com.au
  • We discussed Interesting Times back in episode 21, “Memoirs of Agatea“.
  • Black Sheep was released in 2006, written and directed by Jonathan King with special effects by Peter Jackson’s Weta Workshop. It seems the main way to watch it now is via the Amazon Prime Video streaming service, though it should also be available on DVD.
  • Terry has not always had kind things to say about Rincewind; he suggested the wizard’s job is “to meet more interesting people” than himself, lamented Rincewind’s lack of an inner monologue, and did indeed feel like he was running out of things to do with an eternally cowardly character. Agatha Christie’s negative feelings about Poirot are well-documented, from as early as 1930; in a notable quote from 1960 she describes him as a “detestable, bombastic, tiresome, ego-centric little creep”. But she refused to kill him off because she felt she had a duty to keep writing about a character that was still so popular with the public.
  • Michael Moorcock was an English fantasy author who created a number of characters including Elric of Melnibone, one of several incarnations of “the Eternal Champion”, fated to be reborn through the ages and battle in the primeval war between the forces of Law and Chaos.
  • We discussed Only You Can Save Mankind in our previous episode, “All Our Base Are Belong to You“.
  • Skippy the Bush Kangaroo (aka Skippy) was an Australian family television series about an usually smart kangaroo who helped park ranger’s son Sonny have various adventures. It was very much in the mould of Lassie or Flipper. It ran from 1968 to 1970, and there was a brief sequel series in 1992 featuring Sonny as an adult. It was broadcast in most Commonwealth countries, as well as the US and many Spanish-speaking countries including Mexico, Cuba and Spain.
  • We’ve mentioned it before, but you can find the Annotated Pratchett File at the old L-Space Web site. Its successor is the L-Space Wiki.
  • The Moa is a large extinct flightless bird, similar to a Cassowary. Like many megafauna of Australia and New Zealand, they were hunted to extinction, in the Moa’s case by the Māori peoples.
  • “Jeremy Bearimy” is an explanation of how time works in the afterlife in the sitcom The Good Place. Rather than a straight line, the flow of time there resembles a curve which looks like a signature reading “Jeremy Bearimy”. The dot in the i (or tittle) is a weird separate bit of spacetime.
  • “Guzzaline” was the term used for petrol in Mad Max: Fury Road, the fourth Mad Max movie, released in 2015. It stars Charlize Theron as Imperator Furiosa, a driver for a despotic warlord in post-apocalyptic Australia. Tom Hardy appears as Max Rockatansky, the titular character, who was the protagonist of the previous three films, where he was played by Mel Gibson.
  • When Liz refers to Darwin, she means the city, which is the capital of Australia’s Northern Territory. It was named for Charles Darwin by John Clements Wickham during a subsequent voyage of the ship Darwin took on his famous voyage, the HMS Beagle.
  • In Jurassic Park, palaeontologist Alan Grant claims to know that the Tyrannosaurus rex – portrayed in the films as a ferocious predator – has vision “based on movement”. This is one of many things that make no sense in the film. Have a few drinks with Ben, or your local friendly palaeontologist, and they’ll tell you about some others.
  • Richard Dawkins is now best known for heavy-handed criticism of religion and, most recently, feeling the need to confirm that whatever you think of it, eugenics works. But he initially found fame for his pretty good books on evolutionary biology. In The Selfish Gene, first published in 1976, he popularised the idea that the gene is the basic and most important unit of evolutionary information, and also coined the term “meme”, meaning the behavioural or cultural equivalent of a gene.
  • Historians, archaeologists and anthropologists frequently find evidence that revise the likely length of Aboriginal culture’s existence in Australia about every six months – usually making it older. Current estimates range from 50,000 to 125,000 years.
  • You can read about the Sydney baboon escape from late February 2020 in this article at The Guardian – written by previous Pratchat guest, Stephanie Convery! (Steph was a guest in #Pratchat2, and later returned for #Pratchat42.)
  • You certainly used to be able to get tea-towels and such that were supposedly from “Didjabringabeeralong, The Outback”, but these days we’d like to think we’re a bit more culturally sensitive. The unique names of many Australian towns and cities – like Wagga Wagga, Geelong and Nar Nar Goon – are drawn from local Aboriginal languages, many of which have been lost as those peoples were displaced or massacred by Europeans.
  • Tank Girl is a punk-inspired comic book series by created by British writer Jamie Hewlett and artist Alan Martin. Tank Girl is the main character, who lives in a tank in post-apocalyptic Australia. She’s accompanied on her adventures by her mutant kangaroo boyfriend, Booga. The comic was adapted into the 1995 film Tank Girl, directed by Rachel Talalay and starring Lori Petty as Tank Girl and Naomi Watts as her friend Jet Girl (who has a jetpack), with Malcolm McDowell as the antagonist. It has a cult following but was not a big success.
  • Listener Ian Banks in our Discord pointed out that another, probably more likely inspiration for the anthropomorphic animals is The Magic Pudding, a 1918 children’s book written and illustrated by famous Australian artist Norman Lindsay. The story’s main characters are Bunyip Bluegum (a koala person), human sailor Bill Barnacle, and Sam Sawnoff (a penguin person). The titular pudding, Albert, has a face, arms and legs, and regenerates, so he can supply an infinite amount of food. The story also features “pudding thieves” Patrick and Watkin, a possum and wombat respectively.
  • We want to make it clear that despite Liz’s hangups, marsupial pouches are not dirty; kangaroos lick theirs clean before their joeys enter them.
  • Barry McKenzie, a creation of Australian comedian Barry Humphries, began life as a comic strip character in the pages of UK comic magazine Private Eye in 1964. A parody of the Australian abroad, he is a hard-drinking, womanising, simple-but-forthright “larrikin” who gets himself into various scrapes. He was played by singer and actor Barry Crocker in two films in the 1970s, which also introduced Humphrie’s long-running character Dame Edna Everidge, who is Barry’s aunt. The films nearly killed director Bruce Beresford’s career, but he later went on to find fame and success, with such big films as Driving Miss Daisy and Mao’s Last Dancer.
  • “Squids” in the book is almost certainly a pun on “quid”, slang for a pound sterling in the UK and pre-decimal Australia. It’s still used occasionally as slang for money in Australia, usually in the phrase “a few quid”.
  • In case you missed it, the shearing competition in the book is clearly inspired by the Australian folk song “Click Go the Shears“.
  • We cut the discussion for time but “something for the weekend” reminded Ben of ska band Madness’s song “House of Fun”, which is about a teenager who has turned sixteen and is using various euphemisms to try and buy condoms at his local chemist.
  • In The Man From Snowy River, the actual description of the hero’s horse is “something like a racehorse undersized”.
  • As alluded to in the book, drop bears are a fictional cousin of the koala, a horrible killer animal which waits in treetops to drop on and eat children. Inventing dangerous creatures has been a long-running prank played on visitors to Australia, playing on their fears of the real deadly animals that live here. A recent incidence of the drop bear was this prank played on a UK reporter visiting to report on the bush fires.
  • The bush ballad “Waltzing Matilda” is thought by academics to describe the Great Shearer’s Strike of 1891, in which shearer’s killed a number of sheep and one of their number, being chased by police, killed himself rather than be taken alive. A lot of the slang in the song is never heard anywhere else anymore – including “jumbuck”, a term for sheep thought to have been derived from an Aboriginal language. There are many versions of the lyrics, but the most famous one was adapted by the Billy tea company. In some, Liz’s question becomes moot, as the troopers ask “Whose that jolly jumbuck”, rather than “Where’s“.
  • If you’re confused by Liz’s “cat in a bag” antics, you can read about Schrodinger’s Cat and other feline behaviours in our discussion of Pratchett’s non-fiction humour book The Unadulterated Cat. You’ll find it in #Pratchat22, “The Cat in the Prat“.
  • The Domestic Blindness sketch was indeed part of vintage 1980s Australian sketch comedy show The Comedy Company; you can find it on YouTube here.
  • Listener and previous guest Avril (who you might remember from #Pratchat16, “He Ain’t Heavy, He’s My Vorbis“) points out that the god’s love of beetles is likely a reference to English geneticist and evolutionary biologist J. B. S. Haldane, perhaps most famous for writing about abiogenesis and the idea of “primordial soup”, among many other accomplishments. In response to being asked what his study of nature might reveal about the Creator, Haldane is perported to have said “that He is inordinately fond of beetles”, due to the phenomenal number and variety of beetle species. While this exact response might be apocryphal, he definitely said something equivalent many times, both in print and in speeches.
  • Gachnar the Fear Demon appears in the fourth season Halloween episode of Buffy the Vampire Slayer, “Fear, Itself”, from 1999.
  • Australian cockroaches are not actually Australian at all – they live all over the world, and probably originally come from somewhere in Africa.
  • White-tailed spiders are small spiders native to south-eastern Australia. They are not aggressive but might bite if disturbed, and like to hide among leaf litter. They were demonised in the media during the late twentieth century as their bite supposedly caused necrosis, but medical research in the early twenty-first century didn’t find evidence of any such symptoms. Instead, the spider’s venom caused only unpleasant but mild symptoms, especially by Australian standards.
  • The Stonefish is a real fish, one of the most venomous in the world. It disguises itself as a stone in order to catch smaller fish as prey, but has sharp spines on its back which deliver venom as a defence against predators. Four of the five species live outside Australian waters; their sting can be treated with hot water (which denatures the venom) and anti-venom.
  • Last Chance to See was a 1989 radio documentary following Douglas Adams and zoologist Mark Cawardine as they travelled the world to visit nine different endangered species. Adams turned it into a book in 1990, and in 2009 Stephen Fry joined Cawardine for a sequel television series, accompanied by a new book.
  • Pauline Hanson is a right-wing populist politician from Queensland who rose to fame when she ran for federal parliament in 1995 as a member of the conservative Liberal Party. They dis-endorsed her after she made racist comments about Aboriginal Australians, and she formed her own party, One Nation, and won a seat. She was found to have committed electoral fraud and jailed, though the charges were subsequently overturned on appeal. She left her own party in 2002 over those charges, but remained a figure in the Australian media, aided by appearances on breakfast television and the reality show Dancing with the Stars. She returned to politics and One Nation in 2013, and was elected to the Australian Senate in 2016. She is famous mostly for various racist views that very much align with those of Fair Go Dibbler.
  • Lost is a TV series about a bunch of plane crash survivors who find themselves lost on a mysterious island. It famously makes no sense whatsoever and it’s generally considered that it’s creators, JJ Abrams and Damon Lindelof, were making it up as they went along to stay ahead of the guesses of fans on the Internet about what was really going on.
  • The Galah (pronounced “ga-LAR”) is a large, loud pink and grey cockatoo (a type of parrot), common in many parts of Australia. “Galah” is also slang for a ridiculous or foolish person.
  • The Sydney Gay and Lesbian Mardi Gras is a one of the largest pride parades in the world. It happens annually on the first Saturday in March, and started in 1978. It draws massive crowds from all over the world.
  • Intersex people are born with genetic and/or physical characteristics associated with both of the traditional genders. While the statistics are sometimes contested, it’s thought as many as 1.7% of people are born with some kind of intersex characteristics. The I in LGBTIAQ+ is for intersex.
  • The infamous Australian episode of The Simpsons, “Bart vs Australia”, is from the show’s sixth season in 1995.
  • The tough guy who appreciates art in Thief of Time is probably Newgate Ludd.
  • Damian Callinan’s The Merger started life as a one-man show, but was adapted in 2018 into a feature film. You can find it on the free streaming service Kanopy if you are a member of a library that subscribes to it, and its now on Netflix in many regions too.
  • The original Harry’s Cafe de Wheels started out in Woolloomooloo, a harbour-side inner suburb of Sydney, as a “caravan cafe” specialising in serving late night pies. It was founded by Harry “Tiger” Edwards in 1936. It’s been patronised by many international celebrities and there are now several Harry’s cafes around Sydney and New South Wales – though not, despite Ben’s later confusion, in Adelaide.
  • The word for the smell you get after it rains – specifically, the smell of earth after it rains – is “petrichor”. Hopefully it’s okay for us to use it as we’re not writing a poem.
  • Tropical areas – such as the northern part of Australia – are often described as having Wet seasons and Dry seasons. The Wet season is also known as monsoon season or the Rainy season in some parts of the world.
  • You can read about the six seasons described by the Kulin people of Melbourne on this web site.
  • To avoid any confusion: in Good Omens, it’s said that any cassette tape left in the glove box of a car transforms into Queen’s Greatest Hits. In Mort, it’s said that no matter what’s put into it during the day, a pantry raided in the middle of the night contains only some very specific and disappointing items.
  • “How to Make Gravy” is a 1996 song by Australian singer-songwriter (and national treasure) Paul Kelly. It was originally written and released as part of a Christmas charity album benefitting the Salvation Army, when Kelly found out the song he initially wanted to cover had already been picked by another band. In Kelly’s song the narrator, Joe, has been sent to prison; the lyrics are a letter he’s writing on December 21 (dubbed “Gravy Day” by some fans) lamenting that he won’t be home for Christmas, and giving his brother his gravy recipe, since that’s his usual contribution to the Christmas cooking. It became a surprise hit and was nominated for the APRA song of the year award in 1998. Below is the official video. (We’ll mention the song again in the Oggswatch Feast 2021 bonus Christmas episode.)
  • Captain Raymond Holt is the captain of police precinct 99 in the sitcom Brooklyn-99. He – like all the characters in the show – is wonderful.
  • Umami is the “fifth taste”, after the other basic tastes of sweet, sour, bitter and salty. The word comes from Japanese, and translates as “pleasant savoury taste”, being derived from the word umai, “delicious”. Other foods with an umami taste include various vegetables, mushrooms, shellfish, cured meats and green tea.
  • Barnaby Joyce is (as of March 2020) the current leader of the National Party, a conservative party popular in rural areas. They have a long-standing coalition with the Liberal Party; the Liberal-National coalition are currently in government. Tony Abbott is a former leader of the Liberal Party who was Prime Minister of Australia for a brief period, before being ousted in favour of the more moderate Malcolm Turnbull. He lost his seat at the last federal election. Both are pretty weird units, to use an Australian phrase, with their share of scandals, bizarre behaviour and controversy.
  • “Where the bloody hell are you?” was the key question asked by model Lara Bingle at the end of a largely ridiculed Australian tourism ad produced for the international market in 2006. It was controversially banned on release in the UK, despite costing 180 million Australian dollars, and despite its infamy was considered a failure. It was overseen by now Prime Minister Scott Morrison, who at the time was Managing Director of Tourism Australia; this led to some reprise of the question directed at him – including by Bingle herself on social media – when he was overseas on vacation during the beginning of the disastrous 2019-2020 bush fires. It was also part of the inspiration for his derisive nickname “Scotty from Marketing”. You can watch the original ad on YouTube here.
  • Paul Parker found internet fame after he angrily reacted to Prime Minister Scott Morrison’s comments that members of Australia’s volunteer fire fighting organisations “want to be out there” fighting the unprecedentedly fierce bushfires that raged in late 2019 and early 2020. In a video that went viral, he leaned out of his firetruck and asked a Channel 7 news crew to tell the Prime Minister to “go and get fucked from Nelligen”. After there were (disputed) claims this got him sacked from the Rural Fire Service (a volunteer organisation), another video emerged of him saying that Pauline Hanson was the only politician who cared about Australia. The whole saga is covered by Jan Fran in her first “The Frant” video for The Guardian.
  • “I’m not here to fuck spiders” is a slang expression meaning “I’ve got serious work to do,” most often used in response to a question about one’s intentions. It is also used as a more emphatic version of “I’m not here for a haircut”, which is a sarcastic response to being asked if one has come to a place to do the obvious thing, like being asked in a car dealership if you want to buy a car. It’s been a matter of debate for some years whether “not here to fuck spiders” is a “real” expression, or if it was invented as a joke and since been embraced by Australians. Looking through Google’s trends tool, which goes back as far as 2004, the first and biggest spike in searches for the phrase is in November 2005; then there’s very little until it slowly increases in search popularity from 2010, with smaller spikes since 2018 where it has been mentioned by Australian celebrities. The only reference Ben could find from 2005 were a series of replies to a forum post asking about the phrase, many of which seemed to suggest straight up examples of having heard it years before that… It’s worth mentioning that one of the repliers had come to the thread because they heard it from an Australian comedian, which might mean it was made up as a joke, or it could just mean that was the first time people who didn’t get it were hearing it.
  • The Man From Snowy River television show is not actually related to the 1982 film starring Sigrid Thornton and Tom Burlinson. The TV series starred Andrew Clarke as Matt McGregor, the stockman from the poem, and is set 25 years after the events depicted in the poem. It ran from 1993 to 1996.
  • Bore water is water drawn from underground sources, usually by drilling a borehole into an artesian aquifer – a porous underground layer of the Earth’s crust in which water is stored or flows. In Australia, the source is most commonly the Great Artesian Basin, a huge artesian aquifer under large parts of Queensland and its neighbour states.
  • “Advance Australia Fair” has been the official Australian anthem since 1984, though it was written far earlier, in the late 1870s. It was chosen in a plebiscite attached to the 1977 referendum about voting and political reforms. It beat “Waltzing Matilda”, “The Song of Australia”, and the previous anthem “God Save the Queen”. (For more on this, see #Pratchat53, “A (Very) Few Words by Hner Ner Hner“, in which we compare the Australian and Ankh-Morpork national anthems.)

 

Pratchat Preview* *A trailer

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Pratchat is a Discworld and Terry Pratchett book club podcast!

Join writer Elizabeth Flux and comedian Ben McKenzie each month as they discuss one of Terry Pratchett’s books* or short stories with a special guest. There are laughs, Pratchett origin stories, listener questions and more as we do a recap and deep dive on each book. This podcast even has footnotes!

Oh, and the show’s from Australia, so expect a little swearing.

Find out more at pratchatpodcast.com, or just search for “Pratchat” in your favourite podcast app.

* Not just the Discworld ones!

Podcast: Play in new window | Download (Duration: 1:51 — 1.3MB)

Subscribe: Google Podcasts | Spotify | Stitcher | RSS | More

If you want to hear more about the snippets in this trailer:

  • The “large format book” is The Last Hero, from our discussion in #Pratchat55 with artist Georgina Chadderton (who also created our podcast art).
  • The special guest excerpts are of comedian Cal Wilson (discussing Men at Arms in #Pratchat1), crossword maker and broadcaster David Astle (discussing Dodger in #Pratchat6), and author Amie Kaufman (discussing Truckers in #Pratchat9).
  • The discussion of Feegles and puberty appears in #Pratchat51, our discussion of Wintersmith with fantasy author Garth Nix.
  • The book that makes you think about the things you believe is Nation, from our discussion with science communicator Charlotte Pezaro in #Pratchat41.
  • The person who has to ask themselves “am I trying to be funny, or trying to win?” is comedian, actor and cabaret superstar Gillian Cosgriff, from our discussion of Carpe Jugulum in #Pratchat36.
  • The featured Pratchett origin stories are from ex-navy weather presenter Nate Byrne (discussing Feet of Clay in #Pratchat24), and writer, illustrator and performer Fury (discussing Soul Music in #Pratchat19).

(You’ll find the puns on your own. Promise!)

#Pratchat52 Notes and Errata

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These are the episode notes and errata for Pratchat episode 52, “A Near-Watch Experience“, featuring guests Fury and Patrick Lenton, discussing BBC America’s 2021 television series The Watch.

Iconographic Evidence

This is the best still we’ve found of the assassin Karen from Finance:

Karen from Finance in her distinctive headwear on the left; on the right is Sex Party Ben (no relation).

The Watch cast and crew

As mentioned in the footnote, we are not good at naming the cast and crew of the show this episode. Here are the key creative folks:

Crew

Head Writer and Executive Producer
Simon Allen

Writers
Joy Wilkinson (“Twilight Canyons”)
Catherine Tregenna (“Not On My Watch”)
Amrou Al-Kadhi (“The Dark in the Dark”)
Ed Hime (“Nowhere in the Multiverse”)

Directors
Craig Viveiros (episodes 1-2)
Brian Kelly (episodes 3-5)
Emma Sullivan (episodes 6-8)

Cast

Richard Dormer (Vimes)
Lara Rossi (Sybil)
Adam Hugill (Carrot)
Marama Corlett (Angua)
Joni Ayton-Kent (Cheery)
Samuel Adewunmi (Carcer)
Bianca Simone Mannie (Wonse)
Anna Chancellor (Vetinari)
Wendell Pierce (voice of Death)
Ralph Ineson (voice of Detritus)
Craig Macrae (Death/Detritus)
Matt Berry (voice of Gawain)
Ingrid Oliver (Dr Cruces)
Natalie Walsh (Karen From Finance/Goblin #4)
Ruth Madeley (Throat)
James Fleet (Archchancellor)

Notes and Errata

  • The episode title is pretty obvious this month, right?
  • The other podcast which covered The Watch episode by episode – yes, we’ve heard you and we’re going to do it too – is Who Watches the Watch. Their discussion of the show starts with the podcast episode “WE WATCH THE WATCH“, which covers the first two episodes of The Watch. (We’ve not listened to these, to remain fresh for this episode and also the episode-by-episode proper recap, so do let us know if you listen and enjoy them. Watch the website for details on our mini-series!)
  • Fury previously joined us in May 2019 for #Pratchat19, “It Don’t Mean a Thing If It Ain’t Got Rocks In“, discussing Soul Music; and in March 2020 for #Pratchat29, “Great Rimward Land“, to discuss The Last Continent.
  • Patrick’s roles at Junkee included Entertainment Editor, Deputy Editor and then proper, capital E, he’s the boss of what people write Editor. (That’s not how he described it.) He’s also written for the publication; here’s a page listing all his work for the site.
  • All the heterosexual nonsense I was forced to endure started out as a series of recaps by Patrick and Bec Shaw (aka @Brocklesnitch) of The Bachelor and The Bachelorette for Junkee. They’ve since taken it independent; you can find it on the newsletter platform substack. They have also branched out to cover various Netflix Christmas films and now Married At First Sight (though this latter experiment was cut short as the show proved too horrible to continue with – see below).
  • Married at First Sight (aka MAFS) is an Australian version of the Danish reality television show Gift ved første blik (er…”Married at First Sight”) in which contestants who’ve not previously met are paired up by “experts” and carry out the “social experiment” of being “married”. Those last scare quotes are especially warranted in the Australian version, as contestants can’t legally be married – the Australian Marriage Act 1961 requires a minimum of 28 days’ notice before a wedding. (Contestants have a non-binding commitment ceremony instead.) The original and its clones – which have appeared in fourteen countries around the world – are depressingly popular (the Australian MAFS is in its ninth season), even though they often showcase the worst traditional heterosexual gender roles have to offer. Another contributing factor to the tone of the show is that the contestants are often older and seemingly genuinely desperate in their search for love – as opposed to contestants on lighter shows like The Bachelor, where many of them are more interested in becoming a reality television star or increasing their reach as an influencer.
  • Below is the logo for The Watch; as you can see from the poster, Ben’s wrong – it’s not the same as the lettering on the Watch House in the show! The same font is used on the Watch badge, though, which is displayed as part of the title card, so that might be where he got confused (though the logo is also shown there).
The Watch promotional poster
  • Black Books is a Channel 4 sitcom about misanthropic drunken bookshop owner Bernard Black (co-creator Dylan Moran) and his friends, the naive and optimistic Manny Bianco (Bill Bailey) and neurotic Fran Katzenjammer (Tamsin Greig). It ran for three series between 2000 and 2004.
  • Garth Merenghi’s Darkplace was a 2004 spoof horror television series created for Channel 4 by by Richard Ayoade and Matthew Holness. The titular show is treated as a classic 1980s series – largely a spoof of the work of Steven King and other popular horror of the 80s – which was never broadcast. Scenes from the original show (made to look as though shot on cheap video) are played alongside modern day interviews with its writer and star, Garth Merenghi (played by Holness) and his agent, Dean Learner (played by Ayoade). The show was inspired by the pair’s prior stage shows Garth Merenghi’s Fright Knight and Garth Merenghi’s Netherhead, the latter of which one the Perrier Award at the 2001 Edinburgh Fringe. The television series also features Matt Berry (more about him below), and was followed up by the spin-off Man to Man with Dean Learner, a chat show in which Ayoade’s character interviewed various fictional characters played by Holness, including Merenghi.
  • “A near-Vimes experience” is indeed from one of the books – specifically Thud! But as we’ve not covered it yet, we won’t say any more.
  • A “ring light” is used in photography and film as a way to provide even illumination to a subject fairly close to the camera, which is placed in the middle of the ring. Modern ring lights, which use LEDs and can operate without using much power at a variety of intensities and levels of warmth, are an inexpensive way to light yourself when taking your own photos, and so have become popular with influencers, cosplayers and Instagram users. When the subject is close, a reflection of the ring light often appears in their pupils – and effect seen on Vimes in the opening moments of A Near Vimes Experience.
  • The Wire was a critically acclaimed crime drama produced by HBO between 2002 and 2008. Set in Baltimore, each of its five seasons focusses on a different group and their relationship to the police, who appeared in all five seasons. Wendell Pierce was the first actor to be cast for the show, as homicide detective William “The Bunk” Moreland, who like many of the characters was based on a real person.
  • The original “second-hand set of dimensions” are the very first words of the Discworld series, appearing at the start of The Colour of Magic. Of note: the early trailers for The Watch, including the New York Comic-Con teaser, used the more verbatim version “In a distant and second-hand set of dimensions”; it was truncated to “Somewhere in a secondhand dimension” for broadcast.
  • The best article to read about the the development of show is Marc Burrows’ “Calling time on The Watch? What went wrong (and right) with the latest Terry Pratchett adaptation” for the pop culture website heyuguys.com. You might also be interested in this timeline researched by Discworld Monthly, though note it was mostly compiled before the show was released.
  • SyFy is a cable channel owned by NBC Universal, specialising in (yes) science fiction. It was launched in 1992 as the Sci-Fi Channel, dropped the “Channel” in 1999, and changed the spelling in 2009. Before the rise of streaming services, SyFy often picked up sci-fi and fantasy shows which were cancelled by other networks, including Sliders and Mystery Science Theatre 3000. They are also noted for making lower budget sci-fi series.
  • Killjoys is a 2015 sci-fi series following the adventures of three interplanetary bounty hunters, made for the Canadian channel Space (now known as the CTV Sci-Fi Channel) and SyFy. It ran for five ten-episode seasons, and starred Hannah John-Kamen, Aaron Ashmore and Luke Macfarlane.
  • Sucker Punch is a 2011 action film directed and co-written by Zack Snyder. It stars Emily Browning, Abbie Cornish, Jena Malone and Vanessa Hudgens as young women committed to an insane asylum in the 1960s who retreat into a fantasy world of guns, aliens and robots, which represents their attempt to escape before they are lobotomised. Snyder described it as “Alice in Wonderland with machine guns”, which is…look, not entirely inaccurate.
  • Torchwood was a 2007 spin-off from Doctor Who in which the Doctor’s immortal companion Captain Jack Harkness leads the Cardiff team of Torchwood, a secret organisation who protect Earth against extraterrestrial threats. It was meant to be a more adult show, and that’s more or less true if you assume “adult” means swearing and fucking. Torchwood had its moments, but like The Watch suffered from a wildly fluctuating tone and a seeming lack of knowing what kind of show it wanted to be, especially in its first season. (The third season is basically a different show altogether, and very good (if very grim); the fourth season was an American co-production that isn’t as good, but is still interesting.) Only Catherine Tregenna worked as a writer on both shows, but in Fury’s defence she does represent 20% of The Watch’s writing team. In addition, Ed Himes and Joy Wilkinson have both written for Doctor Who under its current showrunner, Chris Chibnall, who was also the man in charge of Torchwood for its first two seasons, so there’s some of the same DNA there.
  • The extremely faithful adaptation of Good Omens, made for Amazon Prime in 2019, was written by Neil Gaiman, who also served as the show runner alongside a production team headed by Terry’s assistant Rob Wilkins (who also has an executive producer credit on The Watch) and Rob Brown (who was one of the original producers for The Watch, working on it from the early days of the project until around 2015). Fury describes it as “so bad”; we’ll cover it eventually and let you know what we think. A second season is currently in production, based on ideas Neil and Terry had back in the day for a potential sequel – as explained in this post on Neil’s blog.
  • The Wheel of Time is a 2021 Amazon Prime TV series based on Robert Jordan’s best-selling fantasy book series, which began in 1990 with The Eye of the World. The full series comprises fourteen novels, the last three of which were finished by Brandon Sanderson after Jordan’s death in 2007. There’s also a prequel, New Spring, which was originally published as a novella in the 1998 collection Legends – which you might remember was where Terry Pratchett first published “The Sea and Little Fishes” (see #Pratchat39).
  • The Lord of the Rings: The Rings of Power is another Amazon Prime TV series, set to be released in 2022. It is set thousands of years before the events of The Lord of the Rings novels; Bilbo and Frodo’s adventures take place in the Third Age of Middle-earth, while The Rings of Power is set in the Second Age, a period only loosely detailed by Tolkien. (The Silmarillion, which tells of the history and mythology of Middle-earth, mostly deals with the First Age, with only one of its five parts detailing the Second Age.) Based on the deal struck by Amazon to secure the rights to The Lord of the Rings, it will run for five seasons and have a total budget of $US1 billion, making it the most expensive television series ever made.
  • Ben says a few times that we’ll talk about the issue of “copaganda” and the “police as resistance” theme of The Watch, but we didn’t get there in the end. We’ll be sure to talk more about it in the episode by episode mini-series, and probably also in our episode about Night Watch. But in brief, “copaganda” – a Portmanteau of “cop” and “propaganda” – is the tendency for media outlets to run stories of heroism and bravery in the police force over stories of corruption, incompetence or systemic prejudice. In recent years, as the problems with policing grow worse (especially, but not only, in America), this has been extended to the kinds of fictional shows that promote police officers in an always-friendly light. The lighthearted comedy Brooklyn-99, set in a police precinct in New York, wrapped up its last season trying to deal with some of the real issues with American policing, with mixed results. In this context, the idea of police being “the resistance” when in reality they are part of the oppressive system is a bit…off. (Even if it is true to the spirit of the Watch in the books, especially Night Watch.)
  • Ben’s got things a bit mixed up around when we first see Carcer, condensing the flashbacksa bit, but the first twenty years ago sequence ends with Captain Keel walking out to confront Carcer at about the 2:40 mark. Vimes then spots Carcer in the Drum at around 10 minutes, prompting the flashback of him shooting Keel. So that’s about seven and a half minutes later. (We don’t see the chase that ends with him falling from the University tower until Vimes is tracking Carcer via the iconographs at around the 18 minute mark.)
  • There are eight books featuring the Ankh-Morpork City Watch (or mostly just Vimes, in some of the later ones): Guards! Guards!, Men at Arms, Feet of Clay, Jingo, The Fifth Elephant, Night Watch, Thud! and Snuff. They also star in the short story “Theatre of Cruelty”, set between Guards! Guards! and Men at Arms, and – in additional to cameos in many books set in Ankh-Morpork – make significant appearances in The Truth and Monstrous Regiment.
  • The episode where Vimes goes off into the desert is episode five, “Not on My Watch”; Vimes is heading off to destroy Wayne by throwing him in the lake which destroys magical artefacts. The sequence starts at around the 7:53 mark. The “Miami Vice music” plays until he falls down a sand dune around 30 seconds later. Miami Vice was an American crime drama that ran on NBC between 1984 and 1990, produced by Michael Mann and telling stories of vice cops who used the confiscated belongings of drug dealers to go undercover. It drew heavily on the New Wave – a cultural movement that followed the punk era, but more quirky and weird than post-punk, with an emphasis on stylised visuals. The show was also famous for its synthesised soundtrack; the title music was by Czech-American composer Jan Hammer, and Vimes’ accompaniment definitely has a similar vibe, though it’s not the actual song.
  • Wingspan is published by Stonemeier Games (in English) and designed by Elizabeth Hargrave. The gorgeous art of the birds is by a number of artists including Beth Sobel, Natalia Rojas and Ana Maria Martinez. Two expansions for the game add European and Oceanic birds into the mix – the original game is mostly North American species.
  • New Girl is an American sitcom that aired on Fox for seven seasons between 2011 and 2018. It stars Zoey Deschanel as Jess Day, a quirky teacher who after coming home to find her boyfriend teaching on her immediately moves out into a New York apartment with three guys.
  • Oath: Chronicles of Exile and Empire is published by Leder Games (in English) and designed by Cole Wehrle, with very distinctive art by Kyle Ferrin. The pair previous worked on the hit looks-cute-but-is-actually-cutthroat game Root, about cats, birds, foxes, bunnies, mice and other cute critters warring over their woodland home.
  • Disney isn’t just considering making a live-action Snow White and Seven Dwarves – it’s in pre-production and has cast West Side Story‘s Rachel Zegler as Snow White, and Gal “Wonder Woman” Gadot as the Evil Queen. The news was met in late January with outrage by disability activists, including actor Peter Dinklage – both for the treatment of dwarf characters in the film, and the plans that they would be CGI characters, presumably voiced by famous able-bodied actors. This opinion piece on MSNBC by Eric Garcia sums up where things are at.
  • The scene in which Carrot calms down a tavern full of dwarfs occurs in Guards! Guards!, though he doesn’t sing – he merely speaks to them in dwarfish and chastises them, wondering what their mothers – “who first showed you how to use a pickaxe” – would think of their behaviour.
  • Matt Berry (Gawain/Wayne, the sword) is an English actor and comedian who gained fame for supporting roles in The Mighty Boosh and The IT Crowd before starring in his own shows including dark weird sitcom Snuff Box, showbiz spoof Toast of London (and its recent sequel, Toast of Tinseltown) and landing on of the main roles in the US television version of What We Do in the Shadows. He’s no stranger to voice work, appearing as a recurring character in Matt Groening’s fantasy animated show Disenchantment and as the voice of the dried 8D8 in Disney’s latest Star Wars show, The Book of Boba Fett.
  • We’ll see if we can source that clip of the New Zealand LARP golem costume from Fury, but it’s worth noting in case of any confusion that Detritus is not CGI – he’s entirely a practical effect, a costume using stilts and arm extensions worn by performer Craig Macrae, who also plays the physical form of Death. (LARP, by the way, is short for live-action roleplay – a form of roleplaying game in which people dress up as and physically act out their character’s adventures, rather than sitting down around a table and imagining them.)
  • Terry Pratchett’s Going Postal was an adaptation made by The Mob for Sky One in 2010, following their adaptations of Hogfather in 2006 and The Colour of Magic in 2008. Mr Pump, the golem tasked by the Patrician with keeping an eye on Moist von Lipwig, is portrayed physically by Dutch actor and stuntman Marnix Van Den Broeke in a pretty awesome costume that looks like its made from terracotta. (Van Den Broeke also wore the Death costume in The Mob’s other adaptations.) Mr Pump’s voice is provided by English actor Nicholas Farrell.
  • Danger 5 is a 2012 Australian action-comedy produced for SBS by Dinosaur, a production company formed by the team behind hit web series Italian Spiderman, a spoof of 1960s Italian action films. Danger 5 is a campy spoof of “boy’s own” and spy adventure serials of the 1960s, like Voyage to the Bottom of the Sea or Danger Man. The first season sees the “Danger 5” team of World War II Allied agents thwarting a number of Adolf Hitler’s schemes, though Hitler himself always escapes via the same footage of him jumping through a window. The second season, broadcast in 2015, gets more absurd and moves the characters into the 1980s, though Hitler is still their nemesis.
  • Boromir is a human, a military commander from Gondor who accompanies Frodo and his companions on their quest in The Lord of the Rings: Fellowship of the Ring. As Ben mentions, he dies after being shot by three arrows, and in the film version is played by Sean Bean; this role and a few others in which his character dies prompted the frequently quoted bit of lore that he has died more on-screen deaths than any other actor, though that isn’t true. (At one point the actual winner of that title was said to be John Hurt, but Ben thinks Christopher Lee probably has a better claim.)
  • Fury likens carrying the rocky bit of Detritus around to the famous scene in Hamlet, Act V Scene i, in which Hamlet comes across the skull of Yorick, the king’s Fool, whom he knew as a boy.
  • The games Ben is talking about are Vampire: The Masquerade and Werewolf: The Apocalypse, part of the original World of Darkness from White Wolf Games. In Vampire, each character has been turned into one of the undead and must fight a nightly struggle between the animal desires of the “Beast Within”, learning how to feed it enough to sate it without becoming monstrous. The tagline of Vampire: The Masquerade is “A Storytelling Game of Personal Horror”, with the in-character motto “A Beast I am, lest a Beast I become.” Werewolf: The Apocalypse’s tagline was the slightly different “A Storytelling Game of Savage Horror”, but this was dropped from later editions; werewolves had to balance their human and wolf sides, the latter represented by their supernatural Rage.
  • CCTV – short for Closed-circuit Television, meaning a camera that transmits a single signal to a specific and usually small number of monitors – has become the shorthand term for video surveillance. In most precedural crime dramas, as well as older police dramas like The Bill, it’s common for police to request CCTV from the area where a crime was committed. This mirrors real life, where police in many countries have the power to request footage from the owners of security cameras, which are primarily private businesses and individuals.
  • Various estimates put the number of CCTV cameras in London at around half a million, though only around 25,000 or fewer of those are operated by government authorities. They were first introduced in large numbers in the late 1980s, so Ben’s estimate that London has been one of the most heavily camera-monitored cities for 30 years is probably about right.
  • The writers of The Watch are indeed all British.
  • Miranda Hart is an English comedian and actor best known for her television work, including her brilliant self-titled BBC sitcom Miranda. (On a side note, Miranda co-stars Tom Ellis, now better known for playing the title role in the Netflix series Lucifer, based on Neil Gaiman’s version of the character.) She’s also played dramatic roles with a bit of comedy in them, including in the hit medical drama Call the Midwife, and Autumn de Wilde’s 2021 film adaptation Emma. starring Anna Taylor-Joy. We previously talked about her playing Lady Sybil in #Pratchat27, “Leshp Miserablés“.
  • It’s true that in television programs – and especially American ones, both dramas and comedies – the majority of characters are upper-middle-class, professional people. They are usually lawyers, doctors, advertising executives, police officers, writers, broadcasters and so on. While this has changed in the last decade or so, there’s still an imbalance – perhaps more so than the improved (but still not great) situation for characters who aren’t straight white men.
  • There have been many “generic fantasy world maps” like the ones Ben mentions; one of the fancier ones is “Clichéa” by DeviantArt map maker Sarithus. You can also find a much earlier version of the same idea in a book we’ve mentioned before: Diana Wynne-Jones’ The Tough Guide to Fantasyland.
  • “Tulip and Pin” is a reference to the characters Mr Pin and Mr Tulip, who appear in The Truth (see #Pratchat42, “Truth, The Printing Press and Every -ing“). The poster appears about twenty minutes into the episode, and reads:

Pin & Tulip’s Goblin Labour
Enquire at the docks for an immediate quote
Cheap, Reliable, Disposable

  • The character of Throat is indeed credited as “Throat Dibbler”. She never says “And that’s cuttin’ me own throat,” but the character’s catchphrase does appear on a poster in episode two.
  • Blindspotting is a 2021 American comedy-drama television series on the Starz network, which forms a sequel to the 2018 film Blindspotting. It’s set in Oakland, California, and stars Jasmine Cephas Jones as Ashley, a supporting character from the film, who is forced to move in with her mother in law when her partner Miles is sent to prison. It was created by Daveed Diggs (of Hamilton and The Unbreakable Kimmy Schmidt fame) and Rafael Casal, who also appear as their characters from the film (Casal plays Miles).
  • On the question of whether the writers have written comedy before, the answer does appear to be no. Mostly they have previous credits on drama and fantasy shows. (We don’t think no-one should be allowed to work on comedy without prior experience, but The Watch‘s mix of absurdism, satire and farce might have benefitted from some; it’s a tricky assignment!) Though it’s worth noting is that showrunner Simon Allen wrote for both New Tricks and M. I. High, both shows with a mix of action and comedy.
  • See the top of this discussion for a photo of the fictional Karen From Finance, but the real life version is the drag persona of Richard Chadwick. This more famous Karen – in Australia at any rate – has been around since at least 2017, and has toured internationally with her shows Death Drop and Out of Office. You can find out more about her at karenfromfinance.com.
  • Karen From Finance was indeed a contestant on the first season of Ru Paul’s Drag Race Down Under in 2021. Various commentators criticised the show, not least for its choice of contestants. Past photos of Scarlet Adams showed her performer appearing on stage in blackface in a parody of Aboriginal Australians, and Karen From Finance was revealed to have a tattoo of a golliwog, a type of doll based on (or at very least associated with) racist depictions of Black people. Both gave seemingly sincere apologies for their past actions, but it highlighted the majority white cast of the show – especially after both non-white contestants were eliminated, while one of the eliminated white contestants was allowed to return with little explanation. It’s generally seen by Drag Race fans as a low-point, but perhaps they’ll do better in season two, which is coming in 2022.
  • The “a wizard did it” trope is when something that doesn’t makes sense in a fantasy show is explained away by saying it’s the result of magic, which supposedly doesn’t have to make normal logical sense. (Pratchett’s magic, at least in the Discworld, specifically doesn’t work like this and always makes at least narrative sense. In many books – especially the early ones – it relies on principles of conservation of energy similar to physics, which gives it many limitations.)
  • Lock, Stock and Two Smoking Barrels was the debut film from English director Guy Ritchie. It’s a crime caper film in which a number of plots start separately and converge at the end on a pair of expensive antique shotguns. We last mentioned it in #Pratchat36, “Home Alone, But Vampires”, and used it as inspiration for the title of #Pratchat33, “Cat, Rats and Two Meddling Kids“.
  • In Guards! Guards!, Lupine Wonse was Lord Vetinari’s secretary, and the author of the plot to summon the Noble Dragon and depose him in favour of a King. One detail we neglected to mention is that in the novel, Wonse is a childhood friend of Vimes – something seemingly missing from The Watch version, even though they were both members of Carcer’s gang. (Though presumably this Wonse was much younger than Vimes, as we discuss regarding the potential age gap between Wonse and Carcer.) We discussed Wonse, and the resemblance of his cult, the Elucidated Brethren of the Ebon Night, to modern-day members of the “manosphere”, back in #Pratchat7A, “The Curious Incident of the Dragon and the Night Watch“.
  • Jocasta Wiggs appears as a minor character in one of the opening scenes of Night Watch – so expect to hear more about her in our Night Watch episode!
  • If you want to learn more about punk, you could watch the documentary Punk Attitude, or – for more on the visual style – listen to episode six of the podcast series Articles of Interest, “Punk Style“. In brief, punk rock was a DIY counter-culture response to 1970s rock music, which was perceived as having sold out for money. It drew on 1960s garage rock as a musical influence, and was explicitly anti-establishment and provocative.
  • The “Rule of Three” (not usually the “rule of threes” plural) in comedy and writing is basically the idea that a collection of three things is usually the funniest. The reason for this is that three is the minimum number of things that can establish and then break a pattern, one of the basic premises of joke writing.
  • Simon Allen is credited as an associate producer of the 2012 BBC spy drama Hunted (starring Australia’s own Melissa George), and the 2018 German war drama Das Boot for Sky One, which forms a sequel to the 1981 film of the same name. His credit on The Musketeers is as executive producer for the third and final season in 2016. Whether he was the show runner on any of these is a little hard to discern, since it’s not a specific credit in the UK, but the executive producer title makes it likely for at least The Musketeers, and this is corroborated by info we found elsewhere.
  • The BBC’s 2014 series The Musketeers is not actually very steampunk at all, though its first season does feature Peter Capaldi as Cardinal Richelieu. (He was unable to return in later seasons as during filming on the first one in 2013 he accepted the role of the Twelfth Doctor, a dream of his since childhood.) Ben is really thinking of the 2011 film version, The Three Musketeers, which stars Orlando Bloom, Milla Jovovich and Mads Mikkelsen (though not as the musketeers, who are played by Matthew Macfadyen, Ray Stevenson, Luke Evans and Logan Lerman).
  • Dan Harmon is the creator of the television series Community and Rick & Morty. We couldn’t find a specific essay in which he talks about characters needing to have one core trait that doesn’t change, but he’s mentioned similar advice many times in blogs and interviews.
  • Ben mentions the Summoning Dark, which is the concept from the novel Thud! on which “the Dark in the Dark” is based. It has a very different nature and story in the book, so we’ll leave that for our future Thud! episode.
  • The 2016 Netflix series Dirk Gently’s Holistic Detective Agency is very loosely based on Douglas Adams’ 1987 novel Dirk Gently’s Holistic Detective Agency, which was itself largely a mash-up of Adams’ two Doctor Who scripts, City of Death (from which he takes a plot about an alien spacecraft exploding in the distant past and sparking the creation of life on Earth) and Shada (from which he takes the idea of an alien time traveller hiding out as a professor in an obscure Oxbridge college). The series uses almost none of the characters or situations from the novel or its sequels The Long Dark Tea-time of the Soul and the unfinished Salmon of Doubt, though there are little Easter eggs and nods to all of them. Dirk in the TV show (played brilliantly by Samuel Barnett) is much younger and the product of a government conspiracy, but somehow the essential spirit of the original remains while being welded to a bunch of new supporting characters and the infrastructure required to sustain two seasons of episodic television. Tonally and stylistically it has a few things in common with The Watch, especially in the second season, but it’s based in a real world with an extra layer of very weird stuff, which helps ground everything. Ben kind of loved it, and to be honest preferred it to the earlier English adaptation Dirk Gently (2010-2012), which starred Stephen Mangan and was much more similar to original novel.
  • Pratchett’s first few Discworld books – in which, as Fury puts it, he “set up a bunch of shit, flails a bit, and finds his feet” – include the early Rincewind books, which are still largely based in parody of the fantasy genre as a whole, and Equal Rites, in which we get an early and mostly fully-formed version of Granny Weatherwax and another witch who seems like a prototype of Nanny Ogg. There’s also a huge shift in the series in which the fantasy fades into the background to support the stories about stuff like war, class, racism and violence, rather than being the point.
  • The exclusive Narrativia deal was announced on the 28th of April, 2020. It’s with distributor Endeavour Content and production company Motive Pictures, the latter of which was launched in 2019 by Simon Maxwell, backed by Endeavour. Maxwell was previously Head of International Drama at Channel 4 Television, while the Motive Pictures team also includes Executive Producer Sam Lavender of Film4, who worked on The Favourite and The Lobster. It’s not clear if that definitely means no more of The Watch – the licensing deal between BBC Studios and Narrativia isn’t exactly public knowledge – but it’s possible, as Marc Burrows suggests in the article we linked earlier, that the screen rights to the Watch books specifically might still belong to them.
  • Ben will share as many Easter eggs as he can when we make the episode-by-episode mini-series podcast, but here’s a quick list of a few of his favourites:
    • Carcer’s surname is never mentioned in the published version of Night Watch, but “Carcer Dun” is his full name in an earlier preview of the book.
    • Lady Sybil’s “school” is called “The Sunshine Rescue Centre for Broken Bedraggled Things”, a variation on the various “Sunshine Sanctuaries” Sybil runs in the books.
    • Vimes drinking Bearhugger’s whiskey (we never see the label up close, but the design is cool).
    • The song “Gold”, and the number of words in dwarfish for kinds of gold and rock, are mentioned several times in the books. (Ben also loved the brief moment when Carrot and Cheery bond over the song, one of the few times Carrot’s dwarfish heritage comes out.)
    • Twilight Canyons is named after an idea Pratchett had for a story about retired heroes who were losing their memories, mentioned in the afterword to The Shepherd’s Crown.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat52 – A Near-Watch Experience

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This month, we’ve put down the books and picked up the remote control! Guests Patrick Lenton and Fury join us to discuss a show “based on characters created by Sir Terry Pratchett”: 2021’s The Watch.

Sam Vimes was a street kid in Ankh-Morpork who joined the Watch to kill its Captain and free the imprisoned members of his gang. But he had a change of heart. Twenty years later, he’s still there – a washed-up drunk of a Captain, whose force of misfits have almost nothing to police since the criminal Guilds were all legalised. But during his latest assignment – to find a missing library book – he sees someone who died twenty years ago. Soon the Watch is up to their necks in dragons, ancient artefacts and magical experiments gone wrong, and it’ll take all their cunning and heart to get to the bottom of it…plus a little help from noblewoman-turned-vigilante, Lady Sybil Ramkin.

After a long road through development hell, initially with Pratchett himself at the helm, The Watch eventually emerged as a surprisingly “punk rock police procedural”; a brightly-coloured Dungeon-punk explosion which wears its queerness on its sleeve. The Watch remixes characters and concepts from the books into something so different that fans and friends of Pratchett quickly disowned it. The critical reaction was middling at best, and it took six months for it to be released on Pratchett’s home soil.

But is it any good?

Could you divorce yourself from the source material? If so, does The Watch work on its own terms? Is it funny? Is it comprehensible? Is watching it a good time? Which bits got up your nose, and which did you love? Who was your favourite character, and why was it Cheery? And given we barely scratched the surface of talking about it this episode – should we do a bonus mini-series, discussing it episode by episode? Let us know by joining the conversation, using the hashtag #Pratchat52.

Podcast: Play in new window | Download (Duration: 2:18:13 — 63.7MB)

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Guest Patrick Lenton is currently Deputy Editor: Arts + Culture for The Conversation, and was previously a senior editor at Junkee. He is also a freelance writer whose work has spanned journalism, theatre, fiction and comedy. His most recent short story collection is Sexy Tales of Palaeontology from Subbed In, and he writes the newsletter All the Hetereosexual Nonsense I Was Forced To Endure with Rebecca Shaw. You can find Patrick on Twitter as @PatrickLenton, and his handy LinkTree will help you find his other stuff.

Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in #Pratchat19 (Soul Music) and #Pratchat29 (The Last Continent) – our last in-person episode, recorded in the before times! Their live multi-disciplinary show Gender Euphoria toured Australia in 2019 and 2020, and their book I Don’t Understand How Emotions Work is (probably) still available. You can find out more about them at furywrites.com, or follow them on Twitter as @fury_writes. Their first TV show, Crazy Fun Park, is currently in production and scheduled to premiere on ABC ME and ABC iview in late 2022.

As usual, you can find notes and errata for this episode on our website.

Next month we’re heading to one of the books that (sort of) provided a big chunk of inspiration for The Watch, and a fan favourite, frequently topping rankings of the Discworld series: Night Watch! Meet the original Carcer Dun, Jocasta Wiggs, young Sam Vimes, and – eventually – Young Sam Vimes… Send us your questions via the hashtag #Pratchat53, or via email to chat@pratchatpodcast.com.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat29 – Great Rimward Land

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In episode 29, Liz, Ben and guest Fury join Rincewind on a journey to a strangely familiar land in Pratchett’s 1992 loving Discworld parody of Australia, The Last Continent. (A quick content note: this one has more swearing than usual, but we bleeped the c-bombs out.)

The Librarian of Unseen University, long ago turned into an orang utan, is suffering from a magical illness. Archchancellor Ridcully and his faculty could help him – if only they knew his original human name. Unfortunately the only person likely to remember is former Assistant Librarian Rincewind, and the wizards sent him to Agatea – and then accidentally propelled him across the Disc. He ended up in XXXX – aka Fourecks, aka the Last Continent, aka “that place far away full of deadly animals” – but he’s managed to survive. The locals out in the desert seem friendly enough, at least until he asks when it will rain. But something isn’t right. The land needs a hero. What it’s got is the Eternal Coward…

Pratchett came to Australia many times, and his experience of the country seems to have rubbed off. Fourecks affectionately parodies Australian music, slang, politics and culture, including Mad Max, The Man From Snowy River, Priscilla Queen of the Desert, thongs, corks on hats, the cultural cringe, Vegemite, pie floaters and Skippy the Bush Kangaroo. It’s quite the ride for the Australian reader… Rincewind is moulded into the stereotypical “bush hero”, but his touchstones aren’t entirely post-invasion – Pratchett also tries for a nuanced and deep Discworld interpretation of Aboriginal culture and beliefs, even if he doesn’t include any actual Aboriginal characters. Do you think he makes it work? Could you follow all the Australian references? Is there enough of a plot, or is it just an excuse for a bunch of jokes? Use the hashtag #Pratchat29 on social media to join the conversation!

Podcast: Play in new window | Download (Duration: 2:21:43 — 65.3MB)

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Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in episode 19, discussing Soul Music. They were recently seen in Gender Euphoria, a touring multi-disciplinary show celebrating trans experiences which has played in Melbourne and Sydney. Fury’s book I Don’t Understand How Emotions Work is available online now. You can also find out more about them at their web site furywrites.com, or follow them on Twitter as @fury_writes.

Next month’s episode was going to cover Pratchett’s 2012 sci-fi collaboration with Stephen Baxter, The Long Earth, but we’ve had a change of plan! Instead, we’ll be taking a month off from book discussion to answer your questions about how to get into Pratchett, about past episodes, and about his work in general. Listen out for a special announcement with more information, and get your questions in via the hashtag #Pratchat30 by April 3rd.

You’ll find the full notes and errata for this episode on our web site.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat19 – It Don’t Mean a Thing if it Ain’t Got Rocks In

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In our nineteenth episode it’s back to the Discworld as we join Death, and meet his granddaughter Susan, as writer and illustrator Fury joins us to talk about the 1994 Discworld novel, Soul Music!

Susan Sto Helit doesn’t have time for anything silly – not for grief, not for tiny skeletal rats who are here to inform her of SQUEAK, and most definitely not for this new craze sweeping the disc. But music with rocks in has other ideas, and doesn’t care who gets swept up in the swell. With her long lost grandfather (the one with the bony knees) missing in action, Susan has no choice but to take on the family business and try not to….erm…rock the boat.

Pratchett is never one to shy away from the big themes and Soul Music packs a lot of punch into a deceptively simple plot. Exploring the complexities of grief, and the idea that family is more than just genetics, the 16th Discworld continues the story from where Mort left off, and introduces us to some new (sadly one-off) names that we quickly grow to love. Packed with more music references and jokes than one could shake a stick with bells at, this is one that was Imp-possible to put down. Got a favourite Discworld band name? Or an idea as good as My Little Binky? We’d love to hear from you! Use the hashtag #Pratchat19 on social media to join the conversation.

Podcast: Play in new window | Download (Duration: 2:14:40 — 62.0MB)

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Guest Fury is a writer and author based in Naarm/Melbourne. Their book, an experimental graphic novel memoir titled I Don’t Understand How Emotions Work, is available here.

You’ll find the full show notes and errata for this episode on our web site.

As mentioned this episode, keep an ear out for our first live show, recorded at Nullus Anxietas VII, where we discuss the short story Troll Bridge with author Tansy Rayner-Roberts! It’ll show up in the podcast stream soon.

Next month we head to the skies and cling on for dear life as we finish the Bromeliad trilogy with Wings! Get your questions in via social media using the hashtag #Pratchat20.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat19 Notes and Errata

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These are the show notes and errata for episode 19, “It Don’t Mean a Thing if it Ain’t Got Rocks In” featuring guest Fury, discussing the sixteenth Discsworld novel, 1994’s Soul Music.

  • The episode title puns the title of Duke Ellington’s 1931 jazz standard “It Don’t Mean a Thing (If It Ain’t Got That Swing)”, which has been recorded dozens if not hundreds of times over the last 90 years.
  • The Valhalla Cinema was a cinema in Melbourne which specialised in audience participation films – and in its early days you had to bring your own seats. Opening in 1976, it later relocated to Westgarth and changed names. The Wikipedia entry has a charming story about a rather eventful screening of The Blues Brothers – though we doubt that this was the one that Pterry attended (if, indeed, he attended at all).
  • Look, the French Foreign Legion have a long and storied history, but in popular culture they are the go-to reference for the group you join when you want to get well away from your old life. Brendan Fraser’s character in The Mummy? French Foreign Legion.
  • Why are denim trousers called jeans? They’re named after the city of Genua, where the original fabric was manufactured. Read more about their history here. We know; we hoped they would be named after Gene Wilder too.
  • Rebel Without a Cause is one of James Dean’s most famous films and is often credited with kicking off the idea of the teenager.
  • Arthur Daley is a character from Minder, a British comedy-drama series that ran from 1979 to 1994.
  • Animorphs, first a book series, later adapted into a TV show, followed the adventures of a group of friends who had been given the power to morph into different animal shapes in an attempt to fight back against a secret alien invasion on Earth. Their enemy were the Yeerks – a parasitic species which would occupy the body of a host and control them.
  • Is Sioni bod da real Welsh? According to the Annotated Pratchett File: “‘Bod Da‘ is Welsh for ‘be good’. Ergo, ‘Sioni Bod Da‘ = ‘Johnny B. Goode’.”
  • “The Day the Music Died” is the name given to the tragic day where musicians Buddy Holly, Ritchie Valens and “The Big Bopper” J.P. Richardson were killed in a light aircraft accident. Both Holly’s wife and mother heard the news from media rather than authorities (his wife, Maria Elena, via a TV report and his mother via the radio). His mother collapsed at the news, and Maria Elena shortly afterwards had a miscarriage. This series of events led to the development of a policy for proper notification of victims’ families. The events of the day also inspired Don McLean’s song “American Pie”.
  • There have been at least two Dalek invasions of contemporary Earth in Doctor Who.
  • The natural human preference for length of day is a subject of much debate. Some studies showed that the human circadian rhythm, when absent of outside stimuli like light and knowledge of time skewed more towards 25 hours, but later studies dispute this. Need more people to volunteer to sleep whenever they want for further study? We’re available!
  • Two-up is a traditional Australian gambling game. A designated “spinner” throws two coins into the air from a special paddle or board called a “kip”, which has recesses to hold the coins. Players bet on which way the coins will land: obverse (both heads), reverse (both tails) or “Ewan” (one of each). It’s often played on ANZAC Day, when it is officially legal (at least in NSW), as it was very popular among soldiers during World War I. Modern games still often use old pre-decimalisation pennies from a significant year like 1915, the year of the Gallipoli campaign.
  • According to the Stratocaster Guide, Keith Richards once said “The Strat is as sturdy and strong as a mule, yet it has the elegance of a racehorse. It’s got everything you need, and that’s rare to find in anything.” Basically? They’re the quintessential cool guitar.
  • In the TV series Gilmore Girls, Dean and Jesse are, respectively, Rory Gilmore’s first and second boyfriends. Dean is an absolute garbage heap of a human being which only becomes more apparent as the show progresses. Jesse is marginally better, but improves. In the end it doesn’t actually matter though as the re-boot proves that Rory herself is actually the worst of them all.
  • Popular Scottish indie group Belle & Sebastian got their name from tbe book and television series with the same title. The story of a boy and his dog, their namesake is about as charming as the music they produce.