Ponder Stibbons

#Pratchat19 – It Don’t Mean a Thing if it Ain’t Got Rocks In

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In our nineteenth episode it’s back to the Discworld as we join Death, and meet his granddaughter Susan, as writer and illustrator Fury joins us to talk about Terry Pratchett’s 1994 Discworld novel, Soul Music!

Susan Sto Helit doesn’t have time for anything silly – not for grief, not for tiny skeletal rats who are here to inform her of SQUEAK, and most definitely not for this new craze sweeping the Disc. But “music with rocks in” has other ideas, and doesn’t care who gets swept up in the swell. With her long lost grandfather (the one with the bony knees) missing in action, Susan has no choice but to take on the family business and try not to….erm…rock the boat.

Pratchett is never one to shy away from the big themes and Soul Music packs a lot of punch into a deceptively simple plot. It explores grief, family, teenage obsession and showbiz. It also continues the story of Mort, and introduces us to some new characters that we quickly grow to love (and sadly never see again). With more music references and jokes than a Spinal Tap album, Soul Music is Imp-possible to put down. Got a favourite Discworld band name? Or an idea as good as “My Little Binky”? We’d love to hear from you! Use the hashtag #Pratchat19 on social media to join the conversation.

Podcast: Play in new window | Download (Duration: 2:14:40 — 62.0MB)

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Guest Fury is a writer and author based in Naarm/Melbourne. Their book, an experimental graphic novel memoir titled I Don’t Understand How Emotions Work, is available here.

You’ll find the full show notes and errata for this episode on our web site.

As mentioned this episode, we recorded our first live show at Nullus Anxietas VII, discussing the short story Troll Bridge with author Tansy Rayner-Roberts! It’s in the podcast feed as #PratchatNA7, “A Troll New World”.

Next month we head to the skies and cling on for dear life as we finish the Bromeliad trilogy with Wings! Get your questions in via social media using the hashtag #Pratchat20.

Want to make sure we get through every Pratchett book (etc)? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat17 – Midsummer (Elf) Murders

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In our seventeenth episode we join everyone’s favourite dysfunctional coven – and guest, writer Nadia Bailey – as we return to Lancre for Terry Pratchett’s 1992 Discworld novel, Lords and Ladies!

The Lancre coven have returned from their trip abroad, but despite the impending royal wedding of Magrat and King Verence, all is not well in the Ramtops: it’s circle time, when the walls between worlds are thin, and in the witches’ absence someone has been toying with powers beyond their understanding. As usual Granny Weatherwax thinks she can sort everything out herself: facing down a young witch wannabe and keeping the Gentry at bay. But Granny is off her game. Is it the arrival of an old flame? Or is her time as a witch of Lancre nearly up? She’ll need Nanny and Magrat’s help to see off the threat of the Lords and Ladies…

Bringing us back to the witches after only one book away, Lords and Ladies is a particularly Pratchett take on the ancient Celtic stories that inspired modern ideas of fairies and elves. One of the few novels to cross the streams between the witches and wizards, it also gives us more of a glimpse into Esme Weatherwax’s past, hints at the future of witchcraft (and royalty) in Lancre, and introduces the infamous “Trousers of Time”. Is this your favourite witches novel? What do you think of the parallel universes, other dimensions and alternate timelines it describes? And is this the best take on elves since Tolkien? We’d love to hear from you! Use the hashtag #Pratchat17 on social media to join the conversation.

Podcast: Play in new window | Download (Duration: 2:04:15 — 57.3MB)

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Guest Nadia Bailey is an author, journalist and critic whose work has appeared in The Australian, The Age, The Lifted Brow and many others. The Book of Barb, an unofficial celebration of the surprisingly popular supporting character from the first season of Netflix “kids on bikes” drama Stranger Things, was her first book; it was followed by The Stranger Things Field Guide in December 2018. In between Nadia wrote The World’s Best BFFs, a book of profiles of celebrity best friends. All three are published by Smith Street Books. You can find Nadia online at nadiabailey.com, and she tweets at @animalorchestra.

You can find full show notes and errata for this episode on our web site.

Don’t forget that you can see Liz and Ben at both Speculate 2019 on March 15 and 16, and at Nullus Anxietas 7, the Australian Discworld Convention, on April 13 and 14! Plus Ben’s new show, You Chose Poorly, plays at the Melbourne International Comedy Festival from April 1-7.

Next month, to tie in with our appearance at Speculate, we’ll be leaving the Discworld and blasting off into outer space as we discuss one of Pratchett’s early sci-fi novels, The Dark Side of the Sun, with writer Will Kostakis! We’ll likely be recording around the time of Speculate 2019, so get your questions in via social media before March 15th using the hashtag #Pratchat18.

Want to make sure we get through every Pratchett book (etc)? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat29 – Great Rimward Land

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In episode 29, Liz, Ben and guest Fury join Rincewind on a journey to a strangely familiar land in Pratchett’s 1992 loving Discworld parody of Australia, The Last Continent. (A quick content note: this one has more swearing than usual, but we bleeped the c-bombs out.)

The Librarian of Unseen University, long ago turned into an orang utan, is suffering from a magical illness. Archchancellor Ridcully and his faculty could help him – if only they knew his original human name. Unfortunately the only person likely to remember is former Assistant Librarian Rincewind, and the wizards sent him to Agatea – and then accidentally propelled him across the Disc. He ended up in XXXX – aka Fourecks, aka the Last Continent, aka “that place far away full of deadly animals” – but he’s managed to survive. The locals out in the desert seem friendly enough, at least until he asks when it will rain. But something isn’t right. The land needs a hero. What it’s got is the Eternal Coward…

Pratchett came to Australia many times, and his experience of the country seems to have rubbed off. Fourecks affectionately parodies Australian music, slang, politics and culture, including Mad Max, The Man From Snowy River, Priscilla Queen of the Desert, thongs, corks on hats, the cultural cringe, Vegemite, pie floaters and Skippy the Bush Kangaroo. It’s quite the ride for the Australian reader… Rincewind is moulded into the stereotypical “bush hero”, but his touchstones aren’t entirely post-invasion – Pratchett also tries for a nuanced and deep Discworld interpretation of Aboriginal culture and beliefs, even if he doesn’t include any actual Aboriginal characters. Do you think he makes it work? Could you follow all the Australian references? Is there enough of a plot, or is it just an excuse for a bunch of jokes? Use the hashtag #Pratchat29 on social media to join the conversation!

Podcast: Play in new window | Download (Duration: 2:21:43 — 65.3MB)

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Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in episode 19, discussing Soul Music. They were recently seen in Gender Euphoria, a touring multi-disciplinary show celebrating trans experiences which has played in Melbourne and Sydney. Fury’s book I Don’t Understand How Emotions Work is available online now. You can also find out more about them at their web site furywrites.com, or follow them on Twitter as @fury_writes.

Next month’s episode was going to cover Pratchett’s 2012 sci-fi collaboration with Stephen Baxter, The Long Earth, but we’ve had a change of plan! Instead, we’ll be taking a month off from book discussion to answer your questions about how to get into Pratchett, about past episodes, and about his work in general. Listen out for a special announcement with more information, and get your questions in via the hashtag #Pratchat30 by April 3rd.

You’ll find the full notes and errata for this episode on our web site.

Want to make sure we get through every Pratchett book (etc)? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat35 – Great Balls of Physics

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Liz, Ben and science communicator Anna Ahveninen have the weird sensation of being a specimen in a jar as they discuss 1999’s The Science of Discworld, co-written by biologist Jack Cohen and mathematician Ian Stewart.

By bribing the Unseen University faculty with the promise of cheap heating, research wizard Ponder Stibbons gets permission to try splitting the thaum, the magical equivalent of the atom. The experiment is a success, but fills the University with dangerous raw magic. To use it up, sentient thinking machine Hex initiates “the Roundworld Project”, the creation of a reality devoid of magic. The universe in a bottle that results has no narrative imperative, only one kind of light, and not a single star turtle. What it does have are rocks, flaming balls of gas and rules. This all seems very unnatural to the wizards, so there’s only one thing to do: poke it with a stick and see what happens…

After reading one too many “Science of Star Trek” books, science writers and Pratchett fans Jack and Ian joined forces with Sir Terry to write a book in which they would use the wizards’ exploration of a bottle universe to explore our own, and the science that explains it. The concept was a bit of a gamble, and no-one wanted to publish it at first, but it proved a big hit, spawning three sequels and a major revision to this first volume, three years later. The Science of Discworld concentrates on the beginning and evolution of the universe and the history of life on Earth, with plenty of asides about the nature of science and how it is taught (including the now famous concept of “lies-to-children”). In between these essays, the Unseen University wizards poke our own “Roundworld” with a big stick and try to make sense of a world without magic – in part by forcing Rincewind into the role of virtual astronaut.

What did you learn from The Science of Discworld? Do you enjoy the alternating fantasy and science chapters? How does it compare to the other “The Science of” books? And does the science still stand up, eighteen years after the revised edition of 2002? Use the hashtag #Pratchat35 on social media to join the conversation!

Podcast: Play in new window | Download (Duration: 2:02:00 — 56.2MB)

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Guest Anna Ahveninen is a science communicator, writer and (ex) chemist who currently works at the Australian Academy of Science. You can follow her on Twitter at @Lady_Beaker. Anna also wanted to give a shout out to the STEMMinist Book Club (the second M is for Medicine), who you can also find on Twitter at @stemminist, and on Goodreads.

Turns out we jumped the gun a little with Collisions – the Liminal magazine fiction anthology won’t be published until November! We’ll remind you in a couple of episodes.

Next month it’s back to the Ramtops for our favourite coven’s last hurrah, as Lancre is invaded by vampires in Carpe Jugulum! We’ll be joined by actor, singer and cabaret star Gillian Cosgriff. Get your questions in via social media using the hashtag #Pratchat36, or send us an email at chat@pratchatpodcast.com.

You’ll find the full notes and errata for this episode on our web site.

Want to make sure we get through every Pratchett book (etc)? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat47 – A Finite Number of Shakespeares

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Science comedian and public health nerd Alanta Colley joins Liz and Ben on their second trip through Discworld into Roundworld, as they join Rincewind and the wizards of Unseen University in Pratchett’s second collaboration with Ian Stewart and Jack Cohen: 2002’s The Science of Discworld II: The Globe.

While on a team-building exercise in the woods near Unseen University, Archchancellor Mustrum Ridcully and his faculty are accidentally swept along when something makes its way through the Discworld into Roundworld. That something turns out to be elves – nasty, parasitic lifeforms who feast on the imagination and emotions of others. Roundworld – the universe in a bottle created by the wizards’ experiments, which somehow runs without any magic – has been altered by their presence. Now the wizards – including Rincewind, the long-suffering Egregious Professor of Cruel and Unusual Geography – have to find a way to get rid of them without dooming the local human population in the process…

Having entirely missed humankind in The Science of Discworld, the wizards are back for another go! And so are science writers Ian Stewart and Jack Cohen – but this time, they don’t want to explain cosmology, basic physics and the history of the Earth, but instead sell you on the idea that storytelling is the essential ingredient that makes humans…human.

Are we really Pans narrans, the storytelling chimpanzee, rather than Homo sapiens, the “wise man”? Is it wise to write a popular science book with an author who will guarantee the book will be read again twenty years later – and to include some “cutting edge” science, no less? What do a debunked psychological experiment, the term “overcommitment”, and filthy explanations of fairytales have to do with it? And who’s this shrewd and world-wise street wizard named Rincewind, and can we have some more of his adventures please? Let us know what you think using the hashtag #Pratchat47 on social media, and join in the conversation!

Podcast: Play in new window | Download (Duration: 2:11:42 — 60.7MB)

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Guest Alanta Colley is a comedian, science communicator and storyteller whose solo shows include Parasites Lost (about parasites), Days of Our Hives (about beekeeping) and The Origin of Faeces (you can probably work that one out yourself). She also wrote and performed the “comedy experiment” You Chose Poorly with our own Ben McKenzie. Since 2017 Alanta has also been the host and producer of Sci Fight, a series of comedy science debates; both Ben and Liz have been guest speakers, along with previous Pratchat guests Anna Ahveninen (#Pratchat35) and Nicholas J Johnson (#Pratchat38). You can hear Ben and Anna’s last appearance on Sci Fight in this episode of the Climactic podcast, or see the first online debate for Melbourne Science Gallery on YouTube here. Visit scifight.com.au to sign up to the mailing list, and you can find Alanta as @lannyopolis on Twitter and Instagram, via Facebook or at alantacolley.com.

You can find out more about what Liz has been writing by following her as @ElizabethFlux on Twitter or Instagram.

As usual, you can find notes and errata for this episode on our web site.

Next episode we read one of the few precious Discworld novels left to us, though luckily we got a little preview this time around; yes, we’re joining up with Susan, Death and the history monks for the very timely Thief of Time, which we’ll be discussing with journalist Ben Riley! Send us your questions using the hashtag #Pratchat48, or get them in via email: chat@pratchatpodcast.com

Want to make sure we get through every Pratchett book (etc)? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat59 – Charlie and the Whale Factory

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Scientist, writer and editor Dr Kat Day joins Liz and Ben on a timey-wimey to Roundworld, as the wizards once again try to save humanity in Pratchett’s third collaboration with Ian Stewart and Jack Cohen: 2005’s The Science of Discworld III: Darwin’s Watch.

Roundworld – the impossibly non-magical universe in a bottle which runs on rules – has gone wrong again, and the wizards feel duty-bound to set it right. Humanity’s survival depends on the publication of a specific book, but something is trying very hard to make sure its author writes a different one…or gets eaten by a giant squid. With the fate of humanity hanging in the balance, the wizards go to war – but who is their hidden enemy? And why is there one beardy fellow too many in the Great Hall?

In the (short) fiction chapters, the wizards must once again travel into Roundworld history, this time with a clear mission: to get Charles Darwin onto the Beagle so he can write The Origin of Species. In the science chapters, Jack and Ian have a focus – the importance of the theory of evolution – but they also feel free to use the time travel plot to explain infinity, DNA, the nature of science and history, and much more besides. They’ve learned to stay away from the cutting edge – but have they come entirely out of the “philosopause” they didn’t seem to know they were in last time?

Does the plot rely too much on prior knowledge of the Discworld? Is that really a problem, given the nature of the book? Did you follow the explanations of Minkowski spacetime and the different kinds of infinity, or were you happy coasting across the science chapters? Do they completely miss the point in that last non-fiction chapter – and does it really matter, when the end of the fiction part is so satisfying? Join in the conversation using the hashtag #Pratchat59 on social media!

Podcast: Play in new window | Download (Duration: 2:20:18 — 64.6MB)

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Guest Dr Kat Day is a chemist, a former teacher, a medical editor and a writer of both science and fiction. Kat became well known via her chemistry blog The Chronicle Flask, which is currently on hiatus; you can also find her fiction at the fiction phial. Kat is also an assistant editor for Pseudopod, the horror fiction anthology podcast from Escape Artists. Kat recommended the story “Celestial Shores” as a possible entry point for Pratchett fans, as well as “Let the Buyer Beware” from Pseudopod’s sister podcast for young adult speculative fiction, Cast of Wonders. Over on Twitter you can follow Kat at @chronicleflask, and Pseudopod at @pseudopod_org.

As usual, you can find notes and errata for this episode on our web site.

Next episode Pratchett turns sixty! As promised back in #Pratchat30, we’re doing another all-questions episode. This is your chance to send in questions about books you missed first time round, pitch your wild Discworld theories, and ask us pretty much anything you like that doesn’t fit into the usual book-focussed episode. We’d also love you to answer our questions: what are do you enjoy most about the show? What kind of episodes do you wish we’d do? Which of our opinions have you most disagreed with? And have you learned anything from us? (Ben sure has!) Send us your answers, and questions, using the hashtag #Pratchat60, or via email to chat@pratchatpodcast.com.

Oh, and in November, get ready for a double-header: not only are we reading Thud! with educator Matt Roden for #Pratchat61, but we’re cooking up a bonus crossover episode! Yes, we’re teaming up with Jo and Francine from The Truth Shall Make Ye Fret, another great Pratchett podcast, to discuss Where’s My Cow?, the hottest children’s book in Ankh-Morpork. We thought we’d let you know a little early, since it might be tricky to track down a copy…

Want to make sure we get through every Pratchett book (etc)? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat63 – Decline by Committee

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In this final fourth part of our Thud! trilogy, Liz and Ben are rejoined by designer and educator Matt Roden. As we wait for the biscuits to arrive, we turn our attention to this month’s agenda items: the 2005 Discworld short story “A Collegiate Casting-Out of Devilish Devices”, and squeezing in a bit more discussion of Thud!

Every Thursday the senior faculty of Unseen University have a committee meeting, during which they do very little except wait for the biscuits and tea to arrive – much to the annoyance of Ponder Stibbons. But this week, Ridcully announces that their latest magical mishap has annoyed the Patrician – and as a result, they have a few questions to answer from one A. E. Pessimal, newly appointed “Inspector of Universities”...

Written for the Times Higher Education Supplement and published a few months before Thud!, this very short story draws on Pratchett’s own experience on a committee. Does it tally with yours? Are you a Ponder, a Ridcully, or a Pessimal? Do you agree with Matt’s characterisations of the other faculty members? Plus we get back into Thud! – are we off the mark with our thoughts about whether it’s copaganda? What is Pratchett trying to say about religious extremism, if anything? And what Discworld cocktail would you make? Join the conversation using the hashtag #Pratchat63.

Podcast: Play in new window | Download (Duration: 1:59:22 — 55.1MB)

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Guest Matt Roden was here just two months ago for #Pratchat61 discussing Thud! He is still the Creative Learning Manager for the Museum of Contemporary Art Australia, as well as an accomplished graphic designer and educator. There are now even more photos of his dog on his Instagram at @matthewrodeo.

You’ll find notes and errata for this episode on our web site.

We’re easing into the year slowly with another short story for February, this time one of Pratchett’s earliest: “Rincemangle, the Gnome of Even Moor” from his time at the Bucks Free Press in 1974. Its available in both A Blink of the Screen and The Witch’s Vacuum Cleaner. Send us your questions about it using the hashtag #Pratchat64, or via email, which you can send to chat@pratchatpodcast.com.

Oh, and don’t forget to check out the all-new Pratchat Reading Challenge for 2023! All the details are on our website, and you’ll also find it on the StoryGraph.

Want to make sure we get through every Pratchett book (etc)? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat26 – The Long Dark Mr Teatime of the Soul

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In episode 26, Michael Williams of The Wheeler Centre joins Liz and Ben to get into the holiday spirit with the very Christmassy 1996 Discworld novel Hogfather.

It’s Hogswatch, and the Assassins Guild of Ankh-Morpork has accepted a very unusual assignment, and Lord Downey has given it to the very unusual assassin Mr Teatime. But who would want to kill the Hogfather? And how would you even accomplish such a thing? As Death fills in for the Fat Man delivering presents, his granddaughter Susan is reluctantly drawn to investigate, teaming up with the newly created Oh God of Hangovers. But much more than the joy of children is at stake – for without the Hogfather, will the sun even rise tomorrow?

Hogfather brings to life a character previously mentioned only in passing rather paradoxically by replacing him with Death, who gets a sort of working holiday. It’s our second and final adventure with Susan, and the wizards get heavily involved – as does their arcane thinking machine Hex. It’s full of not-quite-Christmas cheer, black humour, true pathos and a pure expression of many of Terry’s most deeply held beliefs. Could this be the ultimate story of Christmas? Do its themes of belief and justice hit the mark? And what kind of creature would you call into existence if there were excess belief sloshing around? Use the hashtag #Pratchat26 on social media to join the conversation and have your say!

Podcast: Play in new window | Download (Duration: 2:10:39 — 60.2MB)

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Guest Michael Williams is the Director of the Wheeler Centre for Books, Writing and Ideas in Melbourne. They have a year-round program of talks, interviews, panel discussions, podcasts and writing. Find out more about what’s happening at @wheelercentre on Twitter and Instagram, or check out videos of past talks on YouTube – including Michael’s 2014 interview with Terry Pratchett. You’ll find all the Wheeler Centre’s upcoming events at wheelercentre.com, as well as a collection of Michael’s writings and events. You can also find Michael on Twitter at @mmccwill.

The Sci-Fight comedy debate over the topic “Santa is Real” featured a great line-up of comedians and scientists, including previous Pratchat guest Nate Byrne (#Pratchat24). It was on at Howler in Brunswick on Thursday December 12, 2019. You’ve missed it by now, but details and tickets for future debates can be found at scifight.com.au.

Next month we continue through the Discworld with 1997’s Jingo, a tale of nationalism, war, racism and greed, which also has a submarine in it. We’ll be recording in the week or so before Hogswa- er, Christmas, so get your questions in via social media using the hashtag #Pratchat27.

You’ll find the full notes and errata for this episode on our web site.

Want to make sure we get through every Pratchett book (etc)? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat65 Notes and Errata

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These are the episode notes and errata for Pratchat episode 65, “Let There Be Gaimans“, discussing several pieces from the “Scribbling Intruder” section of Pratchett’s 2014 nonfiction anthology, A Slip of the Keyboard, with special guest Peter M Ball.

Iconographic Evidence

We’ve mentioned it before a few times, but here again is Michael Williams’ interview with Terry Pratchett from 2013, during his tour to promote Snuff, titled “Imagination, not intelligence, made us human.” (It used to be available as an audio recording, but now it’s only available via YouTube.)

Notes and Errata

  • The episode title is probably not Ben’s best work, but it was there…
  • GenreCon is a writing conference in Meanjin (aka Brisbane) specifically for genre writers that tries to cover as many genres as possible: science fiction, romance, crime, fantasy, horror, and more. It just ran its eighth conference from 17-19 February 2023, with this year’s guests including friends of this podcast Garth Nix (#Pratchat51, “Boffoing the Winter Slayer“) and Will Kostakis (#Pratchat18, “Sundog Gazillionaire” and #Pratchat37, “The Shopping Trolley Problem“).
  • The Queensland Writers Centre is a not-for-profit membership organisation supporting local writers of all kinds. It was established in January 1990, and as well as GenreCon runs workshops and other events, and provides various services including consulting, mentorship and manuscript assessment and editing.
  • The Author is the quarterly journal of The Society of Authors, established in 1884, and is the UK’s union for writers, illustrators and literary translators – not just for authors any more! Terry was Chair of their Management Committee from 1994 to 1995, helping to shape their policy and strategy. His time in those meetings inspired the short story “A Collegiate Casting-Out of Devilish Devices”, which we discussed in #Pratchat63. He was also elected as a member of the Society’s Council. Philip Pullman was President of the Society from 2013 until early 2022, when he resigned following some controversy around a memoir. The current Chair is Joanne Harris, best known for her novel Chocolat. Notably both Harris and Pullman were some of the more level-headed voices speaking up about the Roald Dahl rewrite controversy (see below), with Harris in favour of the changes, and Pullman advocating letting Dahl’s books fade away without being republished.
  • Ben is wrong about one thing in his FAQ footnote: the Pratchett newsgroups (see below) did have an FAQ! You can still find it at lspace.org here. We think this was the last version, updated in 2005; like the Annotated Pratchett File (also see below), it was maintained by Leo Breebaart, who also created the L-Space web.
  • We’ve previously talked about newsgroups in #Pratchat10 and #Pratchat42, but for context: the Usenet system was created in 1980 as an Internet-based alternative to local Bulletin Board Systems. Setting standards that would later be used by web-based internet forums, they organised posts by users into conversation-like “threads” of messages, which were themselves organised into “newsgroups” under hierarchical categories, similar to (but distinct from) domain names. There were three newsgroups of primary interest to Pratchett fans: alt.books.pratchett for discussion of the books themselves; alt.fan.pratchett (the big one) for general fan chit-chat (though this often included the books); and alt.fan.pratchett.announce, a moderated group for announcements of signings and other events of interest to fans. Pratchett was active on the first two.
  • Peter says Pratchett started publishing Discworld in about ’88, but we suspect he meant that the Discworld really took off around then, with the publication of the fourth and fifth books, Sourcery and his first really big hit, Wyrd Sisters. The Colour of Magic was first published in November 1983.
  • Pratchett’s fifth and tenth books (including the three pre-Discworld ones) were The Light Fantastic in 1985, and Pyramids in 1989. The gap in between contained the first big growth spurts of the Internet, but to put them in perspective, Tim Berners Lee only created the first version of the World Wide Web in 1989, and the first widely available web browser, Mosaic, didn’t launch until 1993 – by which time Pratchett was onto his twenty-fourth book, Johnny and the Dead! If you wanted to chat to people on the internet, newsgroups and mailing lists were the go in the 1990s…
  • In Benjamin Partridge’s monthly comedy podcast, The Beef and Dairy Network Podcast, Partridge plays the unnamed host of the fictional industry body’s podcast. Through mostly unscripted interviews with characters played by various guest actors and comedians, Partridge slowly builds up a bizarre alternate reality over many years. One of the recurring characters is disgraced “Bovine Poet Laureate” Michael Banyan (played by comedian Henry Paker), author of a book of cow poetry titled Crab of the Land, who often tells outrageous stories about partying with Jonathan Franzen.
  • ChatGPT is an “AI chatbot” created by the company OpenAI and publicly launched in a prototype state in November 2022. It’s capable of producing sophisticated text responses to prompts using the GPT 3 large language model previously created by OpenAI, and as a result has become hugely popular and controversial. It’s not actually intelligent; rather it uses statistical models based on a huge corpus of text (i.e. large parts of the internet up to 2021) to assemble sentences, poems or lines of code which are drawn from that corpus. We’ll probably talk about it some more in the next episode of our subscriber-only bonus podcast, Ook Club.
  • Pratchett told alt.fan.pratchett he was leaving for the reasons outlined in “this piece”Wyrd Ideas” on the 3rd February 1999, after a user speculated about Sam and Sybil having children (he was writing The Fifth Elephant at the time). This was despite other users in the group (and possibly the version of the FAQ available at the time) asking people not to do this sort of thing. You can see his post here – and thanks to Jo and Francine of The Truth Shall Make Ye Fret, who saved Ben the trouble of searching for this by linking to it from their own episode notes! Pratchett didn’t leave newsgroups altogether; he continues to “lurk” (i.e. read without posting much) on alt.books.pratchett and other newsgroups (mostly about videogames) until around 2008.
  • We mention several famous writers who published their works in serial form, usually in magazines. But we could have mentioned many more! As well as French authors Jules Verne, Victor Hugo and Alexandre Dumas, there’s also Charles Dickens, Arthur Conan Doyle, George Eliot, Elizabeth Gaskell, Thomas Hardy, George Meredith, Robert Louis Stevenson and many, many more.
  • Speaking of Alexandre Dumas, his surname is pronounced “Doo-ma”. He was indeed paid by the line by some of the newspapers who published his stories, though others paid him by episode, leading to very long books rather than very short dialogue. According to some accounts, his publishers eventually caught on to his writing style, and insisted that a line had to fill half a newspaper column to count, supposedly forcing him to kill off a monosyllabic character he’d invented to extend his dialogue. Charles Dickens, by contrast, is said to have written verbosely as he was paid by the word, but in fact he was paid for instalments which had a very specific page count (32 pages in some accounts). Like a first year arts student, he may have used more words to fill the pages faster…a style emulated by Pratchett in Dodger (discussed in #Pratchat6, “A Load of Old Tosh“).
  • Watch this space for a brief history of fanfic, but in the meantime you can check out Archive of Our Own (aka AO3) for yourself – and yes, there’s an extensive Discworld collection there!
  • The Nanny (not Nanny Ogg) was a hugely popular American sitcom which ran from 1993 to 1999 – coincidentally the period between “Kevins” and “Wyrd Ideas” – on the CBS network. It starred co-creator Fran Drescher as Fran Fine, a down on her luck Jewish woman from Queens who tries selling makeup door-to-door. She’s hired by high class English Broadway producer and widower Maxwell Sheffield to be the new nanny to his three children, and the two have a will-they or won’t-they relationship aided by Sheffield’s butler Niles and opposed by Sheffield’s business partner C.C. Babcock.
  • You can find the second edition of the Turkey City Lexicon on the Science Fiction & Fantasy Writers Association website.
  • The Neil Gaiman Masterclass on “The Art of Storytelling” is offered as part of the Masterclass streaming video service, which features hundreds of tutorials from famous leaders in their fields covering everything from acting to philosphy, personal style and astronomy. The BBC has a similar series of videos, BBC Maestro, with a class on Storytelling hosted by Alan Moore.
  • Pratchett used the term “figgin” for the kind of joke Peter describes because he used the word for exactly that kind of joke in Guards! Guards! In that novel, figgin is used by the Supreme Grand Master of the Elucidated Brethren of the Ebon Night in one of the order’s oaths, secure in the knowledge that none of his flock knows what it means. (In this instance Pratchett doesn’t make us wait until the very end to discover the truth for ourselves; it’s defined in a footnote. In fact he only uses the word eight times in the novel, and three of those are callbacks made after the footnote.)
  • To avoid confusion, Ben would like to explain that the “sherbert lemon” kind of joke is not an example of shelving, which is when a comedian mentions a concept seemingly in passing so that they can come back to it later in a new context once the audience has forgotten about it and helping the comedy work through surprising recognition. (There’s a reason explaining how comedy works is described as “dissecting the frog”.)
  • Pratchett is on record (in the APF, of course) that there’s no pun in Twoflower:
    “[…] there’s no joke in Twoflower. I just wanted a coherent way of making up ‘foreign’ names and I think I pinched the Mayan construction (Nine Turning Mirrors, Three Rabbits, etc.).”
  • Andrew Harman is the English author of eleven pun-filled comic fantasy novels, published between 1993 and 2000. Most of them are set in the medieval fantasy kingdom of Rhyngill and surrounds, and five, beginning with The Sorcerer’s Appendix and ending with One Hundred and One Damnations, form a loose series following the adventures of the peasant Firkin and his friends. Harman went on to find more creative success as a game designer, founding his own publisher, YAY Games, which specialises in “gateway games” – ones that work well for introducing new people to hobby boardgames.
  • Fawlty Towers, John Cleese’s classic sitcom farce about long-suffering but obnoxious hotel manager Basil Fawlty, ran for two series in 1975 and 1979 on BBC Two. It is often cited amongst the greatest sitcoms ever made, though its characters and many of the episodes’ premises rely heavily on ethnic and gender stereotypes. The titular hotel is located in the resort town of Torquay in the coastal “English Rivieria” region of Devon. Cleese was inspired to create the setting and main character for the show after an experience with the manager of a real Torquay hotel where the Monty Python crew stayed while filming on location in 1971.
  • For some perspective on the Roald Dahl rewrite controversy, you could do worse than these pieces from The Conversation:

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#Pratchat64 Notes and Errata

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These are the episode notes and errata for Pratchat episode 64, “GNOME Terry Pratchett“, discussing the 1973 short story “Rincemangle, the Gnome of Even Moor”, with special guest Andy Matthews.

Iconographic Evidence

Here’s the Two Ronnies sketch mentioned by Andy in which they use letters (and numbers) instead of words. It’s framed as “Swedish Made Simple”, a “Swedish lesson in Norwegian”, in which the subtitles use only single letters and numbers to represent words. It seems to be from the second episode of the fourth series of the show, broadcast on BBC Two in January 1975 – and please be warned that the sensibility of the sketch reflects the state of comedy in that era, especially in the way it’s ended.

Notes and Errata

  • The episode title is a play on the “GNU Terry Pratchett”, which many websites – including this one, if our plugin is working correctly – add to a special “Clacks overhead” bit of information. This is a reference to Going Postal, in which a message prefixed GNU is sent up and down the Clacks system forever. John Dearheart’s name is preserved this way, in accordance with the idea in Pratchett’s writing that “a man’s not dead while his name is still spoken”. GNU is also a reference to the Roundworld GNU Project, a cornerstone of the free software movement which set out to create a free Unix-like operating system. In this context, GNU is a recursive acronym for “GNU’s Not Unix!”
  • We mention a lot of Terry’s other books this episode; here’s a list with our episodes:
    • Feet of Clay – discussed in #Pratchat24, “Arsenic and Old Clays“
    • Terry Pratchett: A Life With Footnotes – Terry’s official biography written by Rob Wilkins, which we’ve not yet covered.
  • In the 1999 film The Matrix, future humanity is enslaved by sentient machines, who use the humans as living batteries after environmental disaster prevents traditional methods of power generation. They keep the humans subjugated by plugging them into an artificial reality known as “The Matrix”, but there are some free humans who present the imprisoned ones with the truth. Famously one of them – Morpheus, played by Lawrence Fishburne – does so by offering a prospective recruit two pills. The red one will allow them to see the truth of their situation, exiting the Matrix, never to return. The Wachowskis, who wrote and directed the film, turned it into a trilogy by making two sequels, The Matrix Reloaded and The Matrix Revolutions, in 2003. A fourth film, The Matrix Resurrections, was released in 2021.
  • Owls are indeed mentioned in the Bromeliad – Granny Morkie describes them in Diggers while attempting to “cheer up” the Nomes who’ve gone outside at night to try and rescue Dorcas. In her words: “Cunning’ devils, owls. You never hear ‘em till they’re almost on top of you.” The Nomes who grew up in the Store are terrified.
  • The four books collecting Pratchett’s early stories are Dragons at Crumbling Castle, The Witch’s Vacuum Cleaner (which contains this story), Father Christmas’s Fake Beard and The Time-traveling Caveman. Most of the stories are from the Bucks Free Press, but Father Christmas’s Fake Beard also contains a number of Christmas-themed stories from other points in Pratchett’s career.
  • The origins of the name Rincewind are actually known: it comes from the long-running humour column “By the Way” in the Daily Express newspaper. Written by various writers under the pen name “Beachcomber”, “By the Way” was a broad spoof of society news, with short snippets of nonsense about various fictional characters. One group of frequently recurring characters were “twelve red-bearded dwarfs” who were highly litigious, and who were at one point given individual names – one of which was “Churm Rincewind”. As mentioned in the Annotated Pratchett File entry for The Colour of Magic, Terry read a lot of the columns in published collections when he was 13, but didn’t realise that’s where he’d picked up the name until his friend Dave Langford pointed it out many years later. So Ben’s dramatic recreation wasn’t too far off the mark…
  • “Fishing from the same stream” is mentioned in the L-Space wiki, though the specific quote about it is not sourced. Pratchett is said to have invoked this when saying its ridiculous that anyone would suggest a certain famous author had plagiarised him just because they both had schools of magic in their books, since it was an old concept that both had drawn on. “That’s how genres work,” he says, and indeed sites like TV Tropes and All the Tropes would agree.
  • In the film Jurassic Park, palaeontologist Alan Grant and his young friends escape a Tyrannosaurus rex in part because Grant advises them its vision is “based on movement” – much as Rincemangle advises his fellow gnomes. But Rincemangle is partially correct – cats are ambush predators and while they have excellent night vision are relatively short-sighted. While it’s not true that stationary objects or mice are invisible to them, they are instinctively drawn to movement and use it to identify prey when laying in wait. To see why this is probably a silly assumption to make about T. rex, try to imagine the dinosaur as it appears in the film hiding in the grass and waiting to ambush its prey… Modern thought is that T. rex probably had great eyesight, just like many modern predatory birds, making it able to see prey from quite a long distance and chase it down. The assumption also appears in Crighton’s original 1990 novel, though in that case Grant makes the observation after seeing the live dinosaurs, though this is backtracked in the sequel, The Lost World.
  • For more on how cats see, here’s the MYSTERIOUS FELINE VISION article from catveteran.com shared with us by subscriber Ian Banks.
  • Jorges Luis Borges (1899-1986) was an Argentine writer, and one of the most influential Spanish-language writers in the world. While he’s most famous for his short stories, which came to the attention of English-language readers in the 1970s, he also wrote novels, poetry and nonfiction, and perpetrated a great number of literary hoaxes. His most famous stories were mostly written in the 1940s and 1950s, and include “The Library of Babel”, about a library that contains every possible book that could ever exist, and “Tlön, Uqbar, Orbis Tertius”, in which Borges discovers that a secret society invented a country and the world of its legends, and by doing so conjured them into being.

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