Wizards – Pratchat

#Pratchat47 Notes and Errata

08/09/2021 by Ben Leave a Comment

These are the episode notes and errata for episode 47, “A Finite Number of Shakespeares“, featuring guest Alanta Colley, discussing the second collaboration between Terry Pratchett, Ian Stewart & Jack Cohen: 2002’s The Science of Discworld II: The Globe.

The episode title is a reversal of the “infinite monkey theorem”, which states that an infinite number of monkeys typing randomly on typewriters will “almost surely” eventually produce the complete works of Shakespeare. In this book, a single Shakespeare eventually (after much tampering with history) produces a species descended from monkeys that can invent and use typewriters – modern, storytelling humans.
The most recent Sci Fight, “Should we upload our brains into the cloud?”, was held online on Thursday, 12 August 2021. The debate is available on YouTube, and was part of Melbourne Science Gallery‘s exhibition “MENTAL“.
You can find out more about Alanta’s comedy shows, including Parasites Lost, at alantacolley.com.
Melbourne’s six lockdowns began with two in 2020 – March 29 to May 12 and the big one, from July 9 to October 26. There have been four in 2021: from February 12 to 17; May 28 until June 10; July 16 to 27; and the current one, which began on August 5 and is not expected to end until the Victorian population reaches an 80% vaccination rate, estimated to happen by December.
We covered The Science of Discworld a year ago in #Pratchat35, “Great Balls of Physics“, with guest Anna Ahveninen.
Alanta makes the reasonable assumption we’ve had “forty-six prior guests” – but, thanks to a few repeat offenders and some double-guest episodes, the actual count to date is forty (including Tansy Rayner Roberts in our first live bonus episode).
Douglas Adams’ famous love of long baths was a trait he passed on to the Captain, a character who appears at the end of most versions of The Hitchhikers’ Guide to the Galaxy, commanding his starship from the bath. You can read about his bath habit – er, Adams’, not the Captain’s – in this great piece by his friend Jon Cranter for The Guardian.
The photo of Pratchett with Jack and Ian was taken at Warwick University – where Jack and Ian were both researchers – on July 14, 1999, just after he made them honorary wizards of Unseen University, and the University made him a Honorary Doctor of Letters. (The photo from the book is different, but you can see another one in this article from the time on the Warwick University website.) This was the first of Pratchett’s ten honorary degrees, which we listed in the notes for #Pratchat27.
The History and Philosophy of Science is a distinct humanities discipline, combining the study of both…er…the history and the philosophy of science. It arose from the fact that the philosophy of science has been primarily studied from an historicist perspective: deducing what it is and how it works by studying the history of its development.
Mustrum Ridcully famously has no time for meetings or long explanations; in Reaper Man it is explained this way:

…it took him several minutes to understand any new idea put to him, and this is a very valuable trait in a leader, because anything anyone is still trying to explain to you after two minutes is probably important and anything they give up after a mere minute or so is almost certainly something they shouldn’t have been bothering you with in the first place.
Terry Pratchett, Reaper Man (1991)

On another look, Ben isn’t really sure why he was confused about how the wizards end up on Roundworld; Ridcully explains to Ponder in Chapter 5 that the elves passed through Discworld to get into Roundworld, and he and the faculty were caught up in the “trans-dimensional flux” (Ponder’s words, obviously). They landed in London because Dee had made a magic circle – Hex further explaining that while magic doesn’t work in Roundworld, it can create “passive receptors” for outside magic to connect to, as with the crystal ball he uses to communicate.
The other Discworld element (or substance, at least) Ben couldn’t remember the name of is “deitygen“, which Ridcully says is known to be produced by intelligent beings. While Narrativium is the most important element on Discworld, the world itself is said in The Truth to be composed of Air, Earth, Fire and Water – though there is also an important fifth element: Surprise.
Mind-body dualism is the idea that the mind is a non-physical substance, i.e. that mind and matter are not the same kind of thing. There are several different flavours of this philosophy. Cartesian dualism, more generally known as substance dualism, is the one discussed in the book; others are subtly different, suggesting that while there are the mind is distinct, it is not a different type of substance to ordinary matter. (Note that when we say “substance” here, we mean it in the philosophical sense that encompasses all things.)
Spontaneous Human Combustion is the idea that sometimes humans just burst into flames without any apparent external cause. It’s not taken very seriously these days, and critics and researchers – most notably science investigator Joe Nickell and forensic analyst John F. Fischer – have found that in most cases there were likely sources of flames near victims which were overlooked and not reported in popular accounts.
The bit in the book about humans being unable to imagine being a dog or a bat is in Chapter 26, “Lies to Chimpanzees”.
Liz read about the babbling baby bats in this article from the New York Times, though many new outlets picked up on this research about greater sac-winged bats (Saccopteryx bilineata), published in Science by Dr Ahana Fernandez and her team. This video from Science magazine gives you the short version.
That birds learn songs from their parents was first observed (in scientific terms at least) in the 1950s, when British ethologist Peter Marler noticed that chaffinches sang different songs in different parts of the country. His work showed that some birds are innate singers, while others learn their songs from their parents, creating regional differences or dialects. This has since been observed in many bird species.
Jack and Ian have written many other books, separately and in collaboration. Ben mentioned What Does a Martian Look Like? (aka Evolving the Alien) in #Pratchat35. On a related note, Ben spotted that in his first edition of The Science of Discworld II, in chapter 10, the authors introduce the idea of an elf visiting Earth in the distant past and observing our ancestors; this visitor is mistakenly referred to as a Martian several times afterwards, leading Ben to wonder if this was text originally written for the other book…
Ben previously mentioned Flatland and Ian Stewart’s sequel, Flatterland, in #Pratchat35. The science that Ben thought Ian did a particularly good job of explaining was string theory – the branch of physics that seeks to explain discrepancies between classic and quantum physics by saying that fundamental particles are not actually tiny points, but strings which exist in higher dimensions, and we only see the point that pokes into our three. (That’s a lie-to-Pratchat-listeners, but it’s on the right track; see chapter 16 of Flatterland, “No-Branes and P-Branes”.)
Dr Randolph M. Nesse is currently a Research Professor of Life Sciences at The Center for Evolution and Medicine at Arizona State University, and Professor Emeritus in the Departments of Psychiatry and Psychology, and the Institute for Social Research, at the University of Michigan. You can read a summary of his views on altruism and social selection – another kind of “group selection” in biology, where social groups who may not be closely related work together to survive – on his website here, with links to his articles on the subject, though he does not include the 1999 Science and Spirit piece cited in chapter 20 of The Science of Discworld II, “Small Gods”. He also wrote a book about commitment (as discussed the book), Evolution and the Capacity for Commitment, in 2001. Notably, though, he seems to have concluded that commitment offers only “a limited explanation for some special kinds of altruism … it did not offer the more general kind of explanation I wanted.” He refers to the work of Mary Jane West-Eberhard, who has studied altruism in animals, when discussing where his own work is heading.
Evolutionary medicine (including evolutionary psychiatry) is the scientific use of evolutionary biology to understand and treat diseases. It complements the standard “proximate” approach of looking for problems in an individual by looking at evolutionary explanations for why all humans have the potential to develop certain diseases. Randolph Nesse is a recognised leader in this field; his books on the subject include Why We Get Sick and Good Reasons for Bad Feelings. Evolutionary psychology is a similar approach to psychology, but while the idea behind it is sound, it suffers many of the testability and ethnocentric problems as regular psychology. Shallow interpretations of evolutionary psychology have also been used to prop up many harmful ideas, especially in terms of gender roles. Noam Chomsky, noted linguist and political activist, thinks evolutionary psychologists often ignore evidence that doesn’t support the political status quo.
The “Galaxy Song” – not “Universe Song”, though to be fair the name of the song is only mentioned in album liner notes – was originally written by Eric Idle and John du Prez for the 1983 film Monty Python’s The Meaning of Life. In the film, a medic (John Cleese) trying to convince a woman (Terry Jones) to donate her liver for a “live organ transplant” opens a door and a man (Eric Idle) steps out to accompany her through the universe while singing the song, making her feel small and insignificant enough that she agrees to the transplant. An updated version (“The Galaxy DNA Song“) was used for astrophysicist Brian Cox’s TV series Wonders of Life in 2012, and in 2016 another updated version appeared in the two-hour television program The Entire Universe Show, also hosted by Cox. It wasn’t included in any of the Python stage musicals, but an updated version did appear in the stage show Monty Python Live (Mostly) in 2014, including a video cameo by – you guessed it – Brian Cox, but also…someone else whose appearance we won’t spoil. The original is actually pretty good for the time – if you assume facts are rounded to the nearest singable number, then it gets several figures pretty close to correct. Liz may have quoted the speed of light to her teacher: the song gives this as “twelve million miles a minute” – not far off an accurate figure of 11.16 million miles per minute, though scientists would normally express it in round numbers as a bit under 300 million metres per second (299,792,458 m/s, to be more precise).
We’ve previously mentioned the 1994 film The Shawshank Redemption many times. The most significant discussions of it appear in #Pratchat14 and #Pratchat28, but we most recently talked about it in #Pratchat38 – so Ben is way off when he says we haven’t talked about it for “about 30 episodes”. (Though, given how long the last year or two has felt, we’ll give him a pass on this one.)
The history of the idea that storytelling makes humans unique goes back to at least the 1967, when the name Homo narrans was coined by German ethologist Kurt Ranke. American communications scholar Walter R Fischer used it in his later work, in which he also codified the “narrative paradigm” – the idea that all significant communication occurs through storytelling. (Pan narrans seems to be a unique contribution from Jack and Ian.)
Tom Stoppard’s Arcadia was first performed in 1993 at the Royal National Theatre in London, with a cast that included Rufus Sewell, Felicity Kendall, Bill Nighy and Emma Fielding. It is set in an English manor house belonging to the Coverly family, and happens in two time periods: in the present, two rival academics are researching the mysterious history of the house’s previous inhabitants at cross purposes, while one of the Coverly siblings is doing biology research. In the past of 1809, young lady of the house Thomasina Coverly has some advanced ideas about science and mathematics, while her tutor is caught up in drama with the house’s visiting poets. (Ben played the modern-day scientist, Valentine Coverly.)
The book Ben read about chaos theory was Chaos: Making a New Science by James Gleick. It should also be clarified that it was the play that was about complexity not chaos; the book is definitely about chaos.
The Luggage’s legs were the subject of much discussion in previous episodes; way back in #Pratchat14, when we discussed its debut in The Colour of Magic, we wondered if anyone had tried drawing it with non-human legs. It is described in the first two books only as having “little legs”, without any reference to them being human-like, or their colour, leading us to make a callout for fan art depicting them as…well, anything else! Josh Kirby has always drawn them as human-like, and made them white-person flesh coloured, despite the fact that the Luggage’s wood is a darker colour. We suspect this influenced Pratchett’s own image of the Luggage, and its next appearance in Sourcery is the first time it has “little pink legs”.
Hobbits, also known as halflings, are a kind of people found in the writings of J. R. R. Tolkien. They look like humans, but grow only to about three feet tall (hence the name), with slightly pointed ears. Aside from their size, their main difference from humans is their feet: they have extremely tough soles, and the ends of their legs from their ankles down, as well as the tops of their feet, are covered in thick curly hair to keep them warm. As a result, hobbits do not wear shoes. Clearly these sort of feet would suit the Luggage well!
John Dee (1527 – 1609) was, as described in the book, a real historical figure. An English mathematician, occultist, astronomer and astrologer (the two being far more closely linked back then), he advised Queen Elizabeth I, and is – unfortunately – credited with coining the term “British Empire”. He had one of the biggest libraries in England in his day, giving the wizards a handy portal into L-Space. In his later life, he found public opinion turning against sorcery, and while he was abroad much of his library and possessions were stolen, destroyed or burned. Once Elizabeth was dead, her successor James I had no interest in helping Dee, and he died in poverty in 1608 or 1609 at his home in Mortlake. He has been a popular character in works of fiction, though Ben is mistaken to think he has often been a villain; he’s perhaps confusing him with Doctor Destiny, a supervillain who appears in the Sandman comics by Neil Gaiman, and whose real name is John Dee, but is not meant to be the same person.
Stephen Pinker – a long-time defender of evolutionary psychology, it turns out – published The Language Instinct in 1994, well before The Science of Discworld II. The book not only argues that language is an innate trait possessed by humans, but also tries to debunk many commonly-held beliefs about language. It has been criticised for presenting too strong a view about how much of human behaviour can be explained by innate, biologically evolved instinct.
Swedish supergroup Abba reunited for performances in 2016, in the wake of the smash hit Mama Mia, a stage and film jukebox musical featuring their songs. They announced that year that they were working on new music, and a new “digital entertainment experience” featuring “ABBAtars” of the band – digital avatars of the group which would look like their 1970s selves, and which would somehow appear in concert. Two announced singles, and the ABBAtar experience, were delayed multiple times, but in August 2021 they announced Voyage, their first new album since 1981’s The Visitors. The album was released on September 2, 2021, and pictures of the band in motion capture suits – the lycra numbers with little ping-pong balls attached – accompanied many articles and made the rounds on Twitter. (Here’s the BBC one.)
Ponder and Ridcully argue about evolution in The Last Continent and The Science of Discworld, and to be fair, evolution only seems to work on the Disc on one island in its distant past, where is it the work of the God of Evolution. (See #Pratchat29 for our discussion of that!)
When Liz says “We’ve gotta Back to the Future this“, she is specifically speaking of the scenario in Back to the Future: Part II, where Marty’s carelessness allows villain Biff Tannen to go back in time and give his young self a book containing future sports results, allowing him to take over the town and run a hugely successful (and, it’s implied, criminal) business empire out of a casino. Marty and Doc have to go back in time and set history on its proper course.
Thief of Time (to be discussed in #Pratchat48) was published on the 1st of May, 2001 – a year and a day before The Science of Discworld II! It wasn’t the most recent Discworld book at the time of the latter’s release: in between, Pratchett published The Last Hero (a large-format illustrated book, published in October 2001) and The Amazing Maurice and His Educated Rodents (the first younger readers Discworld novel, published in November 2001; see #Pratchat33). But Thief of Time was the most recent “regular Discworld novel for adults”, and in fact its first paperback edition was published one year after the original hardcover – the day before The Science of Discworld II.
Night Watch is the twenty-ninth Discworld book, and the sixth of the eight City Watch books. It remains one of the most popular of the entire series. Our current plan is to discuss it for #Pratchat50 – unless you have a better idea!
Liz’s speech referencing free will (or the lack of it) was given at the last Sci-Fight she participated in, on the 20th of May, 2021. The topic was “Scientists Go to Heaven”, and Liz was (perhaps surprisingly) on the affirmative team.
Liz has said “Time is a flat circle” on a number of occasions, beginning way back in #Pratchat5; this is Ben’s first time. It refers to the idea of “eternal return” – i.e. that time repeats itself – and is specifically a reference to the first season of the television series True Detective.
Loki is a Disney+ series and part of the Marvel Cinematic Universe. In the series, a version of the trickster god Loki – as seen in the films Thor, The Avengers and others – is lifted from existence when he becomes a “variant” – a version of someone who strays from the single set of events enforced as the “sacred timeline” by a mysterious organisation known as the Time Variance Authority.
“A Bathing Ape” – or BAPE for short – is a fashion brand from Japan founded in 1993, now owned by Hong Kong fashion conglomerate I.T Group. You can see the kind of stuff they sell on their website.
The aquatic ape hypothesis is, at best, highly controversial among anthropologists. It was first suggested by marine biologist Alistair Hardy in 1960, though he described it as a “rough guess” rather than a serious theory, and according to some accounts was mortified at the sensational media attention it received at the time. It was popularised in part by Welsh television writer Elaine Morgan in her 1972 book The Descent of Woman, which challenged the highly gendered stories of human evolution – in particular the focus since the 1950s on early humans hunting and gathering, excluding the previously thought just as important activity of fishing. After receiving general acclaim for the book but criticism for the aquatic ape portion, she later published an entire book devoted to the idea, 1982’s The Aquatic Ape. The theory has been defended by many, including philosopher Daniel C Dennett (who has also suggested that both Morgan and her opponents go too far) and David Attenborough. The later seafood theory of human brains, espoused by Michael Crawford and David Marsh in their 1989 book The Driving Force: Food, Evolution and The Future (as mentioned in Chapter 8, “Planet of the Apes”), was not taken especially seriously either. All that said, there’s always room to challenge the status quo, especially if the dominant stories it supports seem to suspiciously uphold modern ideas about gender roles. So far, though, the fossil record doesn’t support the idea that early humans spent most of their time on the beach, so at best, the jury is still out.
It’s worth noting that the updated 2002 edition of the first The Science of Discworld also talks about the aquatic ape hypothesis and the importance of seafood in brain development – and goes another step further. In chapter 42, “Anthill Inside”, they mention that the savanna hypothesis is also in trouble from evidence that some areas where early human fossils are found weren’t savanna back when those humans died – they were woodlands. This is an ongoing question, and the savanna hypothesis – while still the dominant idea in the public consciousness – is described as controversial by some palaeoanthropologists and palaeobotanists, with interpretation of the habitat at that time seemingly still a bit in question.
The so-called “paleo diet” – short for palaeolithic diet – is, like most diets, a fad, in this case supposedly emulating the diet of our palaeolithic ancestors. Though versions of the idea go back at least as far as 1890s, gastroenterologist Walter L. Voegtlin really made it popular with his 1975 book The Stone Age Diet, which claimed humans ate very little other than meat up until 10,000 years ago and recommended modern humans do the same. It saw a revival at the start of the 21st century – when The Science of Discworld II was published – and the new name was seized by health scientist Loren Cordain with her 2002 book The Paleo Diet. (She also owns the copyright on that name.) While some of the recommendations of the diet probably are good for you, there’s not much in the way of proper research into the amazing health benefits Cordain and other proponents claim – and, for that matter, there’s not that much detail available about what our ancestors actually ate, either.
Neanderthals were a sister species to (or perhaps a subspecies of) modern humans; they are given the name Homo neanderthalis (or Homo sapiens neanderthalis if you think of us as Homo sapiens sapiens). They are named after the Neandertal valley in Germany, where their first fossils were found, and lived mostly in Europe until around 40,000 years ago. In the last few years, evidence has been found in Spain that Neanderthals – who lived there before modern humans – made forms of cave art, suggesting they may have been more sophisticated than the unflattering ideas given of them via the “Ugs” in Science of Discworld II.
Tool use in animals has been observed in many species, including monkeys, dolphins, birds (especially crows), and yes, octopuses. There’s some debate about what counts as a “tool”, but some animals do modify objects they find in the environment to suit their purposes; this includes crows and octopuses.
Octopuses can indeed get out of jars, as evidenced by this viral video from 2010 which did another round of the Internet in 2014. Though it should be noted that while the octopus does unscrew the lid from inside the jar, she seems perfectly happy to stay inside it.
We haven’t yet found a good source for the idea of fish returning to the location of their ancestors every four generations, but don’t confuse it with the four-generation cycle of history, which is another name for Strauss–Howe generational theory.
Robust and gracile are terms mostly used to describe two broad groups of species of our ancestor genus Australopithecus. While the concept does appear more broadly in biology, it seems much less common.
The three kinds of elephant are the African bush elephant, the African forest elephant, and the Asian elephant (referred to in the book as the Indian elephant). Genetic analysis suggests that the two African elephant species diverged more than 2.5 million years ago – the same kind of timeframe as the divergence between woolly mammoths and Asian elephants.
Let’s talk about that claim about the huge number of illegitimate children. In chapter 12, “Edge People”, Jack and Ian say “In English society, about one child in seven” are in the position that their “legal and biological parentage differ”. This is based on Elliott Philipp’s analysis of blood groups in the late 1960s, published in 1973. Blood typing was the standard form of paternity testing before DNA fingerprinting techniques were refined in 1980s, and it is pretty good at determining that someone can’t be someone’s parent – you have to get the genes for your blood type from your parents, after all. Unfortunately we have no way of checking these numbers because we can’t find the study, or any writing about it (or similar ones in the United States, for that matter). It doesn’t instil us with confidence that the book’s authors seem to have misspelled the author of the study’s name – they name “Elliott Philipp”, who we think is probably Elliot Elias Philipp (1915 – 2010), a gynaecologist and obstetrician from Stoke Newington in London, though his official biography doesn’t mention this study. In any case, the figure of “one in ten” is popularly accepted, and was the result of the surveys they cite, but they correct for the fact that an unknown father has a reasonable chance of having the same blood type as the supposed father, leading to their figure of 13-17%, or roughly one in seven. There are other figures; while there’s not as much literature about this as you might expect – or at least not any that’s easily accessible to a lay researcher – we found that a study by University of Leicester in 2009 using a survey of genetic markers in nearly 1,700 British men suggested the real figure is probably closer to one in twenty-five. Here’s a BBC article from the time – note that the Leicester researchers don’t seem to be aware (or at least, don’t mention) Philipp’s study as a possible source of the one-in-ten assumption.
Mitochondria are the “organelles” responsible for most of the generation of Adenosine triphosphate (ATP), the main source of chemical energy in cells. They are found in most cells of eukaryotic lifeforms on Earth. (An organelle is a distinct sub-structure that fulfils a specific function – so the cellular equivalent of an organ in the body.) The dominant theory is that they were once separate single-celled organisms that were absorbed and incorporated into the body of our single-celled ancestors millions of years ago. Supporting this is the fact that mitochondria have their own DNA. It’s been long thought that children only inherit the mitochondrial DNA (mtDNA) of their mothers, hence the idea of “mitochondrial Eve” – the woman from whom all modern humans inherited their mitochondria. As the book points out, this doesn’t mean there was only one woman, only the others alive at the time do not have any surviving direct female-line descendants (they could have direct descendants, but if they or their following generations only had male children, then they would have inherited another line’s mtDNA). And, as modern lines end – i.e. as women now live and have no daughters – the specific woman in question would change. More recent genetic studies from 2013 have suggested the most recent mitochondrial Eve would have lived around 155,000 years ago, about twice as far back as the estimate current at the time of The Science of Discworld II. Of note is that since at least 2018, researchers have discovered that humans can inherit some of their mtDNA from their fathers, though this seems very rare and doesn’t seem to have left a significant mark on the human genetic map.
The Richard Dawkins book Ben mentions is The River Out of Africa, which uses the metaphor of a river to represent the flow of humans – or at least human DNA – out of Africa and across the world.
The Biblical story discussed in the book, in which the Israelites agree to let the Hivites join their tribe if they get circumcised but then murder them all, is the story of Dinah and Schechem, from the book of Genesis, chapter 34.
The early version of “Sleeping Beauty” to which Liz alludes is known from its earliest written version, “Sun, Moon, and Talia”, by Italian author Giambattista Basile in his 1634 book, the Pentamerone. Rather than being waken by a handsome Prince, the magically cursed princess Talia is discovered by a king, who…look, we’ll let you look it up. It’s not okay.
Cinderella’s slippers might be described as being made of “fur” in earlier versions, but this doesn’t seem to be an allusion to what Jack and Ian are talking about. Rather “squirrel fur” was one of a number of luxury materials that a common would never be able to afford or allowed by the conventions of status to wear. Many sources we found about this debunk the idea that it’s a mistranslation of an earlier version. The famous source of the modern version, Charles Perrault’s “Cendrillon ou la petite pantoufle de verre” (“Cinderella; or, the Little Glass Slipper”) uses the unambiguous phrase “pantoufles de verre” (“glass slippers”) many times. We will also note that Ben is wrong about the story always being about shoes – sometimes the item that helps identify the mystery woman is a ring. The earliest written version, in Chinese, does feature gold shoes.
The name Rumpelstiltskin actually derives from the German name Rumpelstilzchen. As Ben mentions, this is the name of a type of goblin – a noisy one who walks with a limp, in fact – and loosely translates as “little rattle stilt”. It seems to come from the old German children’s game, Rumpele stilt oder der Poppart, which one source described as “like duck-duck-goose except instead of a goose there’s a goblin, and instead of a duck there’s a man with a limp”. The goblin player would rattle and bang on things. (Sadly it seems others also think there’s a phallic interpretation for the story, though it doesn’t seem to be an explicit part of the tale in any version we can find.)
Ilona and Peter Opie published many books; the ones relevant to this discussion are 1959’s The Lore and Language of Schoolchildren, and 1974’s The Classic Fairy Tales, which contained twenty-four stories as they first appeared in English, with a literary history.
We’ve mentioned the various folk tale indices in our show notes on previous occasions; the big one Ben usually refers to is the Aarne–Thompson–Uther Index (ATU Index), though there are others. Like the Dewey Decimal System, the idea is that stories with closer numbers are more similar, or at least share significant traits. Both Rumpelstlitskin and Cinderella are in the 500s, the grouping known as “Supernatural helpers”. Rumpelstiltskin is the main example of ATU type 500, and Cinderella is the “persecuted heroine” subtype of 510A, “Cinderella and Cap o’ Rushes”.
The high school physics experiment Ben mentions is still done in high schools today. It uses a “ticker timer”, which is basically an electromagnet which, when attached to an AC power supply, turns on and off, causing a metal strip with a point on it to vibrate up and down at a fixed speed. It has a bit of carbon paper under the metal strip, so when the strip moves down it will make a mark with the carbon on paper underneath. In the experiment, you feed a strip of ticker tape through some guiding holes under the metal strip; by attaching one end of the tape to a block of wood with wheels on it, it can be dragged through, and by measuring the distance between the dots on the tape you can measure the speed at which the truck is moving. Ben was happy to discover that searching for “ticker timer” on YouTube brought up a number of high school physics teachers (many of them in Australia) explaining the demonstration to their students – some of them even from the Before Times!
The horse galloping photography experiment was to determine whether a horse always has one foot on the ground when trotting. It was undertaken by famous American photographer Eadweard Muybridge for Leland Stanford, former Governor of California, as mentioned in the book in chapter twenty-two, “The New Narrativium”. While the story of this settling a substantial bet is popular, some historians say there’s no evidence it’s true. The two men later had a falling out when Stanford published a book about horse movement containing illustrations based on Muybridge’s photographs but giving him no credit, costing Muybridge some research funding.
Rincewind’s deep love (or indeed lust) for potatoes was first explored while he was marooned on an island at the beginning of Interesting Times.
We’ve previously mentioned Jasper Fforde in #Pratchat25 (Equal Rites), #Pratchat31 (The Long Earth) and #Pratchat35 (The Science of Discworld), as well as the second episode of our subscriber bonus podcast, Ook Club. Thursday Next is the star of his most famous series of novels, beginning with The Eyre Affair; she works for the Special Operations Network department 27 ((or SpecOps, or specifically SO-27, for short), the Literary Detectives or “LiteraTecs”. Not only is literature incredibly important in her alternate history 1985 – “WillSpeak” machines are common coin-operated vending machines which recite lines from his plays and poems – but the lines between fiction and reality are very thin, allowing her to pass into the “BookWorld” and enter the plots of well-known novels. Her father has long since disappeared, but he worked for SO-12, the ChronoGuard, tasked with protecting the timeline from paradoxes and other tampering. As a result, Shakespeare and time travel are at least minor elements (an often much more significant ones) in most of the Thursday Next novels.
Liz claims no-one knows when Shakespeare was born, or what his life was like, or who he was…some of which is true. We don’t know when he was born, but we do know he was baptised on the 26th of April, 1564; his birthday is usually celebrated on April 23, which is also the date on which he died in 1616, aged 52. We also known he was married to Anne Hathaway on the 27th of November 1582, but there’s little detail recorded of his life until he begins to make his mark on the theatre scene in 1592, when he was roasted in print by rival playwright Robert Greene. As to his identity, while no end of scholars have made themselves famous with alternative theories about his identity and very existence, at least half of the Pratchat team subscribes to the simplest theory: that he was just one guy, named William Shakespeare.
Doctor Who featured Shakespeare in the 2007 episode “The Shakespeare Code”, when the Tenth Doctor and his companion Martha Jones visit the Globe to see an original Shakespeare production and discover alien witches are influencing both Shakespeare’s play and the Globe theatre for their own ends. Doctor Who had mentioned Shakespeare several times in the classic series, implying (but never showing) that the Doctor had met him on more than one occasion.
Ben makes an unintentional pun when he says that “Shakespeare is kind of your biggest Touchstone” – Touchstone is the name of a fool, one of the major characters in Shakespeare’s comedy As You Like It.
The author who suggested Western-style science requires monotheism, which is why it didn’t develop in China was British biochemist, historian and sinologist Joseph Needham (1900-1995). A noted scholar of Chinese history and philosophy of science, he wrote many books, but Jack and Ian specifically mention “his truly gigantic History of Science in China“. His work was so influential that in history circles, the question of why China had been overtaken by the West in scientific terms, despite being centuries ahead with many of the most important inventions, is known as “the Needham Question”. Needham has been criticised for being perhaps biased in China’s favour, however, and there are many other hypotheses that have been put forward to answer the Needham Question.
We hope you enjoy the seeming non-sequitur when Liz says “On the space elevator, on the way to the banana planet“; this is a result of a previous bit where Ben gave an entirely incorrect (and thus cut) account of how banana plants move up hills, and Liz deciding that when they get to the top they build a space elevator and leave the planet.
The Milgram experiment, conducted by Yale University psychologist Dr Stanley Milgram in 1961 and published in The Journal of Abnormal and Social Psychology as “Behavioural study of obedience” in 1963, remains one of the most famous psychology experiments of all time. As the subjects were filmed – and that footage used by Milgram to capitalise on his fame by using it in a 1974 film titled Obedience – it has been shown to students of psychology and the history and philosophy of science for decades. But like many similar experiments from the time, it has since come under a great deal of scrutiny. In 2013, Australian psychologist Gina Perry published Behind the Shock Machine: The Untold Story of the Notorious Milgram Psychology Experiments; with access to all Milgram’s original papers and documentation, she felt that his methodology and the the quality of the experiment was highly questionable. Even those who think the experiment holds up – and it has, despite ethical objections, been repeated in various forms, even as recently as 2007 – many others question the conclusions that have been drawn from the results. This great piece by Cari Romm for The Atlantic from 2015 is a great primer on the legacy of the experiment, and more recent criticism.
As Ben mentions, if you’re a subscriber, keep an eye out for the next episode of the Ook Club bonus podcast – he has a few more things to say about this book!
The expression Bojack Horseman has ruined for Liz is “Fool me once, shame on you; fool me twice, shame on me.” Many sources trace its origin back to a version found in The Court and Character of King James, written by Anthony Weldon in 1650, though some suggest a similar sentiment appears in “The Embassy to Achilles” in Homer’s The Iliad – or at least its English translation by Alexander Pope, published between 1715 and 1720. (Having had a look, that latter attribution seems a bit of a long bow.) Bojack Horseman is a Netflix original animated series about depressed and self-hating anthropomorphic horse actor Bojack Horseman. In the first season’s fourth episode, a number of characters are unable to recall the expression correctly. This echoes former US President George W Bush, famous for his “Bushisms”, who also mangled it; here’s a little collection of his gaffes that includes that one, from a speech given on September 17, 2002 in Nashville.

#Pratchat47 – A Finite Number of Shakespeares

08/09/2021 by Pratchat Imps Leave a Comment

Science comedian and public health nerd Alanta Colley joins Liz and Ben on their second trip through Discworld into Roundworld, as they join Rincewind and the wizards of Unseen University in Pratchett’s second collaboration with Ian Stewart and Jack Cohen: 2002’s The Science of Discworld II: The Globe.

While on a team-building exercise in the woods near Unseen University, Archchancellor Mustrum Ridcully and his faculty are accidentally swept along when something makes its way through the Discworld into Roundworld. That something turns out to be elves – nasty, parasitic lifeforms who feast on the imagination and emotions of others. Roundworld – the universe in a bottle created by the wizards’ experiments, which somehow runs without any magic – has been altered by their presence. Now the wizards – including Rincewind, the long-suffering Egregious Professor of Cruel and Unusual Geography – have to find a way to get rid of them without dooming the local human population in the process…

Having entirely missed humankind in The Science of Discworld, the wizards are back for another go! And so are science writers Ian Stewart and Jack Cohen – but this time, they don’t want to explain cosmology, basic physics and the history of the Earth, but instead sell you on the idea that storytelling is the essential ingredient that makes humans…human.

Are we really Pans narrans, the storytelling chimpanzee, rather than Homo sapiens, the “wise man”? Is it wise to write a popular science book with an author who will guarantee the book will be read again twenty years later – and to include some “cutting edge” science, no less? What do a debunked psychological experiment, the term “overcommitment”, and filthy explanations of fairytales have to do with it? And who’s this shrewd and world-wise street wizard named Rincewind, and can we have some more of his adventures please? Let us know what you think using the hashtag #Pratchat47 on social media, and join in the conversation!

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Guest Alanta Colley is a comedian, science communicator and storyteller whose solo shows include Parasites Lost (about parasites), Days of Our Hives (about beekeeping) and The Origin of Faeces (you can probably work that one out yourself). She also wrote and performed the “comedy experiment” You Chose Poorly with our own Ben McKenzie. Since 2017 Alanta has also been the host and producer of Sci Fight, a series of comedy science debates; both Ben and Liz have been guest speakers, along with previous Pratchat guests Anna Ahveninen (#Pratchat35) and Nicholas J Johnson (#Pratchat38). You can hear Ben and Anna’s last appearance on Sci Fight in this episode of the Climactic podcast, or see the first online debate for Melbourne Science Gallery on YouTube here. Visit scifight.com.au to sign up to the mailing list, and you can find Alanta as @lannyopolis on Twitter and Instagram, via Facebook or at alantacolley.com.

You can find out more about what Liz has been writing by following her as @ElizabethFlux on Twitter or Instagram.

As usual, you can find notes and errata for this episode on our web site.

Next episode we read one of the few precious Discworld novels left to us, though luckily we got a little preview this time around; yes, we’re joining up with Susan, Death and the history monks for the very timely Thief of Time, which we’ll be discussing with journalist Ben Riley! Send us your questions using the hashtag #Pratchat48, or get them in via email: chat@pratchatpodcast.com

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat29 – Great Rimward Land

08/03/2020 by Pratchat Imps Leave a Comment

In episode 29, Liz, Ben and guest Fury join Rincewind on a journey to a strangely familiar land in Pratchett’s 1992 loving Discworld parody of Australia, The Last Continent. (A quick content note: this one has more swearing than usual, but we bleeped the c-bombs out.)

The Librarian of Unseen University, long ago turned into an orang utan, is suffering from a magical illness. Archchancellor Ridcully and his faculty could help him – if only they knew his original human name. Unfortunately the only person likely to remember is former Assistant Librarian Rincewind, and the wizards sent him to Agatea – and then accidentally propelled him across the Disc. He ended up in XXXX – aka Fourecks, aka the Last Continent, aka “that place far away full of deadly animals” – but he’s managed to survive. The locals out in the desert seem friendly enough, at least until he asks when it will rain. But something isn’t right. The land needs a hero. What it’s got is the Eternal Coward…

Pratchett came to Australia many times, and his experience of the country seems to have rubbed off. Fourecks affectionately parodies Australian music, slang, politics and culture, including Mad Max, The Man From Snowy River, Priscilla Queen of the Desert, thongs, corks on hats, the cultural cringe, Vegemite, pie floaters and Skippy the Bush Kangaroo. It’s quite the ride for the Australian reader… Rincewind is moulded into the stereotypical “bush hero”, but his touchstones aren’t entirely post-invasion – Pratchett also tries for a nuanced and deep Discworld interpretation of Aboriginal culture and beliefs, even if he doesn’t include any actual Aboriginal characters. Do you think he makes it work? Could you follow all the Australian references? Is there enough of a plot, or is it just an excuse for a bunch of jokes? Use the hashtag #Pratchat29 on social media to join the conversation!

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Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in episode 19, discussing Soul Music. They were recently seen in Gender Euphoria, a touring multi-disciplinary show celebrating trans experiences which has played in Melbourne and Sydney. Fury’s book I Don’t Understand How Emotions Work is available online now. You can also find out more about them at their web site furywrites.com, or follow them on Twitter as @fury_writes.

Next month’s episode was going to cover Pratchett’s 2012 sci-fi collaboration with Stephen Baxter, The Long Earth, but we’ve had a change of plan! Instead, we’ll be taking a month off from book discussion to answer your questions about how to get into Pratchett, about past episodes, and about his work in general. Listen out for a special announcement with more information, and get your questions in via the hashtag #Pratchat30 by April 3rd.

You’ll find the full notes and errata for this episode on our web site.

#Pratchat26 – The Long Dark Mr Teatime of the Soul

08/12/2019 by Pratchat Imps Leave a Comment

In episode 26, Michael Williams of The Wheeler Centre joins Liz and Ben to get into the holiday spirit with the very Christmassy 1996 Discworld novel Hogfather.

It’s Hogswatch, and the Assassins Guild of Ankh-Morpork has accepted a very unusual assignment, and Lord Downey has given it to the very unusual assassin Mr Teatime. But who would want to kill the Hogfather? And how would you even accomplish such a thing? As Death fills in for the Fat Man delivering presents, his granddaughter Susan is reluctantly drawn to investigate, teaming up with the newly created Oh God of Hangovers. But much more than the joy of children is at stake – for without the Hogfather, will the sun even rise tomorrow?

Hogfather brings to life a character previously mentioned only in passing rather paradoxically by replacing him with Death, who gets a sort of working holiday. It’s our second and final adventure with Susan, and the wizards get heavily involved – as does their arcane thinking machine Hex. It’s full of not-quite-Christmas cheer, black humour, true pathos and a pure expression of many of Terry’s most deeply held beliefs. Could this be the ultimate story of Christmas? Do its themes of belief and justice hit the mark? And what kind of creature would you call into existence if there were excess belief sloshing around? Use the hashtag #Pratchat26 on social media to join the conversation and have your say!

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Guest Michael Williams is the Director of the Wheeler Centre for Books, Writing and Ideas in Melbourne. They have a year-round program of talks, interviews, panel discussions, podcasts and writing. Find out more about what’s happening at @wheelercentre on Twitter and Instagram, or check out videos of past talks on YouTube. You’ll find all the Wheeler Centre’s upcoming events at wheelercentre.com, as well as a collection of Michael’s writings and events. You can also find Michael on Twitter at @mmccwill.

The Sci-Fight comedy debate over the topic “Santa is Real” features a great line-up of comedians and scientists, including previous Pratchat guest Nate Byrne (episode 24). It’s on at Howler in Brunswick on Thursday December 12, 2019. Details and tickets via scifight.com.au.

Next month we continue through the Discworld with 1997’s Jingo, a tale of nationalism, war, racism and greed, which also has a submarine in it. We’ll be recording in the week or so before Hogswa- er, Christmas, so get your questions in via social media using the hashtag #Pratchat27.

You’ll find the full notes and errata for this episode on our web site.

#Pratchat21 – Memoirs of Agatea

08/07/2019 by Pratchat Imps Leave a Comment

Twenty-one today! In this episode, Elizabeth and Ben are joined by David Ryding of Melbourne UNESCO City of Literature as we rejoin Rincewind and some of his old friends in the 17th Discworld novel: 1994’s Interesting Times.

Rincewind, the worst student Unseen University ever had, has been quite literally to hell and back. But when a summons arrives in Ankh-Morpork requesting the presence of “the Great Wizzard”, his old faculty bring him home, then send him to the far-flung Agatean Empire. All is not well on the Counterweight Continent: rebels are (gently) questioning centuries of enforced order, inspired by the revolutionary pamphlet “What I Did on My Holidays”. The ruthless Lord Hong plots to change the Empire forever. The walls have failed to keep out a horde of barbarian invaders – seven of them, in fact. And it’s about to be visited by a very special kind of butterfly...

Pratchett revisits characters from his first Discworld novels, as Rincewind is reunited with Cohen the Barbarian in Twoflower’s homeland. But in 2019, twenty-five years after it was first published, his depiction of a comic fantasy Asia leaves a bit to be desired. There’s plenty going on, and some stirring speeches, but it’s also hard to ignore that nearly all the main characters are white folks “saving” a nation inspired by real-world Asian countries from itself. Is there a clear message in the book? How does this sit on the evolution of Pratchett’s work from parody to satire? And were you glad to see such old favourite characters return, or could you have done without them? We’d love to hear from you! Use the hashtag #Pratchat21 on social media to join the conversation.

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Guest David Ryding has been Director of the Melbourne UNESCO City of Literature office since its establishment in 2014 (though Melbourne has been a City of Literature since 2008). Prior to that he was director of the Emerging Writers Festival, then executive director of the NSW Writers Centre (now know as Writing NSW). You can find out more about what he does at the City of Literature office at cityofliterature.com.au, and they’re also on Twitter at @MelCityofLit. If you’re looking for other great literary podcasts made in Melbourne, you can find some listed on their site here.

You can find the full show notes and errata for this episode on our web site.

We hope you enjoyed our first ever live show, recorded at Nullus Anxietas VII, where we discussed Cohen’s previous adventure in the short story Troll Bridge! We hope to record more bonus episodes in future, and you can help us do it by supporting Pratchat.

In August we leave the Discworld and indeed the land of fiction to read one of Pratchett’s oddest books: The Unadulterated Cat, a 1989 collaboration with cartoonist Gray Joliffe in which he makes the case that the only “real cat” is one that destroys gardens, eats wildlife and makes a thorough nuisance of itself. If you have questions, send them to us via social media using the hashtag #Pratchat22.

#Pratchat19 – It Don’t Mean a Thing if it Ain’t Got Rocks In

08/05/2019 by Pratchat Imps Leave a Comment

In our nineteenth episode it’s back to the Discworld as we join Death, and meet his granddaughter Susan, as writer and illustrator Fury joins us to talk about the 1994 Discworld novel, Soul Music!

Susan Sto Helit doesn’t have time for anything silly – not for grief, not for tiny skeletal rats who are here to inform her of SQUEAK, and most definitely not for this new craze sweeping the disc. But music with rocks in has other ideas, and doesn’t care who gets swept up in the swell. With her long lost grandfather (the one with the bony knees) missing in action, Susan has no choice but to take on the family business and try not to….erm…rock the boat.

Pratchett is never one to shy away from the big themes and Soul Music packs a lot of punch into a deceptively simple plot. Exploring the complexities of grief, and the idea that family is more than just genetics, the 16^th Discworld continues the story from where Mort left off, and introduces us to some new (sadly one-off) names that we quickly grow to love. Packed with more music references and jokes than one could shake a stick with bells at, this is one that was Imp-possible to put down. Got a favourite Discworld band name? Or an idea as good as My Little Binky? We’d love to hear from you! Use the hashtag #Pratchat19 on social media to join the conversation.

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Guest Fury is a writer and author based in Naarm/Melbourne. Their book, an experimental graphic novel memoir titled I Don’t Understand How Emotions Work, is available here.

You’ll find the full show notes and errata for this episode on our web site.

As mentioned this episode, keep an ear out for our first live show, recorded at Nullus Anxietas VII, where we discuss the short story Troll Bridge with author Tansy Rayner-Roberts! It’ll show up in the podcast stream soon.

Next month we head to the skies and cling on for dear life as we finish the Bromeliad trilogy with Wings! Get your questions in via social media using the hashtag #Pratchat20.

#Pratchat35 – Great Balls of Physics

08/09/2020 by Pratchat Imps Leave a Comment

Liz, Ben and science communicator Anna Ahveninen have the weird sensation of being a specimen in a jar as they discuss 1999’s The Science of Discworld, co-written by biologist Jack Cohen and mathematician Ian Stewart.

By bribing the Unseen University faculty with the promise of cheap heating, research wizard Ponder Stibbons gets permission to try splitting the thaum, the magical equivalent of the atom. The experiment is a success, but fills the University with dangerous raw magic. To use it up, sentient thinking machine Hex initiates “the Roundworld Project”, the creation of a reality devoid of magic. The universe in a bottle that results has no narrative imperative, only one kind of light, and not a single star turtle. What it does have are rocks, flaming balls of gas and rules. This all seems very unnatural to the wizards, so there’s only one thing to do: poke it with a stick and see what happens…

After reading one too many “Science of Star Trek” books, science writers and Pratchett fans Jack and Ian joined forces with Sir Terry to write a book in which they would use the wizards’ exploration of a bottle universe to explore our own, and the science that explains it. The concept was a bit of a gamble, and no-one wanted to publish it at first, but it proved a big hit, spawning three sequels and a major revision to this first volume, three years later. The Science of Discworld concentrates on the beginning and evolution of the universe and the history of life on Earth, with plenty of asides about the nature of science and how it is taught (including the now famous concept of “lies-to-children”). In between these essays, the Unseen University wizards poke our own “Roundworld” with a big stick and try to make sense of a world without magic – in part by forcing Rincewind into the role of virtual astronaut.

What did you learn from The Science of Discworld? Do you enjoy the alternating fantasy and science chapters? How does it compare to the other “The Science of” books? And does the science still stand up, eighteen years after the revised edition of 2002? Use the hashtag #Pratchat35 on social media to join the conversation!

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Guest Anna Ahveninen is a science communicator, writer and (ex) chemist who currently works at the Australian Academy of Science. You can follow her on Twitter at @Lady_Beaker. Anna also wanted to give a shout out to the STEMMinist Book Club (the second M is for Medicine), who you can also find on Twitter at @stemminist, and on Goodreads.

Turns out we jumped the gun a little with Collisions – the Liminal magazine fiction anthology won’t be published until November! We’ll remind you in a couple of episodes.

Next month it’s back to the Ramtops for our favourite coven’s last hurrah, as Lancre is invaded by vampires in Carpe Jugulum! We’ll be joined by actor, singer and cabaret star Gillian Cosgriff. Get your questions in via social media using the hashtag #Pratchat36, or send us an email at chat@pratchatpodcast.com.

You’ll find the full notes and errata for this episode on our web site.

#Pratchat29 Notes and Errata

08/03/2020 by Ben Leave a Comment

These are the show notes and errata for episode 29, “Great Rimward Land“, featuring guest Fury, discussing the 1998 Discworld novel The Last Continent.

This episode’s title puns on the Icehouse song “Great Southern Land“, a big hit in Australia which also featured on the soundtrack of Yahoo Serious’ 1988 Australian comedy film Young Einstein. In retrospect both the song and the film might have been expected to show up parodied in The Last Continent…
Our pre-show disclaimer uses the phrase “going off like a frog in a sock”. “Going off” on its own means to put a lot of energy or excitement into something, sometimes in anger, but in the frog idiom always in a fun way. Unusually for Australian slang, this isn’t ironic, just a straight-up metaphor; imagine you’ve caught a frog in a sock and it’s trying to get out, and you’ll get the idea. (And no, Australians don’t actually catch frogs in socks, this is strictly a thought experiment.)
The Kiwi-Aussie portmanteau is spelled “Kaussie“, whereas the slang for swimwear is “cossie“; it’s short for “swimming costume”.
The South Australian television personality who keeps getting in fights on the Internet is Cosi, host of South Aussie with Cosi, a travel show produced by Channel 9. (Not to be confused with Cosi, the play by Australian write Louis Nowra previously discussed in episode 23, “The Music of the Nitt“.)
“Swimming togs” comes from the British slang word “togs”, which just meant clothes. It’s one of a number of slang terms now archaic in the UK which have survived in some form in Australia.
Helen Zaltzmann is host of The Allusionist, a podcast about language, and one of Ben’s favourites. I’m sure she’d be the first to tell you that not every word – slang or otherwise – has a satisfying true origin story.
Stephen Briggs was a frequent collaborator with Terry, beginning with the original map of Ankh-Morpork. He also contributed to the diaries, The Discworld Companion and many other books outside the main novels. He adapted many of the books into plays, some of which have been published, and has read the audiobook versions of more than 30 of Terry’s novels. (Stephen Fry reads the UK editions of the Harry Potter audiobooks; if you’ve heard the US versions, those are read by Jim Dale.)
Mike Schur’s afterlife sit-com The Good Place set much of its third season in Australia, and copped much criticism from actual Australians for the quality of the accents. You couldn’t fault the jokes, though – or the punny names of the restaurants, shops and incidental characters in those episodes.
Pretty Little Liars is a teen mystery TV series based on the books by American YA author Sara Shepard. The UK accented character is antagonist Alex Drake, who shows up in season 7. We’d tell you more, but…spoilers.
The extreme Australian wizard slang originated in a reply to a tumblr post from about JK Rowling’s the introduction of the American term for muggle, “no-maj”; you can find the original here, but just in case it vanishes from Tumblr forever, we’ll immortalise the words of user edenwolfie here (and a quick warning – we haven’t censored the print version). We’d also like to point out that Australian wizards and witches would most likely spell it “muggo”.

I can just imagine the Australian word being some awful slang that’s derived from muggle, such as “mugo”.
Ah, I can imagine it now, wizards in thongs, drinking butter-VB yelling “You’re such a fucking mugo, you wandless cunt!”
edenwolfie, Tumblr, 11 November 2015

Minotaur is Melbourne’s biggest independent pop culture and science fiction bookstore. Many of Terry’s early Melbourne signings occurred at its original location on Bourke Street, but it moved to Elizabeth Street in 2000.
PhanCon ’98 was a one-off fan science fiction convention held in Sydney in 1998. Information on it is in short supply, but guests included Terry Pratchett and British fantasy author David Gemmell.
Comet Shoemaker-Levy-9 broke up in 1992 and smashed into the planet Jupiter in 1994, to much excitement (on Earth at least). It was named for astronomers Carolyn and Eugene M. Shoemaker and David Levy, who discovered it after it had been captured by Jupiter’s gravity into a decaying orbit.
English scientists did indeed doubt the reality of the platypus, which not only has a unique and wonderful anatomy, but is one of two remaining monotremes – mammals that lay eggs. (The other one is the echidna.) As well as its distinctive bill, it has sharp ankle spurs which in the male can inject venom, and the ability to sense electric fields as a way of locating prey.
The Dreaming is a sophisticated concept in the stories of Aboriginal cultures. It has a complex relationship to space and time, existing both long ago and now, but despite the name – which was coined by Europeans – it has nothing to do with dreaming. An older term, “dreamtime”, is generally no longer considered appropriate. We recommend reading up on the topic; we’ll get some recommendations for some good starting points and add them here in future.
Boomerangs bought in stores and thrown to return are, indeed, toys. Hunting and war boomerangs were generally much larger, sharpened, and often had one wing longer than the other.
The Adventures of Priscilla, Queen of the Desert is a 1994 Australian comedy film which was a surprise box office hit often considered hugely significant in the history of queer cinema. It follows two drag queens (Hugo Weaving and Guy Pearce) and a trans woman (Terence Stamp) as they travel to from Sydney through the outback to perform in Alice Springs. Though initially praised for its queer-positive message, the portrayal of Filipino character Cynthia attracted widespread criticism for relying on racist stereotypes of Asian women common in Australia. Original writer and director Stephan Elliott adapted the film into a stage musical, Priscilla, Queen of the Desert, in 2006; the musical retains the characters and plot more or less unchanged, but hasn’t been criticised nearly as much for the character of Cynthia.
The opal fossils gallery at the South Australian Museum is still there, and you can see the skeleton Ben mentioned. The web site is sketchy on details, so we can’t confirm if it’s an Elasmosaurus or another species of plesiosaur, but we still recommend you check it out yourself!
The protagonist wizard (or at least wizarding student) in Moving Pictures was Victor Tugelbend. Other wizards not part of the regular faculty include Drum Billet, Archchancellor Cutangle, Simon and Esk (Equal Rites); Igneous Cutwell (Mort); Alberto Malich (Mort and most other Death novels); and Ipslore the Red (Sourcery).
Dirk Gently’s Holistic Detective Agency is more-or-less a mashup of two of Douglas Adams’ Doctor Who scripts: the unfinished Shada, and City of Death, which contributed the storyline about time-travelling aliens who crash on Earth in the distant past and spark life on the planet. There are other elements in it which are wholly original, perhaps most notably the Electric Monk. This description applies to the original novel; the television adaptations, especially the US one, are very different.
Mot was indeed a French cartoon series about a purple monster who could travel through time and space, taking his young friend Leo on various adventures. It was based on the French children’s comics created by Alfonso Azpiri. It was aired on Australian television in the late 1990s.
Thanks to listener and supporter Molokov, who pointed out that Rincewind’s magical ability to find “bush tucker” might be a reference to retired army Major Les Hiddins, aka “the Bush Tucker Man“. Hiddins researched Australian native foods as part of his army career by working with Aboriginal peoples, mostly in northern Australia. He came to national fame through The Bush Tucker Man television series on the ABC in the late 80s and early 90s. In each episode Hiddins, wearing his trademark larger-than-usual Akubra hat, visited a part of Outback Australia and introduced viewers to the local edible plants and animals. Hiddins wrote several books, and then disappeared onto a remote retreat he created in the bush for retired army service people, before returning to the public eye in 2019 with a new web site: bushtuckerman.com.au
We discussed Interesting Times back in episode 21, “Memoirs of Agatea“.
Black Sheep was released in 2006, written and directed by Jonathan King with special effects by Peter Jackson’s Weta Workshop. It seems the main way to watch it now is via the Amazon Prime Video streaming service, though it should also be available on DVD.
Terry has not always had kind things to say about Rincewind; he suggested the wizard’s job is “to meet more interesting people” than himself, lamented Rincewind’s lack of an inner monologue, and did indeed feel like he was running out of things to do with an eternally cowardly character. Agatha Christie’s negative feelings about Poirot are well-documented, from as early as 1930; in a notable quote from 1960 she describes him as a “detestable, bombastic, tiresome, ego-centric little creep”. But she refused to kill him off because she felt she had a duty to keep writing about a character that was still so popular with the public.
Michael Moorcock was an English fantasy author who created a number of characters including Elric of Melnibone, one of several incarnations of “the Eternal Champion”, fated to be reborn through the ages and battle in the primeval war between the forces of Law and Chaos.
We discussed Only You Can Save Mankind in our previous episode, “All Our Base Are Belong to You“.
Skippy the Bush Kangaroo (aka Skippy) was an Australian family television series about an usually smart kangaroo who helped park ranger’s son Sonny have various adventures. It was very much in the mould of Lassie or Flipper. It ran from 1968 to 1970, and there was a brief sequel series in 1992 featuring Sonny as an adult. It was broadcast in most Commonwealth countries, as well as the US and many Spanish-speaking countries including Mexico, Cuba and Spain.
We’ve mentioned it before, but you can find the Annotated Pratchett File at the old L-Space Web site. Its successor is the L-Space Wiki.
The Moa is a large extinct flightless bird, similar to a Cassowary. Like many megafauna of Australia and New Zealand, they were hunted to extinction, in the Moa’s case by the Māori peoples.
“Jeremy Bearimy” is an explanation of how time works in the afterlife in the sit-com The Good Place. Rather than a straight line, the flow of time there resembles a curve which looks like a signature reading “Jeremy Bearimy”. The dot in the i (or tittle) is a weird separate bit of spacetime.
“Guzzaline” was the term used for petrol in Mad Max: Fury Road, the fourth Mad Max movie, released in 2015. It stars Charlize Theron as Imperator Furiosa, a driver for a despotic warlord in post-apocalyptic Australia. Tom Hardy appears as Max Rockatansky, the titular character, who was the protagonist of the previous three films, where he was played by Mel Gibson.
When Liz refers to Darwin, she means the city, which is the capital of Australia’s Northern Territory. It was named for Charles Darwin by John Clements Wickham during a subsequent voyage of the ship Darwin took on his famous voyage, the HMS Beagle.
In Jurassic Park, palaeontologist Alan Grant claims to know that the Tyrannosaurus rex – portrayed in the films as a ferocious predator – has vision “based on movement”. This is one of many, many things that make no sense in the film. Have a few drinks with Ben and he’ll tell you about some others.
Richard Dawkins is now best known for heavy-handed criticism of religion and, most recently, feeling the need to confirm that whatever you think of it, eugenics works. But he initially found fame for his pretty good books on evolutionary biology. In The Selfish Gene he popularised the idea that the gene is the basic and most important unit of evolutionary information, and also coined the term “meme”, meaning the behavioural or cultural equivalent of a gene.
Historians, archaeologists and anthropologists frequently find evidence that revise the likely length of Aboriginal culture’s existence in Australia about every six months. Current estimates range from 50,000 to 125,000 years.
You can read about the Sydney baboon escape from late February 2020 in this article at The Guardian – written by previous Pratchat guest, Stephanie Convery (episode 2)!
You certainly used to be able to get tea-towels and such that were supposedly from “Didjabringabeeralong, The Outback”, but these days we’d like to think we’re a bit more culturally sensitive. If you didn’t know, the unique names of many Australian towns and cities – like Wagga Wagga, Geelong and Nar Nar Goon – are drawn from local Aboriginal languages, many of which have been lost as those peoples were displaced or massacred by Europeans.
Tank Girl is a punk-inspired comic book series by created by British writer Jamie Hewlett and artist Alan Martin. Tank Girl is the main character, so called because she drives and lives in a tank in post-apocalyptic Australia. She’s accompanied on her adventures by her mutant kangaroo boyfriend, Booga. A film adaptation was made in 1995, directed by Rachel Talalay and starring Lori Petty as Tank Girl and Naomi Watts as her friend Jet Girl (who has a jetpack), with Malcolm McDowell as the antagonist. It has a cult following but was not a big success.
Listener Ian Banks in our Discord pointed out that another, probably more likely inspiration for the anthropomorphic animals is The Magic Pudding, a 1918 children’s book written and illustrated by famous Australian artist Norman Lindsay. The story’s main characters are Bunyip Bluegum (a koala person), human sailor Bill Barnacle, and Sam Sawnoff (a penguin person). The titular pudding, Albert, has a face, arms and legs, and regenerates, so he can supply an infinite amount of food. The story also features “pudding thieves” Patrick and Watkin, a possum and wombat respectively.
We want to make it clear that despite Liz’s hangups, marsupial pouches are not dirty; kangaroos lick theirs clean before their joeys enter them.
Barry McKenzie, a creation of Australian comedian Barry Humphries, began life as a comic strip character in the pages of UK comic magazine Private Eye in 1964. A parody of the Australian abroad, he is a hard-drinking, womanising, simple but forthright “larrikin” who gets himself into various scrapes. He was played by singer and actor Barry Crocker in two films in the 1970s, which also introduced Humphrie’s long-running character, Dame Edna Everidge, who is Barry’s aunt. The films nearly killed director Bruce Beresford’s career, but he later went on to find fame and success, with such big films as Driving Miss Daisy and Mao’s Last Dancer.
“Squids” in the book is almost certainly a pun on “quid”, slang for a pound sterling in the UK and pre-decimal Australia. It’s still used occasionally as slang for money in Australia, usually in the phrase “a few quid”.
In case you missed it, the shearing competition in the book is clearly inspired by the Australian folk song “Click Go the Shears“.
We cut the discussion for time but “something for the weekend” reminded Ben of ska band Madness’s song “House of Fun”, which is about a teenager who has turned sixteen and is using various euphemisms to try and buy condoms at his local chemist.
In The Man From Snowy River, the actual description of the hero’s horse is “something like a racehorse undersized”.
As alluded to in the book, drop bears are a fictional cousin of the koala, a horrible killer animal which waits in treetops to drop on and eat children. Inventing dangerous creatures has been a long-running prank played on visitors to Australia, playing on their fears of the real deadly animals that live here. A recent incidence of the drop bear was this prank played on a UK reporter visiting to report on the bush fires.
The bush ballad “Waltzing Matilda” is thought by academics to describe the Great Shearer’s Strike of 1891, in which shearer’s killed a number of sheep and one of their number, being chased by police, killed himself rather than be taken alive. A lot of the slang in the song is never heard anywhere else anymore – including “jumbuck”, a term for sheep thought to have been derived from an Aboriginal language. There are many versions of the lyrics, but the most famous one was adapted by the Billy tea company. In some, Liz’s question becomes moot, as the troopers ask “Whose that jolly jumbuck”, rather than “Where’s”.
If you’re confused by Liz’s “cat in a bag” antics, you can read about Schrodinger’s Cat and other feline behaviours in our discussion of Pratchett’s non-fiction humour book The Unadulterated Cat. You’ll find it in episode 22, “The Cat in the Prat“.
The Domestic Blindness sketch was indeed part of vintage 1980s Australian sketch comedy show The Comedy Company; you can find it on YouTube here.
Listener and previous guest Avril (who you might remember from episode 16, “He Ain’t Heavy, He’s My Vorbis“) points out that the god’s love of beetles is likely a reference to English geneticist and evolutionary biologist J. B. S. Haldane, perhaps most famous for writing about abiogenesis and the idea of “primordial soup”, among many other accomplishments. In response to being asked what his study of nature might reveal about the Creator, Haldane is perported to have said “that He is inordinately fond of beetles”, due to the phenomenal number and variety of beetle species. While this exact response might be apocryphal, he definitely said something equivalent many times, both in print and in speeches.
Gachnar the Fear Demon appears in the fourth season Halloween episode of Buffy the Vampire Slayer, “Fear, Itself”, from 1999.
Australian cockroaches are not actually Australian at all – they live all over the world, and probably originally come from somewhere in Africa.
White-tailed spiders are small spiders native to south-eastern Australia. They are not aggressive but might bite if disturbed, and like to hide among leaf litter. Their bite supposedly causes necrosis, but studies have found that such symptoms were most likely caused by infections of the bite, not the spider’s venom, which is unpleasant but mild (especially by Australian standards).
The Stonefish is a real fish, one of the most venomous in the world. It disguises itself as a stone in order to catch smaller fish as prey, but has sharp spines on its back which deliver its venom. Four of the five species live outside Australian waters; their sting can be treated with hot water (which denatures the venom) and anti-venom.
Last Chance to See was a 1989 radio documentary following Douglas Adams and zoologist Mark Cawardine as they travelled the world to visit nine different endangered species. Adams turned it into a book in 1990, and in 2009 Stephen Fry joined Cawardine for a sequel television series, accompanied by a new book.
Pauline Hanson is a right-wing populist politician from Queensland who rose to fame when she ran for federal parliament in 1995 as a member of the conservative Liberal Party. They dis-endorsed her after she made racist comments about Aboriginal Australians, and she formed her own party, One Nation, and won a seat. She was found to have committed electoral fraud and jailed, though the charges were subsequently overturned on appeal. She left her own party in 2002 over those charges, but remained a figure in the Australian media, aided by appearances on breakfast television and the reality show Dancing with the Stars. She returned to politics and One Nation in 2013, and was elected to the Australian Senate in 2016. She is famous mostly for various racist views that align very much with those of Fair Go Dibbler.
Lost is a TV series about a bunch of plane crash survivors who find themselves lost on a mysterious island. It famously makes no sense whatsoever and it’s generally considered that it’s creators, JJ Abrams and Damon Lindelof, were making it up as they went along to stay ahead of the guesses of fans on the Internet about what was really going on.
The Galah (pronounced “ga-LAR”) is a large, loud pink and grey cockatoo (a type of parrot), common in many parts of Australia. “Galah” is also slang for a ridiculous or foolish person.
The Sydney Gay and Lesbian Mardi Gras is a one of the largest pride parades in the world. It happens annually on the first Saturday in March, and started in 1978. It draws massive crowds from all over the world.
Feast your eyes on Fury’s glorious illustration of Trunkie!

Intersex people are born with genetic and/or physical characteristics associated with both of the traditional genders. While the statistics are sometimes contested, it’s thought as many as 1.7% of people are born with some kind of intersex characteristics. The I in LGBTIAQ+ is for intersex.
The infamous Australian episode of The Simpsons, “Bart vs Australia”, is from the show’s sixth season in 1995.
The tough guy who appreciates art in Thief of Time is probably Newgate Ludd.
Damian Callinan’s The Merger started life as a one-man show, but is now a feature film. You can find it on the free streaming service Kanopy if you are a member of a library that subscribes to it.
The original Harry’s Cafe de Wheels started out as a “caravan cafe” in Woolloomooloo, Sydney, specialising in serving late night pies. It was founded by Harry “Tiger” Edwards in 1936. It’s been patronised by many international celebrities and there are now several Harry’s cafes around Sydney and New South Wales – though not, despite Ben’s later confusion, in Adelaide.
The word for the smell you get after it rains – specifically, the smell of earth after it rains – is “petrichor”. Hopefully it’s okay for us to use it as we’re not writing a poem.
Tropical areas – such as the northern part of Australia – are often described as having Wet seasons and Dry seasons. The Wet season is also known as monsoon season or the Rainy season in some parts of the world.
You can read about the six seasons described by the Kulin people of Melbourne on this web site.
To avoid any confusion: in Good Omens, it’s said that any cassette tape left in the glove box of a car transforms into Queen’s Greatest Hits. In Mort, it’s said that no matter what’s put into it during the day, a pantry raided in the middle of the night contains only some very specific and disappointing items.
“How to Make Gravy” is a 1996 song by Australian singer-songwriter (and national treasure) Paul Kelly. It was originally written and released as part of a Christmas charity album benefitting the Salvation Army, when Kelly found out the song he initially wanted to perform had already been picked by another band. The narrator, Joe, has been sent to prison; the lyrics are a letter he’s writing on December 21 (dubbed “Gravy Day” by some fans) lamenting that he won’t be home for Christmas, and giving his brother his gravy recipe, since that’s his usual contribution to the Christmas cooking. It became a surprise hit and was nominated for the APRA song of the year award in 1998. Here’s the official video:

Captain Raymond Holt is the captain of police precinct 99 in the sit-com Brooklyn-99. He – like all the characters in the show – is wonderful.
Umami is the “fifth taste”, after the other basic tastes of sweet, sour, bitter and salty. The word comes from Japanese, and translates as “pleasant savoury taste”, being derived from the word umai, “delicious”. Other foods with an umami taste include various vegetables, mushrooms, shellfish, cured meats and green tea.
Barnaby Joyce is the current leader of the National Party, a conservative party popular in rural areas. They have a long-standing coalition with the Liberal Party; the Liberal-National coalition are currently in government. Tony Abbott is a former leader of the Liberal Party who was Prime Minister of Australia for a brief period, before being ousted in favour of the more moderate Malcolm Turnbull. He lost his seat at the last federal election. Both are pretty weird units, to use an Australian phrase, with their share of scandals, bizarre behaviour and controversy.
“Where the bloody hell are you?” was the key question asked by model Lara Bingle at the end of a largely ridiculed Australian tourism ad produced for the international market in 2006. It was controversially banned on release in the UK, despite costing 180 million Australian dollars, and despite its infamy was considered a failure. It was overseen by now Prime Minister Scott Morrison, who at the time was Managing Director of Tourism Australia; this led to some reprise of the question directed at him – including by Bingle herself on social media – when he was overseas on vacation during the beginning of the disastrous 2019-2020 bush fires, and contributed to his derisive nickname “Scotty from Marketing”. You can watch the original ad on YouTube here.
Paul Parker found internet fame after he angrily reacted to Prime Minister Scott Morrison’s comments that members of Australia’s volunteer fire fighting organisations “want to be out there” fighting the unprecedentedly fierce bushfires that raged in late 2019 and early 2020. In a video that went viral, he leaned out of his firetruck and asked a Channel 7 news crew to tell the Prime Minister to “go and get fucked from Nelligen”. After there were (disputed) claims this got him sacked from the Rural Fire Service (a volunteer organisation), another video emerged of him saying that Pauline Hanson was the only politician who cared about Australia. The whole saga is covered by Jan Fran in her first “The Frant” video for The Guardian.
“I’m not here to fuck spiders” is a slang expression meaning “I’ve got serious work to do,” often used in response to a question about one’s intentions. It is also used as a more emphatic version of “I’m not here for a haircut”, which is a sarcastic response to being asked if one has come to a place to do the obvious thing, like being asked in a car dealership if you want to buy a car. It’s been a matter of debate for some years whether “not here to fuck spiders” is a “real” expression, or if it was invented as a joke one that has since been embraced by Australians. Looking through Google’s trends tool, which goes back as far as 2004, the first and biggest spike in searches for the phrase is in November 2005; then there’s very little until it slowly increases in search popularity from 2010, with smaller spikes since 2018 where it has been mentioned by Australian celebrities. The only reference Ben could find from 2005 were a series of replies to a forum post asking about the phrase, many of which seemed to suggest straight up examples of having heard it years before that… It’s worth mentioning that one of the repliers had come to the thread because they heard it from an Australian comedian, which might mean it was made up as a joke, or it could just mean that was the first time people who didn’t get it were hearing it.
The Man From Snowy River television show is not actually related to the 1982 film starring Sigrid Thornton and Tom Burlinson. The TV series starred Andrew Clarke as Matt McGregor, the stockman from the poem, and is set 25 years after the events depicted in the poem. It ran from 1993 to 1996.
Bore water is water drawn from underground sources, usually by drilling a borehole into an artesian aquifer – a porous underground layer in which water is stored or flows. In Australia, the source is most commonly the Great Artesian Basin, a huge artesian aquifer under large parts of Queensland and several neighbouring states.
“Advance Australia Fair” has been the official Australian anthem since 1984, though it was written far earlier, in the late 1870s. It was chosen in a plebiscite attached to the 1977 referendum about voting and political reforms. It beat “Waltzing Matilda”, “The Song of Australia”, and the previous anthem “God Save the Queen”.

#Pratchat11 Notes and Errata

08/09/2018 by Ben Leave a Comment

These are the show notes and errata for episode 11, “At Bill’s Door“, featuring guest Sarah Pearson, discussing the 1991 Discworld novel Reaper Man.

Hard Quiz is an ABC game show, currently in its third series, in which contestants nominate a specialist topic and are grilled with exceptionally difficult questions by comedian Tom Gleeson. Contestants are eliminated each round, and the winner takes home a trophy known as the “Big Brass Mug”. (As is standard for quiz shows on the national broadcaster, there’s not a valuable prize.) Sarah appeared on the 17th episode of series two, up against horse expert Charles, French & Saunders expert Daniel and JFK expert Marc. (The ABC are currently alternating new and repeat episodes, so Sarah’s episode should reappear on iView a few months after this Pratchat!)
Sarah mentions captioning the Australian versions of reality TV shows Survivor (in its third series) and The Bachelor (season six, starring former rugby union player Nick Cummins), both on Channel Ten.
The previous Eurovision winner was Israel’s Netta with the song “Toy”, featuring some non-speech vocalisations which would make Cyril the rooster super envious. You can watch the official music video and the Eurovision grand final performance on YouTube. (Tellingly, neither video includes captions!)
Morris Dancing is traditional British form of folk dance kept alive not just in the UK but wherever British immigrants and their descendants are found. A group who dances the Morris are known as a “side”, and in Australia they are loosely affiliated via the Australian Morris Ring. Ben would like to give a shout out to his local side, Brandragon Morris, which still boasts some of those “right kind of nerds” he knew at university as members.
Monty Python’s “fish-slapping dance” sketch starring John Cleese and Michael Palin was originally produced as part of the 1971 pan-European May Day special Euroshow 71 before showing up in the following year’s series of Monty Python’s Flying Circus. The sketch only lasts for 20 seconds, but is cited by Michael Palin as one of his proudest moments; the story goes that the lock next to where they were performing was drained in between rehearsals and shooting, so the drop into the water was more than ten feet further than he was expecting!
Petunia Dursley is Harry Potter’s aunt in the Harry Potter books by J. K. Rowling. She later becomes a little more sympathetic, but in the first book, Harry Potter and the Philosopher’s Stone (known in the US as Harry Potter and the Sorcerer’s Stone) she is described like this: “Mrs Dursley was thin and blonde and had nearly twice the usual amount of neck, which came in very useful as she spent so much of her time craning over garden fences, spying on the neighbours.”
A Nightmare on Elm Street is a hugely successful horror film franchise created by Wes Craven with the film of the same name in 1984. They feature dead child murderer Freddy Krueger (Robert Englund), who stalks and kills the teenagers of Springwood, Ohio through their dreams, particularly targeting Nancy Thompson, who lives on Elm Street. He returns in five sequels; in the last, Freddy’s Dead: The Final Nightmare (1991), he starts killing in a new town, claiming that “Every town has an Elm Street!” (It is a pretty common street name in the US.) The franchise also spawned an anthology horror TV series, Freddy’s Nightmares; Wes Craven’s New Nightmare (1994) in which Freddy invades the real world; a 2010 remake of the original film; and Freddy vs Jason (2006), in which Freddy fights with Jason Vorhees from the Friday the 13th series of horror films.
At the end of the tenth season of the modern Doctor Who, the Twelfth Doctor, played by Peter Capaldi, regenerated into the Thirteenth Doctor, played by Jodie Whittaker – the first woman to (officially) play the role in the show’s 55 year history. Among conservative and sexist fans there was much wailing and gnashing of teeth, despite it being a change the show had been laying groundwork for many years.
Most vertebrate animals have a spleen, and as well as being the elephant graveyard for blood (thanks Liz), it also synthesises antibodies and stores a reserve of monocytes, the largest kind of white blood cell, both of which are very important to the immune system. The “red pulp” of the spleen, where the monocytes are stored, is also known as “the cords of Billroth”, a name Ben has immediately stolen for his Dungeons & Dragons campaign.
The “squiggly spooge” is an organ possessed by Irkan aliens, including the title character of classic Nickelodeon animated series Invader Zim, created by Jhonen Vasquez. It’s since passed into the online lexicon where it is used as a placeholder word for any unknown organ.
There were indeed two versions of the original Street Fighter arcade game, and one had large rubber punch and kick buttons which responded to how hard to whacked them. You can find out more about the forgotten precursor to Street Fighter II in this Kotaku article from 2011.
In the UK, Australia, New Zealand, Canada and several other former British colonies, Boxing Day is a public holiday celebrated the day after Christmas. There are few modern traditions attached to it, though in Australia at least it is the day many Summer blockbuster films are released.
We struggled to find a good source for Romans making roads out of garbage, but one of our favourite podcasts, 99% Invisible, have done stories about the making of new streets above the old in Seattle (and in a similar story, the creation of new land in the early history of San Francisco).
In Quentin Tarantino’s Kill Bill: Volume 2 (2004), Uma Thurman’s protagonist “The Bride” is buried alive in a coffin, but uses elite martial arts techniques to break open the coffin and dig her way to the surface.
Repo Man (1984) is a cult sci-fi comedy film written and directed by Adam Cox and starring Emilio Estevez and Harry Dean Stanton. Estevez plays a punk who takes a job working with Stanton as a repossession agent, and they go looking for a car which may have been involved in extraterrestrial activity. Pratchett confirmed in interviews that Reaper Man was a deliberate pun on the film’s title.
“Rocket Man” is a 1972 single by Elton John with lyrics by Bernie Taupin, which appeared on the album Honky Château. It features the line “I miss the Earth so much, I miss my wife; it’s lonely out in space”. It was famously covered in 1991 by Kate Bush for the tribute album Two Rooms: The Songs of Elton John & Bernie Taupin.
Professor Filius Flitwick is the part-goblin Charms Master and Head of Ravenclaw House at Hogwarts School of Witchcraft and Wizardry. (In the world of Harry Potter, that is, he’s sadly not real.) On screen he is played by Warwick Davis of Star Wars and Willow fame, albeit with a radical change in look between the earlier and later films.
When Ben talks about “shot matching“, he means the cinematic technique known as the match cut, in which the end of one scene is visually or thematically matched with the beginning of the next. Two of the most famous examples are the opening of Stanley Kubrick’s 2001: A Space Odyssey (1968), which visually matches a bone thrown into the air with a similarly shaped satellite, and this cut from David Lean’s Lawrence of Arabia (1962), which uses vision and audio to thematically match Lawrence blowing out his match with the silent desert at dawn. The Lawrence cut was the work of English film editor Anne V Coates, recognised as one of the all-time greats; her assistant on Lawrence, Ray Lovejoy, was the editor for 2001.
Blink is the tenth episode of the third series of the modern Doctor Who, in which Steven Moffat introduced the spooky “Weeping Angels” – creatures who look like statues and can’t move while being looked at. Blink, and they move lightning fast. The final shots of real statues all around London – suggesting to young impressionable viewers that the Angels might be lurking around every corner – caused an epidemic of nightmares.
Police Constable Reg Hollis, played by Scottish actor Jeff Stewart, appeared in almost the entire 26-year run of ITV’s cops on the beat soap opera, The Bill. A fan of model trains and gardening who always had something to complain about in his softly-spoken, slightly boring way, Reg was nevertheless a dependable copper, though treated very poorly by most of his fellow officers. He resigned from the force in 2008, two years before the series ended, making Stewart the longest serving original cast member.
There is indeed a podcast about The Bill, aptly named The Bill Podcast. It’s only been around since 2017, but consists of monthly in-depth interviews with members of the cast. You can find The Bill Podcast on SoundCloud, iTunes and Facebook.
Keeping Up Appearances was a BBC One sit-com which ran from 1990 to 1995. It followed the farcical adventures of Hyacinth Bucket (Patricia Routledge) in her efforts to hide her lower-class origins – especially her family members – and exaggerate her accent, wealth and abilities to gain favour with those she perceives as her social superiors. Her long-suffering husband Richard Bucket was played by Clive Swift, whose family name of “Bucket” Hyacinth insists on pronouncing “Bouquet”.
We’d like to give a shout-out to longtime listener and friend of the show Sally Evans, whose tweet sadly arrived too late for us to mention it in the episode:

Lupine Wonse, shame on you. Lupine Twice, shame on me.
— Sally Evans (@SalacticaActual) August 17, 2018

Meet Joe Black (1998), loosely based on the film Death Takes a Holiday (1934), stars Anthony Hopkins as a billionaire whom Death decides to visit because of the impassioned speech he gives his daughter (Claire Forlani) when it becomes clear she’s not all that keen on the man she’s about to marry. Father and daughter, by the way, are named Bill and Susan! The Brad Pitt body Death decides to inhabit rather inconsiderately belongs to a man with whom Susan was flirting, moments before he was violently hit and killed by two cars.
By contrast, Mighty Joe Young (1998), a remake of Mighty Joe Young (1939), stars Charlize Theron as a woman who has raised the titular gorilla, both of whom were orphaned by the same poacher when they were young. Joe is no longer accepted by others of his kind, probably because he is inexplicably three times the normal size for a gorilla. The plot revolves around Theron and Bill Paxton trying to protect Joe from the poacher who wants revenge as Joe bit off two of his hands in their original encounter. It’s…well, it’s no Meet Joe Black, that’s for sure.
The episode of 99% Invisible about the history of shopping malls is “The Gruen Effect“. While looking up the link for that one, we also found this great article about the birth of the shopping trolley: “Shopping Around: How Folding Basket Carriers Became Modern Nesting Carts“.
Ben mixes up his Sylvester Stallone characters during the discussion of the Dean; the one who ties a strip of cloth around his forehead is not Rocky Balboa from Rocky (1976) and its many sequels, but John Rambo, from First Blood (1982) and its sequels.
In Bill and Ted’s Bogus Journey (1991), the suprisingly non-bogus sequel to the surprisingly excellent time travel slacker comedy Bill and Ted’s Excellent Adventure (1989), teenage rocker wannabes and future saviours of the world Bill S. Preston esq. (Alex Winter) and Ted “Theodore” Logan (Keanu Reeves) are killed by future despot Chuck D Nomolos (Joss Ackland) before they can fulfil their destiny. They first “Melvin” Death and end up in Hell, but then challenge Death, beating him in games of Clue, Twister and Battleship until he finally agrees to help them return to life, eventually joining their band Wyld Stallyns as a bass player (shades of Soul Music there!). Joss Ackland later played Mustrum Ridcully in the TV adaptation of Hogfather, and reportedly regretted appearing in Bogus Journey, claiming he only did so because he was a workaholic. One more Bogus Journey connection with this novel: both feature characters named Rufus who are significant to the protagonist’s backstory and future!
ZZ Top play the “band at the party” in Back to the Future Part III (1990), performing a “hillbilly version” of their song “Doubleback” from their 1990 album Recycler. The version we remember is probably the orchestrated one played – repeatedly – during the town festival, and the album version plays over the credits. The music video uses footage from the film. While we may have forgotten the single, it was in fact a pretty big hit in the US at the time, reaching #1 in the rock charts for five weeks.
Once and For All is currently on hiatus, but you can find all five released episodes at the link. Ben appears not only in episode five, “Death Vs Death”, but the very first episode, “Indiana O’Connell and The Kingdom of the Mummy’s Skull”, in which he goes to bat for Brendan Fraser’s character from The Mummy, Rick O’Connell, in a battle against Indiana Jones.
In the Sandman comics created by Neil Gaiman, Death is one of the Endless, seven beings who personify fundamental metaphysical concepts: Destiny, Death, Dream, Destruction, Desire, Delirium and Despair. While they are immortal in some circumstances they can die, though they are then replaced in their role by someone else. Dream is the titular Sandman of the original comics, but Death has also proven popular enough to have her own separate stories, notably Death: The High Cost of Living and Death: The Time of Your Life.
It should be noted that Azrael appears not just in Islamic lore, or The Smurfs, but in other Abrahamic traditions, including Hebrew mysticism, though he is rarely mentioned in Christian writing. The version of Azrael with millions of eyes is only one of many varying depictions.
You can see the full range of currently in print Collector’s Library editions of Discworld novels at the Discworld Emporium. We note that since our last visit, the Emporium now also stocks new printings of early editions of The Colour of Magic and The Light Fantastic…
You can see Paul Kidby’s “Lancre Gothic” in this BBC article collecting some of the best Discworld illustrations. Kidby’s “Death with Kitten II”, a newer version of the illustration from The Last Hero, can be found in the gallery on his web site and on his Instagram. “The Imaginarium of Professor Pratchett”, originally drawn for the cover of the “Discworld Imaginarium” book, is in Kidby’s online store, and you can also see Ben’s favourite version of this concept – from the cover of the HisWorld exhibition book – on Instragram. (You’ll need to get your hands on a copy of The Last Hero to check who A’Tuin is looking at.)
The Pratchett Armorial Bearings (the formal name for this kind of heraldry), which can indeed be seen on Pratchett’s Wikipedia page, are formally described thus:
Blazoned:
Arms – Sable an ankh between four Roundels in saltire each issuing Argent.
Crest – Upon a Helm with a Wreath Argent and Sable On Water Barry wavy Sable Argent and Sable an Owl affronty wings displayed and inverted Or supporting thereby two closed Books erect Gules.
Motto – “noli timere messorem”
The motto is rather more accurate Latin for “Don’t fear the Reaper” compared to Mort’s Latatian “non timetis messor”.

#Pratchat12 Notes and Errata

08/10/2018 by Ben Leave a Comment

These are the show notes and errata for episode 12, “Brooms, Boats and Pumpkinmobiles“, featuring guest Jackie Tang, discussing the 1991 Discworld novel Witches Abroad.

“Voodoo” is a popular culture distillation of several religions, but especially Haitian and Louisiana Vodun, themselves derived from West African Vodun and influenced by many other traditions, including Christianity. Some rituals involve summoning spirits known as lwa or loa, intermediaries between the physical world and the creator deity (Bondye, Mawu or others depending on the tradition). Famous loa include Baron Samedi, a loa of the dead, and Papa Legba, who exists at the crossroads between the material and spiritual worlds.
Nikolai Vasilievich Gogol was a 19th century Russian writer. His works are social commentary, mostly in the form of farce and satire. The Government Inspector is his best known novel, but he is mostly remembered for his many short stories including Diary of a Madman, The Nose, The Overcoat and The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich. (His name is pronounced GO-gl, which is more or less the only way we don’t try to say Mrs Gogol’s name during the podcast.)
Of the Discworld books we’ve covered so far, Wyrd Sisters, Sourcery and Moving Pictures all begin with a death. Pyramids, Men at Arms and Reaper Man all have deaths close to the beginning that are vital (if you’ll excuse the term) to their plots.
The prose poem Desiderata was written by American writer Max Ehrman in 1927, though it didn’t become widely known until the early 1970s. You’ve almost certainly read or heard at least one of the verses. The poem’s copyright status has been a matter of contention over the years, in part because it was printed unattributed in a church leaflet accompanied by the church’s founding date, leading some to believe it was much older and therefore in the public domain. As a result the Annotated Pratchett File has a copyright notice asserting Erhman’s authorship rather than any quotes, but by contrast you can read the whole thing on Wikipedia. The word “Desiderata” is Latin, the plural form of “desideratum”: a thing wished for, or – you guessed it – desirable. It is indeed the source of the English word “desire”.
We ruined our browser history so you wouldn’t have to: Echidna penises are indeed unusual. They are very long for their body size, and with not three but four prongs, more like those seen in reptiles than other mammals. They only use two of the prongs at a time, though. (Hedgehog penises are less weird, but also quite long for their tiny size.)
Shrek (2001) is a DreamWorks animated film, loosely based on the 1990 picture book by William Steig. The title character is an ugly green ogre who sets out to rescue Princess Fiona from a dragon for Lord Farquaad, so that he will stop exiling fairytale creatures from the kingdom of Duloc in Shrek’s swamp. A bit like Lily, Farquaad is obsessed with making his kingdom “the fairest of them all”, but he has a hatred for fairytale creatures (the reasons for which are explored in the Broadway musical adaptation of the film). Shrek was massively popular and has spawned three sequels, a spin-off, numerous short films and two television series. A fourth sequel is in development.
Lawrence Sterne, 18th century English novelist and clergyman, is best known as the author of The Life and Opinions of Tristram Shandy, Gentleman. His other novel is the travelogue mentioned by Jackie, A Sentimental Journey Through France and Italy.
Ravenloft is a gothic horror themed plane of existence known as “the Demiplane of Dread”, consisting of various separate “Domains of Dread”, each ruled by a “Dreadlord” (okay, we get it, it’s full of dread) and inspired by different horror stories. The Dracula inspired one is Barovia, a village in an isolated valley. It shares much of its DNA with Überwald and the village visited by the witches in Witches Abroad. The domains are influenced by the mysterious, unseen “Dark Powers”.
Nanny’s “die flabberghast” is a reference to Die Fledermaus (“the bat”), a famous operetta by Austrian composer Johann Strauss. The opera relates the story of a Viennese man, Gabriel von Eisenstein, who is persuaded to avoid a minor prison sentence for a day to attend a masked ball. This is a plot by Gabriel’s friend Falke, who has also secretly invited Gabriel’s maid, his wife, and the governor of the prison where Eisenstein should be. Falke wants to pay Gabriel back for a prank in which, after a previous ball, he left a drunk Falke in the middle of town in his bat costume, causing him much ridicule – hence the title of the operetta, which is sometimes called The Revenge of the Bat in English. Die Fledermaus is also a character in the animated TV version of superhero parody The Tick; a parody of Batman, Fledermaus has a similar costume (except with a more realistic, ghost bat inspired face – weird nose, huge ears etc) and no superpowers, but is supremely vain and cowardly.
Maverick is a 1994 film, based on a 1950s television series, starring Mel Gibson as Bret Maverick, a con man participating in a high-stakes poker game aboard a riverboat. It also starred James Garner (who played the title role in the original series), Jodie Foster and Alfred Molina, and was the second-last film for famous B-movie star Doug McClure, who appeared alongside many other old school Western actors.
Mahjong is a Chinese game, usually for four players, which uses a set of 144 or more tiles. Most of the tiles are “simples”, numbered 1 to 9 in three suits: dots (or circles), bamboo, and characters (or wan). There are also a smaller number of “honours” tiles – winds and dragons – and eight unique bonus tiles, the flowers and/or seasons. The tiles begin the game organised into face-down stacks, and based on a dice roll players begin with thirteen randomly selected tiles. During the game, players take turns to discard a tile they do not want and draw one from a wall. To win, a player must collect and declare (by calling “Mahjong”) a named sets of tiles which meets a minimum number of points, decided by the players in advance. Players can also steal a discarded tile to form a smaller set which allows them to take their turn early, possibly forcing one or more other players to lose a turn. The winner’s points are tallied over multiple games, usually sixteen for four players, and the player with the highest score at the end of the games wins.
For more about the practice of painting lawns green – and the politics of lawn management in places like Los Angeles – we recommend Lawn Order, an episode of the podcast 99% Invisible.
The Wonderful Wizard of Oz was written by L Frank Baum in 1900. It was a massive success and Baum went on to write thirteen sequels, the last one being Glinda of Oz in 1920. As Liz mentions, in the first book visitors are made to wear green-tinted glasses – only the external walls are actually green. Later books however describe the city as green without any mention of the glasses.
The television series Once Upon A Time (2011-2018) and comic book series Fables (2002-2015) are both based on the premise that fairytale characters and creatures are stranded in the real world. In Once Upon A Time, the characters are exiled to the American town of Storybrooke as part of a plot by the evil queen Regina, aided by Rumpelstiltskin. The town’s residents cannot remember who they are, or notice that they have lived unchanging lives without aging for nearly three decades, but the daughter of Snow White and Prince Charming escaped the curse and may be able to undo it. In Fables, the characters flee their home realms to a burrough of New York they nickname Fabletown to escape a mysterious and powerful evil force known as “the Adversary”. Those who can pose as humans, while those who cannot – talking animals and monsters – are forced to live on a remote farm in upstate New York, protected by magic. Rivalries and politics have not been left behind, however, and must often be solved by sheriff “Bigby” Wolf and deputy mayor Snow White.
Danish author Hans Christian Andersen (1805-1875) is best remembered for writing nearly four thousand fairytales (!), including The Emperor’s New Clothes, The Little Mermaid, The Ugly Duckling and loads more you have definitely heard. He was also famously played by Danny Kaye in the not-at-all biographical musical film, Hans Christian Andersen, in 1952.
“Moistened bint” is how Dennis, the anarcho-communist peasant, refers to the Lady in the Lake, aka one of the “strange women lying in ponds distributing swords”, in the 1975 comedy film Monty Python and the Holy Grail. (We’ve mentioned it before, and probably will again.) Also, in case you haven’t seen it: 8-year-old Saga Vanacek recently pulled a 1,500 year old sword out of a lake. Like the rest of the Internet, we hope she will be our new King now.
The late Anthony Bourdain was a beloved American celebrity chef, author and documentarian, well known for his various television shows in which he travelled the world sampling all kinds of local cuisines. He frequently spotlighted foods and cooks ignored by other such programs, including immigrants and street food vendors, so we’re confident he would have ignored the banquet halls of Lily’s palace and headed straight for Mrs Pleasant’s kitchen or the market where Mrs Gogol’s tent was pitched.
“When I say run” is an oft-repeated line of the Doctor across most of their incarnations. The earliest version is perhaps from the Second Doctor’s first story, 1966’s The Power of the Daleks, in which he says to his companion Ben Jackson: “When I say run, run like a rabbit…RUN!” We found a YouTube compilation of every instance of the Doctor telling people to run, but be warned – it runs for twenty minutes!
A “bodice ripper” is a romance novel with sex scenes, set in an historical period. It’s a much-beloved genre which continues to enjoy great success, and not just with famous pulp romance publishing house Mills & Boon. If you’re keen to investigate further, we suggest hitting up the web site Smart Bitches, Trashy Books for reviews. SBTB uses a comprehensive system of tags, and Greebo-as-sexy-corsair fans might enjoy the “Fantasy/Fairytale Romance” genre, “Pirate” archetype and/or “Were/Shifter” theme.
Andrew Lloyd-Weber’s 1981 musical Cats was adapted from T. S. Elliot’s 1939 poetry collection, Old Possum’s Book of Practical Cats. No, we don’t know why he did that either. In the musical, a tribe of cats called the Jellicles meet for their annual Ball, at which their leader, Old Deuteronomy, will name one of them to ascend to the heaven like “Heaviside layer” and be reborn. He is briefly kidnapped, but otherwise the entire musical consists of the cats breaking the fourth wall to explain their ways to the humans watching. It’s as weird as it sounds, but it’s also the fourth-longest running musical ever to appear on Broadway and the sixth-longest in the West End, and continues to be produced around the world.
Red Dwarf is a British sit-com created by Doug Naylor and Rob Grant which premiered on the BBC in 1988. It follows the adventures of David Lister (played by Craig Charles), a 22nd century slob working in the lowest-ranking job aboard the mining spaceship Red Dwarf. When he brings a cat on board against regulations, he is placed in stasis as punishment, and is thus the only survivor of a major radiation leak. He is awakened three million years later by the ship’s computer to discover an entire humanoid civilisation had evolved from his cat, leaving behind a single survivor known only as “Cat”: a vain creature obsessed with fashion, sleep and sex. Cat, played by Danny John-Jules, is one of only two characters to appear in every episode of the show, which after a long hiatus returned in 2009 on UK digital channel Dave. A thirteenth series is coming in 2019.
There are videos of cats eating sushi, but really, you should definitely look at pictures of cats dressed up as if they are sushi.
In the French folktale “Bluebeard” (not “Bluebeard’s Bride”, though see below) a young woman is married to a wealthy widowed nobleman and given free run of his enormous mansion – except for one room which she must never enter. She eventually does look in the room while Bluebeard is away, only to discover he had murdered his previous wives. Bluebeard knows thanks to a magical key and returns, but the bride is saved by her brothers who show up and kill him, leaving her to inherit his fortune. The story lends its name to the ATU 312 classification of folk tales, described as “the brother rescues his sister”. Bluebeard also appears as a major character in the comic Fables, where he is depicted as a pirate. The roleplaying game Bluebeard’s Bride from Magpie Games explores the tale further by having the players collectively play the bride, wandering through Bluebeard’s house alone.
The Myers-Briggs Type Indicator (MBTI) is a popular though heavily criticised personality test based largely on Carl Jung’s ideas of dominant psychological functions. It uses a series of questions to sort a person into one of sixteen personality types organised along four axes: extroversion/introversion, thinking/feeling, sensing/intuition and judging/perceiving. The test was created during World War II by mother and daughter Katharine Cook Briggs and Isabel Briggs Myers, self-taught psychometrists who initially used it to help place women in appropriate jobs as they entered the wartime workforce. After several earlier versions, the first “MBTI Manual” was published in 1962 and became heavily used in the corporate world, though it is not widely accepted in psychological circles. It’s enduring legacy is that we all have that one friend obsessed with sorting everyone they know into their Myers-Briggs type.
The name Lily takes in Genua is “Lady Lilith de Tempscire”, taken from the French temps, weather, and scire, beeswax or candlewax. In the course of looking this up, we discovered that the French use a different word for the kind of wax you use on skis: fart. It’s probably just as well that modern skis are made from materials that do not generally require waxing to achieve good speed on snow.
Remus Lupin is the third of the ill-fated Defence Against the Dark Arts tutors at Hogwarts School of Witchcraft and Wizardry to appear in the Harry Potter books and films. His name is something of a spoiler: Remus is one of the two twins of Roman myth who were raised by wolves, the other being Romulus, the founder of Rome (from whom it supposedly takes its name). Lupin is another form of the Latin word lupine, which as we’ve previously discussed means wolf. You’ll never guess what dark secret Remus Lupin is hiding…though as far as we can tell, he’s always had that name, despite not being born with his…affliction.
For more on Hyacinth Bucket, see the show notes for #Pratchat11, “At Bill’s Door“, about Reaper Man.
We talk more about the time-skip in Lancre when discussing Wyrd Sisters in #Pratchat4, “Enter Three Wytches“.
Let Them Eat Cake was a 1999 BBC sit-com starring Jennifer Saunders as Colombine, the Comtesse de Vache, a scheming noblewoman in pre-revolutionary France, and Dawn French as her loyal and nymphomaniacal servant, Lisette. It ran for one series of six episodes, and is rare in being a series which starred Saunders and French, but was not created or written by them.
Ares, Greek god of war, was one of the most prominent antagonists featured in the television Xenaverse of Xena: Warrior Princess and its predecessor, Hercules: The Legendary Journeys. He was played by New Zealand actor Kevin Smith, who sadly passed away in 2002. Google him in his usual Ares gear and we think you’ll agree he’s a perfect for for Greebo, though makeup and costume would need to give him some scars and scuff up his leather.
The Craft is a 1996 supernatural horror movie about four high school girls who form a coven, two of whom are played by Fairuza Balk (whose first film role was as Dorothy in Return to Oz) and Neve Campbell (best known for her starring role in the television drama Party of Five). They gain the ability to cast all manner of spells through the worship of a god named “Manon”, blending old-school Puritan ideas of Satanic witchcraft with more modern Wicca. Magrat clearly hasn’t seen the film, or she wouldn’t be so keen on using magic to fix all of her problems! A remake was announced in 2016, but has so far failed to materialise.