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#Pratchat70 Notes and Errata

8 September 2023 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 70, “Punching Up”, discussing Terry Pratchett’s 1993 Discworld short story, “Theatre of Cruelty”, with guest Caimh McDonnell.

Iconographic Evidence

Since it was available for free, there are lots of scans floating about on the internet, and it’s a shorter version than the one available for free on the L-Space web, we figure it should be okay for us to share the original two-page spread of the story from Bookcase magazine, including the original version of Josh Kirby’s illustration.

Notes and Errata

  • The episode title plays on Mr Punch, the concept of “punching up” in comedy (i.e. the idea that the targets of derision in comedy should be those with more power), and the other concept of “punching up” in writing (i.e. adding more jokes and/or pace to a script to improve it).
  • We’ve mentioned Ben Aaronovitch’s Rivers of London series of urban fantasy novels before. They follow the adventures of new police officer Peter Grant as he becomes apprentice to the last wizard in England, who also works for the London police. There are now nine novels, four novellas, a short story collection, nine graphic novels (originally published as separate issue comic books) and a tabletop roleplaying game. The best place to start is probably Rivers of London, the first novel from 2011, which was originally titled Midnight Riot in the US (but is now published there under its proper title). The first comic, Body Work, is also a good place to dip in, as are most of the novellas and short stories.
  • The Fortean Times is the magazine of the Fortean Society, an organisation founded by American researcher and writer Charles Fort. He collected and wrote about “anomalous phenomena” – unusual events and experiences which had gone unexplained by science, though apparently he did it to keep scientists on their toes rather than because he believed any of the theories put forth in his writing. The Fortean Times is still published in the US, UK and other countries today, and you can find them online at forteantimes.com (though you have to subscribe in print). Fort himself is mentioned in Good Omens.
  • We can’t find a good reference for the edition of Good Omens with two Thursdays in one week, if that is a real error and not a fevered imagining of Ben’s. But there have been other notable ones: in some recent editions, Anathema is referred to as Agnes in one sentence when showing her index cards to Newt, and a persistent one in earlier editions was Famine saying his name had seven letters when cryptically referring to himself with a crossword clue. Some white editions of the book had a cover misprint in which the text and Crowley’s glass of wine appear, but the demon himself does not!
  • On Roundworld, “theatre of cruelty” is an artistic concept created by Antonin Artaud, a French poet and theatre maker (among many other things) active in the 1920s and 30s. His theatre of cruelty wasn’t literally theatre, or literally cruel, but rather a reaction against realism. He wanted performance to be something more visceral: a spectacle, incorporating music, dance, lights and everything other than text, performed by “athletes of the heart” who would surround audiences to shock them out of complacency and wake them up to the horrors and violence of real life. While not embraced widely, it’s been an influence on many theatre makers, notably director Peter Brook in his work with the Royal Shakespeare Company in the 1960s, including a famous 1966 production of the play Marat/Sade. This YouTube video from CrashCourse is a pretty good overview.
  • Neil Gaiman’s Sherlock Holmes stories are “A Study in Emerald”, from the 2003 anthology Shadows Over Baker Street, and “The Case of Death and Honey”, from the 2011 collection A Study in Sherlock. “A Study in Emerald” won both a Hugo and Locus Award in 2004, and has been adapted into a board game by Martin Wallace, of Discworld: Ankh-Morpork and The Witches fame.
  • Harlan Ellison (1934-2018) was an American speculative fiction writer whose work encompassed novels, short stories, television (most famously the Star Trek episode “The Guardian on the Edge of Forever”), videogames and more. Angry Candy is his 1988 anthology about death, containing the award-winning short stories “Eidolons”, “Paladins of the Lost Hour” and “Soft Monkey”. Dangerous Visions was a 1967 collection of groundbreaking science fiction stories edited by Ellison and was hugely influential, not least for the way it included sex in the genre. It was followed by Again, Dangerous Visions in 1972, and he announced a third, The Last Dangerous Visions, in 1973, but it was not published in his lifetime. His failure to publish the book became a controversy in speculative fiction circles, especially after several of the authors who sold him stories died before seeing them in print; British author Christopher Priest wrote about the book for his own fanzine, eventually expanding the piece into a short book titled The Book on the Edge of Forever in 1988. Ellison’s literary estate is now managed by Babylon 5 creator J. Michael Straczynski, who announced in 2022 that The Last Dangerous Visions would finally be published in September 2024, preceded by new editions of the first two books.
  • Regular listeners will be familiar with Liz’s love for Diana Wynn Jones, and we’ve previously mentioned her 1988 novelette “Carol O’Neir’s Hundredth Dream”. It’s part of her Chrestomanci series of stories and books, set in a magical universe where there are a specific number of alternate worlds.
  • We’ve also previously discussed American horror and mystery writer Shirley Jackson (1916-1965), most notably in #Pratchat58, “The Barbarian Switch”. Her famous story “The Lottery” appears in the many collections, including 1949’s The Lottery and Other Stories. Dark Tales is a more recent anthology, published by Penguin in 2016.

More notes to come soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Ankh-Morpork, Ben McKenzie, Carrot, Colon, Death, Discworld, Elizabeth Flux, Nobby, The Watch, Vimes

#Pratchat66 Notes and Errata

8 April 2023 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 66, “Ol’ No Eyes Is Back“, discussing the 2010 Discworld novel, I Shall Wear Midnight, with returning guest Amie Kaufman.

Iconographic Evidence

We refer a few times to Pratchett’s 2010 Richard Dimbleby lecture, “Shaking Hands With Death”. It was published in 2012, and then collected in A Slip of the Keyboard in 2014, and we’ll have an episode on it in due course. You can watch the whole thing below, as the lecture is televised on BBC One, though the YouTube clip is not an official upload. Pratchett was unable to read it himself on the night, and gave the gig to Tony Robinson.

Notes and Errata

  • The episode title riffs on the classic 1973 Frank Sinatra album Ol’ Blue Eyes Is Back. It’s also, because we’re big nerds, a reference to Ol’ Yellow Eyes Is Back, the 1991 album by Star Trek: The Next Generation actor Brent Spiner, whose android character Data has golden eyes. Ben was delighted to discover another riff on the title while looking up these details: Old Brown Ears Is Back, a 1993 album by noted muppet pianist and singer, Rowlf the Dog!
  • Guest Amie Kaufman was last on way back in July 2018 for #Pratchat9, “Upscalator to Heaven”, discussing Truckers. Her most recent books at the time were Ice Wolves, the first in the Elementals trilogy, and Obsidio, the final book in the Illuminae Files trilogy with Jay Kristoff. Since then she’s published the two other Elementals books, Scorch Dragons and Battle Born; another YA sci-fi trilogy with Kristoff, the Aurora Cycle; the Illuminae Files novella Memento (a hard to get publisher exclusive); two duologies with Meagan Spooner, The Other Side of the Sky and Beyond the End of the World, and Unearthed and Undying; and two books with Ryan Graudin, The World Between Blinks and Rebellion of the Lost. So by our count, that’s actually eleven novels and one novella!
  • The blurb Amie reads seems to be from an American edition of the book, but we’re not sure which one. If you know, please tell us! A new edition is on the way in June, with a new cover matching the other recent paperback editions, and it uses a blurb very similar to, though shorter than, the one Amie reads. The old blurb was:
    A man with no eyes. No eyes at all. Two tunnels in his head… It’s not easy being a witch, and it’s certainly not all whizzing about on broomsticks, but Tiffany Aching – teen witch – is doing her best. Until something evil wakes up, something that stirs up all the old stories about nasty old witches, so that just wearing a pointy hat suddenly seems a very bad idea. Worse still, this evil ghost from the past is hunting down one witch in particular. He’s hunting for Tiffany. And he’s found her…
  • Pratchett mentions that I Shall Wear Midnight is the last Tiffany Aching book is at least a few places, but you can find it mentioned in this interview with book blogger the Bookwitch, and in this Guardian piece about I Shall Wear Midnight, both from 2010.
  • Pratchett doesn’t say in his Richard Dimbleby Lecture that he gives the death he describes for his father to the Baron, but the Guardian piece mentioned above draws the same conclusion.
  • On the subject of Boffo, Wintersmith pretty directly tells us it isn’t a common practice for witches to buy stuff from there, at least not in the Ramtops. In chapter 3, “The Secret of Boffo”, Tiffany asks Miss Treason directly:

‘Do all witches buy from Boffo?’ said TIffany.
‘Only me, at least around here. Oh, and I believe Old Mistress Breathless over in Two Falls used to buy warts from there.’

  • Granny previously visited Ankh-Morpork in Equal Rites (see #Pratchat25, “Eskist Attitudes”), and again with Nanny Ogg in Maskerade (#Pratchat23, “The Music of the Nitt”).
    • In Equal Rites there’s exactly one mention of city witches: they’ve left “witch marks” on the outside of the rear doors of Unseen University, advising any witches who visit that they are welcome and that the housekeeper Mrs Whitlow is “gullible and foolish”; Granny notes that “city witches didn’t seem that bright themselves”, though she doesn’t meet any or mention that any live in Ankh-Morpork. After spending some time with Mrs Whitlow, who at the time considered herself a psychic medium and put on posh airs, Granny wonders if she isn’t a “born witch who somehow missed her training”. She also does some witchery for folks while staying in the city, including brewing potions with the excitingly cheap glassware available.
    • In Maskerade, when she arranges lodgings in the Shades, Granny describes Mrs Palm as “an old friend. Practic’ly a witch.” But there’s no mention of any actual city witches.

More notes coming soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Amber Petty, Amie Kaufman, Angua, Ankh-Morpork, Ben McKenzie, Carrot, Elizabeth Flux, Granny Weatherwax, Letitia, Mrs Proust, Nac Mac Feegle, Nanny Ogg, Preston, Roland, The Chalk, Tiffany Aching, Vimes

#Pratchat66 – Ol’ No Eyes Is Back

8 April 2023 by Pratchat Imps 1 Comment

Returning guest, author Amie Kaufman heads back to the Chalk with Liz and Ben to face the rough music in a bumper-size discussion of the penultimate Tiffany Aching book, 2010’s I Shall Wear Midnight.

Tiffany Aching, nearly sixteen, is no longer an apprentice. Now two years under the witch’s hat, she cares for those as can’t care for themselves, and deals with the harsh realities of rural life. But all is not well in the Chalk: the unending need for its only witch is pushing Tiffany to the edge, and an act of violence – and its consequences – test her limits. Roland, the Baron’s son, is engaged – but not to Tiffany. While he’s away, the old Baron dies, and Tiffany must fetch him home to take his place. And on top of all that, something is stirring: something old and evil that stirs up old prejudices and fears about witches – and is aiming them directly at Tiffany Aching…

Content note: this episode contains discussion of (fictional) intimate partner and family violence, miscarriage and suicide.
If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you.

Nearly three years after she danced the Dark Morris and kissed the Wintersmith, we rejoin Tiffany Aching, who is discovering that even fixing her mistakes can have consequences. But is this really a book for younger readers – or even young adults – when it includes some of the heaviest stuff of any Discworld novel? Does it all hang together, or are there a few ideas fighting each other in this plot? Who knew what and when about the Cunning Man, and is he Pratchett’s creepiest villain yet? What spill words do you not say when you’re listening to the show? Join in the conversation using the hashtag #Pratchat66 on social media!

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_66.mp3

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Returning guest Amie Kaufman is the author of (so far) twenty novels for middle grade and young adult audiences, including the Illuminae Files and Aurora Cycle sci-fi trilogies with Jay Kristoff; the Elementals, Starbound and Unearthed series with Meagan Spooner, and the World Between Blinks books with Ryan Graudin. For Pratchett fans she recommends her upcoming YA fantasy novel Isles of the Gods, launching in May 2023. As mentioned in the episode, Amie also produces two podcasts about writing: Amie Kaufman on Writing, a 10-minute masterclass on writing techniques, and Pub Dates, in which she and co-writer Meagan Spooner take you behind the scenes on writing and publishing a novel, and what comes after. For more of Amie’s exploits visit amiekaufman.com or sign up for her Substack newsletter Finding North.

As usual, you can find notes and errata for this episode on our web site.

Catch Liz in person when she’s one of the speakers for the Sci-Fight science comedy debate “Should we fear AI?” on Thursday, 13 April 2023 at Howler in Melbourne! It’s hosted by previous guest Alanta Colley and features a great line-up of comedians, writers and scientists. Get all the details and book tickets vis moshtix.

Next month, now that we’ve met all the characters who’ll appear in it, we’ll be playing and discussing the 2013 board game The Witches: A Discworld Game, designed by Martin Wallace! Send us your questions using the hashtag #Pratchat67, and if you’re a subscriber, watch out for an unboxing video via our Ko-Fi page soon. And while our plans for #Pratchat68 in June aren’t quite fixed yet, here’s an earlier than usual heads up that in July we’ll be discussing the fourth Long Earth novel, The Long Utopia, with returning guest Deanne Sheldon-Collins. Those books are long, so you might want to get started now! Send in your questions for that one using the hashtag #Pratchat69 – or drop us an email at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Amber Petty, Amie Kaufman, Angua, Ankh-Morpork, Ben McKenzie, Carrot, Elizabeth Flux, Granny Weatherwax, Letitia, Mrs Proust, Nac Mac Feegle, Nanny Ogg, Preston, Roland, The Chalk, Tiffany Aching, Vimes

#Pratchat62 Notes and Errata

8 December 2022 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 62, “There’s a Cow in There“, discussing the Discworld picture book, 2005‘s Where’s My Cow? with special guests, Joanna Hagan and Francine Carrel of The Truth Shall Make Ye Fret.

Iconographic Evidence

  • We’re sourcing a good video of a hippo – watch this space!
  • We might also add some partial images from the book; we apologise this episode was so visual!

Notes and Errata

  • The episode title refers to the theme song of the Australian version of Play School, a children’s educational and entertainment programme produced by the ABC since July 1966. The first line of the song is “There’s a bear in there”, referring to one of the two staple toys from the show, Little Ted or Big Ted. (See below for more about them.)
  • The other children’s book to make its way from Discworld to Roundworld is another favourite of Young Sam’s: Miss Felicity Beadle’s The World of Poo. It appears in Snuff, and was published alongside the Corgi paperback edition of the novel. We’ll cover it when we get to Snuff, but it stays much more in-universe than Where’s My Cow?
  • The rock song that might have inspired Detritus’ line in the book is actually the poetic opening to the Moody Blues’ 1969 album On The Threshold of a Dream. The first words heard are: “I am, I think I am. Therefore I must be. (pause, then uncertainly) I think…”
  • Ben likens the Sams’ flying chair to the music video for the UK’s 2022 Eurovision song; specifically that’s Sam Ryder’s “Space Man”.
  • Blackboard is one of the puppet characters from the long-running Australian children’s program Mr Squiggle; we previously referred to him in #Pratchat55, “Mr Doodle, the Man on the Moon“.
  • The Abominable Snow Baby is a 2021 animated adaptation of Pratchett’s early short story of the same name, produced for Channel 4. It was narrated by David Harewood, and starred Hugh Dancy as Albert, and Julie Walters as his Granny; the picture of Terry Pratchett appears in Albert’s flat, though it’s not clear if he’s meant to be Albert’s grandad or not.
  • The children’s book about death mentioned by Liz is Duck, Death and the Tulip by German children’s author and illustrator Wolf Erlbruch, first published in English in 2011.
  • You can find Terry’s official answers about the cow on the L-Space web.
  • The Amazing Maurice opens in Australian cinemas on 12 January 2023, but if you’ve looked this up very soon after our episode was published, you can get tickets for the 10 December preview screening in Adelaide from the Australian Discworld Convention. Head to ausdwcon.org/amazing for tickets and more info!

More notes coming soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Ankh-Morpork, Ben McKenzie, CMOT Dibbler, Detritus, Dwarfs, Elizabeth Flux, Foul Ole Ron, Francine Carrel, Joanna Hagan, The Truth Shall Make Ye Fret, The Watch, Tie-in, Vetinari, Vimes, Where's My Cow?, Young Sam, Younger Readers

#Pratchat62 – There’s a Cow in There

8 December 2022 by Pratchat Imps Leave a Comment

In this very special episode, Liz and Ben are joined by fellow Discworld podcasters Joanna Hagan and Francine Carrel on an existential journey deep into our very souls! Yes, it’s part three of our Thud!-related trilogy, in which we discuss Where’s My Cow?

Every night at six o’clock, Sam Vimes, Commander of the City Watch, reads the picture book Where’s My Cow? to his one-year-old son, Young Sam. But tonight, in between doing the barnyard noises, Vimes starts to question whether this is really the right story for a child of Ankh-Morpork.

Released at the same time as Thud!, Where’s My Cow? is a picture book based on a novel inspired by a board game. Lavishly illustrated by newcomer to the Discworld Melvyn Grant, it takes the couple of pages explaining the book – and the “Vimes street version” – and brings them vividly to life, along with wonderful new visions of some of our favourite Discworld characters. But is Young Sam cute, or in the uncanny valley? What’s the deal with that flying book? What do you think the Discworld’s answer to duct tape would be? Are are you, in some way, looking for your cow? Join the conversation using the hashtag #Pratchat62.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_62.mp3

Podcast: Play in new window | Download (Duration: 1:38:43 — 45.6MB)

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Guests Joanna Hagan (chef, poet, playwright, author) and Francine Carrel (writer, editor) are the hosts of the Discworld podcast The Truth Shall Make Ye Fret, which is about to reach its 100th episode! Their format splits each novel up into three weekly episodes per month, and they’re going through the Discworld books in mostly publication order, with side trips to Pratchett’s non-Discworld work along the way. Find them wherever good podcasts are available, but also at their website, thetruthshallmakeyefret.com, and on Twitter, Facebook, Tumblr, Reddit, TikTok and probably something else by the time you read this. If you like what they do, please consider supporting them on Patreon.

You’ll find notes and errata for this episode on our web site.

As mentioned above and at the end of the episode, we’ve decided to cut ourselves some slack in the new year by extending the “Thud! trilogy” to four parts. In January we’ll be welcoming back Matt Roden to discuss the Discworld short story “A Collegiate Casting-Out of Devilish Devices“, featuring A. E. Pessimal and available in A Blink of the Screen. We’ll also tackle some more of your brilliant Thud! questions! If you have questions about the short story, send them via social media with the hashtag #Pratchat63 or via email to chat@pratchatpodcast.com.

Finally, if you want to catch The Amazing Maurice before the rest of the Australia, and you’re in Adelaide, the Australian Discworld Convention’s fundraiser screening is on Saturday, the 10th of December, at 3 PM at the Palace Nova Prospect. Get details and book your tickets here! (We won’t be there, but do tell us if you go!)

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ankh-Morpork, Ben McKenzie, CMOT Dibbler, Detritus, Dwarfs, Elizabeth Flux, Foul Ole Ron, Francine Carrel, Joanna Hagan, The Truth Shall Make Ye Fret, The Watch, Tie-in, Vetinari, Vimes, Where's My Cow?, Young Sam, Younger Readers

#Pratchat61 Notes and Errata

5 December 2022 by Ben 2 Comments

These are the episode notes and errata for Pratchat episode 61, “What Terry Wrote“, discussing the 24th Discworld novel, 2005‘s Thud! with guest Matt Roden.

Notes and Errata

  • The episode title plays with “What Tak wrote”, the creation myth of the dwarfs, as featured at the start of Thud!
  • For those interested, here’s the Pratchat intro script as it appears in our episode notes template. Ben updates it when creating the notes for a new episode, inserting the book’s title and the details for the guest.
LIZ: I’m Elizabeth Flux.
BEN: I’m Ben McKenzie.
LIZ: Welcome to Pratchat, the monthly Terry Pratchett book club podcast.
BEN: Each month we discuss one of Terry Pratchett’s books with a special guest.
LIZ: This month we’re reading Book Title, [pun/joke about the book].
BEN: And our [returning] guest is [descriptors], [guest name] - welcome [guest]!
  • 100 Story Building and Story Factory are not-for-profit creative writing centres for children and young people which run workshops centred around storytelling, literacy and writing, mostly in schools. Both were inspired in large part by 826 Valencia, a creative writing centre for established in San Francisco in 2002 by educator Ninive Caligari and novelist Dave Eggers (of McSweeney’s fame). Other similar organisations exist in many countries, including The Ministry of Stories in London (with which Matt was involved) and Fighting Words in Dublin.
  • A geode is a hollow, rounded sedimentary or igneous rock (and we’ll come back to that term) which has minerals on the inside of the hard outer shell. Those minerals often include crystals, like quartz or amethyst. Igneous geodes are often formed when there is a bubble of gas inside a flow of magma or lava. They’re very popular as jewellery and ornaments, and are often cut in half for display, with the flat edge of the shell polished to show off its formations too. They’re not to be confused with thunder eggs, which are similar but distinct spherical structures also formed in lava.
  • Octarine – the eighth colour, the colour of magic – is last definitely mentioned before Thud! in The Last Continent, back in 1998. (It might also be mentioned in The Last Hero, though this is harder to verify without re-reading the whole book.) It does get a passing mention in The Science of Discworld III: Darwin’s Watch, but only in a non-fiction chapter.
  • Detritus and Cuddy, the Watch’s first troll and dwarf recruits, argue – and become fast friends – in Men at Arms. We discussed the book all the way back in #Pratchat1, “Boots Theory“, and revisited in the live special #PratchatNALC, “Twice as Alive“.
  • The “dwarf and the troll in the rock band together” are hornblower Glod Glodsson and percussionist Lias Bluestone who form a band with Imp y Celyn’s in Soul Music. We discussed the novel in #Pratchat19, “It Don’t Mean a Thing If It Ain’t Got Rocks In“.
  • Rush Hour is a 1998 action comedy directed by Brett Ratner and starring Jackie Chan and Chris Tucker as Detective Inspector Lee from Hong Kong and Detective James Carter of the LAPD. Lee is summoned to Los Angeles to help rescue the kidnapped daughter of his former boss, and Carter is assigned to “babysit” him as punishment, making him determined to solve the case. It was a big hit, spawning two sequels: Rush Hour 2 in 2001, which moved the action to Hong Kong, and Rush Hour 3 in 2007, which took both officers away from home to Paris. There have been rumours of a fourth film for years, and in this era of legacy sequels who knows – it could still happen.
  • The Wire is an American crime television series created for HBO by David Simon, an American author and former crime reporter. It’s set in the city of Baltimore, in the US state of Maryland, and each season explores a different group connected to crime and law enforcement, though drug gangs and the police appear in all five seasons, which were first broadcast between 2002 and 2008. Season four, the one specifically mentioned by Matt, deals with the education system and the mayor’s office. The Wire notably stars Wendell Pierce as William “The Bunk” Moreland, a homicide detective who features in all five seasons; you might know him as the voice of Death in BBC America’s The Watch. (See #Pratchat52, “A Near-Watch Experience“.)
  • We’ll mention the earlier Watch novel, The Fifth Elephant, quite a few times this episode. It introduced the idea of the Deep Downers and is the origin of a lot of Discworld dwarf culture, previous books having mostly stuck to a parody of Tolkien’s dwarfs. It also announced the impending arrival of Young Sam We discussed it in #Pratchat40, “The King and the Hole of the King“, back in February 2021.
  • Fizz, the political cartoonist for The Ankh-Morpork Times, is named for Phiz, the pen name of popular Huguenot illustrator Hablot Knight Browne (1815-1882). His inclusion here (and in Monstrous Regiment) reflects that he contributed cartoons for the British satricial magazine Punch in very much the same style, but Browne was also known for illustrating novels and serialised stories in more reputable publications, most notably for Charles Dickens’ Pickwick Papers, which started with the pseudonym Nemo before changing it to Phiz. “Phiz”, by the way, is short for “Phizzog”, an English slang term for face which is derived from the word “physiognomy”, which means “a person’s facial features or expression”. (We’re not sure which came first, the cartoonist’s tag or the slang term, but its a fun word all the same.)
  • The Good Wife is a CBS legal drama set in Chicago, which ran for seven seasons between 2009 and 2016. It stars Julianna Margulies as Alicia Florrick, a woman who restarts her legal career as a junior lawyer when her State’s Attorney husband is jailed for corruption. It was followed in 2017 by The Good Fight, a spin-off starring Christine Baranski as her The Good Wife character Diane Lockhart, a senior lawyer at Florrick’s firm who has to start over at a new one after her daughter is scammed, resulting in financial disaster. It ran for six seasons between 2017 and 2022. We previously mentioned both shows in #Pratchat51, “Boffoing the Winter Slayer“. The Good Dwarf could deal with similar themes of what women are expected to give up for men, but adding in the unique species and gender angles of Discworld dwarfs. Don’t forget to tell us which characters you think should be in it!
  • Code-switching is originally a linguistic term for when a multi-lingual speaker changes between languages (or varieties of the same language) in the same conversation. This usage dates back to 1951 with the book Language of the Sierra Miwok by Lucy Shepard Freeland, when she notes it in the context of Californian First Nations people. Code-switching involves a great deal of mental energy as different languages have very different structures, idioms and modes of speech, and multilingual speakers often have to switch for their own needs as well those of the people they’re speaking to. The term has seen expanded use to mean switching between any two different modes of speaking (or thinking), especially when it comes to different levels of privilege, expected gender roles, and neurodiversity.
  • The Da Vinci Code was Dan Brown’s smash hit novel from 2003 (two years before Thud!), the second to star Robert Langdon, a university professor who specialises in religious iconography and “symbology”. Langdon, who was introduced in Brown’s 2000 novel Angels & Demons, would appear in four more books. The Da Vinci Code‘s plot uses ideas from earlier writings about the Holy Grail and the Templars, and kicks off when professor is murdered to protect a secret about Christ which was uncovered by Leonardo da Vinci, who left clues in his paintings – most notably The Last Supper. It was controversial for its portrayal of the Catholic Church (who employ assassins in the book) and Christianity in general, as well as for its cavalier attitude to religion, history and art – Brown claimed in interviews that the background history he used for the book was “all” or “99%” true, including the existence of secret societies generally considered fictitious. In 2005, the same year as Thud!, Tony Robinson – comic actor, Discworld audiobook narrator and presenter of Time Team – produced The Real Da Vinci Code for Channel 4, in which he debunked many of the supposed historical facts mentioned in the book. This didn’t hamper the book’s immense popularity, though, and in 2006 it was adapted for film by Ron Howard, with a script by Akiva Goldman and starring Tom Hanks as Langdon. The film was followed by adaptations of Angels & Demons and the fourth Langdon novel, Inferno.
  • A cyclorama (not “cyclodrama” as Matt says, though we’re all for drama in the round) is the Roundworld equivalent of Ransom’s painting in the book: a panoramic painting intended to be displayed on the inside of a cylindrical platform, surrounding the viewer. The term is also used for the building or room designed to hold such a painting. They were apparently very popular in the late 19th century. These days “cyclorama” is more commonly used to refer to the all-white backdrops used on stages, or in photography studios, where they are curved to give the illusion of there being no background at all.
  • Mr Sheen is an Australian brand of cleaning products – specifically an aerosol-based surface polish – created in the 1950s. They were popular well into the 1990s, remembered for their mascot, a small Mr Magoo-like cartoon figure with a large shiny forehead and glasses, and his catchy advertising jingle. He found success in other markets, too, notably the UK, where the Australian mascot was replaced by a moustached flying ace who flew around the house on a can of the product. “Mr Shine” has also been used as a name by many cleaning companies and products, though none of them seem famous enough to be a direct reference.
  • The city of Dis appears in Inferno, the first part of Dante’s The Divine Comedy, where it encompasses Lower or Nether Hell – which are the sixth, seventh, eighth and ninth circles, housing those souls whose sins were willing or “obdurate” (i.e. unrepentant) – in order, those of heresy, violence, fraud and treachery. The city’s outer walls are surrounded by the River Styx, which forms a moat. Its name is derived from Virgil’s Aeneid, which refers to the Underworld as “the realms of Dis”, and mentions its “mighty walls”. “Dis Pater”, Latin for “Father of Dis”, was also the ruler of the Underworld in Roman mythology.
  • The Gooseberry is most obviously a pun on the Blackberry, the early smartphone which was a little ahead of its time, but nonetheless popular with high-powered business folks in the 1990s and 2000s, before the advent of touch-screen smartphones with the iPhone and its competitors. It might also be a reference to UK slang, in which a “gooseberry” is like a “third wheel” – someone who feels a bit unnecessary or left out in company, usually a couple.
  • “Unrelenting standards” is a psychological term for internal pressure to perform well, manifesting as perfectionism, difficulty in gauging one’s own performance compared to what’s generally considered acceptable, a desire to avoid criticism or mistakes, and an obsession with productivity and efficiency. It’s often said to be a product of growing up being valued primarily for your achievements, or in an atmosphere of frequent criticism and little praise.
  • We’ve previously mentioned the Love Languages in #Pratchat46, “The Helen Green Preservation Society“. They originate in the 1992 book The Five Love Languages: How to Express Heartfelt Commitment to Your Mate, which was written by Gary Chapman, a Baptist pastor and radio host. The book was phenomenally successful, selling more than 11 million copies and spawning many sequels and imitators. Ben is not a fan because the idea is very reductive; psychologists and counsellors have criticised Chapman’s work for over-simplifying and homogenising human experiences of love and communication, even where they appreciate the metaphor and have tried to expand it. Other critics note that Chapman is not professionally trained in psychology or counselling, holds some deeply conservative and homophobic views, and based his book on his experience with a fairly narrow sample of his parishioners. He also rejects any expansion of the idea. perhaps because its made him a great deal of money… For the record, his original five love languages are “Acts of Service”, “Words of Affirmation”, “Quality Time”, “Receiving Gifts” and “Physical Touch” – which you can probably see already leaves out a lot.
  • For more about Moving Pictures as a horror story, see our discussion in #Pratchat10, “We’re Gonna Need a Bigger Broomstick“.
  • Stephen King’s “Tak” appears in his 1996 novels Desperation and The Regulators, the latter of which was published under King’s outed pen name Richard Bachman, claiming to be a novel Bachman had written years earlier. Instead, it’s intentionally a story set in a parallel universe to Desperation, with alternate versions of many of the same characters – including the author!. Like the Summoning Dark, King’s Tak comes out of a deep mine in the desert and inhabits a human host – in Desperation it is a police officer who becomes a sort of berserker. We won’t say too much more, but as Ben mentions in the episode, the similarities don’t go much further than that, but it might be a deliberate reference.
  • The HBO miniseries starring Ben Mendelsohn is the 2020 adaptation of another Stephen King book, 2018’s The Outsider, which does indeed have a similar plot.
  • “And then the car ate a person I guess?” is a reference to Stephen King’s Christine, a 1983 novel about a seemingly possessed, jealous and violent classic car named “Christine”. It was adapted the same year into a film by John Carpenter, with some details – notably the source of the car’s demonic presence – changed considerably. Carpenter directed it as a career-saving move after his previous labour-of-love film, The Thing, didn’t do well at the box office, but both films are now cult classics. A remake of Christine is rumoured to be in production.
  • A “cryptex” is a small container with a secure, complex lock, intended to carry secret messages. The term – a portmanteau of “cryptic” and “codex” – was invented by Dan Brown for The Da Vinci Code, though there’s nothing about the device itself that requires the use of cryptology to use. The original version in the novel is a hollow cylinder made of stone and brass with five rotating sections, each containing every letter of the alphabet (though whether it’s the Latin or modern English alphabet is unclear). This makes it basically a letter-based combination lock with between 280,000 and 11 million possible combinations, depending on some details not given in the novel. Physical reproductions of the cryptex have become widely available since the release of the Da Vinci Code film; Ben has even used one as part of an escape room experience he designed.
  • We mention that on the Discworld, werewolves are classified as undead, something which dates back to Angua’s first appearance in Men at Arms. We’ve never really agreed; see above for our episodes about the book, where we decide they are, if anything, “twice as alive”.
  • “A Collegiate Casting-Out of Devilish Devices” is the fifth and final Discworld short story, first published in the Times Higher Education Supplement in May 2005, just four months before Thud! We’ll be discussing it in #Pratchat63, coming in January 2023.
  • “Fracas“, along with “rumpus”, are both used by William de Worde during a meeting with Lord Vetinari in The Truth. A footnote describes them as the word equivalent of rare fish, claiming that they are “found only in certain kinds of newspapers” and “never used in normal conversation.” For more on this, see #Pratchat42, “Truth, the Printing Press and Every -ing“.
  • Liz mentions “Incepting The Wire“; she’s invoking the concept of “inception” from Christopher Nolan’s 2010 film Inception. The film is about a crew of criminals who use technology to enter the dreams of others, stealing important secrets from their subconscious. The plot of the film involves the crew being hired for the more difficult crime of “inception”: inserting an idea into the mind of the target.
  • We Own This City is a 2022 television mini-seres created by David Simon for HBO. Like The Wire, it’s set in Baltimore and is about law enforcement – in this case, corrupt members of the Gun Trace Task Force, based on real-life events which occurred between 2015 and 2019.
  • The Descent is a 2005 British horror film written and directed by Neil Marshall. Ben doesn’t necessarily recommend it, especially if, like him, you’re not really a horror fan – it’s pretty full on. Ben prefers the director’s previous film, the 2002 black werewolf comedy Dog Soldiers, but The Descent was pretty successful. A sequel, The Descent Part 2, was released in 2009, though it was directed by Jon Harris, who edited the original. It’s considered to be…not as good.
  • When Detritus is in the desert of Klatch in Jingo, he initially has a lot of trouble in the heat, especially as his helmet conks out. Later, at night when the desert is very cold, his brain cools and becomes more efficient, as he puts it. Sadly he doesn’t say anything about the apparent demise of his helmet; the relevant passage is quoted below, and the helmet isn’t mentioned again. See also our discussion of the novel in #Pratchat27, “Leshp Miserablés“, and our next episode, #Pratchat62, “There’s a Cow in There“, when we mention the helmet again.

The troll was standing with his knuckles on the ground. The motor of his cooling helmet sounded harsh for a moment in the dry air, and then stopped as the sand got into the mechanism.

Jingo – Terry Pratchett, 1997
  • Matt mentions Brick’s stream-of-consciousness passages read like “an excerpt from an Irvine Welsh novel“. Welsh is a Scottish author, most famously of Trainspotting, the 1993 novel about a group of addicts – of heroin or other things – that was adapted into film by Danny Boyle in 1996. Both book and film are considered classics.
  • Matt’s “dribbling dragon” is an allusion to “Chekhov’s gun” (originally “Чеховское ружьё”, or “Chekhov’s rifle” in Russian), advice given by the Russian playwright Anton Chekhov in several letters to younger writers in the early twentieth century. It’s basically the idea that you should only include necessary details in your story – the usual example being that if you include a gun in the first act of your story, it should be used to shoot someone before the end of the play or else taken out of the story entirely.
  • Reg Shoe, revolutionary-turned-zombie-turned-activist-turned-police detective, is not at all mentioned in Thud!, despite having a prominent supporting role in the two preceding Watch novels, The Fifth Elephant and Night Watch. Angua does mention in passing to Sally that “no-one cares if you’re a troll or a gnome or a zombie or a vampire”, but that’s as close as it comes. Vimes doesn’t even think of Reg during the flashback to his meeting with the Patrician about Sally, when he mentally lists the weirder members of the Watch: he thinks only of trolls, dwarfs, golems, a werewolf, an Igor and Nobby.
  • We’ve mentioned the British drama Downton Abbey a few times before on the podcast, most notably in #Pratchat36. The series was created and co-written by English actor, writer, director and actual aristocrat and member of the House of Lords, Julian Fellowes. It follows the inhabitants of the titular manor house: the aristocratic Crawley family, led by Lord Grantham, and their servants. It’s set between 1912 and 1925 and features many significant historical events, including the sinking of the Titanic, the Great War, and the Spanish Flu epidemic. (Of note: Mary Crawley, eldest daughter of Lord Grantham, is played by Susan Dockery, known to Discworld fans as Susan in the television adaptation of Hogfather.) It ran for six series on ITV between 2010 and 2015, and became a worldwide phenomenon, especially after it was added to the streaming service Netflix. The story has since been continued in two films: Downton Abbey in 2019, set during a visit by the royal family to Downton in 1927, and Downton Abbey: A New Era in 2022, set in 1928 and involving a film crew hiring the Abbey as a location, and the family going on a trip to France to visit a villa the Dowager Countess (played by Maggie Smith) is bequeathing to one of her great granddaughters. Fellowes also created the HBO series The Gilded Age, set in 1880s America, and there’s been talk of potentially featuring a younger version of Smith’s character in that show.
  • When Ben mentions “the witch in that Tiffany Aching book“, he’s referring to Miss Level, the witch with two bodies – kind of the opposite of Miss Pickles and Miss Pointer – who mentors Tiffany in A Hat Full of Sky. For more on that, listen to #Pratchat43, “Big Wee Hag: Far Fra’ Home“.
  • The Leonardo DiCaprio pointing meme is an image of the actor character Rick Dalton pointing at a movie screen when he sees himself, taken from the film Once Upon a Time in Hollywood (2019, dir. Quentin Tarantino). It’s often used in conjunction with a quote, retweet or another image to show the poster self-identifies with it. We previously mentioned it in #Pratchat36, “Home Alone, But Vampires“, and #Pratchat43, “Big Wee Hag: Far Fra’ Home“.
  • Ben hasn’t yet confirmed whether its Mr Shine or Grag Bashfulsson who warns Vimes he might have to rein in his anger more than usual, but he’ll keep looking.
  • Vetinari worries he’s pushed Vimes too far in Men at Arms, though Ben has the reasoning backwards – he’s worried because, as he mentions to Leonard da Quirm, Vimes didn’t punch the wall.
  • Tracey Emin is a British artist known for her personal, confessional works in a variety of media, and was considered an enfant terrible of the Young British Artists (or YBAs) in the late 1980s and early 1990s. Her most famous piece is probably Everyone I Have Ever Slept With 1963-1995, a tent appliquéd with the names of all her sexual partners, which was destroyed in a fire in a storage facility in 2004. The “modern” artworks mentioned in the book are by Daniella Pouter, and include Don’t Talk to Me About Mondays, described as a pile of rags, which might be a reference to Emin’s famous 1998 work My Bed, literally the artist’s bed piled with items from her bedroom in disarray.
  • “The Peaky Blinders thing” is a reference to the flat caps with sharpened pennies sewn into the brim, used as concealed weapons by Willikins street gang. The real “Peaky Blinders” were a street gang in Birmingham in the 1880s through to the 1910s; there’s a story that they used caps with razor blades sewn into them as weapons, leading to the gang’s name, but the name pre-dates disposable razor blades so this is probably apocryphal. A more sound theory is it referred to their sartorial style: they did wear flat caps, but also dressed rather well for a street gang, so the name probably referred to the hats and that they were fancy, as “blinder” is Birmingham slang for “dapper”. Another possibility is their technique of grabbing a robbery victim’s hat from behind and pulling it down over their eyes, so they wouldn’t be seen and couldn’t be identified. The term has become popular again since the BBC series Peaky Blinders gained popularity, though it’s a heavily fictionalised version of the real gang. It ran for six series between 2013 and 2022.
  • We heard the story of Michael Williams’ 2014 interview with Pratchett during the recording of #Pratchat26, “The Long Dark Mr Teatime of the Soul“, and we included his story in the third episode of our subscriber bonus podcast, Ook Club. You can hear the full discussion as “Imagination, Not Intelligence, Made Us Human” on the Wheeler Centre website…or you could. Now, instead, we direct you to the video of the discussion on YouTube. There’s a lot of good stuff in it!
  • If you’re interested in a full count of who dies in the Discworld books, you’re in luck: The L-Space Web fan site has just such a record! Like a lot of things on L-Space, “The Death Lists” wasn’t maintained all the way to the end of the series, but peters out around the time newsgroups and static websites were being replaced by social media and wikis. But, in this case, it only goes up to Thud! so happily (if that’s the right word) it covers most of the books we’ve discussed on the podcast up to this point. Though you might want to take it with a grain of salt – we note the Thud! entry doesn’t seem to include the four mining dwarfs left to die under Ankh-Morpork after hearing what the Cube had to say…
  • Ben would like to apologise for being needlessly pedantic about the two Discworld books which don’t feature Death, and his roasting at Matt’s hands is well deserved. Despite that, we can confirm he remembered correctly that they are The Wee Free Men (which we covered in #Pratchat32, “Meet the Feegles”) and Snuff. The Reaper Man thing is absolutely not true, do not go back and check or listen to #Pratchat11, “At Bill’s Door”.
  • The Thing appears in the Bromeliad, mostly the first and final books Truckers (see #Pratchat9, “Upscalator to Heaven”) and Wings (see #Pratchat20, “The Thing Beneath My Wings”). In those books the Thing is a small, seemingly indestructible black cube passed down through generations of Nomes to Old Torrit and then Masklin, which used to occasionally speak and provide advice. When Masklin brings it to Arnold Bros, it recharges itself using the Store’s electricity and reveals that it is “Flight Recorder and Navigation Computer of the Starship Swan”, helping Masklin with a lot of his plans to get the Nomes out of the Store and eventually back to their home planet. Cube-shaped computers and recording devices also appear in other media, most notably in Star Wars, where both the Jedi and the Sith store holographic recordings on “holocrons” which are commonly cube-shaped.
  • The main mentions of school projects in Pratchett’s work occur in the Johnny books. In Chapter 5 of Johnny and the Dead, Johnny uses the excuse of a school project to ask about the surviving member of the Blackbury Pals, claiming that “You could get away with anything if you said you were doing a project.” He uses this trick again in Johnny and the Dead in order to speak to Mrs Tachyon when she’s in hospital, and his legit history project comes in handy when the kids have to disguise themselves for a trip back in time to the 1940s.
  • Bedknobs and Broomsticks (1971) is a Disney musical blending live-action and animation, much like Mary Poppins. Also like Mary Poppins, its based on novels for children by an English author, in this case Mary Norton’s The Magic Bedknob; or, How to Become a Witch in Ten Easy Lessons (1944) and Bonfires and Broomsticks (1947). The protagonist, Ms Eglantine Price (played by Angela Lansbury in the film, in her screen musical debut), is a single woman living in a coastal village in Dorset during World War II who is, against her will, saddled with some children evacuated from London. They discover Ms Price is learning witchcraft by correspondence, and end up joining her on an adventure to complete her education and locate a powerful spell she believes can aid in the war effort. It’s not specifically included in the list of Pratchett Family Movies (or PFMs) mentioned in a footnote in Chapter 9 of A Life With Footnotes, but it wouldn’t look out of place next to the likes of Time Bandits, The Princess Bride and Ladyhawke.
  • Irish, British and American actor Angela Lansbury (1925-2022) had a long and distinguished career on stage and screen. She is best remembered as Jessica Fletcher, the crime writer protagonist of the popular American cosy mystery TV series Murder, She Wrote, which ran for twelve seasons between 1984 and 1996, followed by four TV movies up until 2003. But she was also an accomplished singer, and played many famous roles in stage musicals including being the original Mrs Lovett in Sweeney Todd: The Demon Barber of Fleet Street, and Mrs Potts in the Disney film Beauty and the Beast. Her last role being a cameo appearance as herself in Ryan Johnson’s Glass Onion in 2022, and she died on 11 October, 2022, not long before we recorded this episode.
  • In Thud!, while complaining to Cheery about the announcement in the Times that the post office is issuing memorial Koom Valley stamps, Vimes says “Remember the cabbage-scented stamp last month?” This is an unusually direct reference to the events of the immediately previous Discworld novel, Going Postal (see #Pratchat38, “Moisten to Steal”). In Chapter 12, once stamp collecting has started to take off, Junior Postman Stanley Howler presents his own design to Moist for a stamp depicting a cabbage, printed with cabbage ink and using gum made from broccoli: “A Salute to the Cabbage Industry of the Sto Plains”. This directly links the two books as being closer in time than the gap between their publication, and reinforces the basic idea that the Discworld books more or less happen in the order in which they’re published, with a couple of notable exceptions.
  • Ridcully certainly has a busy month. The above link suggests that there is less than a month between Ridcully overseeing Moist’s race against the Clacks in Going Postal and tricking out Vimes’ coaches in Thud! Ridcully also appears at an important meeting near the end of Making Money, and also has his head printed on the fee-dollar note when Moist introduces paper money in the final chapter. Of note: The Science of Discworld III (see #Pratchat59) and the short story “A Collegiate Casting-Out of Devilish Devices” (see #Pratchat63) were also published the same year as Thud!, so Ridcully may also be dealing with A. E. Pessimal’s inspection and an invasion of Auditors into Roundworld at around the same time. A busy month indeed!
  • Brian Blessed (b. 1936) is an English actor from Yorkshire who is known for his booming voice. His best-known roles include King Richard IV in the first series of Blackadder, Prince Vultan of the Hawkmen in the 1981 film version of Flash Gordon, and the voice of Boss Nass in Star Wars Episode I: The Phantom Menace. But he’s been a fixture of British television, stage and film for years, popping up in memorable guest roles in Space: 1999, Blake’s 7, Doctor Who and many more. As well as many cult films of the 1980s, he’s been in Kenneth Branagh’s Shakespeare films Henry V (1989), Much Ado About Nothing (1993) and Hamlet (1996). Of note to Terry Pratchett fans, he appears as William “Bill” Stickers, deceased communist, in ITV’s 1995 adaptation of Johnny and the Dead.
  • Lord Melchett, played by Stephen Fry, is another character from the British sitcom Blackadder. He appears in the second series, Blackadder II, as an obsequious member of the royal court and Lord Edmund Blackadder’s rival for the favour of Queen Elizabeth I. In this instance, though, Ben is really thinking more of Lord Melchett’s descendent, the Blackadder Goes Forth character General Melchett (also played by Fry), who is more over-the-top eccentric and dangerously in charge of British soldiers on the front line during World War I.
  • We’ve mentioned Back to the Future before, most recently in #Pratchat54, “The Land Before Vimes”, our discussion of Night Watch. In the film, eccentric scientist Doc Brown creates a time machine using a DeLorean sports car. Its time travel device, the “flux capacitor”, requires the vehicle to travel at 88 miles per hour (about 142 kilometres per hour); when it hits that speed the car and its occupants are instantly transported to the destination point in time, leaving behind flaming tyre tracks. At the end of the first film, Doc returns from a trip to the future to take his young friend Marty “back to the future”; Marty worries they don’t have enough road to get up to 88mph, to which Doc famously replies “Roads? Where we’re going, we don’t need roads.” The DeLorean then begins to fly… Pratchett was a fan of the film – the biography A Life With Footnotes recounts the story of the time he almost bought a replica of the DeLorean time machine – and he previously referenced it in Soul Music, in which Binky leaves flaming hoof prints behind when he travels time-bendingly fast.
  • George R. R. Martin is the bestselling author of the A Song of Ice and Fire fantasy series of books that begins with A Game of Thrones. The series was famously adapted for television by HBO as Game of Thrones. The novels are very long, but don’t all cover the same amount of time; by some estimates, the narrative time that passes varies between as little as a few months to more than a year. And then you have to factor in that the seasons of the world of the book are also irregular, for undisclosed fantastical reasons…
  • Listener Graeme Kay sent us in his tip that he thinks Koom Valley might be based on a place in Far North Queensland, not least because Pratchett is known to have spent plenty of time on holiday in that part of Australia. The specific place Graeme was thinking of is at Babinda Boulders on the land of the Yidindji people south of Cairns. Graeme mentioned “The Devil’s Pool”, but it’s one of several specific spots at Babinda which are connected by rushing water (the others are “The Chute” and “The Washing Machine”). Despite warning signs and local oral traditions about Siren-like dangers, younger tourists continue to visit those parts of the Boulders. More than twenty people have died there in the last century or so, largely because of underwater hazards that make it very difficult to survive being dragged under by the current. Those hazards do sound very similar to the ones encountered by Vimes in Koom Valley, and which would have surely killed him if not for the influence of the Summoning Dark. Sadly this is not a phenomenon of the past; the latest death occurred in December 2021, and a recent safety review completed in January 2023 recommended better signage to try and prevent more deaths. You can read about that, and see pictures of the location and diagrams of the hazards there, in this ABC news article.
  • We discussed Carpe Jugulum, the last of the witches books, in #Pratchat36, “Home Alone, But Vampires”.
  • Granny Weatherwax battles with her sister Lily in Witches Abroad. It’s never stated clearly, but it’s suggested that Lily is older than Granny, though her use of magic makes her look younger. She’s never described as her twin.
  • Granny doesn’t say anything about it, but in Carpe Jugulum when she is fighting the influence of Count de Magpyr, she has to choose between the darkness and the light to escape the lands of Death. In the end, she faces the light…and steps backwards. A very Granny Weatherwax solution, and reminiscent of her dilemma in the mirror dimension in Witches Abroad.
  • Liz says “Revved up like a deuce”, which is a lyric from “Blinded by the Light”, a song by Bruce Springsteen released on first album, 1973’s Greetings from Asbury Park, N.J. It was famously covered by Manfred Mann’s Earth Band on the 1976 album The Roaring Silence, and that version was a top ten hit in several countries.
  • We’ve previously mentioned Sophie’s Choice, the 1979 final novel by American author William Styron, which was adapted into a film in 1981 starring Meryl Streep, Kevin Kline and Peter MacNicol. While it’s meant to be a surprise revelation in the story, it’s now famous for Sophie – a Polish immigrant who escaped Nazi Germany – having to choose which of her two children would be killed when she was sent to Auschwitz, with both of them being killed if she refused to choose. It’s since entered popular culture as a shorthand for an impossible (or at least very difficult) choice.
  • We mention a few famous fictional butlers this episode, including Alfred Pennyworth (Batman), Mr Butler (Miss FIsher’s Murder Mysteries), Alfred Pennyworth (not to be confused with Pennywise the Clown), and Jeeves (of Jeeves and Wooster fame). We previously talked about Willikins and the “battle butler” trope in #Pratchat27, “Leshp Miserablés”, when discussing Jingo.
  • The line about a god of policemen does not actually appear in Feet of Clay (#Pratchat24), and Vimes doesn’t say it – though it is attributed to him. In The Last Hero (#Pratchat55), when Carrot arrives in Dunmanifestin, chief god of the Disc Blind Io asks Carrot if there’s a god of policemen. ‘No, sir,’ Carrot replies. ‘Coppers would be far too suspicious of anyone calling themselves a god of policemen to believe in one.’ There’s also this line from near the start of Night Watch (#Pratchat54), which explains why most Watch members are buried in the Cemetery of Small Gods: “Policemen, after a few years, found it hard enough to believe in people, let alone anyone they couldn’t see.”
  • Despite his self-doubt, Ben is right: igneous rock is indeed formed by volcanoes. Specifically, igneous rock is formed from cooled magma or lava, forms of molten rock that naturally occur beneath the Earth’s crust but come nearer the surface in volcanos (magma) or are released during an eruption (lava).
  • Liz and Ben are both sort of right about the difference between concrete and cement. Cement is the binding agent used to make concrete, mortar, stucco and grout. It’s a combination of limestone, clay, shells and silica sand, which is mixed with water and then sets hard when it dries out. It’s not often used on its own, but instead combined with aggregate (a mixture of gravel and sand) to make concrete, which is the hard substance used for footpaths, driveways and structures. Most cement today is “Portland cement”, a fine grey powder developed in the 19th century by father and son Joseph and William Aspdin, who named it for its resemblance to Portland stone from the island of Portland in Dorset in the south of England. It mostly replaced the use of hydraulic lime, or “quicklime”. Cement is also combined with sand to make mortar, the “glue” that holds bricks together, and stucco, also known as render, used as a wall covering and to fashion ornamentations; and grout, used to fill the gaps between tiles. While all three use the same basic ingredients, they use different recipes, techniques and additives to achieve different consistencies suited to each use.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Angua, Ankh-Morpork, Ben McKenzie, Carrot, Colon, Detritus, Dwarfs, Elizabeth Flux, Matt Roden, Mustrum Ridcully, Nobby, The Watch, Trolls, Vetinari, Vimes

#Pratchat61 – What Terry Wrote

5 December 2022 by Pratchat Imps Leave a Comment

Designer and educator Matt Roden delves deep under Ankh-Morpork with Liz and Ben as they unravel the mystery of the penultimate City Watch book, 2005’s Thud!.

As the anniversary of the Battle of Koom Valley approaches, the dwarfs and trolls of Ankh-Morpork find their ancient enmity stirred up – not least by Hamcrusher, a conservative leader of the “Deep Down” dwarfs, who has preached hatred against the trolls. But now Hamcrusher’s dead – not that the other deep downers want the Watch to know about it – and Vimes must solve the puzzle of his murder before tensions explode across the city. On top of that, he’s also been sent a government inspector, he’s had to take on the Watch’s first vampire, someone’s stolen the most talked-about painting in town – and he has to get home at 6 o’clock sharp, every night, to read Where’s My Cow? to his infant son…

While most Watch books have a mystery that needs solving, none so far have felt as much like a contemporary thriller as Thud! There’s an awful lot going on, with politics, religion, art and history all in the mix. Is it too much for one book? Are there threads that get dropped along the way? Is Pratchett having his cake and eating it too with his fantasy abstractions of real world issues? And who do you think should star in Discworld legal drama The Good Dwarf? Join in the conversation using the hashtag #Pratchat61 on social media!

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_61.mp3

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Guest Matt Roden is a graphic designer, educator and the Creative Learning Manager for the Museum of Contemporary Art Australia. Matt has a long history with storytelling and education; he helped set up The Ministry of Stories in London, and was the first volunteer and a long-running Storyteller with Sydney’s Story Factory. You can follow Matt on Instagram (where you can see photos of his dog) at @matthewrodeo.

As usual, you can find notes and errata for this episode on our web site.

We apologise that this episode has gone out much later than planned. While our schedule has gotten a little out of whack, we’ll still be continuing our “Thud! trilogy” next episode with our special crossover with sibling Pratchett podcast The Truth Shall Make Ye Fret. We’ll be joined by Jo and Francine to discuss Where’s My Cow?, the hottest children’s book in Ankh-Morpork! Plus we have plans to extend our Thud! trilogy to four parts – details coming in our very next episode.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Angua, Ankh-Morpork, Ben McKenzie, Carrot, Colon, Detritus, Dwarfs, Elizabeth Flux, Matt Roden, Mustrum Ridcully, Nobby, The Watch, Trolls, Vetinari, Vimes

Eeek Club 2022

25 May 2022 by Pratchat Imps 1 Comment

It’s a second instalment of the Pratchat Eeek Club! Each year, on the Glorious 25th of May, we release a bonus episode discussing Terry Pratchett-related topics selected by our “Eeek” tier subscribers.

This year, the topics are:

  • What was good, fun and enjoyable about The Watch?
  • Is Vimes a Cynic, a Stoic, or an Epicurean?
  • What was Granny Weatherwax and Ridcully’s relationship like, and why didn’t it continue?
  • What pop culture would you have liked to have seen referenced in a Discworld novel?
  • What moments from the series hit you personally because of a personal experience?
  • If democracy came to Ankh-Morpork, what political parties would we see?
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Posted in: Podcast Tagged: Ankh-Morpork, Ben McKenzie, Bonus Episode, CMOT Dibbler, Eeek Club, Elizabeth Flux, Granny Weatherwax, Harry King, Moist von Lipwig, Mustrum Ridcully, Patrician, Reg Shoe, Roundworld, The Watch, Vetinari, Vimes

#Pratchat54 Notes and Errata

8 April 2022 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 54, “The Land Before Vimes“, discussing the twenty-ninth Discworld novel, 2002’s Night Watch with returning guest Nadia Bailey.

Notes and Errata

  • The episode title puns on the 1988 animated feature film The Land Before Time (dir. Don Bluth), in which an improbable group of very cute baby dinosaurs who are separated from their parents and search for a safe haven known as the Great Valley. It was quite the sensation at the time, and spawned no fewer than thirteen direct-to-video musical sequels. (Ben tried out several different time/Vimes puns and liked this one the best, since the Ankh-Morpork of thirty years ago is effectively the land before Vimes.)
  • Nadia last appeared on Pratchat just over three years ago, in March 2019, for #Pratchat17, “Midsummer (Elf) Murders“, discussing Lords and Ladies. (Not including “pandemic time”, that’s only about twelve months ago.) The last time we recorded in person was a year after that, for #Pratchat29, “Great Rimward Land“, released in March 2020.
  • Will Alma (1904-1993) was a Melbourne magician and historian of magic. Liz did indeed create the Wikipedia page about Alma; we’ll let you read it to find out more. You can also find information about the W G Alma Conjouring Collection on the State Library of Victoria website.
  • Iceland spar is a transparent form of crystallised calcium carbonate, or calcite; it looks a bit like chunky glass, and crystals are usually rhombus shaped. It’s found in many parts of the world, but the most famous source is the the Helgustadir mine in Iceland – hence the name. It has birefringence, which means that it refracts light differently depending on its polarisation. (Polarisation describes the direction in which a wave oscillates. Light from the sun and most natural sources is said to be “unpolarised”, because it’s made up of a mixture of waves oscillating in all directions.) In practical terms, Iceland spar splits unpolarised light into two distinct beams when it passes through the crystal. It’s thought to be the crystal known as sólarsteinn (“sunstone” in Old Norse) by the Vikings, who used the birefringence effect on sunlight to find the exact position of the sun – a vital bit of data in navigation – even when it was obscured by cloud.
  • Back to the Future (1985; dir. Robert Zemeckis) is the classic comedy time travel movie, and we’ve mentioned it on the podcast before. In the film, teenager and wannabe rockstar Marty McFly (Michael J Fox) accidentally activates a time travelling car built by his mentor, Doc Brown (Christopher Lloyd), and gets stranded thirty years in the past. When trying to get home, he interrupts the event that caused his parents to meet, and spends the rest of the film trying to get them together before he alters history and wipes himself from existence. This is a form of the Grandfather Paradox – a time traveller interfering with the past in such a way as to cause themselves not to exist.
  • The Amazing Maurice and His Educated Rodents is actually the Discworld book immediately before this one; it’s the first explicitly written for younger readers, and also the first not to have a cover by Josh Kirby after he was established as the regular cover artist. (The Colour of Magic was initially published with a cover painting of Great A’Tuin by Alan Smith; Kirby was brought in from that book’s second edition.) We discussed The Amazing Maurice back in July of 2020, in #Pratchat33, “Cat, Rats and Two Meddling Kids“. An animated film adaptation, The Amazing Maurice, is scheduled for release some time in 2022.
  • We discussed Men at Arms, including Vimes’ possible retirement, back in #Pratchat1, “Boots Theory“. We revisited it (rather shambolically) for the live recorded episode #PratchatNALC, “Twice as Alive“.
  • There are many fan-produced Discworld timelines but the most famous is the one developed by members of the alt.fan.pratchett newsgroup, and published on the L-Space Web. You can find the latest evolution of that timeline on the L-Space Wiki.
  • Sergeant Abba Stronginthearm was recruited by Carrot as part of his militia in Men at Arms, and subsequently mentioned in Jingo (where he is the next senior Corporal after Nobby) and features briefly in The Fifth Elephant (where’s he’s made Sergeant, and takes part in the Ankh-Morpork investigation into the theft of a model of the Scone of Stone).
  • Poppies are the symbol of Remembrance Day (November 11, marking the armistice that ended hostilities in World War I) and, in Australia and New Zealand, ANZAC Day (April 25, marking the landing of Australian and New Zealand troops at Gallipoli in Turkey, and the subsequent campaign in which thousands died). They are mostly worn in the United Kingdom and Commonwealth countries. Pins of artificial poppies are sold to raise funds for veterans, and are worn by anyone who wishes to remember the dead of World War I (and, later, World War II). The poppy as an emblem was inspired by John McCrae’s poem “In Flanders Fields”, which refers to poppies growing in what were the battlegrounds in France and Belgium. The first lines of the poem read:
In Flanders Fields, the poppies blow
Between the crosses, row on row, 
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
  • We’ve mentioned the end of Disney villains like Gaston before, in Eeek Club 2021, and #Pratchat28, “All Our Base Are Belong to You“. The trope is that the hero doesn’t kill the villain, but they die anyway because they act on their own wrath or greed, causing their own death (often by falling). This simplifies the story by preventing the need for any kind of forgiveness or punishment, giving the heroes an easy happy ending. (TV Tropes calls this a “Disney Villain Death”, which is specifically for the falling off of something version.)
  • We’ve mentioned the dimension-hopping TV show Sliders before, mostly in episodes about Pratchett’s own multi-dimensional epic, The Long Earth series (see #Pratchat31 and #Pratchat46), but also in #Pratchat37, “The Shopping Trolley Problem“. The specific episode Ben refers to here is “Post Traumatic Slide Syndrome”, from about halfway through the second season in 1996. The title also refers to the framing device of one of the sliders, soul singer Rembrandt Brown, telling his story to a psychiatrist. Arturo’s final line that episode was indeed “Oh, my God…”
  • While Ben still questions applying it to time travel, Liz is right in that realistic theories of teleportation involve destroying a person and building a copy of them at their destination. This is because the transmission of actual matter is impossible, but it’s at least theoretically possible to transmit the information about the physical state of a person or thing and then recreate it perfectly at the destination. In such a setup, the original is disintegrated, possibly as part of the scanning process, or just to avoid creating copies of people and collect raw material for the return journey. There’s some disagreement over whether this is how transporters work in Star Trek – some explanations say it is, while others claim they transmit the original matter at a “quantum level”, though it is definitely broken down first. The philosophical implications of either version are usually ignored until it goes wrong, perhaps most famously in the Star Trek: Voyager episode “Tuvix”. Some other stories which explore these ideas include Australian author Sean Williams’ Twinmaker trilogy of YA novels, a film we won’t name because it’d be a spoiler, and Ben’s own audio comedy mini-series Hello! My Name is Eddie, specifically in the episode “The Psychological Experiment of Death”.
  • Buggy Swires, gnome watchman, rides a heron for this kind of operation. He prefers a sparrowhawk for crowd control, but doesn’t seem unhappy with his heron, which he tames through a combination of concussion and a secret potion. If this feels a bit like the bird-riding antics of a certain Nac Mac Feegle, don’t worry – all will become clear in several books’ time.
  • For more information about the lightning strike from Thief of Time, see our episode about the book: #Pratchat48, “Lu-Tze in the Sky with Lobsang“.
  • In The Terminator (1984; dir. James Cameron) and its sequels, characters from the future explain that the “time displacement equipment” they use requires a bioelectric field to work, which is why only living organic beings or things which mimic them successfully can travel through it. This includes the T-800 terminator, which has real flesh covering its metal endoskeleton, or the later models which are either composed of or covered in “mimetic polyalloy”, described as “living metal”.
  • We previously discussed the rules that come with the mogwai creatures in Gremlins (1984; dir. Joe Dante) in #Pratchat51, “Boffoing the Winter Slayer“. We’ve also mentioned the sequel, Gremlins 2: The New Batch (1990; dir. Joe Dante), in #Pratchat34, “Only You Can Save Deadkind“.; in that film, a minor character derides protagonist Billy’s explanation of the “don’t feed them after midnight” rule.
  • Doctor John “Mossy” Lawn makes his only major appearance here, but he does return in a cameo role in several later books, notably Going Postal (see #Pratchat38, “Moisten to Steal“).
  • The “vet” Vimes relies on in other novels is Doughnut Jimmy. He makes his major appearance in Feet of Clay, when he is called upon to treat the poisoned Patrician, but is also mentioned in Jingo and The Last Continent.
  • We talked about germ theory, hand washing and Semmelweis in #Pratchat48, “Lu-Tze in the Sky with Lobsang“. We’ll again point you to this episode of NPR’s Shortwave podcast, which shows that even after Semmelweis’ intervention, doctors did not want to admit that they might be causing sickness or death.
  • Granny Weatherwax explains her goblin-shaped germ theory to Tiffany in A Hat Full of Sky. We previously discussed this in #Pratchat43, “Big Wee Hag: Far Fra’ Home“.
  • As Ben will remember later in the episode, John Keel’s real-world counterpart is Sir Robert Peel (1788-1850), a British Member of Parliament, and twice Prime Minister of the United Kingdom, though he remains most famous for founding the Metropolitan Police Force. He’s considered the “father of modern policing”, but his other achievements include the establishment of the modern Conservative party, free trade and modern banking in the UK. While we’re not a fan of his politics in general, it’s worth noting that he often started out with a traditional conservative opinion on a matter, but would later change his mind. Most famously, while he initially supported high tariffs on imported goods, he eventually moved to repeal the “corn laws” that made imported staple foods expensive in order to help alleviate the Great Famine in Ireland – acting against the wishes of most of his party, and leading to his resignation as Prime Minister.
  • To be clear, “Mrs Palm and Her Five Sisters” (and variations thereof) is a euphemism for the hand when used for masturbation, the five sisters being the fingers. The phrase is most prevalent in the UK, but is pretty common in Australia too.
  • Fred and Nobby’s ages are not specifically mentioned in the books. In Guards! Guards! Fred is said to have been married for thirty years, which certainly tallies with his younger self in Night Watch. Nobby is never described in a way that gives much of a clue as to his age, but given Fred is probably in his early twenties at most in Night Watch, the age gap between them is probably only a decade or so – not much of a consideration after thirty years.
  • Fred’s military service is more-or-less first mentioned in Guards! Guards!, where he is said to have “served in foreign parts”, though the nature of that service is not described. We say “more-or-less” because also in that book is the famous passage describing him as one of life’s Sergeants, which specifically says “if he took up a military career”, though Nobby also says towards the end that Colon had told him stories about winning archery contests in the army. In any case the Watch is not treated quite as distinctly from the military in the first couple of books as it would be in later ones, with the distinction first being very clearly made in Jingo. Nobby’s adventures in stealing stuff, meanwhile, also get a minor mention in Guards! Guards!: in the aftermath of Carrot’s brawl in the Drum, Nobby is sizing up the boots of some of the unconscious brawlers and is described as a “veteran of of a score of residual battlefields”, suggesting quite ruthlessly that they could cut the throats of the fallen. There’s no mention of this experience being on literal military battlefields, though, and in Men at Arms, when Fred is comparing Detritus to his old drill sergeant, Nobby makes no mention of having been in the army with him, so it seems likely only Fred went into military service.
  • Lu-Tze’s first re-writing of history occurs in Small Gods, and you can hear us discuss it in #Pratchat16, “He Ain’t Heavy, He’s My Vorbis“.
  • Sam spends about four days and one night in the past – a limit imposed by Qu, due to the situation and strain of both the magical and bureaucratic kinds, meaning Vimes arrives on the night of the 21st (or the early morning of the 22nd). This seems to be about the same amount of time Keel had in the Ankh-Morpork Night Watch before the 25th of May, so his lifelong impact on the younger Vimes took him only a few days to establish.
  • The Gestapo – short for Geheime Staatspolizei, “Secret State Police” – were established in 1933 by Herman Göring through a merger of the political and intelligence arms of the Prussian police force, making the new body national. They were responsible for sniffing out and eliminating any opposition to the Nazi regime, both in Germany and Nazi-occupied parts of Europe. They were disbanded in 1945, after being declared a criminal organisation in the Nuremberg trials, both for their involvement in the Holocaust and their ruthless and brutal suppression of any potentially anti-Nazi organisation. Their legacy of using informants and appearing to be all-knowing and around every corner were taken up by the Stasi (short for Staatssicherheitsdienst, “State Security Service”), the secret police of East Germany from 1950 until the reunification of Germany in 1990.
  • There’s no single consistent definition of “psychopath“, nor is psychopathy a recognised mental illness or condition. It’s often described in terms of a lack of “usual” characteristics, primarily fear, inhibition, impulse control and empathy, though the definition is still very broad. The modern concept of the psychopath is shaped largely by the work of Canadian psychologist Robert D. Hare, whose famous Hare Psychopathy Checklist has been roundly criticised. As for whether Carcer and Swing would fit the bill, the answer is – probably, depending on who was asking the questions. UK journalist and writer Jon Ronson examined a lot of these questions (in general, not about these characters specifically) in his 2011 book The Psychopath Test, which brought the questionnaire to broader public attention, though the book itself did not avoid criticism either.
  • In Men at Arms, Vimes thinks during the book that it is much better to be threatened by an evil man, since he’ll want to see you squirm and will gloat and talk, giving you a chance to escape, whereas “A good man will kill you with hardly a word.” At the climax of the book, Carrot kills Dr Cruces in order to save Vimes and destroy the gonne, without saying anything, prompting Vimes to think his earlier thoughts again. (For more discussion of Men at Arms, see #Pratchat1, “Boots Theory“.)
  • The “revolution” in Les Miserablés is the real-life June Rebellion of the 5th and 6th of June in 1832 Paris. It has similarities with the events of Night Watch, but doesn’t seem to be the primary inspiration. At the time, Parisians were experiencing great hardship, with crop failures and economic problems causing a huge amount of suffering, alongside repeated attempted insurrections by supporters of the previous royal line deposed in the 1830 revolution (the one which followed the most famous one). A cholera epidemic swept through the city, killing more than 100,000 people – including the conservative Prime Minister Perier, and, on June 1, General Lemarque, an influential ex-military commander. Lemarque was involved in the 1830 revolution, and was one of the few members of the French parliament openly critical of the monarchy, making him hugely popular with republicans. After the massive state funeral for Perier, critics of the regime saw Lamarque’s funeral as a chance to show massive support for the republican movement, and turned out in huge numbers. Lafayette (yes, the one from Hamilton) was there, and called for calm after giving a speech for Lamarque, but to no avail. The republican movement was organised by secret societies like the “Friends of the People”, on which the fictional “Friends of ABC” from Les Miserablés is based (their name is a French pun). They raised flags with the famous revolutionary slogan “La Liberté ou la Mort” (“Liberty or Death”), and violence broke out between them and government troops. The insurrectionists put up barricades and claimed parts of the city. Fighting killed hundreds on each side, but the rebels were outnumbered and eventually defeated. In the aftermath, they were portrayed as an extremist minority, and the republicans would not have a true revolution until 1848 – but that’s a whole other story.
  • Javert is the antagonist of Les Miserablés, a guard at the prison from which Jean Valjean escapes, and later a police inspector in the town where Valjean has made a new life as mayor; he is the one who realises Valjean’s true identity, and becomes obsessed with bringing him “to justice”. In the end, Valjean offers to surrender to Javert, but Javert is overcome with confusion and regret when he realises the brutal criminal he’s hunted for so long is actually a compassionate man seeking to do what’s right, and unable to reconcile the law with his morals, drowns himself. In the famous musical adaptation of the story, he is changed little from the character in the book. He was perhaps most famously played on stage – in English at least – by Australian actor and former Playschool presenter Philip Quast, while in the 2012 film version of the stage musical, he is played by another Australian, Russell Crowe. Quast’s vocals are legendary, but Crowe’s were less well received, though it should be noted that the film was unusual for a musical in that the actors’ singing performances were recorded live on set rather than mimed along to studio recordings, as is usual practice. (It wasn’t the first film to do this, but it was a big deal at the time.)
  • Findthee Swing is described in the book as “a small, thin figure” and “a pale man with the screwed-up eyes of a pet rat.” Considerably more attention is given to the way he moves, which is summed up with the sentence: “There was no rhythm to the man.”
  • Corporal “Mayonnaise” Quirke is here kicked out of the Night Watch by Keel/Vimes, sent to join the Day Watch instead. Along with Sergeant Knock and Ned Coates he’s part of Carcer’s troop who attempt to capture John Keel towards the end of the book, though his exact level of participation in the fighting is not noted – presumably he is wounded or flees during the first ambush by the Night Watch, before Ned Coates changes sides. He remains in the Day Watch, and by the time of Guards! Guards! has been promoted to its Captain – an equivalent rank to Vimes, but much more prestigious. During the events of Men at Arms, Captain Quirke wears his obvious racism on his sleeve, arresting an innocent troll for the murder of a dwarf, starting riots across the city. The Night Watch continue to investigate the crime, leading to them being told to stand down; Quirke is the one sent to take the Watch’s weapons, and thinks that once Vimes is retired the watches will be combined under his command. When Carrot later forms a citizen’s militia, Quirke arrives to stop him, but Carrot announces he is relieving Quirke of command and knocks him out cold with a single punch, much to everyone’s delight. Quirke is never mentioned again, the Day Watch being dissolved and merged into a single Watch under the command of the newly promoted Vimes.
  • Winsborough Knock is the duty sergeant of the old Night Watch, a new character in this book. He is shown to be a thoroughly dirty copper, known to accept bribes and also attempting to frame Keel after he is demoted below him. He is also a coward, dropping his weapons and running away from the fighting at Treacle Mine Road.
  • As noted in #Pratchat51, Pratchett was officially diagnosed in 2007 with Posterior Cortical Atrophy (PCA – a rarer form of Alzheimer’s), announcing it publicly on the 11th of December that year, slightly more than five years after the publication of Night Watch. The earliest he and his close friends and family realised something was up was in 2006, though they would retroactively trace his symptoms back as far as 2005. Perhaps his official biography will shed light on whether he had any personal experience of dementia in others, or otherwise why it so often comes up in his work well before his own diagnosis. See also our episode about Johnny and the Dead.
  • “The powers that be” – meaning a group or organisation etc that has authority – dates back to at least the sixteenth century, where it appeared in the Tyndale Bible, the first in English to be mass-produced via printing press, and the first in Modern English to be translated from the original Greek and Hebrew, rather than from later Latin translations. The phrase features in Romans 13:1, which states that “There is no power but of God. The powers that be, are ordained of God.” This wording was preserved with only minor changes in the later King James Bible, still the main English Bible used in the world today, and from there into common usage. These days its probably best known from the Public Enemy song “Fight the Power”, whose chorus is a repetition of the title followed by “We’ve got to fight the powers that be”. Ben learned it there, but also from its usage in the TV series Angel, where the titular vampire with a soul and his team of demon hunters use it as a euphemism for the entities aligned with good which grant them visions and other powers. In the series the name is capitalised The Powers That Be, and sometimes abbreviated (as in real life) to TPTB.
  • The seamstress who is actually a seamstress is Miss Battye, aka “Sandra the Real Seamstress”. While played for laughs in the Discworld, “seamstress” has been a euphemism for sex worker on Roundworld for centuries – there’s a pun along these lines in Shakespeare’s Henry V, for example. As usual, though, Terry has done a deep dive into history and based his jokes on something much more specific. As noted in a great Twitter thread by writer Gabrielle Kent, Men at Arms features a gag where the census finds that seamstresses in the Ankh-Morpork docks vastly outnumbered needles. This is a reference to a real occurrence in Seattle in the late nineteenth century, where a census revealed 2,700 seamstresses in one small part of the city; they were, of course, sex workers. The city, on the edge of bankruptcy after closing down many of the vice industries which had previously paid it big taxes, worked out a deal with the sex workers that they pay a $10 per week “sewing machine tax”, solving the city’s revenue problems and allowing the seamstresses to continue working without interference. (Thanks to Stevonnie Ross for their corrections to this note!)
  • Dibbler’s full name is given as Claud Maximillian Overton Transpire Dibbler in Making Money, making his failure to coin his own nickname even weirder. While the phrase is most associated with Dibbler, though, he’s surely not the only salesman to have used it, so it’s also possible that in the original timeline Keel might have heard the phrase somewhere else and passed it on in the same way as Vimes does here, without having got it from future Dibbler. (And it’s also possible that Dibbler changed his name in order to allow him to legally be CMOT Dibbler, which is probably useful for brand recognition purposes.)
  • If you want to learn more about the militarisation of police and armed police response to peaceful protest, this 2020 article from The Conversation is a good starting point. While its most often discussed in the context of the US, it’s also been happening here in Australia for years, as noted in this ABC article from 2019. Protests around the time of the book’s publication included huge ones in early 2003 against the war in Iraq, which were held around the world…and soundly ignored by most of the involved governments.
  • You can hear more about Pyramids and the “Assassin’s School Days” section at the start of the book, in #Pratchat5, “Ten Points to Viper House“.
  • Vimes does indeed tell Madam Roberta his thoughts about her motives for supporting the change of Patrician; he can see Lord Winder and his associates are bad for business, and tells her he doesn’t want to join her revolution. Vetinari is hidden in the room and watches the whole exchange.
  • In the Batman comics, the young Bruce Wayne spent years travelled the world training with martial artists, detectives and trackers in order to become the ultimate crime fighter. A good use of his fortune? Probably not, but it has given us some great stories. The recent series Batman: The Knight revisits some of this time of his youth, and you can read more about his mentors in this DC Comics article.
  • Vimes contributions to the Widows and Orphans fund are a plot point in Men at Arms, when Angua discovers why Vimes never has any money. His notebook has many names of women and how much money he gives them; it turns out they’re all widows and orphans of dead Watchmen.
  • For more on Pratchett’s love of Dickens, see #Pratchat6, “A Load of Old Tosh“, our episode discussing his Dickens pastiche Dodger.
  • As quoted in the Annotated Pratchett File, Pratchett described the ginger beer trick like this: “To save debate running wild: I’ve heard this attributed to the Mexican police as a cheap way of getting a suspect to talk and which, happily, does not leave a mark. The carbonated beverage of choice was Coca-Cola. Hint: expanding bubbles, and the sensitivity of the sinuses. I seem to recall a brief shot of something very like this in the movie Traffic.” Traffic is a 2000 Stephen Soderburgh movie about the illegal drug trade. In the scene Pratchett mentions, a killer who worked for the Tijuana Cartel is tortured by police officers who mix soda water and chilli powder and put it up his nose.
  • You can hear Ben’s thoughts about the end of The Fifth Elephant in #Pratchat40, “The King and the Hole of the King“.
  • Lord Ronald Rust appears in primarily in Jingo, but also crops up regularly as a typically awful example of Ankh-Morpork’s aristocracy, including in Men at Arms, The Fifth Elephant, Monstrous Regiment and Snuff.
  • We’ve previously mentioned sitcom character Hyacinth “it’s pronounced Bouquet” Bucket of Keeping Up Appearances many times, including in #Pratchat51, “Boffoing the Winter Slayer,” #Pratchat43, “Big Wee Hag: Far Fra’ Home” and #Pratchat39, “All the Fun of the…Fish?“
  • We know a little more now about the likely origins of “All the Little Angels”, thanks to reddit user armcie! On the alt.fan.pratchett newsgroup in November 2002, Pratchett was asked about the song, and said he based it on one he could only vaguely remember from his youth; to quote the man himself: “consensus of opinion is that it may be a WW1 trench song which became an early version of what are now known as ‘Rugby songs.’ Whatever the tune, it should be simple and swing along. it’s only ‘sad’ in context.”
    Armcie also found that Terry seems to have asked folk song expert Steve Roud about the original song not long before the book’s publication; Steve hadn’t heard of it, but put out word for more info. Jacob B, in this old forum thread from the Mudcat folk and blues website, had the closest answer: a song sung to the tune of the German children’s song “O du lieber Augustin” (“Oh, you dead Augustin”), which puns “ascend” and “arse-end”, and has very similar lyrics.
    You might not know the name of that German song, but you’ve almost certainly heard the tune, as its been re-used by dozens of songs, mostly for children, since it was published around 1800. In Australia or the UK, you might know the Scottish-themed “Have You Ever Seen a Lassie?”, while American versions include “The More We Get Together” and “Willy Had a Goldfish”. Most likely, though, you’ve seen the episode of The Simpsons featuring the song “Hail to the Bus Driver”, which seems to be a genuine American schoolyard song using the tune.
    In any case, “O du lieber Augustin” is in 3/4 time, so it’s not much use as a marching song – it’s clearly not the tune used on the Discworld. But it does seem a likely contender for the song Terry remembered from his youth. Terry’s quote above suggests he had no specific tune in mind for the song Dickson and the others sing, though, so feel free to make up your own. Thanks again, armcie!
    Here are the lyrics to the possible inspiration for “All the Little Angels”:
All the little angels ascend up to heaven
All the little angels ascend up on high
Which end up?
Ascend up.
Which end up?
Ascend up.
All the little angels ascend up on high
  • There are multiple recordings of the more upbeat version of “All the Little Angels” on YouTube, all based on the arrangement by Sunday Comes Afterwards. It’s not a million miles away from “O du lieber Augustin“, but definitely its own thing. Here are the links:
    • Sunday Comes Afterwards – All the Little Angels: their version is a simple demo of the tune they devised, with ukelele and vocals. The arrangement is also available as sheet music via flat.io. Released in March 2018.
    • DJ Boogie – All the little angels (how do they rise up): this version from is the most “music with rocks in” of the three. The video also contains numerous references to the book. Released in May 2020. (Boogie is clearly a fan; he has a YouTube list of several Discworld tunes, including a very funny filk of Leonard Cohen’s “Hallelujah” written to fans, and a parody of “A Few of My Favourite Things” rewritten to be a list of Abominations Unto Nuggan.)
    • Hate Kills – All the Little Angels: from a parody duo based in Devon, this version features acoustic guitar and some lovely harmonies. Released in May 2021. (They also do a great a cappella version of “The Hedgehog Song“.)
  • Another, very different version of “All the Little Angels” is by US-based musician Genviel. It’s not trying to be the song sung by the characters in the book, but uses the Little Angels chorus to make a song referencing the events of the Glorious 25th of May and more generally being critical of war. You can find “All the Little Angels, Night Watch & Terry Pratchett Tribute feat. Marcello Vieira” as the final track on Genviel’s 2019 album “Chronicles of a Collapse”, available on their website as well as Soundcloud, YouTube music and more.
  • Stevonnie Ross – Sunday Comes Afterwards themselves! – contacted us to let us know about another arrangement of “All the Little Angels” they thought our listeners might enjoy. This one is from Discworld-themed Celtic/German folk band “The Band with Folk In”, and definitely has a more “authentic folk music” kind of feel – especially the way they end. You can listen to it here on YouTube, and find some of their other songs there too; many of them are Discworld-themed “filks” – traditional or classic songs (including popular Tik-Tok sea shanty “The Wellerman”, and the Beatles’ “Let It Be”) with new, nerdy lyrics.
  • One more for the road, added after the fact: community choir Liber Chorus recorded another very different choral version of “All the Little Angels”. We can imagine this might be how it might be sung many years after the fact in a temple on the Glorious 25th, by any religious folks who remembered that day. It’s certainly not how the Watch members would have sung it at the time, but it is worth a listen; you can find a video of the song on Youtube, released in early July, 2022. The video shows members of the choir, but also features some gorgeous illustrations of some of the participants from the barricades of the Glorious Revolution.

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Posted in: Episode Notes Tagged: Ankh-Morpork, Ben McKenzie, Discworld, Elizabeth Flux, Mustrum Ridcully, Nadia Bailey, Vetinari, Vimes

#Pratchat54 – The Land Before Vimes

8 April 2022 by Pratchat Imps Leave a Comment

The Trousers of Time end up in a knot as writer Nadia Bailey rejoins Liz and Ben and we go back to the Glorious Past in the twenty-ninth Discworld novel, 2002’s Night Watch.

While pursuing dangerous killer Carcer across the rooftop of Unseen University, a magical bolt of lightning (or something) sends Sir Samuel Vimes, Commander of the City Watch and Duke of Ankh, thirty years into the past – along with his quarry. Carcer kills Vimes’ old mentor, Sergeant John Keel, and Vimes steps into Keel’s thinly-soled shoes; he’ll have to show himself the ropes to keep history intact. But he’s not just reliving any old past: it’s almost the Glorious 25th of May. The day the people deposed the paranoid Patrician Lord Winder; the day hundreds were killed in violent clashes across the city; and the day John Keel died…

Night Watch is beloved by Discworld fans, no least because it gives a double dose of everyone’s favourite “honest copper”, Sam Vimes. But he leaves Sybil in labour as he’s thrust back intp the best and worst days of his early career, forced to grapple with the darkness in his and others’ souls with only the technobabble of a few time boffin monks for guidance. It’s possibly Pratchett’s darkest book, and certainly takes us into one of the darkest corners of the Discworld: Ankh-Morpork before the rise of Vetinari and the Guilds.

Does Vimes knows where to draw the line in this book? Is Carcer an intriguing villain, or a cookie cutter evil psychopath? Could you teach your younger self everything you needed to know to become you? And is this book in your top five, or do you fail to see what all the fuss is about? Join the conversation using the hashtag #Pratchat54 on social media.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_54.mp3

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Guest Nadia Bailey is a writer, editor and critic. She’s published a number of pop-culture related books about such diverse subjects as Stranger Things, Frida Kahlo and Ruth Bader Ginsburg. Her latest publication is The Deck of Crystals, a deck of cards which looks into the history, superstition and lore of gemstones. Nadia has just begun a PhD researching (among other things) the lives of queer women during World War I. You can find Nadia on Twitter as @animalorchestra, or visit her website at nadiabailey.com.

As usual, you can find notes and errata for this episode on our website.

Next month we’re joining a ragtag crew of misfits on a desperate mission to save the Disc in the second big illustrated Discworld adventure, The Last Hero! And to help us navigate Paul Kidby’s astonishing illustrations, we’re welcoming back illustrator and comic book creator Georgina Chadderton. Send us your questions via the hashtag #Pratchat55, or via email to chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ankh-Morpork, Ben McKenzie, Colon, Discworld, Dr Lawn, Elizabeth Flux, Lu-Tze, Nadia Bailey, Nobby, Rosie Palm, The Watch, Vetinari, Vimes
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