Discworld

These are the episode notes and errata for Pratchat episode 65, “Let There Be Gaimans“, discussing several pieces from the “Scribbling Intruder” section of Pratchett’s 2014 nonfiction anthology, A Slip of the Keyboard, with special guest Peter M Ball.

Iconographic Evidence

We’ve mentioned it before a few times, but here again is Michael Williams’ interview with Terry Pratchett from 2013, during his tour to promote Snuff, titled “Imagination, not intelligence, made us human.” (It used to be available as an audio recording, but now it’s only available via YouTube.)

Notes and Errata

• The episode title is probably not Ben’s best work, but it was there…
• GenreCon is a writing conference in Meanjin (aka Brisbane) specifically for genre writers that tries to cover as many genres as possible: science fiction, romance, crime, fantasy, horror, and more. It just ran its eighth conference from 17-19 February 2023, with this year’s guests including friends of this podcast Garth Nix (#Pratchat51, “Boffoing the Winter Slayer“) and Will Kostakis (#Pratchat18, “Sundog Gazillionaire” and #Pratchat37, “The Shopping Trolley Problem“).
• The Queensland Writers Centre is a not-for-profit membership organisation supporting local writers of all kinds. It was established in January 1990, and as well as GenreCon runs workshops and other events, and provides various services including consulting, mentorship and manuscript assessment and editing.
• The Author is the quarterly journal of The Society of Authors, established in 1884, and is the UK’s union for writers, illustrators and literary translators – not just for authors any more! Terry was Chair of their Management Committee from 1994 to 1995, helping to shape their policy and strategy. His time in those meetings inspired the short story “A Collegiate Casting-Out of Devilish Devices”, which we discussed in #Pratchat63. He was also elected as a member of the Society’s Council. Philip Pullman was President of the Society from 2013 until early 2022, when he resigned following some controversy around a memoir. The current Chair is Joanne Harris, best known for her novel Chocolat. Notably both Harris and Pullman were some of the more level-headed voices speaking up about the Roald Dahl rewrite controversy (see below), with Harris in favour of the changes, and Pullman advocating letting Dahl’s books fade away without being republished.
• Ben is wrong about one thing in his FAQ footnote: the Pratchett newsgroups (see below) did have an FAQ! You can still find it at lspace.org here. We think this was the last version, updated in 2005; like the Annotated Pratchett File (also see below), it was maintained by Leo Breebaart, who also created the L-Space web.
• We’ve previously talked about newsgroups in #Pratchat10 and #Pratchat42, but for context: the Usenet system was created in 1980 as an Internet-based alternative to local Bulletin Board Systems. Setting standards that would later be used by web-based internet forums, they organised posts by users into conversation-like “threads” of messages, which were themselves organised into “newsgroups” under hierarchical categories, similar to (but distinct from) domain names. There were three newsgroups of primary interest to Pratchett fans: alt.books.pratchett for discussion of the books themselves; alt.fan.pratchett (the big one) for general fan chit-chat (though this often included the books); and alt.fan.pratchett.announce, a moderated group for announcements of signings and other events of interest to fans. Pratchett was active on the first two.
• Peter says Pratchett started publishing Discworld in about ’88, but we suspect he meant that the Discworld really took off around then, with the publication of the fourth and fifth books, Sourcery and his first really big hit, Wyrd Sisters. The Colour of Magic was first published in November 1983.
• Pratchett’s fifth and tenth books (including the three pre-Discworld ones) were The Light Fantastic in 1985, and Pyramids in 1989. The gap in between contained the first big growth spurts of the Internet, but to put them in perspective, Tim Berners Lee only created the first version of the World Wide Web in 1989, and the first widely available web browser, Mosaic, didn’t launch until 1993 – by which time Pratchett was onto his twenty-fourth book, Johnny and the Dead! If you wanted to chat to people on the internet, newsgroups and mailing lists were the go in the 1990s…
• In Benjamin Partridge’s monthly comedy podcast, The Beef and Dairy Network Podcast, Partridge plays the unnamed host of the fictional industry body’s podcast. Through mostly unscripted interviews with characters played by various guest actors and comedians, Partridge slowly builds up a bizarre alternate reality over many years. One of the recurring characters is disgraced “Bovine Poet Laureate” Michael Banyan (played by comedian Henry Paker), author of a book of cow poetry titled Crab of the Land, who often tells outrageous stories about partying with Jonathan Franzen.
• ChatGPT is an “AI chatbot” created by the company OpenAI and publicly launched in a prototype state in November 2022. It’s capable of producing sophisticated text responses to prompts using the GPT 3 large language model previously created by OpenAI, and as a result has become hugely popular and controversial. It’s not actually intelligent; rather it uses statistical models based on a huge corpus of text (i.e. large parts of the internet up to 2021) to assemble sentences, poems or lines of code which are drawn from that corpus. We’ll probably talk about it some more in the next episode of our subscriber-only bonus podcast, Ook Club.
• Pratchett told alt.fan.pratchett he was leaving for the reasons outlined in “this piece”Wyrd Ideas” on the 3rd February 1999, after a user speculated about Sam and Sybil having children (he was writing The Fifth Elephant at the time). This was despite other users in the group (and possibly the version of the FAQ available at the time) asking people not to do this sort of thing. You can see his post here – and thanks to Jo and Francine of The Truth Shall Make Ye Fret, who saved Ben the trouble of searching for this by linking to it from their own episode notes! Pratchett didn’t leave newsgroups altogether; he continues to “lurk” (i.e. read without posting much) on alt.books.pratchett and other newsgroups (mostly about videogames) until around 2008.
• We mention several famous writers who published their works in serial form, usually in magazines. But we could have mentioned many more! As well as French authors Jules Verne, Victor Hugo and Alexandre Dumas, there’s also Charles Dickens, Arthur Conan Doyle, George Eliot, Elizabeth Gaskell, Thomas Hardy, George Meredith, Robert Louis Stevenson and many, many more.
• Speaking of Alexandre Dumas, his surname is pronounced “Doo-ma”. He was indeed paid by the line by some of the newspapers who published his stories, though others paid him by episode, leading to very long books rather than very short dialogue. According to some accounts, his publishers eventually caught on to his writing style, and insisted that a line had to fill half a newspaper column to count, supposedly forcing him to kill off a monosyllabic character he’d invented to extend his dialogue. Charles Dickens, by contrast, is said to have written verbosely as he was paid by the word, but in fact he was paid for instalments which had a very specific page count (32 pages in some accounts). Like a first year arts student, he may have used more words to fill the pages faster…a style emulated by Pratchett in Dodger (discussed in #Pratchat6, “A Load of Old Tosh“).
• Watch this space for a brief history of fanfic, but in the meantime you can check out Archive of Our Own (aka AO3) for yourself – and yes, there’s an extensive Discworld collection there!
• The Nanny (not Nanny Ogg) was a hugely popular American sitcom which ran from 1993 to 1999 – coincidentally the period between “Kevins” and “Wyrd Ideas” – on the CBS network. It starred co-creator Fran Drescher as Fran Fine, a down on her luck Jewish woman from Queens who tries selling makeup door-to-door. She’s hired by high class English Broadway producer and widower Maxwell Sheffield to be the new nanny to his three children, and the two have a will-they or won’t-they relationship aided by Sheffield’s butler Niles and opposed by Sheffield’s business partner C.C. Babcock.
• You can find the second edition of the Turkey City Lexicon on the Science Fiction & Fantasy Writers Association website.
• The Neil Gaiman Masterclass on “The Art of Storytelling” is offered as part of the Masterclass streaming video service, which features hundreds of tutorials from famous leaders in their fields covering everything from acting to philosphy, personal style and astronomy. The BBC has a similar series of videos, BBC Maestro, with a class on Storytelling hosted by Alan Moore.
• Pratchett used the term “figgin” for the kind of joke Peter describes because he used the word for exactly that kind of joke in Guards! Guards! In that novel, figgin is used by the Supreme Grand Master of the Elucidated Brethren of the Ebon Night in one of the order’s oaths, secure in the knowledge that none of his flock knows what it means. (In this instance Pratchett doesn’t make us wait until the very end to discover the truth for ourselves; it’s defined in a footnote. In fact he only uses the word eight times in the novel, and three of those are callbacks made after the footnote.)
• To avoid confusion, Ben would like to explain that the “sherbert lemon” kind of joke is not an example of shelving, which is when a comedian mentions a concept seemingly in passing so that they can come back to it later in a new context once the audience has forgotten about it and helping the comedy work through surprising recognition. (There’s a reason explaining how comedy works is described as “dissecting the frog”.)
• Pratchett is on record (in the APF, of course) that there’s no pun in Twoflower:
  “[…] there’s no joke in Twoflower. I just wanted a coherent way of making up ‘foreign’ names and I think I pinched the Mayan construction (Nine Turning Mirrors, Three Rabbits, etc.).”
• Andrew Harman is the English author of eleven pun-filled comic fantasy novels, published between 1993 and 2000. Most of them are set in the medieval fantasy kingdom of Rhyngill and surrounds, and five, beginning with The Sorcerer’s Appendix and ending with One Hundred and One Damnations, form a loose series following the adventures of the peasant Firkin and his friends. Harman went on to find more creative success as a game designer, founding his own publisher, YAY Games, which specialises in “gateway games” – ones that work well for introducing new people to hobby boardgames.
• Fawlty Towers, John Cleese’s classic sitcom farce about long-suffering but obnoxious hotel manager Basil Fawlty, ran for two series in 1975 and 1979 on BBC Two. It is often cited amongst the greatest sitcoms ever made, though its characters and many of the episodes’ premises rely heavily on ethnic and gender stereotypes. The titular hotel is located in the resort town of Torquay in the coastal “English Rivieria” region of Devon. Cleese was inspired to create the setting and main character for the show after an experience with the manager of a real Torquay hotel where the Monty Python crew stayed while filming on location in 1971.
• For some perspective on the Roald Dahl rewrite controversy, you could do worse than these pieces from The Conversation:
  • “Roald Dahl rewrites: rather than bowdlerising books on moral grounds we should help children to navigate history” by Michelle Smith
  • “Roald Dahl: A brief history of sensitivity edits to children’s literature” by Alison Baker
  • “From Roald Dahl to Goosebumps, revisions to children’s classics are really about copyright – a legal expert explains” by Cathay Smith

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These are the episode notes and errata for Pratchat episode 64, “GNOME Terry Pratchett“, discussing the 1973 short story “Rincemangle, the Gnome of Even Moor”, with special guest Andy Matthews.

Iconographic Evidence

Here’s the Two Ronnies sketch mentioned by Andy in which they use letters (and numbers) instead of words. It’s framed as “Swedish Made Simple”, a “Swedish lesson in Norwegian”, in which the subtitles use only single letters and numbers to represent words. It seems to be from the second episode of the fourth series of the show, broadcast on BBC Two in January 1975 – and please be warned that the sensibility of the sketch reflects the state of comedy in that era, especially in the way it’s ended.

Notes and Errata

• The episode title is a play on the “GNU Terry Pratchett”, which many websites – including this one, if our plugin is working correctly – add to a special “Clacks overhead” bit of information. This is a reference to Going Postal, in which a message prefixed GNU is sent up and down the Clacks system forever. John Dearheart’s name is preserved this way, in accordance with the idea in Pratchett’s writing that “a man’s not dead while his name is still spoken”. GNU is also a reference to the Roundworld GNU Project, a cornerstone of the free software movement which set out to create a free Unix-like operating system. In this context, GNU is a recursive acronym for “GNU’s Not Unix!”
• We mention a lot of Terry’s other books this episode; here’s a list with our episodes:
  • Feet of Clay – discussed in #Pratchat24, “Arsenic and Old Clays“
  • Terry Pratchett: A Life With Footnotes – Terry’s official biography written by Rob Wilkins, which we’ve not yet covered.
  • Strata – his early sci-fi novel which we’ve not yet covered
  • The Dark Side of the Sun – his early sci-fi novel which we have covered, in #Pratchat18, “Sundog Gazillionaire“
  • The Johnny books – Only You Can Save Mankind (#Pratchat28), Johnny and the Dead (#Pratchat34), and Johnny and the Bomb (#Pratchat37)
  • The Bromeliad – Truckers (#Pratchat9), Diggers (#Pratchat13) and Wings (#Pratchat20)
  • Equal Rites – discussed in #Pratchat25, “Eskist Attitudes“
  • Wyrd Sisters – discussed in #Pratchat4, “Enter Three Wytches”
  • Small Gods – discussed in #Pratchat16, “He Ain’t Heavy, He’s My Vorbis”
• In the 1999 film The Matrix, future humanity is enslaved by sentient machines, who use the humans as living batteries after environmental disaster prevents traditional methods of power generation. They keep the humans subjugated by plugging them into an artificial reality known as “The Matrix”, but there are some free humans who present the imprisoned ones with the truth. Famously one of them – Morpheus, played by Lawrence Fishburne – does so by offering a prospective recruit two pills. The red one will allow them to see the truth of their situation, exiting the Matrix, never to return. The Wachowskis, who wrote and directed the film, turned it into a trilogy by making two sequels, The Matrix Reloaded and The Matrix Revolutions, in 2003. A fourth film, The Matrix Resurrections, was released in 2021.
• Owls are indeed mentioned in the Bromeliad – Granny Morkie describes them in Diggers while attempting to “cheer up” the Nomes who’ve gone outside at night to try and rescue Dorcas. In her words: “Cunning’ devils, owls. You never hear ‘em till they’re almost on top of you.” The Nomes who grew up in the Store are terrified.
• The four books collecting Pratchett’s early stories are Dragons at Crumbling Castle, The Witch’s Vacuum Cleaner (which contains this story), Father Christmas’s Fake Beard and The Time-traveling Caveman. Most of the stories are from the Bucks Free Press, but Father Christmas’s Fake Beard also contains a number of Christmas-themed stories from other points in Pratchett’s career.
• The origins of the name Rincewind are actually known: it comes from the long-running humour column “By the Way” in the Daily Express newspaper. Written by various writers under the pen name “Beachcomber”, “By the Way” was a broad spoof of society news, with short snippets of nonsense about various fictional characters. One group of frequently recurring characters were “twelve red-bearded dwarfs” who were highly litigious, and who were at one point given individual names – one of which was “Churm Rincewind”. As mentioned in the Annotated Pratchett File entry for The Colour of Magic, Terry read a lot of the columns in published collections when he was 13, but didn’t realise that’s where he’d picked up the name until his friend Dave Langford pointed it out many years later. So Ben’s dramatic recreation wasn’t too far off the mark…
• “Fishing from the same stream” is mentioned in the L-Space wiki, though the specific quote about it is not sourced. Pratchett is said to have invoked this when saying its ridiculous that anyone would suggest a certain famous author had plagiarised him just because they both had schools of magic in their books, since it was an old concept that both had drawn on. “That’s how genres work,” he says, and indeed sites like TV Tropes and All the Tropes would agree.
• In the film Jurassic Park, palaeontologist Alan Grant and his young friends escape a Tyrannosaurus rex in part because Grant advises them its vision is “based on movement” – much as Rincemangle advises his fellow gnomes. But Rincemangle is partially correct – cats are ambush predators and while they have excellent night vision are relatively short-sighted. While it’s not true that stationary objects or mice are invisible to them, they are instinctively drawn to movement and use it to identify prey when laying in wait. To see why this is probably a silly assumption to make about T. rex, try to imagine the dinosaur as it appears in the film hiding in the grass and waiting to ambush its prey… Modern thought is that T. rex probably had great eyesight, just like many modern predatory birds, making it able to see prey from quite a long distance and chase it down. The assumption also appears in Crighton’s original 1990 novel, though in that case Grant makes the observation after seeing the live dinosaurs, though this is backtracked in the sequel, The Lost World.
• For more on how cats see, here’s the MYSTERIOUS FELINE VISION article from catveteran.com shared with us by subscriber Ian Banks.
• Jorges Luis Borges (1899-1986) was an Argentine writer, and one of the most influential Spanish-language writers in the world. While he’s most famous for his short stories, which came to the attention of English-language readers in the 1970s, he also wrote novels, poetry and nonfiction, and perpetrated a great number of literary hoaxes. His most famous stories were mostly written in the 1940s and 1950s, and include “The Library of Babel”, about a library that contains every possible book that could ever exist, and “Tlön, Uqbar, Orbis Tertius”, in which Borges discovers that a secret society invented a country and the world of its legends, and by doing so conjured them into being.

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These are the episode notes and errata for Pratchat episode 63, “Decline by Committee“, discussing the 2005 Discworld short story “A Collegiate Casting-out of Devilish Devices”, plus some extra discussion of the novel Thud!, with special guest Matt Roden.

Iconographic Evidence

Here’s the “Explaining a Board Game” sketch from Australian sketch group Aunty Donna, which Ben has indeed been sent many, many times – including by Matt, shortly after we recorded this episode.

Notes and Errata

• The episode title is a pun on the phrase “Design by Committee”, which refers to a situation where no-one is in charge of the design of a product, leading to a lack of direction.
• “Trilogy in four parts” is borrowed from Douglas Adams, who described The Hitchhikers Guide to the Galaxy book series this way after publishing the fourth novel, So Long and Thanks For All the Fish. It later became “The Increasingly Innacurately Named Hitchhikers Trilogy” with the publication of the fifth book Mostly Harmless.
• You can find the first three parts of our trilogy here:
  • #PratchatPlaysThud – “The Troll’s Gambit”, about Thud the board game, with Dr Melissa Rogerson
  • #Pratchat61 – “What Terry Wrote”, about Thud!, with Matt Roden.
  • #Pratchat62 – “There’s a Cow in There“, about Where’s My Cow?, with Jo and Francine from The Truth Shall Make Ye Fret.
• “Nepo baby” was a buzz-term in late 2022. It’s short for “nepotism baby”, a new name for the concept of getting a leg up via a family connection. That’s as old as…well, a very old thing, but discussion of it really took off as younger social media users learned to their surprise that many Hollywood stars and influencers have parents or other relatives they’d never heard of who are also in show business. Matt asks Ben if he read “the article” – Ben hadn’t, but we think Matt meant “What is a Nepotism Baby, Anyway? How a ‘Nepo Baby’ is Born” by Nate Jones for Vulture, which was also a cover story for New York magazine.
• Ridcully’s snooker table covered in paperwork appears not in Lords and Ladies, but in Soul Music. A footnote reveals that a wizard’s trick shots can include temporal spin, and that Ridcully once bounced a ball off the Bursar’s head “last Tuesday”.
• We’ve listed below the senior faculty members of Unseen University who appear in most of the Wizards books. (We’ve tried to avoid any spoilers here for books not yet covered on the podcast.)
  • Mustrum Ridcully, Archchancellor
  • Ponder Stibbons, Head of Inadvisably Applied Magic, Reader in Invisible Writings, and Praelector. (He later acquired more titles, including Reader in Non-Volatile Intelligence, Cantoride Speaker in Slood Refurgance and at least one it would be a spoiler to reveal here.)
  • A. A. Dinwiddie (aka “The Bursar”), Bursar. His name is revealed in The Truth.
  • Henry (last name not revealed), the Dean of Pentacles, known as “the Dean”. (His name is revealed in a later book.)
  • The Lecturer in Recent Runes.
  • The Chair of Indefinite Studies.
  • The Senior Wrangler.
• Ponder Stibbons and Victor Tugelbend were students taking final exams at the time of the rediscovery of Holy Wood, as chronicled in Moving Pictures. (See #Pratchat10, “We’re Gonna Need a Bigger Broomstick”.) This was indeed also the first appearance of Archchancellor Ridcully, though he doesn’t play a major part in a novel until Reaper Man, which also introduces the rest of the faculty we know best.
• We discussed our theories about Rincewind’s entry into Unseen University in #Pratchat55, “Mr Doodle, the Man on the Moon”.
• The “National Interest Test” (NIT) was a requirement added to the grant application process for the Australian Research Council (ARC) in 2018 by the previous Liberal/National coalition government. The ARC is the independent body which assesses university grant applications for research, and recommends which projects should get grants to the Minister, who generally approves all of them. But the NIT was part of an increasingly commercial agenda of the conservative government to restrict research, and in 2021 further recommendations were given to the ARC to make this more stringent. In late December 2021, Acting Education Minister Stuart Robert rejected six grants which had been approved and recommended by the ARC on the grounds that they were not “good value for taxpayers’ money” or in the national interest. The timing of the announcement – just before Christmas – and the nature of the projects removed (which included subjects like climate change and political activism in China) suggested a political motive for the rejections, which was met with .
• The wizard who knows about stories is most likely Ladislav Pelc, Prehumous Professor of Morbid Bibliomancy, whom Moist goes consults about the Post Office’s letters in Going Postal. He has very large ears and no beard, but out of deference to wizarding tradition he wears a false one when in view of the public.
• The incident with Windle Poons is in Reaper Man; the other wizards attempt to bury him at the corner of the Street of Small Gods and Broad Way, described as two of the busiest streets in Ankh-Morpork.
• There are many schools in Ankh-Morpork, aside from Unseen University itself:
  • The Assassin’s Guild school appears most prominently in Pyramids and Night Watch.
  • The Clockmaker’s Guild – which seems to provide more of an apprenticeship – appears in Thief of Time. It’s implied the Thieves’ Guild has a school or apprenticeship program as well.
  • The Fool’s Guild school is important in Wyrd Sisters and Men at Arms.
  • The Musician’s Guild may also offer more of an apprenticeship, but they raised and taught Keith, Maurice’s “dumb kid”, as he mentions in The Amazing Maurice and His Educated Rodents.
  • By the time of Thief of Time, Susan (who herself went to Quirm College for Young Ladies) is teaching at Madam Frout’s Learning Through Play School.
• We previously brought up the issue of copaganda – the bias towards showing police in a positive light in news media and popular culture – in #Pratchat52, “A Near-Watch Experience”, though we never quite got around to discussing it. Ben’s not sure we’ve done the discussion justice here, either – he’s had more thoughts since the episode – but the concept pre-dates the word, going back to at least the 1950s and the publicity stunt puff pieces in newspapers about police officers rescuing cats and early friendly neighbourhood policemen characters on television. Indeed, the concept has been used to criticise exactly the friendly English bobby image we talk about in this episode, so perhaps we have some more thinking to do. The origins of the word aren’t easily traceable, and probably it was coined more than once; it definitely dates back to before 2015, but has seen a resurgence in use and popularity in the wake of the Black Lives Matter movement and increased public awareness of the failings of the police system.
• We mention quite a few cop shows this episode, though Ben would like to say he realises we may have been unconsciously cherry picking to support our idea about the difference in pop cultural depictions of cops in the UK and Australia compared to the US (and see also the note above about copaganda). Here are the police films and television shows we mentioned:
  • The Bill was a British police drama about the life and work of beat officers at the fictional Sun Hill Police Station in metropolitan London. It was broadcast on ITV for 26 series between 1983 and 2010, and was also popular in Australia. A reboot is apparently in the works. The show’s title comes from the slang term for police, “the Old Bill” or just “the Bill”.
  • Blue Heelers was an Australian drama about the fictional rural Victorian town of Mount Thomas, told from the perspective of the local police officers. It ran for twelve years on Channel 7 from 1994 to 2006, and made stars out of Australian actors Lisa McCune (who left after the seventh series) and John Wood (who was the lead character for all twelve years). Blue heelers are an Australian breed of working dog, and also slang in some parts of Australian for a police officer or the police in general (Australian police uniforms are generally blue).
  • Police Rescue was an Australian police drama which began life as a 1989 feature film before spawning a television series which ran for five series between 1991 and 1996. It focused on the NSW Police Rescue Squad, who travelled all over the city and the state attending accidents, disasters and other emergencies. It starred Gary Sweet and Sonia Todd.
  • Water Rats was an Australian police drama focussed on the Sydney Water Police, whose bear is Sydney Harbour. It ran for six seasons on Channel 9 between 1996 and 2001, and featured Colin Friels, Gary Bisley, Aaron Pederson and Jay Laga’aia (who soon after appeared in the Star Wars prequel trilogy as Captain Typho).
  • Hot Fuzz (2007) is the second of Edgar Wright’s “cornetto trilogy” of comedy action films which began with Shaun of the Dead. It stars Simon Pegg as Sgt. Nick Angel, a hotshot London police officer whose colleagues resent his success and get him reassigned to a small town in Gloucestershire, where he is initially bored before a series of bizarre murders begins. The film also stars Nick Frost as local constable Danny Butterman.
  • Heartbeat was a British police drama which ran for 18 years between 1992 and 2010 on ITV. It was based on the “Constable” novels written by ex-cop Peter N Walker (using the pseudonym Nicholas Rhea). It was set in mid to late 1960s in fictional Yorkshire village of Aidensfield, and had a number of main characters over its run, but is probably best known for the original pair: young police officer Nick (played by ex-EastEnders heartthrob Nick Berry) and his wife Kate (Niamh Cusack), the town doctor. Other notable characters were Sergeant Blaketon (Yes Minister’s Derek Fowlds), older constable Alf Ventriss (William Simons), a war veteran – partial inspiration for Fred Colon, perhaps? – and local “lovable rogue” Claude Greengrass (Bill Maynard).
• Bernard “The Cunning Artificer” Pearson, of Clarecraft and The Discworld Emporium fame, was indeed a police officer in his youth. He was also one of Pratchett’s closest friends and often consulted on various matters, including “his policing “the more arcane policing arts”, as Rob Wilkins puts it in Terry Pratchett: A Life in Footnotes.
• Regarding Pratchett’s attitude towards Agatha Christie, Ben mentions this interview for the Bookwitch blog from 2010. (Interestingly he mentions several times that he’s working on I Shall Wear Midnight, and insists it will be the last Tiffany Aching book…) On Agatha Christie, he says: “Well, Agatha Christie; you have to get her out of your system sooner or later. Same with James Bond. And then you realise that not all murders happen in one house containing seven people.” He also describes her work as fantasy in his pieces “Whose Fantasy Are You?” (1991) and “Let There Be Dragons (1993)”, which can be found in A Slip of the Keyboard.
• You can find A’Tuin Sneezed’s great, long Twitter thread about Thud! by starting with this tweet:

• Thomas the Tank Engine is an anthropomorphic steam locomotive – basically a regular train, but with a human-like face on the front – who is the star of the Railway Series books by Wilbert and Christopher Awdry, written between 1945 and 1972. While the books were very successful, it was the television series adaptation Thomas & Friends that really cemented Thomas’ popularity. The series ran from 1984 to 2021, and used live-action model train versions of Thomas and his friends with narration by Ringo Starr. The human characters – including the “Fat Controller”, who was in charge of the railway system on Thomas’ home, the Island of Sondor – were portrayed by wooden models.

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