non-Discworld

#Pratchat6 – A Load of Old Tosh

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In episode six, word nerd and crypto-cruciverbalist David “DA” Astle joins us to discuss our first non-Discworld novel: Dodger! Published in 2012, it’s set in Victorian London and is heavily inspired by the work and style of Charles Dickens, and also that of Punch magazine co-founder Henry Mayhew, author of London Labour and the London Poor – both of whom appear as characters!

In the first quarter of Queen Victoria’s reign, a young woman falls from a carriage during a London storm – followed by two threatening men. Out of a nearby sewer grate springs Dodger, street orphan and accomplished “tosher” (sewer scavenger), who fights them off before Charles Dickens and Henry Mayhew happen by and take the woman to safety. Dickens enlists Dodger’s aid in investigating their mysterious charge, who is clearly on the run but refuses to speak of herself or those coming after her. Dodger will need to be sharp as a razor and to have all the luck the Lady of the Sewers can give him in this adventure – but will he be the same Dodger when it’s over?

In a spot of time travel, we leap forward to one of Pratchett’s last books. More serious than many of his other works, though still light in tone and written in a very Dickensian style – including chapters! – Dodger is quite a departure for Pratchett in many ways while still remaining essentially Pratchetty. (Pratchettesque?) What do you think of Dodger? Let us know! Use the hashtag #Pratchat6 on social media to join the conversation.

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You can find David Astle online at davidastle.com, itself a haven of word puzzles and anagrams, and he’s on Twitter as @DontAttempt (a joking translation of his cryptic crossword-maker initials, DA, which some see as proof of difficulty!). His latest work is David Astle’s Gargantuan Book of Words, which is available now through publishers Allen & Unwin, but watch out for Rewording the Brain and 101 Weird Words and Three Fakes, appearing in 2018. You can also catch him on the wireless on ABC Melbourne.

You can read the full notes and errata for this episode on our website.

We return to the Discworld for our May 8th episode, though we are going slightly out of order to read Eric, the first illustrated Discworld book! And who better to discuss it than an illustrator? So we’ll be joined by Adelaide-based artist and comic book creator, Georgina Chadderton (aka George Rex)! This one is recorded hot on the heels of our April episode, so by the time you read this we may have already asked for your questions, but even if you missed that callout you can still join in on social media with the hashtag #Pratchat7.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat6 Notes and Errata

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Theses are the show notes and errata for episode 6, “A Load of Old Tosh“, featuring guest David Astle discussing Terry’s 2012 standalone Dickens pastiche Dodger.

  • The “interrobang” is the combination of a question and exclamation mark (‽, or more often ?! or !?), used to indicate a question asked with excitement or otherwise strong emotion. One of Ben’s favourite podcasts, 99% Invisible, produced a whole episode on the origin and history of the interrobang. [Square brackets] (or just “brackets”, since round brackets are parentheses and curly brackets are braces) are most often used in journalism, where they indicate something that’s been left out or changed inside a quotation to improve clarity. David describes the pilcrow (or “paragraph mark”) in the podcast, but in case you’re wondering, it looks like this: ¶
  • The Teenage Mutant Ninja Turtles are…well, they’re teen-aged mutant anthropomorphic turtles, trained as ninjas by a mutant anthropomorphic rat, who live in the sewers of New York and fight for justice. They originally appeared in 1984 in a gritty, black-and-white comic book parody written and drawn by Kevin Eastman and Peter Laird. They were quickly picked up by a licensing company and became a toy line and a very popular cartoon, followed later by a less popular series of live-action films. They were recently re-imagined in big-screen CGI form by Michael Bay – seemingly the fate of everything liked by children in the 1980s – but most recently have returned to cartoons under the eye of Invader Zim creator Johnen Vasquez.
  • Terry dressed up as William Brown, the protagonist of Just William and its sequels by Richmal Crompton (like Terry, an incredibly prolific author), for the “26 Characters” exhibition at the Story Museum in Oxford. The photos aren’t available on the museum’s web site – the point was to visit to see them, after all! – but versions of many (including Terry’s) are featured in this BBC interview with photographer Cambridge Jones about the exhibition. The museum’s site has audio interviews with all the featured authors recorded during the photo shoots in 2014, including Terry talking about his own school days. Listeners of this podcast might also particularly enjoy the interviews with Neil Gaiman (who chose Badger from Wind in the Willows), Philip Pullman (Long John Silver from Treasure Island) and Terry Jones (Rupert the Bear), but they’re all great. It’s worth clarifying that Just William takes place when it was written, in 1922 – considerably after the time of Dodger. Tom Brown’s School Days, on the other hand, was written in 1857 and is set in the 1830s – so around the time of Dodger. There’s a stark contrast between Dodger’s life and that of Tom Brown…
  • A “flâneur” (via French for “stroller” or “loafer”, from the Old Norse verb flana “to wander with no purpose”) was a “gentleman stroller of the streets”: a person of leisure who would walk through a city just observing what went on around them. It’s uncertain if Dickens would have described himself as one; the word dates back a century or two earlier in France, but wasn’t popularly used in a positive sense until Walter Benjamin used it in discussions of modernity in the early twentieth century. (Oscar Wilde described himself as “a flâneur, a dandy” in De Profundis, but only when lamenting how he had wasted his life.)
  • Nicholson Baker is an American writer who loves newspapers as much as footnotes. He’s best known for his non-fiction, including the award-winning 2001 book Double Fold: Libraries and the Assault on Paper in which he investigated the loss or destruction of thousands of books and newspapers during the “microfilm boom” of the 1980s.
  • The small, dog-like creature from The Dark Crystal is Fizgig.
  • Laphroaig whiskey is distilled in Port Ellen, on the southern coast of the Isle of Islay in Argyll, Scotland, near the bay that gives the whiskey its name, Loch Laphroaig. It is now owned by Japanese whiskey giant Suntory.
  • The Wombles are a group of vaguely mole-like intelligent creatures who live under Wimbledon Common, invented by Elisabeth Beresford for her children’s novels, first appearing in 1968. They are very familiar to Australians of a certain age because of the BBC-commissioned stop-motion animated television series, whose theme song emphasised the Womble’s forward-thinking policy of reuse and recycling: “Making good use of the things that they find, things that the everyday folk leave behind.” Less familiar to Australian listeners will be the novelty pop group formed by Mike Batt, or the related live-action Womble film Wombling Free, featuring short-statured actors – including Kenny Baker and Jack Purvis! – in Womble costumes, with voices provided by the likes of David Jason and Jon Pertwee! Aside from “making use of bad rubbish”, one of their most endearing features is that Wombles choose their name by throwing a dart at a map of the world; hence they have names like Great Uncle Bulgaria, Tomsk, Orinoco and Adelaide.
  • For those not familiar with Oliver Twist, Fagin is the criminal mastermind who sends the Artful Dodger and other children out to steal things for him in return for minimal food and shelter. He is a deeply unsympathetic character, essentially keeping the children enslaved. Even in Dickens’ day, Fagin – who was constantly referred to as “the Jew” in the novel – was seen as anti-Semitic. Dickens protested that he had no hatred of Jewish people, but was being “realistic”, because “that class of criminal was invariably a Jew”, but towards the end of his life Dickens came to realise the harm he was doing in perpetuating such a stereotype. He not only revised the last 15 chapters of the book, but removed all racist signifiers from his performance of the character in his public readings.
  • The Anti-Jewish Pogroms in Russia (and the Russian empire, which at the time included much of Eastern Europe) were at their worst in the 1880s, after the period in which Dodger is set, but there were sadly many earlier examples as well. Solomon Cohen never says exactly where (or indeed what) he fled from, but it may have been the Odessa Pogrom of 1859.
  • Onan is a minor figure in the Bible best known as the source of the term “onanism”, a euphemism for masturbation – though that’s not entirely true to the source material. In the Book of Genesis, Onan’s brother Er is slain by God for generic wickedness and had no children, so their father Judah orders Onan to marry Er’s widow Tamar and give her children. Onan does marry her but during sex, knowing that any children will be heirs to Er and usurp his own inheritance, he chooses to “spill his seed upon the ground” – a crime for which he too was slain by God. It was really rough being in the Bible before Jesus came along.
  • PTSD is Post Traumatic Stress Disorder, a relatively common psychological disorder affecting people who have experienced trauma – usually violence, and especially interpersonal violence – without the time or opportunity to heal psychologically. It was poorly understood prior to the 1970s, but pretty clearly fits the symptoms ascribed to soldiers returning from war throughout history.
  • The pilot episode of Buffy the Vampire Slayer (and by this we mean the aired pilot, not the unaired pilot) was actually relatively true to the rest of the series, with the one major exception of Buffy’s powers. While she kept her super strength and highly tuned intuition, somewhere between episodes 1 and 2 she apparently lost the power to jump (fly?) over a fence about three times her height.
  • Thanks to listener Wayne for finding the Wikipedia article for Crown and Anchor, which is a dice game originally favoured by English sailors. It uses three special six-sided dice marked with symbols instead of numbers: the four card suits (clubs, diamonds, hearts and spades), a crown and an anchor. Players place their bets on a playing mat marked with six large squares, one for each symbol, like a simpler version of a roulette table; they then throw the dice and win money based on how many show the symbol which matches their bet. Variations with slightly different symbols appeared in many countries, though the English version is now rarely played outside the Channel Islands and Bermuda.
  • The classic “Penny Dreadfuls” were cheap mass-produced serial fiction magazines of the Victorian era, usually of the ‘orrible murder or supernatural thriller variety; they filled a niche later occupied by comic books, and cost a penny (hence the name). Hugely popular in Dodger’s time, many were rewrites or outright plagiarism, but they nevertheless made household names of popular historical and fictional characters including Dick Turpin, Varney the Vampire, and Sweeney Todd, who first appeared in The String of Pearls: A Romance in 1846.
  • The League of Extraordinary Gentlemen by Alan Moore and Kevin O’Neill is a incredibly detailed comic book series spanning multiple volumes which brings together characters from hundreds of works of Victorian (and related) fiction. The most famous version of the titular league features Mina Harker (from Dracula), Alan Quartermain (from King Solomon’s Mines), Dr Jekyll, the Invisible Man and Captain Nemo, amongst others, as they deal with a war between criminal elements and then an invasion of Martians (drawn from The War of the Worlds). The series is so dense with references big and small that companion volumes have been compiled uncovering them all. There’s a fairly loose film adaptation starring Sean Connery which is…not great.
  • Stephen Sondheim’s 1979 musical Sweeney Todd: The Demon Barber of Fleet Street has become probably the most popular version of the Todd story (not least thanks to Tim Burton’s 2007 film adaptation), and is based heavily on Christopher Bond’s 1973 play of the same name, which gave him a backstory – including being transported to Australia – and made the character a little more sympathetic, transforming his story into a modern revenge tragedy. The original London cast of the musical included Angela Lansbury as Mrs Lovett, Sweeney’s accomplice and encouragement. (In the podcast, Ben confuses her with Mrs Miggins, the proprietor of a similarly suspicious pie shop in classic historical sit-com Blackadder the Third.)
  • Penny Dreadful the television series was a gory sexy gothic horror co-produced by Showtime and Sky, weaving a new narrative around characters taken from Frankenstein, Dracula, The Picture of Dorian Gray, The Strange Case of Dr Jekyll and Mr Hyde and predominantly British and Irish folklore. It ran for three seasons with an all-star cast including Eva Green, Timothy Dalton, Billie Piper and Josh Hartnett. Ben loved it more than he probably should have.
  • Asterix is the protagonist of the long-running Asterix & Obelix series of comic albums created by French cartoonists René Goscinny and Albert Uderzo. Set during the Roman Empire’s occupation of Gaul – a region of Western Europe bigger than France, populated by Celtic peoples of the La Tène culture – it imagined a single small village which held out against the invaders through judicious use of a magic potion, brewed by their Druid, which gave them super strength. The main character, Asterix, was very small but a shrewd warrior, assisted by his enormous, dim-witted but big-hearted friend Obelix, who was permanently super-strong due to drinking an entire cauldron of the potion as a baby. A key feature of the books are the names which pun on common cultural suffixes of the era, which have been translated into many languages.
  • “Bedlam” was a nickname for Bethlem Royal Hospital, a psychiatric hospital whose name became synonymous with the barbaric ways in which the mentally ill were treated in the Victorian era.
  • “Nits” is the common name for headlice in Australia and New Zealand, thankfully rarely encountered these days except in primary schools.
  • Augusta Ada King-Noel (née Byron), Countess of Lovelace, aka Ada Lovelace, was an English mathematician and writer. She was also a poet, but she is most remembered as the first computer programmer: she was a friend of Charles Babbage, and while translating a French transcript of a speech Babbage gave about his Analytical Engine, annotated it with notes which included an algorithm of her own design to make the machine calculate Bernoulli numbers. Sadly Babbage’s Analytical Engine was never completed, but just as it is now recognised as the first computer, her algorithm is now recognised as the first computer program.
  • The Tenniel in the book is indeed Sir John Tenniel, the primary political cartoonist for Punch (and therefore well known to Mayhew and Dickens), and most famously the illustrator for Lewis Carroll’s Alice books. The eye injury referred to was accidentally inflicted by Tenniel’s father when they were fencing, when Tenniel was 20. Tenniel gradually lost his sight in that eye, but not wanting to make his father distraught, never revealed how serious the injury was.
  • A “growler” was a second-hand “clarence”, a four-wheeled horse-drawn carriage named after Prince William, Duke of Clarence, and introduced into London around 1840. Once sold by aristocrat owners, clarences were often used as cabs, and were known as “growlers” because of the sound they made on London cobblestoned streets.
  • Pratchett did indeed have plans for a Dodger sequel, saying at New York Comic Con and in an interview with the AV Club in 2012 that he’d love to write one “if he was spared”… The final scene of the book, in which Dodger is working with Serendipity as a spy in Paris, is a good indicator of the direction that book may have taken, but any notes for it would have been lost as per Terry’s instructions, when his hard drives were destroyed by a steam roller after his death.
  • Some later editions of Dodger – including Ben’s – include a “Bonus Scene” in which Dodger visits Sweeney Todd in Bedlam. (We cut our short discussion of the scene for time, and because David and Liz hadn’t read it.)
  • Cloacina was indeed a real Roman goddess, and like many was assimilated from another culture – in this case, Etruscan mythology. She was specifically the goddess of the Cloaca Maxima (“Greatest Drain”), the main sewer channel in Rome, construction of which was said to have been started and finished by two Estruscan Kings of Rome. Sometimes also seen as “a protector of sexual intercourse in marriage”, she was later known as “Venus of the Sewer”.

#Pratchat49 Notes and Errata

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These are the episode notes and errata for Pratchat episode 49, “Once More, With Future“, featuring guest Richard Watts, discussing the 1995 short story “Once and Future“, originally published in the anthology Camelot.

  • The episode title is a on Pratchett’s original short story collection Once More* *with footnotes (more about that below) parodying the musical director’s cliche, “Once more, with feeling!” While it’s best known now as the title of the celebrated musical episode of Buffy the Vampire Slayer, the phrase’s first use as a title was for the 1958 British play One More, with Feeling!, about an egomaniacal orchestra conductor and a harpist who have a terrible relationship. The play was filmed in 1960, starring Yul Brynner and Kay Kendall. (It’s billed as a comedy, but by modern standards it mostly sounds kind of gross.)
  • The Colour of Magic was first published by Colin Smythe on 24 November, 1983. Depending on the edition he managed to get hold of, Richard might indeed have read it in 1984, but it’s perhaps more likely he’d have read it in 1985, when the first Corgi paperback edition was published in a much larger print run. (See #Pratchat14, “City-State Lampoon’s Disc-Wide Vacation“, for more on The Colour of Magic.)
  • As we do on our About page, it’s considered respectful to acknowledge the traditional owners or custodians of the places where we live and work in Australia. As Richard mentions, he’s lived on the lands of the Dja Dja Wurrung and Taungurung Peoples (which includes the city of Bendigo), the Gunaikurnai people (Gippsland), and the Wurundjeri (Narrm/Melbourne). Pratchat is made on the lands of the Wurundjeri and Woi Wurung People, who like the Dja Dja Wurrung and Taungurung are part of the Kulin Nation. We encourage all our listeners to research the local people of wherever you live, even outside Australia, especially if you live in a colonised place.
  • Little penguins – also called fairy penguins in Australia, and kororā in New Zealand – are the world’s smallest penguin species. A large colony of the penguins famously walk in a “parade” every night along the beach on Philip Island, which is located in Port Philip Bay south of Melbourne.
  • ArtsHub is Australia’s biggest professional arts industry resource website, established about twenty years ago. As well as industry news, it is also a primary source for listing and finding arts jobs in Australia. It makes money primarily through selling listings and ads, and paid memberships to industry professionals. It has expanded into a network of four main websites: ArtsHub, ArtsHub UK, ScreenHub (for the Australian screen industry) and GamesHub (for the videogame industry).
  • 3RRR community radio started as 3RMT, a student station at the Royal Melbourne Institute of Technology (RMIT) in 1976. In 1979 it moved to Fitzroy and became 3RRR, and though the 70s, 80s and 90s picked up a significant following, especially among lovers of post punk and new wave music. In 2004 it moved to its present (and hopefully permanent) home in Brunswick East. While primarily a music station, it also broadcasts special and local interest programs about everything from science and technology to gardening and speculative fiction. Its morning show, The Breakfasters, It’s funded by sponsorships from local community businesses, and memberships purchased by listeners, mostly during an annual subscription drive. You can find the station at rrr.org.au, via various streaming apps or – if you’re in Melbourne – by tuning your radio to 102.7 FM.
  • Richard’s radio program SmartArts is broadcast on 3RRR every Thursday morning from 9 AM to Noon, and is also available as a podcast after the fact.
  • The Melbourne Fringe Festival is an open-access multi-arts festival held in Spring each year since 1982. Originally run by the Fringe Art Network, formed to preserve independent art after the closing of the alternative theatre venue Pram Factory, that organisation has since evolved into Melbourne Fringe. They now also operate a venue, the Fringe Common Rooms, at the Victorian Trades Hall.
  • We previously discussed the Matter of Britain thanks to an excellent pun in A Hat Full of Sky; see #Pratchat43 for more.
  • The Green Knight is a 2021 film directed by directed, written, edited and produced by American filmmaker David Lowery. It is an adaptation of the 14th century chivalric romance Sir Gawain and the Green Knight, which combined earlier folk tales into a story of one of Arthur’s knights, Gawain – played in the film by English actor Dev Patel. In Australia, it’s currently available to stream via Amazon Prime Video.
  • Pendragon is an Arthurian themed tabletop roleplaying game by Greg Stafford originally published in 1985 by Chaosium, the company behind Call of Cthulhu (see below). It’s based primarily on Le Morte d’Arthur (more about this later). Characters go on relatively few quests and adventures, spending most of their time pursuing courtly love, marrying and running a noble household, including siring heirs; Pendragon was notable for popularising generational play, in which players pay attention to their primary character’s family and eventually retire them, continuing play as the heir. Pendragon has had five editions, published by multiple companies including White Wolf (of Vampire: The Masquerade fame), but returned to Chaosium in 2018. A sixth edition is due to be released in 2021.
  • Chaosium is one of the earliest roleplaying game companies, formed in 1975. It’s best known for The Call of Cthulhu, a horror game based on the works of H P Lovecraft, first published in 1981 and currently in its seventh edition. Other notable Chaosium games include the fantasy game RuneQuest, occult mystery game Nephilim, and the Basic Roleplaying System, a generalised version of the rules used for many of their other games. They also now publish the swashbuckling fantasy 7th Sea (a favourite of Ben’s) and the chivalric romance Pendragon (see above).
  • Ernest Shackleton was one of many notable Antarctic explorers in the early twentieth century. In 1914, his ship the Endurance became trapped in ice and eventually destroyed, forcing his crew to abandon it. They were stranded in Antarctica for over 18 months, and amazingly Shackleton kept them all alive and got them rescued. Like fellow explorer and rival Robert Falcon Scott, Shackleton kept a diary, and published an edited version of it. Both men’s diaries established the now well-known Shackleton’s diary style of recording hardship and hope in extreme conditions. For example: “Though we have been compelled to abandon the ship, which is crushed beyond all hope, we are alive and have stores and equipment for the task that lies before us…”
  • Thor’s hammer – named Mjölnir, which translates to “the grinder” or “foe-grinder” – is important both to the original mythological figure (as much as there is a single original), and the Marvel comics superhero. The film and one version of the comic book story tell us that the hammer was forged from the magical metal uru in the heart of a star, and enchanted by Thor’s father, Odin, with various magical powers and properties, most famously the restriction that none may wield it unless they are “worthy” (the interpretation of which leads to some interesting storylines). In the early comics, Thor was enchanted such that he had a mortal persona, Dr Donald Blake, who was physically weak and required a cane to walk; the cane was actually Mjolnir in disguise, and he had to bang it on the ground to transform it and himself when Thor was needed. Some versions of the comics repeat the mythological origin of the hammer, which date back to at least the 11th century, and it appears in both the Prose and Poetic Edda, the main sources for stories of the Norse gods. In those stories, Mjölnir was forged by the dwarf Eitri as part of a bet, but Loki – who would lose if Eitri forged a superior treasure – turned into a fly and bothered Eitri such that he was distracted from his forge, causing the hammer to be made with a shorter than intended handle. Its powers in the mythology are more limited, but are possessed by both versions – it will strike as hard as Thor wishes; it can be thrown, and never miss its target; it will return to its owner; and it may be concealed inside a shirt. Unfortunately, like many major symbols of Norse mythology, the traditional depiction of Mjölnir has been appropriated as a symbol by racist and neo-nazi organisations, but those uses are still in a minority, and actively opposed by many modern pagan groups.
  • While the version of the Mjölnir electromagnet Ben discusses was not feasible – the hammer was meant to be normal so it could be taken away by whoever bought it – the trick has been done with a different scheme! Allen Pan devised a version for his YouTube channel Sufficiently Advanced made from a commercially available toy version of the movie Mjölnir, using an electromagnet made from microwave oven parts and using a thumbprint scanner in the handle, though to use it in public he needed to find a handy metal plate or sewer entrance cover.
  • Le Morte d’Arthur (“The Death of Arthur”; changed by the publisher from the original title, The Hoole Book of Kyng Arthur and of His Noble Knyghtes of The Rounde Table) is the famous 15th century book remixing the folklore around King Arthur and the Knights of the Round Table. It was written by English nobleman and criminal Sir Thomas Malory during a stint in prison (assuming modern historians have his identity correct), and first published by William Caxton in 1485. Its vision of Arthur has influenced nearly every major new version in the centuries since, including most of the novels and films we mention during this episode. Of note, Malory based it on earlier French and Middle English versions of the stories, though exactly which sources are unclear.
  • The sword in the stone dates back to the early 13th century, where it appears stuck in an anvil atop a stone in a churchyard on Christmas Eve, either in Londinium (London) or Logres, an old name derived from the Welsh Lloegyr, describing the region of southern and eastern England ruled by Arthur. Later versions have placed the stone in various more specific places, and often leave out the anvil, placing the sword directly in the stone itself.
  • Once More* with footnotes was a collection of Pratchett’s shorter writings – fiction and non-fiction – published by the New England Science Fiction Association to mark Pratchett’s attendance as Guest of Honour at Noreascon Four, the 62nd World Science Fiction Convention. (There’s no separate World SF Convention; pre-existing conventions around the world take turns to host it, a bit like cities hosting the Olympics.) Nearly everything in Once More* with footnotes shows up in the later (and still in print) books A Blink of the Screen (short fiction) and A Slip of the Keyboard (non-fiction), which also include stuff written after 2004. But there are a small number of unique things in the earlier collection, and since the original had only three limited print runs (and a much better title), it’s still sought after by Pratchett collectors. We’ll have to track down a copy so we can share with you the few goodies inside that didn’t make it into the later books.
  • We’ve previously mentioned that, as per the conditions of his will, Terry’s hard drives containing his unfinished books were all destroyed by being crushed under a steam roller. Presumably his floppy discs would have suffered a similar fate, otherwise there’s a bit of a get out clause in which the hard drives’ contents could have been backed up beforehand…
  • The Long Earth (not The Long World, but look, it’s been a long few lockdowns) is Terry’s sci-fi series co-written with Stephen Baxter. We’ve already covered the first two books: The Long Earth in #Pratchat31, and The Long War in #Pratchat46.
  • While this episode of Pratchat comes in between Thief of Time (#Pratchat48) and Night Watch (watch out for it early in 2022), both books were written several years after “Once and Future”. The later books were published in 2001 and 2002, respectively.
  • Ben didn’t have much luck finding the tweet about what you should take back in time; given the answer to the question, possibly the search was complicated by the recent release of a certain big budget film about the intergalactic spice trade… (That, and the tweet we think it was has since been deleted by the author.)
  • As Richard reveals later in the podcast, the historical Merlin is thought to be the poet and seer Myrddin Wyllt (“Myrddin the Wild”) from “the Old North” of England, the bit near Scottish lands. Myrddin is a Welsh name, anglicised into “Merlin” by Geoffrey of Monmouth, the 12th century British Catholic priest who lived in Wales and wrote Historia regum Britanniae, a history of British Kings which mixes real history with stories, and one of the oldest sources for King Arthur. (Richard has more to say about the historical Merlin at around the 39:53 mark.)
  • As Richard notes, the sword in the stone is not always Excalibur. In earlier stories they are usually the same sword. When Arthur is dying, he tasks one of his knights to throw the sword into a lake, where a hand rises from the water to catch it. Later versions move this event to earlier, and Arthur is given back the sword by the Lady of the Lake. In still later versions, the sword from the stone is broken, and Arthur gets a new one – Excalibur – from the Lady (aka Nimue etc; see below). Nice one, Arthur Two-Swords. (This will all become relevant again when we talk about The Watch.)
  • In the 1975 comedy film Monty Python and the Holy Grail, Arthur (Graham Chapman) accidentally insults a peasant named Dennis, who claims to be part of an “anarchs-syndicalist commune” and derides Arthur’s claim to the divine right to rule:

King Arthur: The Lady of the Lake, her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water, signifying by divine providence that I, Arthur, was to carry Excalibur. That is why I am your king.

Dennis: Listen, strange women lying in ponds distributing swords is no basis for a system of government! Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony!

Arthur: Be quiet!

Dennis: You can’t expect to wield supreme executive power just ’cause some watery tart threw a sword at you!

Arthur: Shut up!

Dennis: I mean, if I went around saying I was an emperor just because some moistened bint had lobbed a scimitar at me, they’d put me away!

Monty Python and the Holy Grail (1975, dir. Terry Gilliam & Terry Jones)
  • The idea of an historical Roman-era Arthur comes from the earliest surviving source which mentions him: the Historia Brittonum (History of Britain) from the early ninth century CE, attributed to the Welsh priest Nennius. It describes a leader of warriors named Arthur who fought with the kings of the Britons; only later sources name him as a king as well. These battles supposedly happened three hundred years earlier, and do agree with earlier sub-Roman British sources from the 6th century, notably De Excidio et Conquestu Britanniae by Gildas the Wise, which includes a British victory against the Saxons. Gildas, however, doesn’t name Arthur or any other military commanders or kings, and modern historians are generally in agreement that he is a mythical figure, even if he was inspired by the stories of several historical people. (For more on the archaeological evidence, see our note about Leslie Alcock below.)
  • Ben refers to several events where Mervin might have ended up in the modern day that we’ll quickly explain:
    • “Ren-Fair” is short for “Renaissance Fair”, a popular form of medieval re-enactment of varying levels of historical accuracy that is popular in the United States.
    • LARP is an acronym for “Live Action Role Play”, and describes a particular style of roleplaying game in which players dress in costumes and act in character, often in an outdoor setting, and sometimes with mock combat using props and safe weaponry. Note that not all LARP games are medieval, or violent; many styles of LARP are quite rules-light and are more like an immersive form of improvised theatre.
    • Ben uses the term “conference” when describing a roleplaying con; usually such an event – where players gather to play a number of shorter games over a weekend – is called a “convention”.
  • Pratchett first mentions the “trousers of time” in Guards! Guards! (we talked about it in #Pratchat7A). For more on possible influences and origins for the phrase, see the episode notes for #Pratchat27 (about Jingo).
  • Eithne Pádraigín Ní Bhraonáin – better known as Enya – is an Irish musician famous for her distinctive and multi-tracked vocals and Celtic influence. Her song “Orinoco Flow”, from her 1988 second album Watermark, was a global hit and helped make her the second-best selling Irish artist of all time, behind U2.
  • Nimue and Viviane are two of the traditional names for the Lady of the Lake, though there are many, many variations. Her origins are not certain, but she is likely drawn from one or several stories from Irish or Welsh traditions. The sorceress Morgan Le Fay, who has a complicated relationship with Merlin and Arthur, is usually a separate figure, but in some later stories is conflated with or said to be close to the Lady.
  • Mary Stewart (1916-2014) is the British author of the Merlin novels, which began with The Crystal Cave, first published in 1970. It was followed by The Hollow Hills (1973) and The Last Enchantment (1979), the three books forming a trilogy telling the story of Merlin from the age of six through to his retirement after trying to help Arthur avoid the schemes of Morgause, mother of Mordred. Stewart later added two more novels: The Wicked Day (1983), which continues the story without Merlin using Mordred as the main character, and the much later The Prince and the Pilgrim (1995), which is a standalone novel set during Arthur’s reign in the earlier books, focussing on a pair of new protagonists.
  • The 1998 Merlin miniseries, made for US network NBC, stars Sam Neill as the titular wizard. He is not trapped in a crystal cave, but at the start of the (sort-of) sequel, 2006’s Merlin’s Apprentice, he decides to sleep for a while to rejuvenate, and does so in a cave that does indeed seem to have crystals. He’s not trapped, but he doesn’t set his alarm, and so accidentally wakes fifty years later to find Camelot in ruins.
  • “The one with the young Merlin” is the 2008 BBC TV series Merlin, starring Colin Morgan as Merlin, a young “warlock” who comes to Camelot under the rule of the magic-hating king Uther Pendragon (played by Anthony Head of Buffy fame), and befriends his son, the knight Arthur, and his love, servant Guinevere (known as Gwen). He is mentored by Gaius, Uther’s court physician, and the Great Dragon (voiced by John Hurt!), the last of his kind after Uther killed all his kin and imprisoned him under the castle. He’s not imprisoned in the Crystal Cave, but does visit it a couple of times. Nimueh also appears, but this version of the character is a human witch, a High Priestess of the Old Religion outlawed along with magic by Uther. She and Merlin did not get along.
  • Pratchett did indeed live near places associated with Arthur. From Broad Chalke, where he lived from 1993 until his death in 2015, it’s only 40km (25 miles) west to Cadbury Castle, a famous site of archaeological work related to Arthur (see the note about Leslie Alcock below), and 55km (about 34 miles) to the northwest to Glastonbury. Glastonbury Abbey is said to be the resting place of Arthur and Guinevere – tombstones bearing their names were found within, as were the bones of two people, though this seems likely to have been a scam by 12th century monks hoping to attract pilgrims. Glastonbury Abbey was also originally on an island in a lake – now dried up – and so is also given as the location of the Isle of Avalon. A bit further afield, around 200km (125 miles) to the west of Broad Chalke on the coast of Cornwall, lies Tintagel Castle, the most popular choice of location for Camelot itself. A sea cave underneath is known as Merlin’s Cave.
  • We found this very interesting 2018 article about the rise of salt and pepper as the key Western spices on NPR’s Gnawing Questions column.
  • Ben is thinking of the Carrier Bag Theory of human evolution, which was most famously championed by fantasy author Ursula Le Guin in her essay “The Carrier Bag Theory of Fiction” in 1986. She refers to Carrier Bag Theory as the work of Elizabeth Fisher, from Fisher’s 1979 book Women’s Creation (though Le Guin cites it as being published in 1975), and quotes’ Fisher’s claim that “the earliest cultural inventions must have been a container to hold gathered products and some kind of sling or net carrier.” Sadly Fisher’s sources for this are not listed, her book has been out of print for twenty years, and it’s not easy to find much information about her. This might be partly explained by the essay, in which Le Guin makes the point that our patriarchal view of stories preferences the traditional “man’s first tools were clubs and spears” narrative, since it has excitement and violence (and is about men). For more on her essay, see this great 2019 article at The Outline, which makes a compelling argument that we should all read more of Le Guin’s explicitly feminist work. (If you want to get started, you can find the original essay online at The Anarchist Library.)
  • Romans did indeed have running water and heating, available – at least in wealthy homes – as early as 200 BCE, when they discovered lead was a cheap and easy to work material from which to make water pipes, which connected to the aqueducts for which they were famous. Aqueducts are elevated water courses which use a slight downward gradient to transport water over large distances using just the force of gravity. There’s a theory that the lead piping would have lead to widespread lead poisoning, and contributed to the fall of the Roman Empire, but this is contested. As for heating, they used an underfloor heating system called a hypocaust, in which a fire heated air ducted into the room above; this seems to have been mainly used in baths and large common buildings, and only the most lavish private homes.
  • Ben’s essay about silk and potatoes was largely based on the 1998 book Silk and Potatoes: Contemporary Arthurian Fantasy, by British writer Adam Roberts. Roberts, it turns out, went on to be an award-winning novelist, best known for his sci-fi novels like Salt (2000), Gradisil (2006) and Jack Glass (2012), and for writing numerous short but broad parodies of popular sci-fi and fantasy works including The Soddit, Star Warped and The Dragon with the Girl Tattoo. He is still a scholar of mythology and fantasy, and some of his novels and short stories are pastiches of Arthur, Jules Verne and others.
  • It’s impossible to know how many knights of the round table there were, on account of them not being real and there being so many different accounts! Wikipedia lists more than fifty significant Arthurian knights worthy of their own articles, though Ben’s guess that Arthur and his knights are “fourteen people” is probably reasonable for a “pub test” of how many most people could name.
  • The time travel business with Shakespeare in Jasper Fforde’s books is a minor event in the first of the Thursday Next series, The Eyre Affair. (The time traveller in question is Thursday’s mysterious father, Colonel Next.)
  • A bootstrap paradox – more formally a “causal loop”, but also called a predestination paradox in fiction – is one in which something causes itself to happen through the use of time travel, making the actual cause seemingly non-existent. For example, if a time traveller constructs a time machine using plans they have found, then goes back in time to hide the plans where their past self found them…where did the plans originally come from? Who created them? The Twelfth Doctor explains the bootstrap paradox with a musical example in a prelude to the Doctor Who episode “Before the Flood”.
  • Richard is spot on with his details about Michael Moorcock’s time travel story Behold the Man. The novella version, published in New Worlds magazine, won the Nebula Award for Best Novella in 1967.
  • For more about Moorcock publishing Pratchett, see the notes for our previous short story episodes #Pratchat39 and #Pratchat45.
  • Sir Ector first appears by that name in versions of the story from around the 12th century. His son Kay goes back to the Welsh versions, where his father was known as Cynyr.
  • The Sword in the Stone is the first of four short novels written by T H White, which were revised and expanded into a series (and collected into a single book) as The Once and Future King in 1958. The four books are:
    • The Sword in the Stone (1938), which covers Arthur’s youth, and was adapted into the famous Disney animated film in 1963.
    • The Witch in the Wood (1939), in which Arthur grows up, creates the Round Table and secures his kingship; it was renamed The Queen of Air and Darkness and heavily rewritten for the Once and Future King version.
    • The Ill-Made Knight (1940), mostly about Lancelot – the knight of the title – but also the quest for the Holy Grail.
    • The Candle in the Wind (1958), which covers the end of Arthur’s reign and his death. It was first published in the collected edition of the books. This book and the previous one were adapted into the stage musical Camelot in 1960, which was then turned into a 1967 film starring Richard Harris and Vanessa Redgrave as Arthur and Guinevere.
  • As hinted in the story itself, both Arthur and Ursula are names associated with words for “bear”, though as usual with etymology of old names and words its not simple. “Arthur” is certainly an old Welsh name, but it has become so linked to the Arthurian legend that it’s hard to find early sources that don’t reference the stories. It may come from Roman or Welsh origins, though for complex linguistic reasons not directly from the Welsh word for bear, which is arth. Mervin refers to him as “Artos the Bear”, which is the name given to a Roman-era, Celtic, “real” version of Arthur in Rosemary Sutcliffe’s 1963 novel Sword at Sunset. Ursula, meanwhile, is straightforward: while popular across Europe, it is a diminutive form of the Latin word for bear, ursa, as in the constellations of Ursa Minor and Ursa Major.
  • Johnny Lee Miller is an English actor best known for his (vastly different) roles in Trainspotting as “Sick Boy” and a modern Sherlock Holmes, working in New York, in Elementary. Elementary ran for seven seasons on CBS between 2012 and 2019, and is possibly our favourite version of Holmes, certainly for television. It also stars Lucy Liu as Dr Joan Watson, plus Aidan Quinn as Captain Gregson and Jon Michael Hill as Detective Marcus Bell, members of the NTPD who engage Holmes and Watson as consultants. Miller’s next major television project is the upcoming fifth season of The Crown, in which he will play UK Prime Minister John Major.
  • The Arhurian films we mention are:
    • King Arthur: Legend of the Sword (2017, dir. Guy Ritchie), starring Charlie Hunnam as Arthur and Jude Law as Vortigern;
    • King Arthur (2004, dir. Antoine Fuqua), “the Bronze Age one”, starring Clive Owen as Arthur, Ioan Gruffudd as Lancelot and Keira Knightley as Guinevere;
    • First Knight (1995, dir. Jerry Zucker), the one with Sean Connery, Richard Gere and Julia Ormond – “the gauntlet scene” features Gere’s Lancelot navigating an obstacle course in order to win a kiss from Guinevere.
    • Excalibur (1981, dir. John Boorman), the good one, though it’s forty years old and hasn’t aged well in some respects. It features many actors in supporting roles who’d go on to be much more famous than its stars, including Patrick Stewart, Liam Neeson and Gabriel Byrne. Nicol Williamson’s Merlin and Helen Mirren’s Morgana Le Fay are especially brilliant, though.
    • The Kid Who Would Be King (2019, dir. Joe Cornish) stars Louis Ashbourne Serkis (son of Andy “Gollum” Serkis) as Alex, the modern-day who finds Excalibur. It also features Patrick Stewart as an older version of Merlin, though most of the time he’s played by Angus Imrie in a younger form (he ages backwards, as in many versions of the myth).
    • The Green Knight (2021, dir. David Lowery) – see the earlier note above.
  • Peter Jackson, while best known for The Lord of the Rings trilogy, had been a filmmaker in New Zealand for many years beforehand. After his early cult horror-comedy films Bad Taste (1987), Meet the Feebles (1989) – see also #Pratchat32, “Meet the Feegles” – and Braindead (1992), he found international acclaim with his 1994 drama Heavenly Creatures, also the feature film debut of Kate Winslet. His 1996 film The Frighteners, a dark supernatural comedy starring Michael J Fox, was his first for a Hollywood studio. In 1999 he adapted Alice Sebold’s novel The Lovely Bones, about a teenage girl who is murdered and resists entering Heaven so she can watch over her family. His most feature was Mortal Engines, which he produced but did not direct; it’s also an adaptation of a novel, in this case the 2001 steampunk-is YA fantasy by Philip Reeve. It had a huge budget but was also not a success. Jackson’s first “documentary” was Forgotten Silver, actually a mockumentary telling the story of a forgotten New Zealand pioneer in filmmaking, Colin McKenzie, who never really existed. Jackson has a fascination with World War I, and in 2018 released the documentary They Shall Not Grow Old to general acclaim; the film uses modern animation and reconstruction techniques to bring archival film and photographs of the war to life. His next work is indeed a documentary: The Beatles: Get Back is a three part series using the same techniques as They Shall Not Grow Old to tell the story of the making of the Beatles album Let It Be. Ben is cautiously excited. (The documentary West of Memphis, about Elvis, was produced by Jackson, but not directed by him.)
  • Marty McFly has to avoid meeting himself towards the end of Back to the Future Part II, when he and Doc Brown travel back to 1955 and interact with events from the first film.
  • Mark Twain’s A Connecticut Yankee in King Arthur’s Court follows the story of Hank Morgan, an engineer from Hartford, Connecticut who gets hit on the head and wakes up in King Arthur’s court. He sets about using his superior technical knowledge to gain power and influence, earning him the ire of Merlin. It has been adapted for the screen many times; the first one was a silent film in 1921.
  • Disney’s run of sci-fi and fantasy films occurred mostly in the 1970s. Ben mentions The Cat from Outer Space (1978, dir. Norman Tokar) and Escape to Witch Mountain (1975, dir. John Hough); others include the Witch Mountain sequel Return from Witch Mountain (1978, dir. John Hough), The Island at the Top of the World (1974, dir. Robert Stevenson) and The Black Hole (1979, dir. Gary Nelson).
  • Unidentified Flying Oddball (1979, dir. Russ Mayberry), aka The Spaceman and King Arthur and A Spaceman in King Arthur’s Court, starred Dennis Dugan as Tom Trimble and the android Hermes. Dugan later went into directing, specialising in whacky comedies, and has worked frequently with Adam Sandler; his films include Problem Child (1900), Brain Donors (1992), Happy Gilmore (1996), Jack and Jill (2011) and most recently Love, Weddings and Other Disasters (2020). Meanwhile Unidentified Flying Oddball co-stars many actors famous in the UK, including Jim Dale (of Carry On fame) as Mordred, Ron Moody (best known as Fagin in Oliver!) as Merlin and Dad’s Army star John Le Mesurier as Sir Gawain. It’s available on streaming services, including Disney+.
  • The Mists of Avalon is Marion Zimmer-Bradley’s retelling of the Arthurian story from the perspective of its women, most notably Morgaine, who is trying to prevent her pagan religion from being ousted by Christianity. It was first published in 1983, and eventually followed by seven sequels. In 2001 it was adapted for television as a mini-series for American cable network TNT, starring Julianna Margulies as Morgaine and featuring Anjelica Huston as Viviane, the Lady of the Lake.
  • Etrigan the Demon is a superhero character created by Jack Kirby for DC Comics, first appearing in his own series The Demon in 1972. In the origin version, Etrigan – a large, yellow and powerful demon – is summoned by Merlin, who is his half-brother via the demon Belial. (This is in line with many myths, which call Merlin a “cambion” or half-demon, citing this as the source of his power.) When Etrigan refuses to tell Merlin what he wants to know, he binds the demon’s soul to that of Jason Blood, one of Arthur’s knights, making Blood immortal. Blood lives into the modern day, where he is a noted demonologist; on a trip to Gotham City he discovers a poem which can cause him to transform into Etrigan (they effectively swap places), and develops an uneasy friendship with the demon, working together to fight against greater evils. Etrigan’s dialogue is usually written in rhyming verse, something of a tradition for demons in DC comics. A revision of this story in later comics has Blood and Etrigan working together from soon after the bonding, leading a medieval superhero team known as the Demon Knights. While a lesser-known DC character, Etrigan is nonetheless quite popular, and continues to appear in comics today.
  • Jabberwocky is Terry Gilliam’s 1971 comedy film, his first as solo director. It’s very loosely based on the Lewis Carroll poem, which appears in Through the Looking Glass. Jabberwocky stars Michael Palin as Dennis, a cooper’s apprentice, who tries to find his fortune while the titular monster terrifies the local population. The combination of ridiculous gore, filth, slapstick comedy and period griminess give it look and tone similar to Monty Python and the Holy Grail, though it’s not nearly as funny.
  • The “Dorito flavour would overwhelm someone from centuries ago” tweet that Liz mention is this one, from Matt Crowley, a staff writer for The Onion:
  • The “pub test” is a phrase used often in recent Australian media and political discussions to mean something the average Australian person – such as the folks drinking in your local pub – would understand or agree with. It’s been a subject of some debate, particularly amongst conservatives who don’t like the idea that it might show they’re out of touch, but it is analogous to ideas in law of what a “reasonable person” would think – especially in terms of understanding a risk. In old-fashion UK legal terminology, this was often phrased as “the man on the Clapham Omnibus”, or in Australian terms, “the man on the Bondi tram”.
  • The Society for Creative Anachronism (SCA) was founded in 1966, at the University of California Berkley. The name was coined by fantasy author Marion Zimmer Bradley, who was an early member. It still exists, with tens of thousands of members and participants worldwide, administered by various “Kingdoms” “ruled” by a King and Queen. The SCA is pretty upfront that they have a variable approach to historical accuracy, selecting the fun and interesting aspects of pre-seventeenth century culture – i.e. they don’t let the meat get rotten, but do try to use the cooking techniques and ingredients of the time. The idea is to learn about this period by actively participating in activities, rather than just reading about them. Members choose names appropriate to the period and have a lot of fun. You can find out more about them at sca.org.
  • Count Nikolai Dmitrievich Tolstoy-Miloslavsky, usually known as Nikolai Tolstoy, is a British historian and current head of the House of Tolstoy, a Russian noble family, and a distant cousin to “the other Tolstoy” – Leo Tolstoy, author of War and Peace. As well as the scholarly book Richard mentions, The Quest for Merlin (1985), Nikolai Tolstoy has written an Arthurian novel, The Coming of the King (1988). His non-Arthurian work is largely about World War II and historical and political issues around Russia – unsurprising as his father fled the country in 1920 in the aftermath of the revolution. He is also an outspoken monarchist and a member of the UK Independence Party, or UKIP, which championed Brexit, though while he has run for office has never been elected.
  • Leslie Alcock OBE FSA FSA Scot FRSE (1925 – 2006) was a prominent archaeologist and expert in Early Medieval Britain. Born in Manchester, he was Professor of Archaeology at Cardiff University and the University of Glasgow, and is best known for his excavations in the late 1960s at Cadbury Castle – a site long associated with King Arthur. He made the most of this famous association, attracting the attention of the media. This attention popularised the open excavation style now employed by most archaeologists, including those on Time Team. His book Arthur’s Britain: History and Archaeology was published in 1971, and popularised the idea of an historical Arthur as a war leader in sub-Roman Britain who led fights against the Saxons, agreeing with this historical sources mentioned above. Later scholars have increasingly questioned if an historical Arthur existed at all – the stories are more likely an amalgamation of several real people, where they have any basis in reality – but many live in hope.
  • On that note, Richard’s pick for a possible historical Arthur is Riothamus, a Romano-British military leader from around 470 CE. His name comes from the old British Celtic language, Brythonic, and either means “the most kingly” or “freest”; he was described by sixth-century historian Jordanes as “King of the Britons”, though what that would have meant in the late 5th century isn’t entirely clear. Regardless, he’s a good choice.
  • The Disney animated film Robin Hood – the one with the fox – was released in 1973. As well as translating the characters into animals, it takes a few liberties with the traditional story – most notably, none of the Merry Men appear other than Little John and Friar Tuck. It remains a favourite, though critically has had mixed reviews; the most notable voice actor is Peter Ustinov as both Prince John and King Richard.
  • Robin of Sherwood was an ITV series which ran for three series between 1984 and 1986. Michael Praed played Robin of Loxley, the first Robin Hood, for the first two series, but is replaced in series three by Jason Connery – yes, son of Sean – as his successor, Robert of Huntingdon, chosen by the shamanic figure Herne (named for the Celtic god of the hunt, Herne the Hunter – parodying in Pratchett’s Lord and Ladies as Herne the Hunted). Other notable actors to appear were John Rhys-Davies as King Richard, Ray Winstone as Will Scarlett, and Richard O’Brien of Rocky Horror fame as a sorcerer.
  • Ben brings up Cary Elwes, and we continue to talk about his famous go at being Robin Hood, but somehow no-one mentions that the film in question is Mel Brooks’ 1993 parody Robin Hood: Men in Tights. The “character with the mole” mentioned by Liz is Prince John, played in the film by American comedian Richard Lewis.
  • Modern jeans date back to 1871, when Jacob W. Davis added rivets to the pockets of blue denim jeans for the Levi Strauss company. But the term “jeans” dates back to at least 1795, and denim dyed blue with indigo is older still. While Jack Kerouac and the beats did wear jeans – working class clothing was common for them – blue jeans’ big cultural moment was when James Dean wore them in the 1955 film Rebel Without a Cause, associating them with rebellious youth. For a really great history of blue jeans, we recommend “Blue Jeans“, episode five of Avery Trufelman’s Articles of Interest, a podcast mini-series about clothing released as part of Ben’s favourite design podcast, 99% Invisible.
  • The ångström (Å) is a metric unit of length, with 1Å equivalent to 1×10-10 metres (or one ten-billionth of a metre). It is not part of the standard System Internationale (SI) of units, but still sees use in physics and other natural sciences where there is a need to describe the size of atoms and sub-atomic structures. It’s named for 19th-century Swedish physicist Anders Jonas Ångström, though we note that Pratchett uses the unusual spelling “Ångstrom”, which preserves only one of the Swedish characters.
  • The Chinese story of the archer who shot down the extra suns is the story of Hou Yi (后裔), also known as Shen Yi or just Yi. There are many versions of his story, but he is nearly always married to Chang’e (嫦娥), who is – or becomes – goddess of the Moon.
  • We’ve previously talked about Journey to the West (西遊記), by Wu Cheng’en – and especially the 1980s Japanese television adaptation, Monkey, which was very popular in Australia – in #Pratchat18 (The Dark Side of the Sun). We also talked about various versions of the story in episode six of our subscriber-only bonus podcast, Ook Club. The standard English translation of the original novel has long been the abridged version by Arthur Waley, published in 1942. The new translation is Monkey King: Journey to the West, by Julia Lovell, published in 2021; it’s received some glowing reviews, including this one from the Los Angeles Review of Books.
  • We covered Eric back in #Pratchat7, “All the Fingle Ladies“. Rincewind’s psuedo-Odysseus ancestor is Lavaeolus, whose name is roughly Latin (or Latatian, the Discworld equivalent) for “Rinser of Winds”.
  • The Hercules movie with the Rock is Hercules (2014, dir. Brett Ratner), based on a graphic novel by Steve Moore, though Moore received no payment for the eventual film and was subsequently very reasonably upset that his name was used prominently in marketing the film. Other notable cast include Ian McShane, Rufus Sewell and John Hurt.
  • Agatha Christie’s The Labours of Hercules was published in 1947 and the mysteries within all star her least favourite creation, Belgian detective Hercule Poirot. The stories had all been previously published in periodicals. Poirot prefaces the collection, saying that he has chosen these cases to fit the theme, and hopes to close his career as a detective with their account, though Christie did not get her way and several more collections of stories and novels were published after this one. Eleven of his mysteries come chronologically after, so Poirot didn’t get his way either; his final case is Curtain, written by Christie during World War II, but not published until 1975 – the last of her works published before her death in January 1976.
  • C S Lewis and his take on schools?
  • The tweet comparing C S Lewis and Tolkien’s attitudes to their allegories is (probably) this one:
  • Ophelia is a 2018 film directed by Claire McCarthy, adapted by Semi Chellas from the novel Ophelia by Lisa Klein. Alongside Daisy Ridley as Ophelia the cast features Naomi Watts as Gertrude, Clive Owen as Claudius, and Tom Felton as Laertes.
  • Ben mentions Uprooted by Naomi Novik, which he also talked about in a bit cut from #Pratchat46 and featured in our most recent Ook Club episode as a bit of bonus content. Novik’s other novel is a similar vein is Spinning Silver, which is loosely based on the story of Rumpelstiltskin.
  • The series Richard discusses is A Fairy Tale Revolution from Penguin Books. Aimed at younger readers, it comprises Hansel and Greta by Jeanette Winterson, Blueblood by Malorie Blackman, Duckling by Kamila Shamsie (all illustrated by Laura Barrett) and Cinderella Liberator by Rebecca Solnit (illustrated by Arthur Rackham).
  • Nullus Anxietas 7A, the one-before-the-ninth Australian Discworld Convention, is happening in Sydney from the 8th to the 10th of April, 2022. Get all the details via ausdwcon.org.
  • “Pay no attention to the man behind the curtain!” are the famous words uttered by Oz, the Great and Terrible, when his giant magical face is exposed as a sham by the drawing of the curtain where the actual Oz, a regular human from Dorothy’s world, is operating the head’s controls.
  • A Slip of the Keyboard, as mentioned in the note about Once More* with footnotes above, is the 2014 collection of Pratchett’s non-fiction writings. We’ll try and fit it in somewhere, though many of its works are so short that they probably wouldn’t work as individual episodes…
  • We discussed Pratchett’s standalone Dickins pastiche Dodger way back in #Pratchat6, “A Load of Old Tosh“.
  • We’re not sure if the world is ready for a photo of the weird brick mouse thing, but we’ll see if Liz can find one.
  • The “Lovecraft Circle” was a group of “weird fiction” writers who, though they never met him in person, regularly corresponded with Lovecraft, sharing and using motifs and ideas which appear in their collective writings. As well as Clark Ashton-Smith, the Circle’s most well-known members included August Derleth, Robert E. Howard and Frank Belknap Long. Robert W Chambers was not a member of the Circle; he was active significantly earlier, having written The King in Yellow in 1895, when Lovecraft himself was only five years old.
  • Australian filmmaker Baz Luhrman released The Great Gatsby in 2013. The cast includes Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton, Isla Fisher and Elizabeth Debicki (soon to be seen as Princess Diana in The Crown). There was huge buzz around the film, generated by a trailer released a year in advance, but its critical reception on release was lukewarm at best.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat49 – Once More, With Future

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Arts journalist, critic and broadcaster Richard Watts joins Liz and Ben on a trip sideways in time with reluctant wizard Mervin (with a V) in Pratchett’s 1995 short story “Once and Future“, originally published in the Arthurian collection Camelot.

As he stands on the beach waiting for the right hopeful king to come along, professional time traveler Mervin recounts his story of how he became stranded in a sideways version of medieval Britain. Here the stories of Arthurian myth are more or less real – though one notable figure is missing… With his knowledge of modern technology, a stash of emergency supplies and help from sharp local girl Nimue, he has a plan to fill the gaps in this other history…

Pratchett explores a new angle on the Matter of Britain, mixing sci-fi and engineering into a story about stories and “a world that’s not exactly memory and not exactly story”. Published in between Interesting Times and Maskerade, but stewing in his head for a decade before that, it features some of Pratchett’s most developed ideas about time travel, and was something he was proud and fond of. He even thought of turning his more extensive writings for it into a novel!

Did you enjoy Pratchett’s take on the practicalities of time travel? Would you have the skills to make it as a time traveler? Does it have the beginnings of a full-length novel? And what’s the best thing you’ve ever found in a charity shop? …we’re not sure where that one fits in either, but you asked so we answered! (Thanks Ryn.) Join the conversation using the hashtag #Pratchat49 on social media.

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Guest Richard Watts is indeed a titan of the Melbourne arts community. He’s best known as a journalist for ArtsHub, where he is the National Performing Arts Editor, and as the host of SmartArts, 3RRR’s long-running weekly arts programme. As well as being named a living legend of the Melbourne Fringe Festival in 2019, Richard’s contributions to the arts were further recognised in 2021 when he was awarded the Sidney Myer Performing Arts Awards’ Facilitator’s Prize and a Lifetime Achievement Award from the Green Room Awards. He’s also written for roleplaying games including Call of Cthulhu, Elric!, Vampire: The Masquerade, Werewolf: The Apocalypse and Wraith: The Oblivion. You can find Richard online as @richardthewatts on Twitter.

As usual, you can find notes and errata for this episode on our web site.

Next episode is our fiftieth – and to celebrate, we’re cracking open Nanny Ogg’s Cookbook! This is Pratchett’s 1999 collaboration with Stephen Briggs and Tina Hannan, the latter of whom is responsible for the actual recipes inside – some of which we’ll be trying out with our very special returning guest, comedian and author Cal Wilson! We’re also hoping to cook up something a little extra to send your way around Hogswatch as well… For now though, send us your questions – about the book, the recipes, Nanny’s etiquette advice or even just doing a Pratchett podcast for over four years. Use the hashtag #Pratchat50, or send us an email to chat@pratchatpodcast.com.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

#Pratchat46 Notes and Errata

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These are the episode notes and errata for episode 46, “The Helen Green Preservation Society“, featuring guest Deanne Sheldon-Collins, discussing the second instalment in The Long Earth series written by Pratchett and Stephen Baxter: 2013’s The Long War.

  • The episode title references the Kinks song “The Village Green Preservation Society“, and our own love for and defence of Helen Green (now Valienté). We previously mentioned the song – and Ben’s favourite cover version, by Kate Rusby – in our episode on Johnny and the Dead, #Pratchat34, “Only You Can Save Deadkind“. (See below for more on the album The Kinks Are the Village Green Preservation Society.)
  • We’ve covered all of the Discworld books Deanne mentions:
  • We link to Speculate in the episode’s podcast post, but it’s worth mentioning that both of your Pratchat hosts have appeared as panellists at both of the Speculate events held so far, in 2018 and 2019. Speculate co-director Joel Martin has also been a Pratchat guest three times, including for #Pratchat31, “It’s Just a Step to the West“, our episode on The Long Earth.
  • As discussed in #Pratchat31, Stephen Baxter is best known for his Xelee Sequence of space opera novels, and for writing the official sequel to H G Wells’ The Time Machine, The Time Ships. See the episode notes for #Pratchat31 for more information.
  • The next two books in the series are The Long Mars and The Long Utopia, not The Long Cosmos as Ben says; that’s the final book in the series.
  • There’s some hints as to how the Long Earth series was planned in Chapter 18 of Marc Burrows’ The Magic of Terry Pratchett. Pratchett and Baxter planned out the series as a five-book arc when they first decided to write it together; no specific date is given, but this seems to have been around 2010 or 2011. It was a true collaboration, each contributing writing and editing the others, and complete drafts of the final three novels were completed in 2013. Baxter did the final polishing and tweaking of those books while Terry worked on his final solo projects.
  • Monica “Spooky” Jansson disappears for about 160 pages in Ben’s paperback edition. After Chapter 1, she’s not seen again until Chapter 23.
  • Given the rough timeline available from The Magic of Terry Pratchett, it seems likely that The Long War was indeed being written in 2011 and 2012.
  • We don’t think we ended up coming back to it, but there is a hint that there might be another direction in which to step. In Chapter 54 Bill recounts a story to Joshua about a comber who, on a bet, spent the night drunk and naked on “the Cue Ball”, a Joker Earth whose surface is incredible featureless and smooth. Spooked by a sound the next morning, he tried to step while hungover and claims he stepped not East or West, but in some other direction… No doubt this will either be never heard of again, or form the entire basis of one of the sequels…
  • Leukaemia – originally Leukämie in German, from the Greek words leukos (λευκός), “white”, and haima (αἷμα), “blood” – is the collective name for a number of forms of blood cancer. It usually begins in bone marrow, where blood cells are manufactured, and the risk of contracting the disease does increase with exposure to radiation. There are four main types of leukaemia, with many sub-classifications, but Spooky’s specific diagnosis is not specifically mentioned – indeed, the word “leukaemia” is only mentioned once in the entire book, in Chapter 23.
  • The first book starts with Step Day in 2015, but most of the action – including all of “The Journey” – takes place in 2030, with flashbacks to various events in the fifteen years between.
  • For the record: Helen is 18 in 2031 when she marries Joshua, who is 29. Liz and her maths are right when she says they met the year before, a meeting which occurs in chapter 50 of The Long Earth.
  • The American War of Independence, aka the American Revolutionary War, was fought by citizens of the then thirteen British colonies in America between 1775 and 1783. The Declaration of Independence was signed by representatives from the colonies, who gathered in a “Continental Congress”. We could go on, but there is a lot written about this stuff on the Internet, so we’ll let you do your own research. Ben does mention the Boston Tea Party, which was a protest by a group called the Sons of Liberty against laws which allowed the East India Company to sell tea in America without paying the same taxes levied on citizens of the colonies. A whole shipment of tea was thrown into Boston harbour, and while the Sons of Liberty had a good point, it still stings to know all that good tea went to waste…
  • “Old Faithful” is one of several geysers in Yellowstone National Park, Wyoming. A geyser is formed when an underground reservoir of water is close to a volcanically active area; the water is heated by magma, turning into steam, enough pressure forms to force the cooler water on top out of a vent at the surface. Old Faithful erupts every 44 minutes to two hours, but even that amount of variation is unusually predictable – a result of it being relatively separate to the other geysers and geothermal systems in Yellowstone. It’s been recorded erupting more than a million times, but like all geysers it is not a permanent feature. The Yellowstone Caldera is the most active volcanic system in the United States, and is thought to have had three major eruptions occurring 2.08 million, 1.3 million and 631,000 years ago. Its most recent eruption was much more minor: a lava flow that happened 70,000 years ago. Geologists seem to be of the opinion that a “super-eruption” like the one 1.3 million years ago is very unlikely, though it will erupt again at some time in the future.
  • When Ben says “your brain’s not fully cooked” until you’re 25, he is quoting Dr Karl Kruszelnicki, the Australian science communicator. Dr Karl – not to be confused with the other Dr Karl, the fictional medical doctor from Neighbours – has been broadcasting mostly via ABC radio since 1981, and has written 47 books, mostly collections of short articles about popular science. He often talks about the fact that human brains are still developing well past the teenage years, though he more recently has given the age of 20-23 for when the brain is “fully cooked” – ie when cognitive development is thought to have completed. You can find Dr Karl’s various books, podcasts and more on his website.
  • Joshua and Helen meet in Chapter 50 of The Long Earth. Unlike most of Helen’s story in that book, it’s not written from the perspective of her diary, though something we didn’t mention was that Joshua is already famous well before setting off on “The Journey”, as he saved dozens of kids on Step Day who got lost on a stepwise Earth. Upon meeting him, Helen exclaims “The Joshua Valienté…” and starts to blush. To be fair, they’ve heard of her, too: her diary is actually a blog, and is read by many folks. Joshua thinks that she is “kinda cute”, and also likes the look of Reboot, considering it the kind of place he could live.
  • Sally makes it clear to Joshua that they will only be friends in Chapter 43 of The Long Earth, where she says: “Joshua, you are fun to know, and a good companion, reliable and all that, even if you are a little bit weird. Someday we might be friends. But please don’t make comments about my legs. You’ve seen very little of my legs since most of the time they are inside premium grade thorn-proof battledress. And it’s naughty to guess, OK?”
  • The thing about Ghostbusters not being comedy came about in the wake of the latest trailer for the upcoming sequel, Ghostbusters: Afterlife, which at first had many fans asking where the comedy was! In response, many younger fans came out to declare surprise that anyone would think the original was a comedy, and so a Twitter trend was born.
  • Tim Ferguson is the source of Ben’s figure that comedy requires four laughs per minute, on average – but you won’t find this specific pearl of wisdom in his book The Cheeky Monkey. Ben actually picked it up in one of Tim’s online sitcom writing workshops, which he runs semi-regularly.
  • Our previous episode was #Pratchat45, “Hogswatch in Grune“, and discussed Pratchett’s short story “Twenty Pence, with Envelope and Seasonal Greeting”.
  • The Snowpiercer television series, released on Netflix in May 2020, is based on the 2013 South Korean-Czech film Snowpiercer directed by Bong Joon-Ho, of The Host and Parasite fame. The “Snowpiercer” is a high-speed train that circumnavigates the globe, now covered in snow after an attempt to alter the atmosphere and reverse climate change went wrong and plunged the world into a new ice age. The train is segregated, with poor workers stuck in the rear carriages while the wealthy elite enjoy luxury in the forward cars. The film stars Chris Evans as a leader of a revolt by members of the tail section, and also features Tilda Swinton, Song Kang-Ho, Jamie Bell, John Hurt and Ed Harris. The series is a retelling, not a sequel, and stars Daveed Diggs and Jennifer Connelly as analogous characters to Swinton and Evans, respectively. The series and the film are both adapted from the French graphic novel Le Transperceneige; the first volume was published in 1982 by writer Jacques Lob and artist Jean-Marc Rochette, with later volumes by Rochette and Benjamin Legrand in 1999, 2000 and 2015.
  • All jokes aside, helium really is a precious resource – liquid helium is an important coolant used in industry and scientific work, and indeed party balloons account for only 10% of the world’s helium use. Or at least they did, before the pandemic. Helium demand has lessened in other industries, where fears of running out had led to caps and rationing, but while availability has improved in the last year, prices are still at an all-time high. Accordingly, plans are underfoot to try and recycle and reuse helium, and stop it from being lost to the upper atmosphere.
  • “Bosun Higgs” is a reference to the Higgs boson, a fundamental particle very important to the Standard Model of physics. Bosons are particles which carry forces, and differ in many ways from fermions, the particles that make up mass. Other bosons include photons (electromagnetic force), gluons (the strong force which holds quarks together) and gravitons (the still-theoretical particles which propagate gravity). Higgs bosons are produced by the Higgs field, which gives other particles mass. The Higgs boson is the subject of Leon Lederman’s 1993 book The God Particle, though It was proposed as an explanation for mass by Peter Higgs and his team in 1964, but remained theoretical as while it is massive compared to other bosons, it is also highly unstable and quickly decays. Its existence was confirmed in 2013 by scientists working with the Large Hadron Collider, and Higgs and François Englert were awarded the Nobel Prize for Physics for their work on the boson in 2013.29|00:56:31|NOTE: It is indeed 25 years after Step Day. (Probably covered by earlier note.)
  • While the September 11 terror attacks certainly had a big impact on air travel restrictions, these were really a tightening of security measures brought about in the 1970s because of the frequency of aeroplane hijacking in the 1960s. These were extraordinarily common in the wake of the Cuban revolution, and especially so between 1968 and 1972. This started in 1969 with profiling of passengers, asking individuals to submit to questioning and personal metal detector tests. The first metal detectors for everyone were introduced in 1970 in Louisiana; this became a nation-wide practice in the US in 1973, with X-ray screening of baggage added in 1974. These measures spread to the rest of the world during the 1970s by agreement of the International Civil Aviation Organisation, which establishes internationally agreed rules for civilian air travel. Since 2001, additional security measures have included “random” chemical tests of passenger clothing and baggage for explosives, the requested removal of shoes, coats and hats during security screening, and the use of full-body scanners, though these have been controversial.
  • For many years Australia has had incredibly harsh policies regarding the treatment of refugees and asylum seekers, especially those who arrive by sea. As well as indefinite detention – mostly offshore – a particular claim of the last few (conservative) Liberal-National coalition governments has been that they “stopped the boats“, a phrase particularly loved by cabinet minister Peter Dutton, previous Prime Minister Tony Abbott, and current PM Scott Morrison – who infamously has a trophy in the shape of boat, gifted by a supporter, bearing the legend “I stopped these”, from his time as Immigration Minister. The government frequently claims that the inhumane treatment they meet out to asylum seekers is meant to deter any more from coming, and thus stop the predatory people smugglers who charge them outrageous sums of money to make the dangerous journey. They’ve claimed now for many years that the boats have stopped, when the truth is that they have not – they are merely being intercepted at sea by “Operation Sovereign Borders” and so not reported as “arrivals”. The pressures in nearby countries forcing desperate, persecuted people to try and reach safety by any means have not gone away, and those are the main factors. And yet cruel policies of long, indefinite detention, lack of support, denial of long-term visas and vilification in the media continue, as a way to court the votes of those who approve of strong border protection. It’s a source of shame for many of us in Australia; if you’d like to support the plight of asylum seekers in Australia, please consider supporting a couple of our favourite charities: the Asylum Seeker Resource Centre and RISE.
  • Brexit – the removal Great Britain from the European Union – really started becoming a thing in the early 2010s, though the first floating of a public referendum on the topic wasn’t until early 2013. It was a promise of Conservative Party Prime Minister David Cameron that he would bring about such a referendum if he won the 2015 general election, so while the idea was around when The Long War was being written, it seems unlikely it was a major influence on the novel.
  • We discussed Terry’s own favourite of his books, Nation, in #Pratchat41, “The Adventures of Crab Boy and Trouser Girl“.
  • For more on Pratchett’s first use of “Jokers“, see our episode on The Dark Side of the Sun – #Pratchat18, “Sundog Gazillionaire“.
  • The kobold Finn McCool is named after one of the great heroes of Irish mythology, Fionn mac Cumhaill. His adventures form the Fenian Cycle (an Fhiannaíocht in Irish), and also feature his people, a band of warriors known as the Fianna. His adventures are too numerous to go into, but form a cycle of stories as vibrant and exciting as those of King Arthur or Hercules. Ben recommends having a read.
  • “Kink-shaming” is pointing out someone’s kinks (specific sexual interests) with the intention of embarrassing them, or suggesting they are not a good person. This is not a new practice, but has in recent years been highlighted for the damage it does: it makes people ashamed of their kinks, and thus less likely to embrace the things that will satisfy them; it reinforces the idea that only regular “vanilla” sex is acceptable; and it conflates harmless (when consensual) kinks and fetishes with actually harmful behaviours, derailing serious conversations we need to be having. It’s more or less the opposite of the sex-positive movement, which seeks to reinforce a healthy embrace of positive sexual communication and behaviour.
  • The Kinks were a English rock band formed in Muswell Hill by brothers Ray and Dave Davies in 1963. The original line-up featured Ray, Dave, Pete Quaife and Mick Avory; Quaife left in early 1969, but the other three remained members throughout the group’s subsequent history and several alternate line-ups, including talk in the last few years of a reunion album. Their last public performance was in 1996. The bands’ biggest hits include “You Really Got Me” in 1963 from their first album Kinks, the dingle “Dedicated Follower of Fashion” in 1966, “Waterloo Sunset” from 1967’s Something Else, and “Lola” from 1970’s Lola Versus Powerman and the Money Underground, Part One. The album The Kinks Are the Village Green Preservation Society was a passion project of Ray Davies, a concept album released on the 22nd of November 1968 – the same day as The Beatles, aka The White Album. It was the last album on which bass player Pete Quaife played. Its production was quite long, and late in the process Ray Davies asked for the release to be postponed so it could be expanded into a double-album, but only got permission from their record label to add three more tracks. The “twelve-track mono version released in Europe” mentioned by Bill in the novel was the original shorter version, released in France, Sweden, Norway, New Zealand and Italy, but never in the UK, making it a bit of a rarity, with a different line-up of songs and some alternate, earlier mixes.
  • Local examples of the kind of “Instagram experience places” Ben is thinking of include Sugar Republic (giant candy props) and ArtVo (large-scale perspective art you can photograph yourself in).
  • Bounce, the “trampoline place” mentioned by Deanne, is one of many indoor trampoline parks around Melbourne and indeed the world. Their website says they’re part of a “global freestyle movement”, though we struggled to find out where this idea comes from. Basically it’s like BMX or skateboard stunts but without a vehicle, performed while jumping on a trampoline, jumping off and running up walls and so on. Bounce has several outlets, but there are also other businesses offering similar experiences.
  • That cat you can hear meowing in the background is the fabled third Pratcat, Kaos, who has lived with Ben since late December 2020. Despite what he would have you believe, he is fed five or six times every day, and not once a century when the Moon is in the Eighth House…
  • We discussed The Fifth Elephant – where Vimes is hunted by the von Überwald werewolf clan – in #Pratchat40, “The King and the Hole of the King“.
  • Ben is probably wrong to say that English is not the majority language of the world – depending on how you count it. According to stats published by the language reference journal Ethnologue, Mandarin Chinese has about 921 million native speakers, Spanish 471 million, and English 370 million. But if you include folks who speak it as an additional language, English edges into first place with 1.348 billion speakers, compared to Mandarin’s 1.21 billion and Hindi’s 600 million (with Spanish having a total of 542 million speakers worldwide).
  • The Beagle matriarch, Granddaughter Petra, is presumably named after Petra, the first pet featured on long-running British children’s program Blue Peter. Petra, a dog of indeterminate breed, joined the show in 1962; when Peter Purves (previously of Doctor Who fame) became a presenter in 1967, he also became Petra’s permanent handler to help her be more comfortable in the studio, and she lived with him when not filming – an arrangement used with presenters and crew for all subsequent Blue Peter dogs. She died in 1977, and was commemorated by a bust at BBC Television Centre (later moved to MediaCityUK). She was followed by the most famous Blue Peter dog, Shep, a border collie who stayed with the show from 1971 to 1978 and was famously attached to presenter John Noakes, who often had to tell him to calm down while trying to present. The current Blue Peter dog is a beagle/basset hound cross named Henry, and the programme has also had cats, tortoises and parrots as pets.
  • Ben briefly mentioned the Kromaggs, antagonists from the 1995 US parallel universe TV series Sliders, in our episode on The Long Earth. They are also non-human ape-descendants, though presumably their ancestor was Cro-magnon man, giving rise to the name. Their society is technologically advanced and militaristic; they have flying craft that can “slide” between parallel worlds, and when first encountered they have conquered around 150 Earths, stripping them for resources and enslaving their human populations. It is revealed in later seasons that they originally came from a world where they lived alongside humans, but when they grew violent they were exiled using sliding technology and prevented from returning. This becomes part of the back story of the protagonist Quinn Mallory, though by the later seasons multiple cast changes and shifts in tone and focus had lost a lot of early fans. (Ben dropped off around the end of season three.)
  • The “love languages” are a popular way of describing the ways in which humans express and receive love, as popularised by Baptist pastor and radio host Gary Chapman in his 1992 book The Five Love Languages: How to Express Heartfelt Commitment to Your Mate. We mention “Acts of Service” (doing things for your partner) and “Words of Affirmation” (telling them you love them or giving them verbal praise); the other three are “Quality Time”, “Receiving Gifts” and “Physical Touch”. The original book has sold more than 11 million copies and the concept of the love languages has become deeply entrenched in popular culture discussions of love and affection. Chapman has since written ten other books about similar subjects.
  • Tintin is the fictional young Belgian journalist who is the protagonist of The Adventures of Tintin, a series of French-language comic albums written by Belgian cartoonist Georges Remi (1907-1983), better known by his pen name, Hergé. Tintin first appeared in a newspaper supplement in 1929, but became hugely popular, starring in 24 full-length albums between 1929 and 1986 and selling millions of copies. Tintin is accompanied by his faithful dog Snowy, a small white fox terrier, and often aided by his best friend, merchant sailor Captain Archibald Haddock. While the books are largely great adventurous fun, it should be noted that it makes use of many racist caricatures and stereotypes of the first half of the twentieth century, though some of the albums hold up better than others. Its cultural influence is huge, though; 1980s new wave/pop group The Thompson Twins is named after Thomson and Thompson, a pair of bumbling moustachioed detectives (who are not related, but look near-identical) from the series, and no lesser a team than Steven Spielberg, Peter Jackson, Steven Moffat, Edgar Wright and Joe Cornish banded together to make a CGI film adaptation in 2011, The Adventures of Tintin: The Secret of the Unicorn.
  • The Australian Aboriginal concept of connection to Country is hugely important; rather than have us tell you about it, we encourage you to learn about it from First Nations sources, for example Common Ground.
  • The hugely popular sci-fi franchise Stargate, which began with the 1994 feature film, is just the most famous expression of the “ancient astronauts” idea, popularised in the 1960s by Swiss author Erich von Däniken in his scientifically panned but bestselling 1968 book, Chariots of the Gods? It’s notable that in the work of von Däniken and others, it only ever seems to be non-Abrahamic gods who are said to be aliens. (Star Trek at least had an alien claiming to be the one true God, though that was in the generally hated film Star Trek V: The Final Frontier.) If you want to learn more about the harm done by such racist theories, this article by Sarah Bond for Hyperallergic is a great overview.
  • The “Bury Your Gays” trope has a sadly long history; you can find some further explanation and a long list of examples at TV Tropes.
  • Frank Woods is not mentioned in The Long Earth – he’s a totally new character, making Ben’s annoyance about his role at the end of book many times greater. Ben may have been thinking of “the boy genius” Franklin Tallyman, who signs up with Jack Green’s company as a blacksmith and is instrumental in the founding of Reboot. He also repairs the Mark Twain when Joshua and Sally come through Reboot on their way back to Datum Madison.
  • An “OTP“, short for “One True Pairing”, is a fan or fan group’s favourite couple in a show, book series or other work of fiction. “Shipping” is itself short for “relationshipping”, and is used as a verb for actively wanting two (or more) characters to get together, regardless of what a show or book’s writers will actually have them do. Non-romantic versions are sometimes called “BroTPs” or FrOTPs.
  • “The ‘In’ Crowd” was originally recorded by American singer Dobie Gray in 1964; it featured on his album Dobie Gray Sings for “In” Crowders That Go “Go-Go”, and also on Dick Clark’s popular radio documentary program Rock, Roll and Remember. There have been a few influential covers since, most notably UK English singer-songwriter Bryan Ferry, who released it as a successful single and on his 1974 album Another Time, Another Place. (Ben is also partial to the Mike Flowers Pops version from their 1996 album “A groovy place.”, though the original is yet to be surpassed.) The chorus and verses feature the refrain “I’m in with the ‘in’ crowd”, and so it’s the most likely reference for Lobsang’s line “I’m in with the Oort Cloud”. The Oort Cloud, by the way, is the theoretical cloud of icy “planetismals” (essentially, very small planet-like objects, much smaller than true or dwarf planets) which forming the the boundary of our solar system, beyond the orbit of Pluto. It’s named for Dutch astronomer Jan Oort, who revived this old theory in 1950 as a way of explaining the origin of comets with very long periods. The Oort Cloud is a looooong way from the Sun, with its objects lying between 0.03 to 3.2 light years away. Voyager 1, the Earth craft furthest from Earth, won’t reach it for another 300 years, though it will no longer have power left to send images back to Earth by then.
  • Joshua’s lost limb getting “Star Wars’d into a new hand” references the fact that multiple characters in the Star Wars franchise lose their hand (or other limbs), only to get prosthetics that are so lifelike and functional as to make the loss effectively meaningless in a dramatic sense. The first to do so (in terms of real world chronology at least) was Luke Skywalker, whose right hand is cut off by Darth Vader during their duel in The Empire Strikes Back; he gets a new hand before the credits even roll. (For the nerds: it’s an L-hand 980, produced by Antilles BioGen.) Vader himself lost his right arm from the elbow in a duel with Count Dooku in Attack of the Clones, and gets a cybernetic replacement that’s stronger than his natural arm – again within ten minutes of screen time! Anakin later loses it, along with all his other limbs, in Ben’s most hated part of Star Wars – Anakin’s duel with Obi-Wan in Revenge of the Sith – paving the way for him to become “more machine now than man”. He eventually loses one of his cybernetic hands again in his final duel with Luke in Return of the Jedi, but he dies soon after so no-one bothers to replace it.
  • In Douglas Adams’ The Hitchhikers Guide to the Galaxy, Arthur Dent makes his own Scrabble tiles when trapped on prehistoric Earth. In the story, the Earth is a hugely complicated computer built by a species from another dimension to determine the Ultimate Question of Life, the Universe and Everything, after their previous computer, Deep Thought, calculated that the Answer to the (unknown) Question was “42”. Without knowing the actual Question, the Answer makes no sense, and so Deep Thought designed the Earth to find out. Arthur and his friend Ford discovered this, then ended up travelling back in time and crashing on Earth in the early days of human beings. Arthur has the early humans pull letters at random out of the bag as a way of testing how the planetary computer’s program to calculate the Ultimate Question is going; the results are not encouraging. This happens near the end of the Primary Phase of the original radio series (in Fit the Sixth), in the final episode of the original television series, and at the end of the second novel, The Restaurant at the End of the Universe.
  • As we mentioned in our The Long Earth episode, The Gap is an American clothing store established in 1969. They’ve been involved in several controversies, but we’re particularly displeased with what they’ve been up to since #Pratchat31: in particular forcing Australian social enterprise Clothing the Gap to change their name to Clothing the Gaps, costing them a great deal of money and energy. Clothing the Gaps is majority Aboriginal owned and run by health professionals as a way to support the “closing the gap” movement, which isn’t about shutting down the US brand (tough that’s something we’d like to do now), but rather about addressing the massive gap between health outcomes like life expectancy and the prevalence of many preventable diseases, between Aboriginal Australians and the general Australian population. Their stuff is great and we recommend you check them out at clothingthegaps.com.au.
  • Robur is the “science tyrant” antagonist of Jules Verne’s novels Robur-le-Conquérant (Robur the Conquerer) and Maître du monde (Master of the World), as mentioned in #Pratchat31. His craft, the Terror, is ten metres long and can travel on land, on or under the sea, and through the air at incredible speeds, but it is struck by lightning and destroyed. Robur’s body is never found, though his captive, Inspector John Strock, survives the crash…so you never know.
  • The train-based war game based on Deadlands was Deadlands: The Great Rail Wars, released in 1997. Unfortunately there were no train miniatures – players fielded teams of humans (and maybe other creatures) who fought in standard Wild West terrain, though they did use steampunk gatling pistols and magic.
  • There is indeed such a thing as a train that lays its own track; the real world kind are used to lay new track for the passenger and freight trains that will follow. Here’s an example from China, featured on trainfanatics.com. Ben was thinking of something more fictional, though he hasn’t been able to track it down (no pun intended); listener Graham Kidd suggested the 1974 science fiction novel Inverted World by British author Christopher Priest, which features a city travelling north on train tracks, which cannibalises the tracks already used to build more tracks ahead. It sounds great but isn’t the one Ben’s thinking of!
  • We’ve found some claims that Terry Pratchett and Diana Wynne Jones were also good friends, though we’ve not found any evidence of that; we have found proof that they met, though, in the form of this Institute of Contemporary Arts talk, “Whose Fantasy?”, from 1988, chaired by Neil Gaiman, and featuring both Pratchett and Wynne Jones, along with John Harrison and Geoff Ryman. It sounds like a bootleg recorded from the audience, but it’s quite a good listen!

#Pratchat34 Notes and Errata

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These are the show notes and errata for episode 34, “Only You Can Save Deadkind“, featuring guest Oliver Phommavanh, discussing the 1993 Johnny Maxwell novel Johnny and the Dead.

  • The episode title is a cheeky reference to the first Johnny Maxwell book, Only You Can Save Mankind, in which Johnny similarly finds he is the only one who can save a group of otherworldly beings. We discussed it in #Pratchat28, “All Our Base Are Belong to You“.
  • Oliver’s Quentin Blake-style cover for this book was illustrated by Mark Beech, who we mentioned in our Only You Can Save Mankind episode. He has illustrated the covers for the newest editions of all Terry’s non-Discworld children’s books, as well as the recent collections of his very early stories – including the upcoming The Time-Travelling Caveman, due out in September this year. David Walliams’ books are rather less Blake-like, and are illustrated inside and out by Tony Ross.
  • You can find Liz’s essay “Grave Concerns“ from February 2020 online at Kill Your Darlings.
  • Johnny Maxwell’s other adventures include saving the alien Scree-Wee fleet (Only You Can Save Mankind; see #Pratchat28), seeing “a Loch Ness Monster” in his goldfish pond, finding a lost city of the Incas behind Tesco’s, meeting the dead (all of those mentioned from this book) and the not-spoiled-here adventures of Johnny and the Bomb.
  • We previous talked about the hidden nature of supernatural things, particularly in British fantasy, in #Pratchat32, “Meet the Feegles“. The TARDIS perception filter is a modern application from Doctor Who, explaining why people don’t notice the TARDIS even when a 1960s British Police Box doesn’t exactly fit in with its surroundings. (It looks like that because it’s chameleon circuit changes its outward form to blend in, but malfunctioned upon landing in 1963, causing it to become stuck. Now the Doctor likes it that way.)
  • Beetlejuice is a 1988 comedy horror film directed by Tim Burton. It stars Geena Davis and Alec Baldwin as a young couple who die in a car accident and subsequently haunt their own house, forced to deal with the annoying new owners and a highly bureaucratic afterlife. The Handbook for the Recently Deceased is supposed to help them adjust but raises as many questions as it answers. Michael Keaton also stars at the titular Betelgeuse, a crude, wise-cracking “bio-exorcist” ghost who is an expert on scaring the living, while Winona Ryder plays goth girl Lydia, who befriends the nice dead people.
  • “Doorbelling” is the practice of ringing someone’s doorbell and then running away before they answer, as a prank. The Pratchat team have never done such a thing, of course.
  • “Thriller” was the title track from Michael Jackson’s sixth studio album, released in 1982. The single, released in late 1983 in the UK (early 1984 in the US), featured an extended music video directed by John Landis (of An American Werewolf in London fame) that featured Jackson becoming undead and dancing with a horde of Romero-esque zombies. The song also famously features a spoken-word section voiced by classic horror film star Vincent Price.
  • The Satanic panic was an outbreak of moral panic over supposed Satanistic abuse. It began in America, inspired in part by the publication Michelle Remembers, a biography based on “recovered memories” of child abuse linked to Satanic rituals. The book’s claims could not be verified by multiple journalists and investigators. It was followed a few years later by some highly publicised trials, Senate hearings and conspiracy theories that resemble McCarthy-era communist witch hunts. The panic particularly targeted Dungeons & Dragons and, later, heavy metal music, and by the 1990s had spread to other countries.
  • The West Memphis Three were three teenagers convicted in 1994 of the killing of three eight-year-old boys in West Memphis, Tennessee in 1993. The investigation, trial and conviction were all highly controversial, including the claim that the teenagers were engaged in Satanic rituals. In 2011, after even some of the victims’ families protested that the men were innocent, they were released from prison, using the unusual “Alford plea” (in brief, they pled guilty to lesser charges but were still allowed to profess their innocence). To answer Liz’s question: the first edition of Johnny and the Dead was published on May 27, 1993, only three weeks after the crime was committed, so Pratchett couldn’t have heard of it while writing it.
  • The Beatle who left before they got famous is drummer Pete Best. He joined them in 1960 (when they were still “The Silver Beatles”) for their Hamburg tour, and was fired in 1962 by producer Brian Epstein at the request of John, Paul and George, who later regretted the way they handled it. He failed to find another successful band and left the music industry for twenty years, before an interest in the early history of the band finally made him famous and he formed his own band. He’s active on Twitter, and recently replied to a tweet from the official Beatles account asking “Do you remember the first time you ever heard a Beatles song?” with: “Yeah, I was playing on it.”
  • As Liz mentions, the Queen Victoria Market was built on top of the site of the Old Melbourne Cemetery. The bodies buried underneath still cause problems with modern plans for the expansion or development of the markets. There’s plenty been written about the cemetery; you could start with the cemetery’s official page on the City of Melbourne web site.
  • Public housing in Melbourne was in the news around the time of our recording this episode, as three prominent public housing estates were locked down with police presence and little notice after major outbreaks of COVID-19 were traced there. Much criticism was levelled at the Victorian state government for their police-first response, and the fact that they had ignored previous requests for assistance from residents, who had already realised that the cramped conditions and inadequate cleaning of common areas were exposing them to much greater risk of infection. As in the UK, public housing in Australia is an essential service that has suffered from neglect.
  • “Ryan-from-The O.C.-ing” refers to Ryan Atwood, the main protagonist of 2000s teen drama The O.C., played by the other Ben McKenzie. Ryan is a rough kid from Chino, who steals a car and is abandoned by his mother after being arrested. He’s adopted by the lawyer representing him, and moves to Orange County, where he slowly reforms and adapts to his new surroundings.
  • Harry Houdini (1874-1926), born Erik Weisz, is probably the most famous stage magician in history. He performed many escapes that resemble Mr Vicenti’s final trick, though he died of peritonitis. Will Alma (1904-1993), born Oswald George William Bishop, was not only a magician, but also a maker of magical apparatus and a magical historian. The name doesn’t appear to have any direct connection to Houdini, but the WG Alma Conjuring Collection, held by Melbourne Museum, is famous and has occasionally been displayed. Pratchett could perhaps have seen it during one of his many trips to Melbourne.
  • Carmen Miranda, the “Brazilian Bombshell”, was a singer, dancer and movie star from the 1930s through to the 1950s. After finding fame in Rio, she moved to Broadway and then to Hollywood. In 1943 she starred in the Busby Berkely film The Gang’s All Here, wearing a costume that included a number of fruit hats, which became her trademark. It’s important to note, however, that Miranda was not herself Brazilian, but a Portuguese woman who emigrated to Brazil with her family as a baby. This makes her one in a depressingly long list of white folks who have gained fame for their expression of BIPOC cultures, though in Miranda’s case she was at least beloved by many Brazilians and inspired a new surge in national pride and interest in traditional samba.
  • Suffragettes were women devoted to the cause of women’s suffrage, i.e. the right and ability of women to vote in democratic elections. While the term became widespread and used across the world, it originally applied to the members of the Women’s Social and Political Union. The WSPU was founded in the UK in 1903 by Emmeline Pankhurst, ten years after New Zealand became the first country to extend voting rights to women. They had to fight hard, going beyond loud public protests to chaining themselves to railings inside the houses of parliament and, when imprisoned, staging hunger strikes. Mrs Liberty is clearly inspired by Emily Davidson, who in 1913 ran onto the course at the Epsom Derby to gain publicity for the movement, and tried to grab the reins of the King’s horse. She was struck by the horse and died from her injuries. The suffragette movement paused at the start of the war in 1914, and in the UK partial suffrage was gained for women over 30 in 1918; it wasn’t until 1928 that women in the UK won the same voting rights as men.
  • Edward VIII, aka “Edward the Abdictator“, was indeed a famous womaniser. In January 1936, his father died and he became King. He was already the source of scandal as he was in a relationship with Wallis Simpson, a divorced American still married to her second husband, and his behaviour as King caused further controversy. When he revealed his plans to marry Simpson in November, the Church of England and the governments of the UK and Commonwealth nations were outraged at what this would mean for the succession. Edward abdicated to avoid constitutional crisis, having been King for less than a year, and married Simpson, becoming Duke of Windsor. While he should be afforded some sympathy, it is also worth remembering that he harboured pro-Nazi or at least pro-fascist sentiments, and was friendly with Adolf Hitler in the lead up to World War II. History does not seem to record him as being “particularly large”, lending weight to Liz’s later comment.
  • Ben remembers correctly that Edward VIII is played by Guy Pearce in the 2010 film The King’s Speech, in which George VI (Colin Firth) seeks help from Australian speech therapist Lionel Logue (Geoffrey Rush) to overcome a stammer and deliver a live radio announcement of the declaration of World War II. Other actors who have played Edward VIII include Oliver Dimsdale (Downton Abbey), Alex Jennings (The Crown seasons 1 and 2) and non less a personage than Derek Jacobi (The Crown season 3).
  • For more on gravestones and their epitaphs as the only evidence of someone’s life, Ben recommends episode 110 of The Allusionist podcast, “Engraving part 1: Epitaph“.
  • Pals battalions were indeed a real thing during World War I. One of the most famous examples was the “Gimsby Chums”, a group of nearly one thousand young men from Grimsby, Lincolnshire and its surrounding towns. 810 of them died during the war.
  • Royal protocol does seem to dictate that two potential heirs to the throne may not fly together, to avoid a succession crisis should the plane be lost. In a similar fashion, the President and Vice-President of the United States never fly together on Airforce One.
  • Nominative determinism is the idea that a person’s name subtly influences their interests and decisions in life, explaining why some people have names appropriate to their occupations or achievements. This is the opposite of how things worked prior to the 14th century, when European names were only hereditary for nobility. Common folk instead took a name from a parent (e.g. Williamson, Sigridsdottir) – a tradition that persists in some Scandinavian countries – or their profession (e.g. Smith, Cooper, Fletcher or Carpenter).
  • Alzheimer’s disease is a degenerative neurological disease responsible for around two-thirds of dementia cases. It usually occurs in those over the age of 65, and proceeds faster as it progresses, affecting memory, causing death in less than a decade. It is still relatively poorly understood; the causes are uncertain and there is no effective treatment. Terry Pratchett was diagnosed with a variant of Alzheimer’s, posterior cortical atrophy (PCA), unusually early, with the disease affecting him from the age of 56. PCA attacks the posterior part of the brain first, causing primarily physical and vision-related symptoms while leaving cognitive ability and memory intact. He referred to the condition as his “embuggerance”, and was able to continue working until not long before his death in March 2015.
  • The Onion article about George R R Martin referenced by Liz is from their spin-off site, the clickbait parody Clickhole: “When I Started Writing ‘Game of Thrones’, I Didn’t Know What Horse Looked Like“.
  • Rod Serling was the creator and host of the science fantasy anthology TV show The Twilight Zone. The original series ran from 1959 to 1964, and each episode had an intro and outro narrated by Serling, who also wrote many of the scripts. There was a Hollywood movie based on four of the TV episodes in 1983, and revived series in 1985, 2002 and 2019, none of which were hosted by Serling. It may have been repeated on television in the early 1990s in the UK, as many 50s and 60s series were; otherwise it’s a bit weird that Johnny knows who Serling is…
  • Roald Dahl was a prolific and beloved children’s author from the UK, whose most famous works include Charlie and Chocolate Factory, The BFG, Matilda and The Witches. His books were illustrated by Quentin Blake. In The Fantastic Mr Fox, the titular chicken thief is hunted by three farmers named Boggis, Bunce and Bean.
  • The Returned and Services League – not “Returned Servicemen’s League” – is an Australian organisation formed in 1916 dedicated to the welfare of current and retired military personnel. They’re best known to many Australians for the licensed RSL Clubs which are social hubs in many rural and regional towns. Mr Atterbury belongs to the similar Royal British Legion, or British Legion for short, founded in 1921.
  • David Attenborough is the famous wildlife presenter and international treasure. Ben can’t find the English actor he imagined when thinking of Mr Atterbury, but he looks a bit like John Hillerman, the Texan actor who played the British Army Sergeant Major Jonathan Higgins in Magnum, P.I. (If you have any suggestions, please send them in!)
  • Cobbers is clearly a spoof of popular Australian soap opera Neighbours and/or Home and Away. It’s also mentioned in Only You Can Save Mankind.
  • “The Village Green Preservation Society” was the leading and title track on The Kinks‘ sixth studio album, 1968’s The Kinks Are the Village Green Preservation Society. A great cover by English folk singer Kate Rusby was recorded in 2006 as the theme song for the BBC sit-com Jam & Jerusalem. It was a bonus track on her 2007 album Awkward Annie. The original Kinks song and album crops up explicitly in Pratchett’s later novel The Long War – see #Pratchat46, “The Helen Green Preservation Society“.
  • Le Tour du monde en quatre-vingts jours (Around the World in Eighty Days) is Jules Verne’s 1872 adventure novel in which precise and reserved English gentleman Phileas Fogg attempts to win a bet by circumnavigating the globe in 80 days, assisted by his newly hired French valet Passepartout. Neither of them are ghosts, so they travel via train and steamship. (Despite what you might think, they don’t travel in a balloon; that was added for the 1956 film starring David Niven, and has become a fixture of later adaptations, including the 2004 Disney version starring Steve Coogan as Fogg, and Jackie Chan as Passepartout. The award-winning 2014 interactive fiction game 80 Days, available on mobile phones, is great.
  • Gremlins 2: The New Batch is Joe Dante’s 1990 sequel to his classic 1984 horror comedy Gremlins. The sequel is much more cartoony – in one sequence, quite literally – and makes heavy use of parody, including poking fun at its predecessor. Notably, the film is set inside “Clamp Tower”, a skyscraper in New York owned by Donald Clamp (John Glover), a parody of both Donald Trump and Ted Turner.
  • In October 2016, developers demolished the Corkman Irish Pub in Carlton without seeking building or planning permission. The pub was originally the Carlton Inn, and was one of the oldest buildings in Carlton, built in 1856, and while not heritage listed, it was protected by heritage rules. The developers were fined more than $1.3 million in 2019 after failing to rebuild the pub as promised. They later appealed these fines, which were reduced, and the Victorian Planning Minister dropped the requirement for them to rebuild the pub, allowing them to seek permission to build a 12-storey apartment building (easily worth far more than the fines). There were calls in 2019 for the government to compulsorily acquire the site, but no more recent update.
  • Skinhead subculture first emerged in the UK in the 60s, and went through a revival in the 1980s, initially as part of punk. By the 90s, skinhead culture became associated with far-right, neo-Fascist and neo-Nazi ideals, and spread across Europe, though there’s also an anarchist strain which is usually anti-fascist and anti-racist. neo-Fascist skinheads are famously depicted in the films American History X (1998) and Romper Stomper (1992), among many others.
  • Boxer and convicted rapist Mike Tyson famously bit off part of rival Evander Holyfield’s ear in their re-match fight in 1997. Tyson actually bit both of Holyfield’s ears during the fight, and claimed it was in retaliation for Holyfield headbutting him in the first round. Tyson was fined $3 million (US) and had his boxing license revoked, but got it back the next year.
  • In case you’re listening to this in the far future, this episode was recorded during the second six-week lockdown of Melbourne due to the worldwide COVID-19 pandemic. It followed a second major outbreak of community transmissions in the state, contrasted with relatively low case numbers in the rest of the country. Not long after the recording, Melbourne moved from stage 3 to a new stage 4 level of restrictions, which included mandatory mask wearing in public, the closure of a broader range of businesses, and a curfew.
  • By “special alphabet“, Liz means a spelling alphabet, sometimes called a phonetic alphabet: a list of distinctive words, one for each letter, used in aviation, military and other radio communications to avoid confusion when spelling out vital information verbally. The current English spelling alphabet was standardised in 1969.
  • The famous flying cars Liz mentions are the hover-converted DeLorean time machine from Back to the Future (and the sequel), Greased Lightnin’, the Ford convertible from Grease which flies at the end, and Chitty-Chitty-Bang-Bang, the magical car created by Ian Flemying for the book (and later film, adapted by Roald Dahl) of the same name.
  • Morris Gleitzman is an English-born Australian children’s author whose books have often tackled serious topics. His second novel, 1990’s Two Weeks with the Queen, was about Colin, an Australian twelve-year-old who visits London and tries to break into Buckingham Palace to ask the Queen to help find a good doctor for his brother, who is being treated for cancer back home. The only sympathetic adult he meets is Ted, a gay Welshman whose partner is dying of AIDS. The book was controversial at the time.
  • The term “political correctness” began in the 70s and 80s as a way to satirise overly cautious language, but it is now often used as a pejorative to describe any language designed to avoid offensive or be more inclusive.
  • Oliver mentioned A. F. Harrold, an English poet, performer and children’s author. The first of his so far twelve novels for children, Fizzlebert Stump: The Boy Who Ran Away from the Circus (and Joined the Library), was published in 2012.
  • The practice of adding reversed sounds to audio recordings is called backmasking. Pioneered by The Beatles, who used reversed musical instruments to create unique sounds on their album Revolver, the 1980s Satanic panic claimed that rock bands were using backmasking to hide Satanic messages, and that they could be understood subconsciously. These claims may have been inspired by the film The Exorcist (1973), in which a girl possessed by a demon speaks gibberish which, when reversed, reveals a message from Satan.
  • Johnny and the Dead was published in 1993, the same year as Men at Arms (see #Pratchat1, “Boots Theory“), and the year before Soul Music (#Pratchat19, “It Don’t Mean a Thing If It Ain’t Got Rocks In“), Interesting Times (#Pratchat21, “Memoirs of Agatea“) and Maskerade (#Pratchat23, “The Music of the Nitt“).
  • We talked a lot more about Neil Gaiman in our episode about Good Omens, the book he co-authored with Pratchett; that was #Pratchat15, “It’s the End of the World As We Know It (And I Feel Nice and Accurate)“. American Gods, published in 2001, is one of his most popular novels, and now also a television series. It tells the story of ex-convict Shadow Moon, who is caught up in a war between old and new gods over America. The Graveyard Book (2008) is a young adult novel about Nobody, a toddler wanders into a graveyard following the murder of his family, and is subsequently raised by ghosts.
  • We previously talked about Steven King’s famous 1983 novel Pet Semetary in #Pratchat17, “Midsummer (Elf) Murders“. It’s been filmed twice – once in 1989, and again in 2019.
  • Gogglebox is a UK reality TV show which films the reactions of families and other groups as they watch television. It debuted in 2013, and has been replicated in many other countries – first of all Australia, where it is soon to return for its twelfth season since 2015. The title comes from a British and Australian slang term for television.
  • The Mary Celeste was an American merchant ship – a brigantine, if we want to get specific – discovered deserted in the Atlantic Ocean near the Azores Islands in 1872. It was bound for Genoa in Italy, but when it was found all the crew were missing, their belongings and the ship’s cargo left behind, the sails still rigged, and the ship’s log empty for ten days. The crew were never seen again, and no-one has been able to discover their fate. As listener Steve Leahy remarked on Twitter, the 1966 Doctor Who serial The Chase explained the mystery by claiming the Doctor’s TARDIS briefly landed on board while being chased by Daleks in their own time machine; the crew leapt overboard to escape the aliens.
  • Stonehenge is a prehistoric monument in Wiltshire, about 25km North of Terry Pratchett’s home in Broad Chalke. It dates back over 5,000 years, though the famous standing stones are not quite as old as that. The site itself is a burial mound and was clearly significant for many thousands of years, but the standing stones are a long-standing mystery. How and why the ancient Britons built it is uncertain, as the larger stones would have taken incredible effort and ingenuity to carve and move, and the smaller stones seemed to come from 200km away in Wales. A recent paper, publicised between this episode being recorded and released, has revealed that the larger stones come from 25km North of Stonehenge and must have been moved on purpose.
  • The Loch Ness Monster is a famous cryptid, sometimes claimed to be a marine reptile like a Plesiosaur, supposed to live in Loch Ness, a large lake in the Scottish Highlands. While some earlier sources have been cited, it first came to the world’s attention when a sighting was reported in July 1933. You’ve probably seen the famous “surgeon’s photograph” of 1934, but while it was touted as proof until the 1990s, it is now known to have been a hoax.
  • Oliver recommended his books Con-Nerd and Super Con-Nerd for fans of Johnny Maxwell.
  • Ben mentioned the other Pratchett and Discworld podcasts out there; the oldest active one is Radio Morpork, which launched in August 2015. Like most of the others it’s a read-through of the Discworld books in order, and at the time of writing has done up to Thud! (That puts them about a year ahead of us, if such a thing can be measured easily.) There are several other newer ones, including The Truth Shall Make You Fret and The Compleat Discography. Ben maintains a list of Discworld read-throughs on Podchaser, and this list of all Pratchett-related podcasts on the L-Space wiki. Let us know what you think of them if you listen – we deliberately limit our listening of other commentaries, so we can go into our discussions fresh.

A bonus note: Ben was sure he used the phrase “life is wasted on the living” in this episode, but didn’t spot it during the editing process. In any case, it originates with Douglas Adams in The Hitchhiker’s Guide to the Galaxy (it appears in the second radio series and also in the second novel, The Restaurant at the End of the Universe). Like many things he wrote that people see as deep, it’s a joke. Said by one of Zaphod Beeblebrox’s dead ancestors during a seance when disappointed with Zaphod, it satirises the cliche “youth is wasted on the young”. The original phrase is usually (though possibly not accurately) attributed to George Bernard Shaw, who supposedly said “Youth is the most beautiful thing in this world—and what a pity that it has to be wasted on children!”

#Pratchat46 – The Helen Green Preservation Society

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Writer and editor Deanne Sheldon-Collins joins Liz and Ben as they return to the infinite worlds of the Long Earth to discuss Pratchett’s second collaboration with Stephen Baxter: 2013’s The Long War.

It’s now ten years since anti-stepping extremists nuked natural stepper and explorer Joshua Valienté’s home town of Madison on the original “Datum” Earth. Joshua has since settled down with pioneer Helen Green and become mayor of Hell-Knows-Where, a thriving town established more than a million steps West of the Datum. But Sally Linsay, fellow far stepper, soon arrives to ask Joshua for help. Trouble is brewing in the Long Earth: humanity’s relationship with the species they call “trolls” is deteriorating. Tensions are rising between the American government and the far-flung colonies in its “footprint” on other worlds. And on another world barely visited by humans, other species make plans to push the humans back where they came from…

The multi-threaded cosy travelogue continues in (probably) Pratchett’s second-longest novel. More Earths, more characters, and more non-humans! A sense of potential disaster looms in every other chapter, while the characters and narrative ponder humanity’s relationship with Earth, and the ways in which society might respond to twenty-five years of unlimited resources and living room.

Does this still feel like Pratchett to you? What did you think of the women in the novel – especially Joshua’s “young wife” Helen? Did you enjoy the various side treks to weird worlds with strange creatures, or did they just leave you wanting more time with the trolls, kobolds, elves and weirder denizens of the Long Earth? And, perhaps most importantly: will you stick with the series and see where it’s going next? Use the hashtag #Pratchat46 on social media to join the conversation!

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Guest Deanne Sheldon-Collins is an editor and writer who’s been an active part of Australia’s speculative fiction scene for a decade or so. Deanne has worked for Aurealis magazine, Writer’s Victoria, the National Young Writer’s Festival and Speculate, the Victorian Speculative Fiction Writers Festival, where she has been co-director with previous guest Joel Martin since 2019. While Deanne’s current work isn’t really publicly available, she’d like you to know that you can find out more about Speculate – including the recently announced Speculate Prize – by following the festival on Twitter at @SpecFicVic, or joining their mailing list via specfic.com.au.

As usual, you can find notes and errata for this episode on our web site.

Next episode it’s time to restart the experiment as we shake up the globe that is the wizards of Unseen University’s Roundworld experiment! Prepare to mix science and magic in The Science of Discworld II: The Globe, which we’ll be discussing with science comedian, Alanta Colley! Send us your questions using the hashtag #Pratchat47, or get them in via email: chat@pratchatpodcast.com

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#Pratchat45 Notes and Errata

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These are the episode notes and errata for episode 45, “Hogswatch in Grune“, featuring guest Penelope Love, discussing Pratchett’s 1987 short story, Twenty Pence, with Envelope and Seasonal Greeting.

  • The episode title – and our choice of short story – is inspired by tradition of “Christmas in July“, Hogswatch being the Discworld equivalent of Christmas (see our Hogfather episode, #Pratchat26) and Grune being the Discworld month that comes after June. In Australia, and the rest of the Southern hemisphere, December 25 occurs during Summer, and so workplaces and friendship groups here and in New Zealand sometimes celebrate a gathering during the Winter, when the colder weather makes it feel a little closer to a traditional European Christmas (and makes it more palatable to eat enormous Christmas dinners). Much to our surprise, this tradition turns out to have begun rather more ironically in America in the 1930s or 40s, though mostly as a marketing ploy rather than an actual gathering of loved ones.
  • Call of Cthulhu by Sandy Petersen is a horror roleplaying game, and one of the oldest RPGs still in print: the first edition was published by Chaosium in 1981. The current 7th edition was first published in 2014. The world of the game is based on the “Cthulhu Mythos”, drawn from the stories of horror writer (and, sadly, infamous racist) H P Lovecraft and his contemporaries and successors, including Frank Belknap Long, Robert E Howard and August Derleth. It’s theme is “cosmic horror” – as Penny says, the players generally discover they live in a universe where immensely powerful and ancient beings could easily destroy our world – and the characters’ grip on reality. The game uses a version of Chaosium’s Basic Roleplaying System, modified to track each character’s “sanity” – which they lose as they glimpse the awful truths of the universe – alongside their skills and abilities. The default setting for the game is 1930s America, where Lovecraft’s stories are set, but play in many other eras and locations is also supported – including, via one of the books Penny worked on, Australia.
  • Sir Pelham Grenville Wodehouse, aka P G Wodehouse (1881 – 1975) was an English author best known for his humorous novels, especially those chronicling hapless toff Bertie Wooster and his hyper-capable valet Jeeves, whose name has become synonymous with the image of the unflappable English manservant. He also wrote Broadway musicals, and worked for a time in Hollywood, though he felt his own talent and that of many others was being wasted there, and said so publicly. He moved to France to avoid paying taxes in the UK, and as a result was captured by the Germans; he was later released and made speeches over German radio, leading to outcry in the UK and effectively sending him into exile, living out the last decades of his life in the US.
  • Wodehouse is pronounced “Woodhouse”; Ben is getting it wrong, and Penny knows what she is talking about. This is a pattern for much of the episode.
  • The Code of the Woosters (1938) is the third full-length novel to feature Jeeves and his employer, Bertie Wooster. It’s a sequel to 1934’s What Ho, Jeeves and as well as returning character Gussie Fink-Nottle, it also introduces Roderick Spode, a broad parody of British fascist Sir Oswald Mosley, leader of the British Union of Fascists.
  • Pratchett’s very first professionally published story was actually “The Hades Business”, originally published in Science Fantasy vol. 20, no. 60 in August 1963. That story is collected in Once More* * With Footnotes, A Blink of the Screen and a few other anthologies. The serious story Ben is thinking of is his third published story, “Night Dweller”, which was published in New Worlds volume 49, #156 in November 1965 – at the time edited by Michael Moorcock (more about him in a bit). You can find a digital facsimile of the original magazine at the Internet Archive. We previous talked about both stories in #Pratchat39, “All the Fun of the…Fish?” (Note that we are not counting the stories Pratchett had published in his school newspaper, the Technical Cygnet, but also note that he was fifteen years old when he had this incredibly competent and actually pretty creepy space-based horror story published in a professional magazine!)
  • There have been several “facsimile” editions of the Sherlock Holmes stories by Arthur Conan-Doyle, which were published between 1887 and 1927 in The Strand Magazine. The Strand featured short fiction – either complete stories, or short serialised novels – and general interest articles, and was published monthly in London for sixty years, from 1890 to 1950. It was also published in the US from 1891 until 1916. In London it had a circulation of around half a million readers. The name comes from the major London street the Strand, which was near the offices of the magazine on Burleigh Street and later Southampton Street. Conan Doyle was a frequent contributor, and published 121 short stories in the magazine, as well as nine novels (including the Sherlock Holmes ones), 70 non-fiction articles, two interviews and one poem!
  • We’ve previously mentioned Pratchett’s love of “gl” words; he writes about this in both The Wee Free Men (see #Pratchat32, “Meet the Feegles“) and
  • The epistolary novel – one presented as a series of documents, most often letters or diary entries – has a long tradition, with famous examples of the style including Les Liaisons dangereuses, The Screwtape Letters, The Color Purple, The Secret Diary of Adrian Mole, Aged 13¾, The Martian, Bridget Jones’ Diary, World War Z and the Illuminae trilogy by Jay Kristoff and previous Pratchat guest, Amie Kaufman. Bram Stoker’s Dracula features letters, diary entries and even transcripts of wax cylinder recordings, but it was popular for horror novels too – in Mary Shelley’s Frankenstein, the doctor’s story is relayed by Captain Robert Walton (who finds him in arctic waters) to his sister in a series of letters.
  • Lovecraft used the epistolary style in several stories, most notably The Whisperer in Darkness (1931) and The Case of Charles Dexter Ward (1941). Some of his other stories, including The Call of Cthulhu (1928), also include newspaper excerpts or other documents without being told entirely in that style.
  • Verisimilitude in fiction is the believability of the work, or its contents, either in comparison to reality (“cultural verisimilitude”) or the work’s genre (“generic verisimilitude”). Victorian horror stories often strive for believability in terms of how the characters react to the bizarre and horrifying beings and situations they encounter, whereas modern horror – especially in films – often has the characters behave in unbelievably stupid ways to further the plot.
  • We mentioned Michael Moorcock just last month, when guest Joel Martin brought up his novel-length essay “Wizardry and Wild Romance: A Study of Epic Fantasy”. As well as publishing one of Pratchett’s first stories (see above), Moorcock is best known for his fantasy novels, many of which depict a cosmic battle between the forces of Law and Chaos. These often feature an incarnation of “the Eternal Champion”, whom we compared to Rincewind’s “Eternal Coward” role in #Pratchat29, “Great Rimward Land“, and discussed Elric of Melniboné, one of those incarnations, in #Pratchat14, “City-State Lampoon’s Disc-Wide Vacation“.
  • While best known for Sherlock Holmes, Arthur Conan Doyle also wrote science fiction and horror. Such works include the novels and stories starring scientist Professor Challenger, most famously The Lost World, and many short stories such as “The Case of Lady Sannox”, “The Leather Funnel” and “The Horror of the Heights”.
  • Creepy collections of Victorian Christmas cards did the rounds on social media in 2015, resulting in multiple articles like this one at the BBC and this one in online magazine Hyperallergenic. Both contain excellent examples of the grotesque, bizarre and just not-quite-right illustrations which just don’t quite say “Merry Christmas”. The frogs on display there aren’t musical, but are doing a murder on each other; the one Ben discusses is actually American, but from the same era. You can find it (if you dare!) in this American Antiquarian article.
  • We discussed Pratchett’s Dickens homage/pastiche Dodger in #Pratchat6, “A Load of Old Tosh“.
  • To explain Ben’s “nerdy roleplaying game reference“, the Planescape campaign setting for Dungeons & Dragons features a city, Sigil, which is located on the inside of a torus (basically a ring) floating at the top of an infinite spire (don’t think about it too hard). Known as the City of Doors, it allows travel to and from the other planes of existence, and is ruled by a mysterious supernatural figure known as the Lady of Pain. She is generally permissive, but suffers the worship of no gods in her city; doing so, or otherwise invoking her ire, often leads to being “mazed” – placed inside a unique labyrinth-like pocket universe, which can only be escaped by traversing the maze. A lot of her victims die in the attempt.
  • We discussed Pratchett’s more sexual explicit writing in our previous episode, #Pratchat44, “Cosmic Turtle Soup“, in the context of some comments about Rincewind’s sexual experiences – solo and otherwise.
  • The tradition of the “saucy seaside postcard” (sold throughout the UK) was largely the work of one artist, the prolific Donald McGill (1875-1962). He produced more than twelve thousand postcard designs over his career, from 1905 through to his death in 1962. During World War I, he produced anti-German propaganda designs, but his most famous postcards feature cartoons of men and women making suggestive double entendres, not only at the seaside but in many other situations. He ran afoul of the “war on smut” in the 1950s, put on trial in 1954, but later helped to revise the Obscene Publications Act 1857. His most famous postcard, featuring the joke “Do you like Kipling?”; “I don’t know, you naughty boy, I’ve never kippled!”, reportedly holds the record for the world’s best-selling postcard, with claims it had sold over 6 million copies. A museum was opened in 2010 in Ryde on the Isle of Wight, celebrating his work, but has since shut down.
  • Penny comments that the Oxford scholar’s end was “very Pickwickian“, a delightful adjective described by the Oxford Dictionary as meaning “Of or like Mr Pickwick in Dickens’s Pickwick Papers (1837), especially in being jovial, plump, or generous.” It is used in the novel itself to describe a word or phrase that is misused or misunderstood, which is said to be using such a phrase in “the Pickwickian sense”.
  • L’Île mystérieuse (Mysterious Island) is an 1875 novel written by Jules Verne; it is a sequel not only to Vingt Mille Lieues sous les mers (20,000 Leagues Under the Sea), but also his 1867 novel Les Enfants du capitaine Grant (In Search of the Castaways). In the story, a group of prisoners of the South in the American Civil War stage a daring escape via hot air balloon, but are blown out to sea and crash on an island. They encounter many dangers and adventures, including rescuing a castaway from a smaller island nearby (a character from In Search of the Castaways), but are mysteriously helped by an unseen force, who saves them on multiple occasions. This turns out to be none other than Captain Nemo, who survived the maelstrom at the end of 20,000 Leagues Under the Sea – though this makes no chronological sense since 20,000 Leagues is set after the Civil War had ended. This book reveals his origin story as an Indian Prince, something not alluded to at all in the first novel. The book doesn’t contain any giant animals, but the 1961 film – starring Herbert Lom as a distinctly non-Indian Nemo – features a giant crab, flightless bird, bees, plants and octopus, all explained to be the results of Nemo’s genetic experiments. The creatures were stop-motion animated by Ray Harryhausen.
  • “The Shadow Over Innsmouth” is one of Lovecraft’s most famous stories, originally published in 1936. In the story, the narrator tells of his investigation into the port town of Innsmouth some years previously. He discovers much superstition and mystery surrounding the town, where its founding father Obed March started a cult, and many of the inhabitants have “the Innsmouth Look” – unusually flat noses, bulging eyes and narrow heads. It’s eventually revealed that they are hybrids, born of humans cross-breeding with the “Deep Ones”, fish people who live in an underwater city and worship the foul god Dagon.
  • Penny’s Lovecraft quote “things he cannot and must not recall” is from the 1925 story “The Festival”:

They were not altogether crows, nor moles, nor buzzards, nor ants, nor vampire bats, nor decomposed human beings; but something I cannot and must not recall.

H. P. Lovecraft, “The Festival”; Weird Tales vol. 5, no. 1 (January 1925): 169–174.
  • The article Ben mentions about Dickens’ inventing modern time travel fiction may have been this BBC piece by Samira Ahmed in 2015, or this one, by Joshua Sargeant for SF Gate. (He’s not sure – it wasn’t as recent a read as he thought!) A Christmas Carol (1843) definitely pre-dates The Time Machine (1895), and is the first story we know of to depict someone seeing their own future and subsequently changing it. There are many earlier tales featuring a kind of time travel, including Washington Irving’s Rip Van Winkle (1819), which set up the tradition of one-way travel into the future via magical sleep.
  • Dickens’ story “The Signal-Man” was first published in the 1866 Christmas edition of Dickens’ weekly magazine All the Year Round. He started the magazine in 1859 after he had a disagreement with the publishers of his previous magazine, Household Words, who he sued to win control of the name and then shut down, with a final issue announcing it would be merged with All the Year Round. His sub-editor was William Henry Wills, who also worked on the previous publication; they co-founded and co-owned the new magazine, but Dickens had much greater editorial control. All the Year Round kicked off with the first part of Dickens’ serialised novel A Tale of Two Cities and was an immediate success, with a first series of twenty 26-week long volumes running under Dickens’ control until 1868, though he wrote less in the magazine as he spent more time doing public readings of his work. He hired his own son, Charles Jr, as a subeditor on the “new series”, then bequeathed the magazine to him; Charles Jr edited it until at least the end of the second series in 1888, with a third series running until 1895.
  • “Obverse” isn’t actually a synonym for “reverse”, but it’s opposite, generally used only when referring to the faces of coins or other two-sided objects. Brewer’s Dictionary of Phrase and Fable defines it as “The side of a coin or medal that contains the principal device” – i.e. the “heads” side for traditional European-style coins. In the context of the story, though, it’s used to simply mean “the other side” – as the blank sides with the writing are said to be the “obverse side” of the “windows”, which are clearly the illustrated covers of the cards.
  • Shirley Jackson (1916 – 1965) was an American horror and mystery writer, most famous for her 1959 novel The Haunting of Hill House (since adapted many times for the screen) and 1948 short story “The Lottery”, which was first published in The New Yorker (and is currently in development as a feature film). The story about being trapped in a painting is “The Story We Used to Tell”, which was potentially unpublished until 1996, when it appeared in the collection Just an Ordinary Day with other rare stories discovered by her children. It is currently in print as part of the collection Dark Tales, and you can also hear it read by LeVar Burton in the October 20, 2020 episode of his LeVar Burton Reads podcast.
  • There are no shortage of “creepy things kids say” articles on the Internet. We couldn’t find a definitive or best one, so we’ll leave you to google them for yourself…if you dare. Please share your favourites with us!
  • As Ben and Penny mention, the names of the three wise kings (or magi) are traditionally given as Melchior, a Persian scholar; Balthazar, an Arabian king; and Caspar (aka Kaspar or Gaspar), a King from India. The magi are only mentioned once in the Bible, in Matthew 2:1-12, without names or number; it just refers to “wise men from the East”. Most likely they are counted as three to match the number of named gifts: the famous gold, frankincense and myrrh. Their names are said to come from a Greek manuscript written around 500 CE. The magi also feature in Amahl and the Night Visitors, a one-act opera we discussed briefly back in #Pratchat23, “The Music of the Nitt“.
  • Edgar Allen Poe’s “The Cask of Amontillado” is a short horror story first published in the November 1846 issue of the American women’s magazine, Godey’s Lady’s Book. It’s one of many stories of the time to revolve around someone being buried alive.
  • Snoopy is the beagle who features in the comic strip Peanuts, written, drawn and coloured solo by American cartoonist Charles M. Schultz (1922-2000). Peanuts is considered the most popular comic strip in history, originally running from 1950 through to 2000 (around a month before Schultz’s death) in syndication in newspapers in the United States and across the world. Its popularity led to several animated television movies, most famously A Charlie Brown Christmas in 1965, the first full-length adaptation of the characters, which along with others themed after other holidays are indeed still shown on television every year in the States. The strip follows the adventures and social interactions of a group of children, with the two main characters being determined anxious failure Charlie Brown (whose closest thing to a catchphrase was his frequent utterance “good grief”), and his dog, Snoopy, who first appeared in the third strip on October 4, 1950. Snoopy doesn’t speak, but has human-like thoughts, written as thought balloons in the comic strip but communicated through non-verbal grunts in animation. Snoopy often retreats into his imagination and adopts various alter-egos, most famously a World War I flying ace who is always shot down by the Red Baron. During the 1970s, Snoopy’s increasing popularity led to a greater focus on him in the strip. Toys and other merchandise of the main characters, especially Snoopy, have been available since the late 50s, and by the 1980s Snoopy was ubiquitous.
  • Candy canes have been associated with Christmas since at least the nineteenth century. An unsubstantiated origin story in folklore traces the tradition back to 1670, in Cologne, Germany, where a choirmaster supposedly wanted to give “sugar sticks” to children to keep them quiet during a recreation of the nativity scene, and justified this by asking for them to be made in the shape of shepherd’s crooks. Gingerbread men are a form of confectionary popular in Europe since the sixteenth century. They are made and eaten at various festive occasions and holidays, and especially Christmas, when they are sometimes hung from Christmas trees as edible ornaments.
  • We previously discussed Garfield, the orange cat and star of Jim Davis’ comic strip Garfield, in #Pratchat22, “The Cat in the Prat“. Garfield is one of the few comic strips to seriously rival Peanuts in popularity, the other main contender being Bill Waterstone’s Calvin & Hobbes.
  • The “Kitten of the Baskervilles” is a reference to The Hound of the Baskervilles, Arthur Conan-Doyle’s third and most famous novel-length Sherlock Holmes adventure, which was serialised in The Strand Magazine between August 1901 and April 1902.
  • “Kitten Kong” is the seventh episode of the second series of The Goodies, originally broadcast on November 12, 1971. The Goodies is a television comedy written by and starring Tim Brooke-Taylor, Graeme Garden and Bill Oddie, using a hybrid sketch show and sitcom format in which the three “Goodies”, whose motto is “Anything, Anytime”, take on a variety of weird jobs and schemes. In “Kitten Kong”, they start a business looking after “loony animals” that leads to a number of misadventures, culminating in feeding too much growth formula to a kitten which grows enormous and threatens to destroy parts of London. A re-edited version of the episode with extra gags, “Kitten Kong: Montreux ’72 Edition”, won the Silver Rose at the 1972 Rose d’Or Festival, held in Montreux, Switzerland. (The Rose d’Or is a European television award, held annually since 1961.)
  • The original horror short story “The Birds” was written by Cornish author and playwright, Dame Daphne du Maurier, Lady Browning, DBE (1907-1989). It was first published in her 1952 collection The Apple Tree, so a bit later than Penny’s guess of the 20s or 30s (though du Maurier was definitely active then; her most famous novel, Rebecca, was published in 1938). As well as Alfred Hitchcock’s famous 1963 film adaptation, it has also been adapted several times for radio and television, and even for the stage!
  • The Irregulars is a British mystery show created for Netflix by British screenwriter and playwright Tom Bidwell. It is very loosely based on the Sherlock Holmes stories, but centred on “the Irregulars” – four homeless youths who fulfil the role of the “Baker Street Irregulars” from the Conan Doyle stories. In the series they are not merely informants, but do all the detective work, contracted by Dr John Watson. The series has them investigating various mysteries with supernatural causes. The Irregulars was cancelled after its first eight-episode season.
  • Liz’s ghost story about person who haunts a vague acquaintance is “There in Spirit“, published in June 2020 in The Saturday Paper. (You’ll need a subscription to the paper to read it.)
  • Shaun of the Dead (2004) is a romantic zombie comedy film (or “rom-zom-com”) directed by Edgar Wright, written by Wright and Simon Pegg, and starring Pegg and Nick Frost, with Kate Ashfield, Lucy Davis, Dylan Moran, Bill Nighy, and Penelope Wilton. Pegg stars as Shaun, a retail assistant whose life is already going nowhere when a zombie apocalypse comes. He tries to rescue his ex-girlfriend Liz, her flatmates and his parents with the help of his equally aimless friend Ed (Frost). It started life as an episode of Pegg and Wright’s sitcom Spaced, in which Pegg’s character Tim hallucinates a zombie apocalypse while taking drugs and playing videogames. It’s the first film in the “Three Colours Cornetto” trilogy of films, which while unrelated in plot share core cast and crew and couch a relationship comedy in the context of a genre film.
  • Grabbers (2012, dir. Jon Wright) is a horror comedy starring Moist von Lipwig himself, Richard Coyle, as an alcoholic Garda (Irish police officer). His new partner gets them assigned to a remote Irish island, which they soon discover is under attack from voracious tentacled aliens who need bood and water to survive. Like Shaun of the Dead, despite the comedy it doesn’t shirk the gore.
  • Tremors (1990, dir. Ron Underwood) is western/sci-fi/horror/comedy film starring Kevin Bacon in which the residents of a small desert town in Nevada are attacked by giant worm-like creatures that burrow through the ground and eat people. The film was a hit and spawned six sequels, as well as a short-lived television series, though Kevin Bacon isn’t in any of them. One of the characters from the basement scene Penny describes – Burt Gummer, played by Family Ties Dad Michael Gross – does return in all of them, including a prequel set in the Old West in which Gross plays his character’s ancestor.
  • Hannah Gadsby’s Nanette is a 2017 one-hour stand-up comedy show, which was filmed at the Sydney Opera House and released on Netflix in 2018. It deconstructs comedy and also tells some honest stories of Gadsby’s experiences growing up queer and gender non-conforming in conservative rural Tasmania.
  • Montague Rhodes James OM FBA (1862 – 1936), better known as M R James, was not an Oxford don; sorry Penny, but he went to “the other place”: he was a provost (a senior academic administrator) and later Vice Chancellor of the University of Cambridge. He is best known for his work as an author, with a style so distinctive it has often been emulated and described as “Jamesian”. Penny specifically mentions his stories “Lost Hearts” (1895) and “O Whistle and I’ll Come to You My Lad” (1904).
  • Charles Dickens was involved in the Staplehurst rail crash. At 3:13 PM on the 9th of June 1865, a train travelling to London on the South Eastern Main Line derailed when it crossed an aqueduct where part of the track had been removed for works. A worker was present to flag down trains, but was only about half as far from the missing section as required by regulations, and the train could not stop in time. Fifty people were injured, and ten of those died – some while being tended to by Dickens. He was hugely affected by the incident – his son said he never really recovered from it – and his story “The Signal-Man” was published a year after the accident, in the Christmas 1866 edition of All the Year Round. It may well have been influenced by the Staplehurst crash, though the train crash detailed in the story is more likely modelled after Clayton Tunnel crash of 1861. Perhaps not coincidentally died, Dickens died on June 9, 1870 – five years to the day after the accident.
  • The JibJab dancing elves Ben remembers is the company’s website Elf Yourself, which launched in 2007 and still exists.
  • Rare Exports: A Christmas Tale was released in 2010 and was written and directed by Jalmari Helander. It is based on two earlier short films, Rare Exports Inc and Rare Exports: The Official Safety Instructions. It’s not included in any streaming services but you can rent or buy it on Apple TV, YouTube, Fetch and several others.
  • The Krampus is a mythological figure from the Alpine region of Europe. The horned beast is said to accompany Saint Nicholas on his rounds, scaring children who have been badly behaved and, in some versions, punishing them by whipping them with birch rods or even kidnapping them and taking them to hell. His origins are unclear, but he might be inspired by pre-Christian beliefs, and he was outlawed in Austria for a time. The Krampus has more recently found international fame after featuring in the 2015 Christmas horror film Krampus, written and directed by Michael Dougherty and starring Adam Scott and Toni Collette as the parents of a boy who unwittingly summons the Krampus.
  • A great example of the “kids drawings made real” genre is thingsihavedrawn.com, the website where Photoshop artist Tom makes “real” versions of the drawings made by his kids Dom and Al.
  • The BBC has adapted several of M R James short stories for television as part of A Ghost Story for Christmas – and also Dickens “The Signal-Man”! This series of shorts originally ran at Christmas between 1971 and 1978, but was revisited in the 2000s with several new adaptations of M R James stories, including “Whistle and I’ll Come to You” in 2010 and “Mezzotint” in 2021.
  • It’s A Wonderful Life (1946, dir. Frank Capra) is based on the 1943 short story “The Greatest Gift” by American author Philip Van Doren Stern, itself inspired by A Christmas Carol. In the film, George Bailey, a selfless resident of the town of Bedford Falls, thinks of killing himself, but his guardian angel – on his first assignment to Earth – intervenes, showing him what life would have been like for the people of the town if he got his wish to have never been born.
  • The Bon Jovi song Liz refers to is “Livin’ on a Prayer”.

#Pratchat45 – Hogswatch in Grune

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Surprise! In the great Australian tradition of Christmas in July, Liz and Ben are joined by writer and literary horror fan Penelope Love to discuss Pratchett’s short story “Twenty Pence, With Envelope and Seasonal Greeting”, first published on the 16th of December, 1987.

It’s Christmas Eve, 1843, and the driver of a missing Mail Coach is discovered lying in the snow in Wiltshire. A local doctor determines he is scared out of his wits, but nonetheless records the coachman’s horrifying tale of passing through a weird rectangular portal. He and his passengers strayed from the world we know into others filled with nightmares: strangely glittering snow, terrifyingly flat London streets, monstrous giant animals and nonsensical language…

Written in the style of Victorian horror fiction from authors like M R James, H P Lovecraft and A C Doyle*, with a side order of Dickens, this story was inspired when Pratchett glanced at his shelf full of Christmas cards. Despite the ridiculous premise, he plays it totally straight, with phrases that could have come straight from The Call of Cthulhu and other works of the era he’s emulating.

But in 1987, people still sent Christmas cards. Does the story still work now, when we have to think a bit harder to recall the kinds of things printed on those ineffable pieces of cardboard? Can we be spooked and made to laugh at the same time? And does the old-school “horrors humankind was not meant to know” genre still make our blood run cold in this age of smartphones, satellite imagery and Google? Use the hashtag #Pratchat45 on social media to join the conversation!

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Guest Penelope Love is a writer best known for her short fiction, and her work on roleplaying games, most notably Chaosium’s Call of Cthulhu, based on the works of H P Lovecraft. Penny is also part of the team at Campaign Coins, who make gorgeous metal coins and counters for use with roleplaying and other tabletop games. You can find Penny’s collections of comic fantasy stories about “The Three Dungeoneers” via the Campaign Coins website, and also look up Penny’s author page on Amazon to find many of Penny’s other works. Penny is on Twitter as @PennyLoveWrites, or you can follow @CampaignCoins for more on their projects.

As usual, you can find notes and errata for this episode on our web site.

Next episode, as previously advertised, we’re going West and/or East again as we head back into the Long Earth with The Long War – this time joined by writer and editor, Deanne Sheldon-Collins! Send us your questions using the hashtag #Pratchat46, or get them in via email: chat@pratchatpodcast.com

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

* With apologies to Sir Arthur Ignatius Conan Doyle.

#Pratchat34 – Only You Can Save Deadkind

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Liz and Ben (who suffered from microphone issues this episode) introduce children’s author Oliver Phommavanh to the world of Pratchett with Johnny Maxwell’s return, in 1993’s Johnny and the Dead.

Twelve-year-old Johnny Maxwell is enduring Phase Three of the Trying Times between his parents, which involves living with his Mum at his Grandad’s place. His shortcut home from school takes him through an old rundown cemetery, where he knocks on a tomb door – and discovers he can see dead people. As Johnny gets to know them, the dead discover the Council has sold their cemetery for development – and they want Johnny to put a stop to it. While the gang delve into the history of Blackbury and discover a whole new side to their boring hometown, the dead begin to wonder if there might be more to life after life – earning the disapproving scowl of Mr Eric Grimm…

Content note: this episode contains discussion of (fictional) suicide, from around 1:34:00 to 1:40:00. If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you.

Johnny Maxwell and (most of) his friends are back, this time dealing with the mundane as well as the fantastical. Touching on themes of history, tradition, belief and capitalism, Pratchett makes a very different kind of “boy sees dead people” story as Johnny tries to save the local cemetery. There’s lots of Pratchett philosophy in here, like his well-known positive attitude towards death as a part of life. It’s also full of his trademark little jokes and asides, some of which feel very, well…early nineties.

So what do you think? Has this aged well since 1993? Do the lessons about the past and present, living and dead still ring true? Do the trials and tribulations of a small English town translate to 2020 and wherever you live? Use the hashtag #Pratchat34 on social media to join the conversation!

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Guest Oliver Phommavanh is a children’s author, teacher and stand-up comedian based in Sydney. He’s written ten books, including the semi-autobiographical Thai-riffic and Con-Nerd, both of which have sequels. His next book the short story collection Brain Freeze, due out in September 2020. (Please consider supporting your local bookshop by ordering his books from them!) You can find out more about Oliver at his web site, oliverwriter.com, and find him on Instagram and Twitter as @oliverwinfree.

Next month we’re celebrating National Science Week in Australia by reading Pratchett’s collaboration with science writers Ian Stewart and Jack Cohen, The Science of Discworld! We’ll be joined by science communicator and chemist Anna Ahveninen of the Australian Academy of Science! Get your questions in via the hashtag #Pratchat35 by science week, which starts August 15, 2020.

You’ll find the full notes and errata for this episode on our web site.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.