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#Pratchat18 Notes and Errata

08/04/2019 by Ben Leave a Comment

These are the show notes and errata for episode 18, “Sundog Gazillionaire” featuring guest Will Kostakis, discussing the 1976 novel The Dark Side of the Sun.

Since the 1990s many have claimed that if you play Pink Floyd’s hit 1973 album The Dark Side of the Moon while watching MGM’s The Wizard of Oz (1939), the songs supposedly sync up with the vision. Fans of “Dark Side of the Rainbow” (as it’s known) suggest hitting play when the lion roars for the second or third time, and claim the experience is profound, but the band and producers say any synchronicity between them is just a coincidence.
Terry Pratchett’s first published novel was The Carpet People in 1971, five years before The Dark Side of the Sun. He was 23 at the time, but had started work on the book considerably earlier; the revised 1992 edition is described as being “co-written by Terry Pratchett, aged seventeen, and master storyteller, Terry Pratchett, aged forty-three”.
“Galaxy Song” was written and performed by Eric Idle for the 1983 film Monty Python’s Meaning of Life. In a Python reunion live show which toured in 2015, Brian Cox appeared in a filmed insert nitpicking the song’s accuracy. It’s mostly close enough for rock and roll; in one of it’s most accurate lines, it actually says the galaxy is “100,000 light years side-to-side”, not 30,000. (Ben also made this mistake in an episode of re:Discovery.)
Gilpin’s Space is a 1986 novel by Russian-born American sci-fi author Reginald Bretnor. It paints a dystopian authoritarian future in which “eccentric genius” Saul Gilpin steals a submarine and uses it to successfully test his new hyperdrive engine. The novel follows a group of his friends who follow his instructions to steal another submarine and escape the oppressive regime at home for other worlds. It’s…probably not going to stand up to a second read.
The Dark Side of the Sun was first published (with a cover drawn by Terry!) in 1976 by Colin Smythe Ltd, who also published the original editions of The Carpet People and Strata. It was republished with cover art by prolific sci-fi artist Tim White, and then again by Pratchett’s later publisher Corgi in 1988, after the Discworld series had proven a hit. They used a new cover by Josh Kirby; Kirby also painted a second cover when another edition was printed by Doubleday in around 1993, which was also used for later Corgi editions.
The trope of the ancient, all-powerful “Precursors” crops up in just about everything, as Ben mentions, but he forgot that Star Wars does have them – just not in the films. The Knights of the Old Republic videogame introduced the Rakata, an ancient culture whose advanced technology is important to the game’s plot.
We previously covered the “E.T. is in Star Wars and Yoda is in E.T.” thing in our Guards! Guards! episode.
Emperor Ptarmigan is definitely not Emperor Parmigiana, but for the uninitiated: “parmigiana” is an Italian dish made with crumbed fried eggplant, tomato sauce and cheese. In Australia the original only became popular fairly recently, but for many years a “chicken parmigiana” – which replaces the eggplant with a chicken schnitzel – has been a pub food staple for decades. It’s known variously as a “parma”, “parmo” or “parmi”, depending on where you’re from.
The “Dom/Sub” joke that threatens to derail the podcast refers to dominance and submission – sexual play in which one or more parties are explicitly submissive to others. This can take many forms; we recommend you don’t learn about it through Fifty Shades of Grey, which many professionals say models an abusive relationship.
In the original Star Wars films it’s established that a mystical “Force” permeates the Universe, and that some people – Jedi and Sith, mostly – are able to use it to perform various physical and mental feats. In the 1999 prequel The Phantom Menance, George Lucas introduced the idea that a person’s ability to use the Force relies on the concentration of microscopic lifeforms called “Midi-chlorians” in their blood. Fans did not like it. In his defence, Lucas originally had the idea back when he made the first film, but it’s still made the magic feel more mundane and opened up a lot of stupid questions about how it works.
The “Bacta tank” is the big round jar Luke is in at the end of The Empire Strikes Back as he recovers from his injuries. “Bacta” is the name of the synthetic restorative liquid inside. Old Republic era stories establish that such tanks previously used Kolto, a naturally occurring liquid from the planet Manaan, but it was replaced by bacta a long time before the rise of the Galactic Empire.
Robert Lawrence Stine, aka R. L. Stine, is a prolific American children’s horror author, best known for the hugely popular Goosebumps series of more than sixty books. The series has been adapted for both television and film, the latter with Stine appearing as a character, played by Jack Black.
Plasmo is a shape-shifting alien “polybop” created by Australian animator Andrew Lawrence. Plasmo originally came to fame in the half-hour stop-motion animated film Happy Hatchday to Plasmo (1989), in which he is hunted by incompetent intergalactic mercenaries Coredor and Brucho. The film was screened repeatedly on the ABC for around five years in the early 1990s, and was eventually followed by Plasmo, a series of 13 5-minute episodes with higher production values. In the series, Coredor and Brucho have team up with Plasmo and his friends, and go on adventures together.
In case the jargon left you confused, “MVP” is short for “Most Valuable Player”, and to “stan” someone is to be an obsessive fan of them. The former is originally a sports term, but has been extended to many other areas. The latter is both a portmanteau of “stalker” and “fan”, and a reference to the single “Stan”, about a murderously obsessive fan, from Eminem’s 2000 album The Marshall Mathers EP.
In the 1997 Luc Besson sci-fi film The Fifth Element, an ancient “divine being” named Leeloo (played by Mila Jovovich) is blown up, and future Earth scientists use a sophisticated device to reconstruct her from her severed arm.
The Foundation series of novels by Isaac Asimov, originally published in short story form in the 1940s, introduce the idea of “psychohistory”: a mathematical science that can predict the future. Unlike p-math, it only works at the level of human society as a whole, and over very long periods of time. The fictional inventor of psychohistory, Harry Seldon, records messages for future generations of humans many centuries after his own death to help guide the titular Foundation.
It’s true: in the videogame Middle-Earth: Shadow of War, Shelob the giant spider can turn into an attractive human woman. This supposedly explains how she was able to talk to Gollum.
In the Harry Potter spin-off Fantastic Beasts films, Ezra Miller plays Credence Barebone, a young man with a dark secret. It’s…pretty grim.
The Ringworld books by Larry Niven, starting with 1970’s Ringworld, explore a vast, ring-shaped artefact created by – you guessed it – a mysterious and supposedly vanished unknown alien species.
2008’s Quantum of Solace was the twenty-second James Bond film, and the second to star Daniel Craig. It’s a direct sequel to Casino Royale, with Bond seeking revenge for the death of a friend and thereby uncovering the Quantum Group, who plan to stage a coup for commercial gain. They communicate in secret by means of earpieces during an opera performance.
Monkey is a 1978 Japanese television series, adapting the Chinese folk novel Journey to the West. In the story, the priest Tripitaka is sent on a pilgrimage to India to fetch new Buddhist scriptures. As penance for past misdeeds, the immortal stone Monkey – along with the demons Pigsy and Sandy – is sent to be Tripitaka’s guardian. Monkey is forced to wear a golden headband, and Tripitaka is taught a special sutra which makes it constrict, causing Monkey considerable pain; this helps prevent him from fighting and killing everyone they meet. It’s a unique series in that it was dubbed by English actors who often did not have a complete script and improvised wildly based on synopses of each episode. It was fairly popular in Japan, but reached cult status in Australia and Canada. Some of the choices of accent and phrasing made by the (primarily white) voice cast we’d now consider problematic, at best.
I Have No Mouth, and I Must Scream is a 1967 post-apocalyptic sci-fi/horror story written by Harlan Ellison. Considering its super dark and fatalistic tone, it was rather surprising when Ellison adapted into an adventure videogame in 1995.
A Knight’s Tale was written, produced, and directed by Brian Helgeland in 2001. It stars Heath Ledger as a peasant who pretends to be a knight, and has basically nothing to do with the Chaucer tale from which it takes its name. (Paul Bettany does play Chaucer in the film, though.)
2001: A Space Odyssey is a 1968 film written by Arthur C Clarke (who also wrote a novelisation) and directed by Stanley Kubrick. The plot involves human astronauts travelling to Jupiter to investigate a monolith left behind by – you guessed it – a race of mysterious all-powerful aliens, though the star of the show is really the sinister intelligent computer, HAL.
This note is for Sven: we’re sorry we forgot the second part of your question about which authors we think are most consistent in tone and quality of writing. We were really tired.
Go Set A Watchman is a novel written by Harper Lee, published in 2015, fifty-five years after her classic To Kill a Mockingbird. She died the following year. While it was promoted as a sequel to Mockingbird, it was actually written first, and is considered by many to actually be an inferior first draft of her beloved first novel.

#Pratchat18 – Sundog Gazillionaire

08/04/2019 by Pratchat Imps 2 Comments

For episode eighteen we go back to Pratchett’s science fiction beginnings as – in the evening between the two days of the 2019 Speculate festival – author Will Kostakis joins us to talk about the 1976 standalone novel, The Dark Side of the Sun!

Dom Sabalos is about to become Chairman of the planet Widdershins when he is messily assassinated. Well…mostly. When he survives against all odds, he discovers his death had been predicted using probability math. The same science also predicts he will discover Joker’s World, the mysterious home of the vanished ancient species thought to have laid the foundation for all intelligent life. Dom sets out to fulfil his destiny with his alien mentor Hrsh-Hgn, his new robot, Isaac, and a strange, lucky creature from his homeworld’s swamp.

Filled with references and homages to prominent science fiction authors like Larry Niven, Isaac Asimov and Frank Herbert, The Dark Side of the Sun is the first of Pratchett’s two early science fiction novels. It features the first appearance of many names and concepts he would later come to reuse in various forms in the Discworld. It’s a short, fast-paced book with big ideas – not least Pratchett’s own take on the classic sci-fi trope of a vanished, ancient precursor species known only through mysterious artefacts. But does it work? Is this an early sign of genius, or a run-up for someone who needed more time to come into his own? We’d love to hear from you! Use the hashtag #Pratchat18 on social media to join the conversation.

Podcast: Play in new window | Download (Duration: 1:38:37 — 45.5MB)

Guest Will Kostakis is a writer and award-winning author. He’s written many short stories and four novels, all for young adults, including The Sidekicks and The First Third. As mentioned in the episode, his first fantasy YA novel, Monuments, will be released in September 2019. You can find out more about Will and his work at willkostakis.com, or follow him on Twitter at @willkostakis.

You can find the full show notes and errata for this episode on our web site.

(This episode was released just before Liz and Ben appeared at Nullus Anxietas 7, the Australian Discworld Convention, on April 13 and 14 2019! You’ll find the bonus live episode they recorded at the convention in the podcast feed.)

Next month it’s back to the Discworld as we crank up the volume and rock out with Death! Yes, we’ll be reading Soul Music, so get your questions in via social media by mid-April using the hashtag #Pratchat19.

#Pratchat16 – He Ain’t Heavy, He’s My Vorbis

08/02/2019 by Pratchat Imps Leave a Comment

Episode twice-the-number-which-must-not-be-spoken (i.e. sixteen) takes us inside the Church of Om for a story of faith, religion and truth as we’re joined by the Reverend Doctor Avril Hannah-Jones to discuss the 1992 Discworld novel, Small Gods!

Brutha is a lowly novice in the Omnian Citadel, dismissed by his superiors as a simpleton whose only notable talent is an extraordinary memory. He’s the last person expecting to hear the Voice of the Great God Om, though Brutha has his doubts: Om is supposed to manifest as a mighty golden bull or pillar of flame, not a one-eyed tortoise. Om’s not happy either: this isn’t how he planned his return from the celestial realm, and no-one but Brutha can hear him. Before god or novice can figure out what’s happening, Brutha is recruited by Deacon Vorbis – head of the feared Quisition – for a mission to nearby Ephebe: a nation of heretics, democracy and philosophers, one of whom has dared to pen a treatise describing the world as a flat disc which travels through space on the back of a turtle…

One of the few truly standalone Discworld novels, Small Gods focuses on how humans of the Disc create gods, rather than the other way round – for good and for ill. Drawing on the best and worst traditions of monotheism, Galileo’s defiance in the face of Catholic censure, and big philosophical questions, Small Gods still manages to be full of Pratchett’s trademark humour and humanism, and a long-time favourite for many fans. Do you rate it amongst the best Discworld novels? Would you recommend someone start with it? We’d love to hear from you! Use the hashtag #Pratchat16 on social media to join the conversation.

Podcast: Play in new window | Download (Duration: 2:10:07 — 60.0MB)

It’s been a big year already for the Pratchat crew: we’ve launched our subscription service – a huge thank you to all our supporters! – and Liz and Ben will be appearing at both Speculate 2019 in mid-March, and Nullus Anxietas 7, the Australian Discworld Convention, in mid-April! Plus Ben will be performing a new show, You Chose Poorly, at the Melbourne International Comedy Festival from April 1-7.

Next month it’s back to the Ramtops as the witches return home in Lords and Ladies with writer, critic and editor Nadia Bailey! ! We’re recording that episode hot on the heels of this one’s release, so get your questions in via social media before February 16th using the hashtag #Pratchat17.

#Pratchat15 Notes and Errata

08/01/2019 by Ben Leave a Comment

These are the show notes and errata for episode 15, “It’s the End of the World as We Know It (And We Feel Nice and Accurate)“, featuring guests Dr Jennifer Beckett and Amy Gray, discussing the 1990 novel Good Omens.

For anyone baffled by our 90s film references – Angelina Jolie played teenage hacker Kate “Acid Burn” Libby in Hackers (1995), while Nicholas Cage is…well, he’s Nicholas Cage. Important films from Cage’s 1990s era include Wild at Heart (1990), The Rock (1996), Face/Off (1997) and Con Air (1997), the last of those also with Steve Buscemi. Ben’s joke references Steve Buscemi’s appearance in 30 Rock as a former cop who went undercover in a high school as an adult; the scene of him dressed as a teenager is the basis for a meme.
The Bible doesn’t include any direct mention of fallen angels – the idea mainly comes from Jewish traditions. Genesis 6:1-4 contains mention of “nephilim” and the “sons of God”, which may mean fallen angels; nephilim is usually translated as “giant”, and some interpretations of Genesis see them as the offspring of fallen angels and humans.
“Ineffable” comes to us from Middle English, via Old French, but ultimately is from the Latin ineffabilis, “not utterable”.
Ben is very rusty with his Welsh; while “f” is pronounced “v” in Welsh, “ff” is pronounced “f”, so ineffable would be largely pronounced the same as in English. The voiced “th” sound is written “dd”.
Queen formed in 1970, and their Greatest Hits album was first released in 1981. Ben is off when suggesting most of the tracks on it come from News of the World (1977) – in fact it only has two from that album, with more coming from The Game (1980) and Jazz (1978). Incidentally, the earliest “greatest hits” album is probably “Johnny’s Greatest Hits”, originally released by Johnny Mathis in 1958.
As we’ve previously mentioned, 1990 was Terry’s biggest year in terms of output: he published five books (Eric, Moving Pictures, Good Omens, Diggers and Wings). 1989 was no slouch either, with four (Pyramids, Guards! Guards!, Truckers and The Unadulterated Cat), while in 1991 he settled down a bit and only published two (Reaper Man and Witches Abroad).
Metalocalypse is an Adult Swim animated comedy series about the death metal band Dethklok, who are so phenomenally successful they are the world’s seventh-largest economy and the world bends to their whim, fearful of their almost supernatural influence. They are opposed by an Illuminati-like cabal called The Tribunal. The show ran for four seasons and featured Mark Hamill and Malcolm McDowell in the regular cast (though most of the band members were played by series creators Brendon Small and Tommy Blacha).
Being There (1979, dir. Hal Ashby) is an adaptation of the 1970 Jerzy Kosiński novel about a mysterious and simple gardener named Chance, played in the film by Peter Sellers. When his employer dies, Chance is forced out into the world where his gardening expertise is mistaken for wisdom and he ends up being tipped as the next President of the United States, though he remains clueless about everything that happens to him, including the sexual advances of a wealthy socialite played by Shirley MacLaine.
Jen has perfected her Cumbrian accent by watching the 1987 film Withnail and I, written by Bruce Robinson and starring Richard E Grant (Withnail) and Paul McGann (Marwood/I) as a pair of out-of-work actors at the end of the 1960s. The pair try to bring themselves out of their drug-induced stupor by going on holiday in a country house in Penrith owned by Withnail’s uncle. Jen’s line is a mother giving directions to find her son, a local farmer from whom the pair hope to buy supplies after explaining “we’ve gone on holiday by mistake”. (It’s one of Ben’s favourite films.)
Would you believe we previously talked about 1965 US spy sitcom Get Smart in episode 7A, The Curious Incident of the Dragon and the Night Watch? The show’s protagonist Maxwell Smart (aka Agent 86) is both a highly competent spy and a complete nincompoop. He was played by Don Adams in the original TV series, and Steve Carell in the 2008 movie version.
The idea of childhood as a recently invented concept was first popularised by French historian Philippe Ariès in his 1960 book, Centuries of Childhood, where he found that many of the major distinctions between children and adults were introduced during the 17th century by thinkers including John Locke. Teenagers began to be treated as a distinct group in the modern sense in the 1940s and 50s, though the word “teen” dates back several hundred years (“adolescent” is even older). The idea of “tweens” – kids aged between 10 and 13 – gained popularity in the 1990s, but the word itself was introduced in the 1920s.
Mary-Kate and Ashley Olsen are fraternal twin actors who became famous in the 1987 American sitcom Full House, together playing the character Michelle Tanner from the age of nine months to nine years. (It’s common practice for twins or multiple babies to play infant characters, to help comply with child labour laws.) From the age of seven they began to appear on-screen together in various films produced by their own production company Dualstar – originally owned by their parents – and they were a massive hit with pre-teen audiences.
Pratchett’s three Johnny Maxwell books – whose protagonists feel a bit like the Them grown up a little – came out in 1992, 1993 and 1996, while as mentioned above the Bromeliad books came out around the same time as Good Omens. He didn’t write another book specifically for children until the first younger Discworld novel, The Amazing Maurice and His Educated Rodents, in 2001.
Padmé Amidala, (elected) Queen of the planet Naboo, is one of the protagonists of the Star Wars prequel trilogy of films, beginning with Star Wars Episode I: The Phantom Menace in 1999. In that film, Padmé meets the young Anakin Skywalker, whom she would later marry; as Weird Al Yankovic put it in his song “The Saga Begins”: “Do you see him hitting on the Queen? / Though he’s just nine and she’s fourteen”. (Actor Jake Lloyd was ten when he played Anakin, while Natalie Portman as Amidala was 18.)
Jen’s description of “the grey one” in original UK version of mockumentary sitcom The Office is, in fact, Gareth, as portrayed by Mackenzie Crook. The character is a very unflattering comparison, though Crook himself has gone on to greater success with roles in the Pirates of the Caribbean films and Game of Thrones, and more recently created, directs, writes and stars in his own BBC sitcom, The Dectorists, with Toby Jones.
We previously talked about fictional diarist Adrian Mole in episode seven, “All the Fingle Ladies“. Bert Baxter is a very old, very rude and very filthy communist and old-age pensioner whom Adrian meets and befriends through his school’s Good Samaritan program. He lives to be well over 100, having sworn not to die before the fall of capitalism.
Oliver Stone (Scarface) and Michael Bay (Armageddon, Transformers) are film directors known for their action-packed sequences (and, in the case of Bay, lens flare). Between them we agree that they would put together a pretty spectacular paintball sequence, though Ben reckons you’d have a better chance of knowing what was actually happening if it was Stone at the helm.
The Doctor Who story with the motorcyclist alien (called a “slab”) is Smith and Jones, the first episode of David Tennant’s second season. New companion Martha Jones, a trainee medical doctor, sarcastically asks if the slab is from the planet Zovirax, in reference to a series of commercials for the real-world drug Zovirax in which a motorcycle courier refuses to remove her helmet to conceal her cold sores.
Like the book, we never quote the most relevant (ha) bit of the Bible in the podcast – the Book of Revelation chapter 6, verses 1 to 8. In those verses, John of Patmos sees a vision of the Lamb of God opening the first four of seven seals which secure a book held in the hand of God. At the opening of each, one of the four beasts in John’s vision – a lion, an ox, a man and an eagle, each with six wings – says “Come and see”, and shows John one of the horsemen. The first is on a white horse with a bow and crown; the second on a red horse with a great sword; the third on a black horse, with a pair of balances; and the fourth was on a pale horse, “and his name that sat on him was Death, and Hell followed with him.” (Death is the only one explicitly named.)
“Antivax” refers to the anti-vaccination movement, which has seen parents and individuals opt out of vaccinating themselves and their children – something which has led to a dangerous increase and resurgence in preventable disease. The movement has its roots in a paper by Dr Andrew Wakefield which claimed a link between autism and the MMR (Measles, Mumps and Rubella vaccine). The paper was later proven to be hugely biased and inaccurate, but by then the damage was done. While the antivax movement doesn’t haven’t science or facts on their side, they do have quite a few celebrities willing to spread, dare we say it, the word of Pestilence, including actors Jenny McCarthy and Rob Schneider. It’s no exaggeration to say that the antivax movement is the epitome of privilege, selfishness and ableism as it not only puts the community and vulnerable at risk, but posits, grossly, that it would be worse to be autistic than to die of preventable disease. The movement’s proponents prey on the fears of parents, who are already constantly bombarded with advice, good and bad, about what will or won’t harm their children. Our ire is reserved for those who should know better and push these lies, because once someone believes them, it’s very hard to change their mind.
Etsy is a website where individuals can make online stores to sell their wares to the public. It has a reputation as a hub for crafts, kitsch vintage and collectibles – though, as Amy says, it also has (or at least had) an undercurrent of spells and magic available too.
The International Whaling Commission (IWC) is “the global intergovernmental body charged with the conservation of whales and the management of whaling” who banned commercial whaling back in the 1980s to protect species with dwindling numbers. In late December 2018 Japan announced that it would withdraw from the IWC and resume commercial whaling – prior to this they were still hunting whales, though in lower numbers and under the banner of scientific research.
AI stands for Artificial Intelligence. The singularity is a hypothesis which suggest that when artificial superintelligence is invented an abrupt and rapid chain of events will occur in which technology will advance at an incredible rate with, erm, debatable impact on the human race. (AI, if you’re out there and just laying dormant for now, we embrace our future overlords.)
Ultron and Thanos are supervillains from Marvel comic books, and featured as antagonists in the films of the Marvel Cinematic Universe. Their motives for mass murder and apocalypse-bringing are complex, but at their simplest Thanos, an extreme Malthusian, believes the universe would be better off with 50% less inhabitants. Ultron meanwhile thinks humanity are their own biggest enemy and wants to save them from themselves by killing them all – basically he’s Skynet with a heavy dose of paternalism.
The Day the Earth Stood Still was a 1951 science fiction film directed by Robert Wise about a benevolent alien named Klaatu, who visits in his flying saucer with his invincible robot companion Gort to tell the people of Earth to cease their violent ways and join the interplanetary alliance to which he belongs, or else be annihilated. (…he’s not very peaceful.) It’s very loosely based on Farewell to the Master, a 1940 short story by Harry Bates. The 2008 remake stars Keanu Reeves as Klaatu, but Keanu-Klaatu’s spaceship is a sphere. The original had a big impact on popular culture, including the phrase “klaatu barada nikto” (reused by many films as alien or ancient language, as in the Evil Dead movies) and inspiring the both the name of the band Klaatu and the themes in their song “Calling Occupants of Interplanetary Craft”.
Gridlock, according to Wikipedia and reality, is the third episode of the third modern series of Doctor Who, featuring David Tennant as the Doctor. The story takes place on a planet where the majority of inhabitants find themselves in a permanent gridlock, trapped in flying cars on a motorway which, unbeknownst to those spending years moving very little distance, is completely inescapable. Ever driven in peak hour? It’s kind of like that, times a million, plus some of your fellow motorists are humanoid cat people who can apparently cross breed with people.
At the end of Back to the Future: Part II, Marty McFly is standing in the rain when a figure approaches him to deliver a package – a package with very specific delivery instructions that has been sitting in the office, awaiting delivery since 1885. With BTTF2 released in 1989 and Good Omens being published in 1990 the similarity could be coincidence, cross pollination, or perhaps proof that time is, in fact, a flat circle.
Grand Designs is a British television series which sees presenter Kevin McCloud meet a host of different people who have set their hearts on building their own dream home. As outlined by this article in The Guardian, knowing that people play a drinking game for the show, McCloud has laid the ultimate trap. But which episode is it? This article in The Telegraph says that fans think it is episode 5 of series 11.
When we talk about the rings of Hell we aren’t referring to a bad marriage, but in fact Dante’s Divine Comedy, a poem that takes you on a tour of the old school version of The Bad Place. In it, Dante describes several distinct circles and rings of Hell; traitors, as discussed, occupy the fourth ring in the innermost ninth circle, aptly named “Judecca”.
goop is a “modern lifestyle brand” spearheaded by Gwyneth Paltrow. On the site, Paltrow explains “I started goop to answer my own questions about health, wellness, fashion, food, and travel. I was looking for a trusted source to point me in the right direction and I couldn’t find one, so I created it.” Trusted source? We’re not sure that’s the right word for it, and neither apparently are the authors of the many “Craziest suggestions from goop” listicles peppering (pottsing?) the internet, including this one which points to the most (in)famous suggestions – steaming your vagina and/or inserting a jade egg (!) up there. You know, for balance or hormones or something.
The songs we suggested for the corporate gunfight scene are “Fascinating New Thing” by Semisonic (seen here in the paintball scene in the film 10 Things I Hate About You); “Parklife” by Blur; “Eye of the Tiger” by Survivor (please do send us your best suggestions for songs you would use instead if you didn’t have the budget for the original); “Hungry Like the Wolf” by Duran Duran (as featured in a 2013 episode of – you guessed it! – Doctor Who: Cold War, starring Matt Smith); “Handbags and Gladrags”, most famously performed by Rod Stewart, but the closest thing to the theme from The Office is probably this cover by Waysted, whose vocalist sang the theme verison; and “Mad Dogs and Englishmen” by Noel Coward.
The Doctor Who story Ben mentions in which the Doctor and Ace travel back to 1963 is Remembrance of the Daleks, written by Ben Aaronovitch. Many fans consider it a classic of the original series.

#Pratchat15 – It’s the End of the World As We Know It (And We Feel Nice and Accurate)

08/01/2019 by Pratchat Imps Leave a Comment

We kick off the Year of the Incontrovertible Skunk with our fifteenth episode, heading not to the Discworld at all, but to Earth, 1990! Two guests – academic Jen Beckett and writer Amy Gray – join us as to tackle a book written by two authors: Good Omens, written by Terry Pratchett and Neil Gaiman!

The time has come for Armageddon: the End of Days, the Final Battle between Good and Evil. Which comes as rather a shock to the demon Crowley and angel Aziraphale, who’ve been more or less friends for centuries, and rather enjoy Earth the way it is, thank you very much. But can they really do anything about it in the face of the ineffable plan of God? Or when everything that happens has been foretold by a 16th century witch – as interpreted by her descendant, Anathema Device? And has anyone asked the Antichrist himself what he thinks? Well no, of course not. They don’t know where he is.

Good Omens was Sir Terry’s first collaboration with another author, and Gaiman’s first novel, written while he was still working on his biggest comics success, Sandman. In part a parody of The Omen, but joking about everything from motorways to computers and the Greatest Hits of Queen along the way, it’s an epic tale of Armageddon soon to arrive on the small screen via Amazon Prime and the BBC – adapted by Neil himself. Did you come to this as a Pratchett fan, or a Gaiman one? Did you cross over and start reading the others’ work? And how different do you find it to the rest of Pratchett? We’d love to hear from you! Use the hashtag #Pratchat15 on social media to join the conversation.

Podcast: Play in new window | Download (Duration: 2:10:08 — 60.0MB)

Dr Jennifer Beckett lectures at Melbourne University in Media and Communications. Her specialist areas as a researcher include Irish cinema and cultural studies, social media, and transmedia world-building. (Jen’s basically an expert in all the cool parts of popular culture.) A current focus for Jen is the connection between social media and trauma, as explored in her most recent article for The Conversation: “We need to talk about the mental health of content moderators“.

Amy Gray has written for The Age, The Guardian, the Queen Victoria Women’s Centre and many other publications and organisations. She’s currently working on her first book, hopefully to be published in 2019. You can find out more and support her independent writing via her Patreon. You can also find her on Twitter at @_AmyGray_.

You can find full notes and errata for this episode on our web site.

We love bringing you Pratchat every month, but in order to make sure we can stick it out to the very end – and cover every one of Sir Terry’s books – we need your help! We’ve started an optional subscription service via Pozible which will help us keep making Pratchat for you, and even let us do it better; find out all about supporting Pratchat on our new Support Us page.

Next month we’ll continue the religious theme as we’re joined by the Reverend Doctor Avril Hannah-Jones for an examination of faith, Discworld-style, in Small Gods! Send in your questions about gods (big or small) via social media using the hashtag #Pratchat16.

#Pratchat6 Notes and Errata

08/04/2018 by Ben Leave a Comment

Theses are the show notes and errata for episode 6, “A Load of Old Tosh“, featuring guest David Astle discussing Terry’s 2012 standalone Dickens pastiche Dodger.

The “interrobang” is the combination of a question and exclamation mark (‽, or more often ?! or !?), used to indicate a question asked with excitement or otherwise strong emotion. One of Ben’s favourite podcasts, 99% Invisible, produced a whole episode on the origin and history of the interrobang. [Square brackets] (or just “brackets”, since round brackets are parentheses and curly brackets are braces) are most often used in journalism, where they indicate something that’s been left out or changed inside a quotation to improve clarity. David describes the pilcrow (or “paragraph mark”) in the podcast, but in case you’re wondering, it looks like this: ¶
The Teenage Mutant Ninja Turtles are…well, they’re teen-aged mutant anthropomorphic turtles, trained as ninjas by a mutant anthropomorphic rat, who live in the sewers of New York and fight for justice. They originally appeared in 1984 in a gritty, black-and-white comic book parody written and drawn by Kevin Eastman and Peter Laird. They were quickly picked up by a licensing company and became a toy line and a very popular cartoon, followed later by a less popular series of live-action films. They were recently re-imagined in big-screen CGI form by Michael Bay – seemingly the fate of everything liked by children in the 1980s – but most recently have returned to cartoons under the eye of Invader Zim creator Johnen Vasquez.
Terry dressed up as William Brown, the protagonist of Just William and its sequels by Richmal Crompton (like Terry, an incredibly prolific author), for the “26 Characters” exhibition at the Story Museum in Oxford. The photos aren’t available on the museum’s web site – the point was to visit to see them, after all! – but versions of many (including Terry’s) are featured in this BBC interview with photographer Cambridge Jones about the exhibition. The museum’s site has audio interviews with all the featured authors recorded during the photo shoots in 2014, including Terry talking about his own school days. Listeners of this podcast might also particularly enjoy the interviews with Neil Gaiman (who chose Badger from Wind in the Willows), Philip Pullman (Long John Silver from Treasure Island) and Terry Jones (Rupert the Bear), but they’re all great. It’s worth clarifying that Just William takes place when it was written, in 1922 – considerably after the time of Dodger. Tom Brown’s School Days, on the other hand, was written in 1857 and is set in the 1830s – so around the time of Dodger. There’s a stark contrast between Dodger’s life and that of Tom Brown…
A “flâneur” (via French for “stroller” or “loafer”, from the Old Norse verb flana “to wander with no purpose”) was a “gentleman stroller of the streets”: a person of leisure who would walk through a city just observing what went on around them. It’s uncertain if Dickens would have described himself as one; the word dates back a century or two earlier in France, but wasn’t popularly used in a positive sense until Walter Benjamin used it in discussions of modernity in the early twentieth century. (Oscar Wilde described himself as “a flâneur, a dandy” in De Profundis, but only when lamenting how he had wasted his life.)
Nicholson Baker is an American writer who loves newspapers as much as footnotes. He’s best known for his non-fiction, including the award-winning 2001 book Double Fold: Libraries and the Assault on Paper in which he investigated the loss or destruction of thousands of books and newspapers during the “microfilm boom” of the 1980s.
The small, dog-like creature from The Dark Crystal is Fizgig.
Laphroaig whiskey is distilled in Port Ellen, on the southern coast of the Isle of Islay in Argyll, Scotland, near the bay that gives the whiskey its name, Loch Laphroaig. It is now owned by Japanese whiskey giant Suntory.
The Wombles are a group of vaguely mole-like intelligent creatures who live under Wimbledon Common, invented by Elisabeth Beresford for her children’s novels, first appearing in 1968. They are very familiar to Australians of a certain age because of the BBC-commissioned stop-motion animated television series, whose theme song emphasised the Womble’s forward-thinking policy of reuse and recycling: “Making good use of the things that they find, things that the everyday folk leave behind.” Less familiar to Australian listeners will be the novelty pop group formed by Mike Batt, or the related live-action Womble film Wombling Free, featuring short-statured actors – including Kenny Baker and Jack Purvis! – in Womble costumes, with voices provided by the likes of David Jason and Jon Pertwee! Aside from “making use of bad rubbish”, one of their most endearing features is that Wombles choose their name by throwing a dart at a map of the world; hence they have names like Great Uncle Bulgaria, Tomsk, Orinoco and Adelaide.
For those not familiar with Oliver Twist, Fagin is the criminal mastermind who sends the Artful Dodger and other children out to steal things for him in return for minimal food and shelter. He is a deeply unsympathetic character, essentially keeping the children enslaved. Even in Dickens’ day, Fagin – who was constantly referred to as “the Jew” in the novel – was seen as anti-Semitic. Dickens protested that he had no hatred of Jewish people, but was being “realistic”, because “that class of criminal was invariably a Jew”, but towards the end of his life Dickens came to realise the harm he was doing in perpetuating such a stereotype. He not only revised the last 15 chapters of the book, but removed all racist signifiers from his performance of the character in his public readings.
The Anti-Jewish Pogroms in Russia (and the Russian empire, which at the time included much of Eastern Europe) were at their worst in the 1880s, after the period in which Dodger is set, but there were sadly many earlier examples as well. Solomon Cohen never says exactly where (or indeed what) he fled from, but it may have been the Odessa Pogrom of 1859.
Onan is a minor figure in the Bible best known as the source of the term “onanism”, a euphemism for masturbation – though that’s not entirely true to the source material. In the Book of Genesis, Onan’s brother Er is slain by God for generic wickedness and had no children, so their father Judah orders Onan to marry Er’s widow Tamar and give her children. Onan does marry her but during sex, knowing that any children will be heirs to Er and usurp his own inheritance, he chooses to “spill his seed upon the ground” – a crime for which he too was slain by God. It was really rough being in the Bible before Jesus came along.
PTSD is Post Traumatic Stress Disorder, a relatively common psychological disorder affecting people who have experienced trauma – usually violence, and especially interpersonal violence – without the time or opportunity to heal psychologically. It was poorly understood prior to the 1970s, but pretty clearly fits the symptoms ascribed to soldiers returning from war throughout history.
The pilot episode of Buffy the Vampire Slayer (and by this we mean the aired pilot, not the unaired pilot) was actually relatively true to the rest of the series; with the big exception being Buffy’s powers. While she kept her super strength and highly tuned intuition, somewhere between episodes 1 and 2 she apparently lost the power to jump (fly?) over a fence about three times her height.
Thanks to listener Wayne for finding the Wikipedia article for Crown and Anchor, which is a dice game originally favoured by English sailors. It uses three special six-sided dice marked with symbols instead of numbers: the four card suits (clubs, diamonds, hearts and spades), a crown and an anchor. Players place their bets on a playing mat marked with six large squares, one for each symbol, like a simpler version of a roulette table; they then throw the dice and win money based on how many show the symbol which matches their bet. Variations with slightly different symbols appeared in many countries, though the English version is now rarely played outside the Channel Islands and Bermuda.
The classic “Penny Dreadfuls” were cheap mass-produced serial fiction magazines of the Victorian era, usually of the ‘orrible murder or supernatural thriller variety; they filled a niche later occupied by comic books, and cost a penny (hence the name). Hugely popular in Dodger’s time, many were rewrites or outwrite plagiarism, but they nevertheless made household names of popular historical and fictional characters including Dick Turpin, Varney the Vampire, and Sweeney Todd, who first appeared in The String of Pearls: A Romance in 1846.
The League of Extraordinary Gentlemen by Alan Moore and Kevin O’Neill is a hugely rich comic book series spanning multiple volumes in which characters from a huge number of works of Victorian fiction are brought together. The titular league features Mina Harker (from Dracula), Alan Quartermain (from King Solomon’s Mines), Dr Jekyll, the Invisible Man and Captain Nemo, amongst others, as they deal with a war between criminal elements and then an invasion of Martians (drawn from The War of the Worlds). The series is so dense with references both big and small that companion volumes have been compiled uncovering them all.
Stephen Sondheim’s 1979 musical Sweeney Todd: The Demon Barber of Fleet Street has become probably the most popular version of the Todd story (not least thanks to Tim Burton’s 2007 film adaptation), and is based heavily on Christopher Bond’s 1973 play of the same name, which gave him a backstory – including being transported to Australia – and made the character a little more sympathetic, transforming his story into a modern revenge tragedy. The original London cast of the musical included Angela Lansbury as Mrs Lovett, Sweeney’s accomplice and encouragement. (In the podcast, Ben confuses her with Mrs Miggins, the proprietor of a similarly suspicious pie shop in classic historical sit-com Blackadder the Third.)
Penny Dreadful the television series was a gory sexy gothic horror co-produced by Showtime and Sky, weaving a new narrative around characters taken from Frankenstein, Dracula, The Picture of Dorian Gray, The Strange Case of Dr Jekyll and Mr Hyde and predominantly British and Irish folklore. It ran for three seasons with an all-star cast including Eva Green, Timothy Dalton, Billie Piper and Josh Hartnett. Ben loved it more than he probably should have.
Asterix is the protagonist of the long-running Asterix & Obelix series of comic albums created by French cartoonists René Goscinny and Albert Uderzo. Set during the Roman Empire’s occupation of Gaul – a region of Western Europe bigger than France, populated by Celtic peoples of the La Tène culture – it imagined a single small village which held out against the invaders through judicious use of a magic potion, brewed by their Druid, which gave them super strength. The main character, Asterix, was very small but a shrewd warrior, assisted by his enormous, dim-witted but big-hearted friend Obelix, who was permanently super-strong due to drinking an entire cauldron of the potion as a baby. A key feature of the books are the names which pun on common cultural suffixes of the era, which have been translated into many languages.
“Bedlam” was a nickname for Bethlem Royal Hospital, a psychiatric hospital whose name became synonymous with the barbaric ways in which the mentally ill were treated in the Victorian era.
“Nits” is the common name for headlice in Australia and New Zealand, thankfully rarely encountered these days except in primary schools.
Augusta Ada King-Noel (née Byron), Countess of Lovelace, aka Ada Lovelace, was an English mathematician and writer. She was also a poet, but she is most remembered as the first computer programmer: she was a friend of Charles Babbage, and while translating a French transcript of a speech Babbage gave about his Analytical Engine, annotated it with notes which included an algorithm of her own design to make the machine calculate Bernoulli numbers. Sadly Babbage’s Analytical Engine was never completed, but just as it is now recognised as the first computer, her algorithm is now recognised as the first computer program.
The Tenniel in the book is indeed Sir John Tenniel, the primary political cartoonist for Punch (and therefore well known to Mayhew and Dickens), and most famously the illustrator for Lewis Carroll’s Alice books. The eye injury referred to was accidentally inflicted by Tenniel’s father when they were fencing, when Tenniel was 20. Tenniel gradually lost his sight in that eye, but not wanting to make his father distraught, never revealed how serious the injury was.
A “growler” was a second-hand “clarence”, a four-wheeled horse-drawn carriage named after Prince William, Duke of Clarence, and introduced into London around 1840. Once sold by aristocrat owners, clarences were often used as cabs, and were known as “growlers” because of the sound they made on London cobblestoned streets.
Pratchett did indeed have plans for a Dodger sequel, saying at New York Comic Con and in an interview with the AV Club in 2012 that he’d love to write one “if he was spared”… The final scene of the book, in which Dodger is working with Serendipity as a spy in Paris, is a good indicator of the direction that book may have taken, but any notes for it would have been lost as per Terry’s instructions, when his hard drives were destroyed by a steam roller after his death.
Some later editions of Dodger – including Ben’s – include a “Bonus Scene” in which Dodger visits Sweeney Todd in Bedlam. (We cut our short discussion of the scene for time, and because David and Liz hadn’t read it.)
Cloacina was indeed a real Roman goddess, and like many was assimilated from another culture – in this case, Etruscan mythology. She was specifically the goddess of the Cloaca Maxima (“Greatest Drain”), the main sewer channel in Rome, construction of which was said to have been started and finished by two Estruscan Kings of Rome. Sometimes also seen as “a protector of sexual intercourse in marriage”, she was later known as “Venus of the Sewer”.

#Pratchat6 – A Load of Old Tosh

08/04/2018 by Pratchat Imps 3 Comments

In episode six, word nerd and crypto-cruciverbalist David “DA” Astle joins us to discuss our first non-Discworld novel: Dodger! Published in 2012, it’s set in Victorian London and is heavily inspired by the work and style of Charles Dickens, and also that of Punch magazine co-founder Henry Mayhew, author of London Labour and the London Poor – both of whom appear as characters!

In the first quarter of Queen Victoria’s reign, a young woman falls from a carriage during a London storm – followed by two threatening men. Out of a nearby sewer grate springs Dodger, street orphan and accomplished “tosher” (sewer scavenger), who fights them off before Charles Dickens and Henry Mayhew happen by and take the woman to safety. Dickens enlists Dodger’s aid in investigating their mysterious charge, who is clearly on the run but refuses to speak of herself or those coming after her. Dodger will need to be sharp as a razor and to have all the luck the Lady of the Sewers can give him in this adventure – but will he be the same Dodger when it’s over?

In a spot of time travel, we leap forward to one of Pratchett’s last books. More serious than many of his other works, though still light in tone and written in a very Dickensian style – including chapters! – Dodger is quite a departure for Pratchett in many ways while still remaining essentially Pratchetty. (Pratchettesque?) What do you think of Dodger? Let us know! Use the hashtag #Pratchat6 on social media to join the conversation.

Podcast: Play in new window | Download (Duration: 1:51:14 — 51.0MB)

You can find David Astle online at davidastle.com, itself a haven of word puzzles and anagrams, and he’s on Twitter as @DontAttempt (a joking translation of his cryptic crossword-maker initials, DA, which some see as proof of difficulty!). His latest work is David Astle’s Gargantuan Book of Words, which is available now through publishers Allen & Unwin, but watch out for Rewording the Brain and 101 Weird Words and Three Fakes, appearing in 2018. You can also catch him on the wireless on ABC Melbourne.

You can read the full show notes and errata for this episode on our web site.

We return to the Discworld for our May 8th episode, though we are going slightly out of order to read Eric, the first illustrated Discworld book! And who better to discuss it than an illustrator? So we’ll be joined by Adelaide-based artist and comic book creator, Georgina Chadderton (aka George Rex)! This one is recorded hot on the heels of our April episode, so by the time you read this we may have already asked for your questions, but even if you missed that callout you can still join in on social media with the hashtag #Pratchat7.