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#Pratchat18 Notes and Errata

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These are the show notes and errata for episode 18, “Sundog Gazillionaire” featuring guest Will Kostakis, discussing the 1976 novel The Dark Side of the Sun.

  • Since the 1990s many have claimed that if you play Pink Floyd’s hit 1973 album The Dark Side of the Moon while watching MGM’s The Wizard of Oz (1939), the songs supposedly sync up with the vision. Fans of “Dark Side of the Rainbow” (as it’s known) suggest hitting play when the lion roars for the second or third time, and claim the experience is profound, but the band and producers say any synchronicity between them is just a coincidence.
  • Terry Pratchett’s first published novel was The Carpet People in 1971, five years before The Dark Side of the Sun. He was 23 at the time, but had started work on the book considerably earlier; the revised 1992 edition is described as being “co-written by Terry Pratchett, aged seventeen, and master storyteller, Terry Pratchett, aged forty-three”.
  • “Galaxy Song” was written and performed by Eric Idle for the 1983 film Monty Python’s Meaning of Life. In a Python reunion live show which toured in 2015, Brian Cox appeared in a filmed insert nitpicking the song’s accuracy. It’s mostly close enough for rock and roll; in one of it’s most accurate lines, it actually says the galaxy is “100,000 light years side-to-side”, not 30,000. (Ben also made this mistake in an episode of re:Discovery.)
  • Gilpin’s Space is a 1986 novel by Russian-born American sci-fi author Reginald Bretnor. It paints a dystopian authoritarian future in which “eccentric genius” Saul Gilpin steals a submarine and uses it to successfully test his new hyperdrive engine. The novel follows a group of his friends who follow his instructions to steal another submarine and escape the oppressive regime at home for other worlds. It’s…probably not going to stand up to a second read.
  • The Dark Side of the Sun was first published (with a cover drawn by Terry!) in 1976 by Colin Smythe Ltd, who also published the original editions of The Carpet People and Strata. It was republished with cover art by prolific sci-fi artist Tim White, and then again by Pratchett’s later publisher Corgi in 1988, after the Discworld series had proven a hit. They used a new cover by Josh Kirby; Kirby also painted a second cover when another edition was printed by Doubleday in around 1993, which was also used for later Corgi editions.
  • The trope of the ancient, all-powerful “Precursors” crops up in just about everything, as Ben mentions, but he forgot that Star Wars does have them – just not in the films. The Knights of the Old Republic videogame introduced the Rakata, an ancient culture whose advanced technology is important to the game’s plot.
  • We previously covered the “E.T. is in Star Wars and Yoda is in E.T.” thing in our Guards! Guards! episode.
  • Emperor Ptarmigan is definitely not Emperor Parmigiana, but for the uninitiated: “parmigiana” is an Italian dish made with crumbed fried eggplant, tomato sauce and cheese. In Australia the original only became popular fairly recently, but for many years a “chicken parmigiana” – which replaces the eggplant with a chicken schnitzel – has been a pub food staple for decades. It’s known variously as a “parma”, “parmo” or “parmi”, depending on where you’re from.
  • The “Dom/Sub” joke that threatens to derail the podcast refers to dominance and submission – sexual play in which one or more parties are explicitly submissive to others. This can take many forms; we recommend you don’t learn about it through Fifty Shades of Grey, which many professionals say models an abusive relationship.
  • In the original Star Wars films it’s established that a mystical “Force” permeates the Universe, and that some people – Jedi and Sith, mostly – are able to use it to perform various physical and mental feats. In the 1999 prequel The Phantom Menance, George Lucas introduced the idea that a person’s ability to use the Force relies on the concentration of microscopic lifeforms called “Midi-chlorians” in their blood. Fans did not like it. In his defence, Lucas originally had the idea back when he made the first film, but it’s still made the magic feel more mundane and opened up a lot of stupid questions about how it works.
  • The “Bacta tank” is the big round jar Luke is in at the end of The Empire Strikes Back as he recovers from his injuries. “Bacta” is the name of the synthetic restorative liquid inside. Old Republic era stories establish that such tanks previously used Kolto, a naturally occurring liquid from the planet Manaan, but it was replaced by bacta a long time before the rise of the Galactic Empire.
  • Robert Lawrence Stine, aka R. L. Stine, is a prolific American children’s horror author, best known for the hugely popular Goosebumps series of more than sixty books. The series has been adapted for both television and film, the latter with Stine appearing as a character, played by Jack Black.
  • Plasmo is a shape-shifting alien “polybop” created by Australian animator Andrew Lawrence. Plasmo originally came to fame in the half-hour stop-motion animated film Happy Hatchday to Plasmo (1989), in which he is hunted by incompetent intergalactic mercenaries Coredor and Brucho. The film was screened repeatedly on the ABC for around five years in the early 1990s, and was eventually followed by Plasmo, a series of 13 5-minute episodes with higher production values. In the series, Coredor and Brucho have team up with Plasmo and his friends, and go on adventures together.
  • In case the jargon left you confused, “MVP” is short for “Most Valuable Player”, and to “stan” someone is to be an obsessive fan of them. The former is originally a sports term, but has been extended to many other areas. The latter is both a portmanteau of “stalker” and “fan”, and a reference to the single “Stan”, about a murderously obsessive fan, from Eminem’s 2000 album The Marshall Mathers EP.
  • In the 1997 Luc Besson sci-fi film The Fifth Element, an ancient “divine being” named Leeloo (played by Mila Jovovich) is blown up, and future Earth scientists use a sophisticated device to reconstruct her from her severed arm.
  • The Foundation series of novels by Isaac Asimov, originally published in short story form in the 1940s, introduce the idea of “psychohistory”: a mathematical science that can predict the future. Unlike p-math, it only works at the level of human society as a whole, and over very long periods of time. The fictional inventor of psychohistory, Harry Seldon, records messages for future generations of humans many centuries after his own death to help guide the titular Foundation.
  • It’s true: in the videogame Middle-Earth: Shadow of War, Shelob the giant spider can turn into an attractive human woman. This supposedly explains how she was able to talk to Gollum.
  • In the Harry Potter spin-off Fantastic Beasts films, Ezra Miller plays Credence Barebone, a young man with a dark secret. It’s…pretty grim.
  • The Ringworld books by Larry Niven, starting with 1970’s Ringworld, explore a vast, ring-shaped artefact created by – you guessed it – a mysterious and supposedly vanished unknown alien species.
  • 2008’s Quantum of Solace was the twenty-second James Bond film, and the second to star Daniel Craig. It’s a direct sequel to Casino Royale, with Bond seeking revenge for the death of a friend and thereby uncovering the Quantum Group, who plan to stage a coup for commercial gain. They communicate in secret by means of earpieces during an opera performance.
  • Monkey is a 1978 Japanese television series, adapting the Chinese folk novel Journey to the West. In the story, the priest Tripitaka is sent on a pilgrimage to India to fetch new Buddhist scriptures. As penance for past misdeeds, the immortal stone Monkey – along with the demons Pigsy and Sandy – is sent to be Tripitaka’s guardian. Monkey is forced to wear a golden headband, and Tripitaka is taught a special sutra which makes it constrict, causing Monkey considerable pain; this helps prevent him from fighting and killing everyone they meet. It’s a unique series in that it was dubbed by English actors who often did not have a complete script and improvised wildly based on synopses of each episode. It was fairly popular in Japan, but reached cult status in Australia and Canada. Some of the choices of accent and phrasing made by the (primarily white) voice cast we’d now consider problematic, at best.
  • I Have No Mouth, and I Must Scream is a 1967 post-apocalyptic sci-fi/horror story written by Harlan Ellison. Considering its super dark and fatalistic tone, it was rather surprising when Ellison adapted into an adventure videogame in 1995.
  • A Knight’s Tale was written, produced, and directed by Brian Helgeland in 2001. It stars Heath Ledger as a peasant who pretends to be a knight, and has basically nothing to do with the Chaucer tale from which it takes its name. (Paul Bettany does play Chaucer in the film, though.)
  • 2001: A Space Odyssey is a 1968 film written by Arthur C Clarke (who also wrote a novelisation) and directed by Stanley Kubrick. The plot involves human astronauts travelling to Jupiter to investigate a monolith left behind by – you guessed it – a race of mysterious all-powerful aliens, though the star of the show is really the sinister intelligent computer, HAL.
  • This note is for Sven: we’re sorry we forgot the second part of your question about which authors we think are most consistent in tone and quality of writing. We were really tired.
  • Go Set A Watchman is a novel written by Harper Lee, published in 2015, fifty-five years after her classic To Kill a Mockingbird. She died the following year. While it was promoted as a sequel to Mockingbird, it was actually written first, and is considered by many to actually be an inferior first draft of her beloved first novel.

#Pratchat41 – The Adventures of Crab Boy and Trouser Girl

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Educator Dr Charlotte Pezaro joins Liz and Ben on a trip to the South Pelagic, where they find tsunamis, gods and science in Nation, Terry Pratchett’s standalone young adult novel from 2008.

Mau is returning from his rite of passage when a huge wave washes over his island Nation, killing everyone he has ever known. He is all alone, stuck without a soul between the states of boy and man. Lost in his despair and anger at the gods he now isn’t sure he believes in, he’s ready to give in to the dark water until he meets Daphne, the only survivor from a “trouserman” ship flung into the Nation by the wave. As they learn each others’ customs and languages, and other survivors gradually begin to arrive, Mau and Daphne must both reckon with the gods and ghosts of the Nation’s past – and work hard to ensure it has a future…

Pratchett’s own proudest achievement, and winner of multiple awards, Nation presents an alternate universe where things are a little bit different in some ways…and considerably different in others. Pratchett examines his favourite themes of belief, death, imperialism and science through a new lens, in a tale of loss, growing up, and asking big questions.

Is this Pratchett’s magnum opus? Does inventing an entire universe next door make it okay for a white Englishman to tell a story about South Pacific Islanders with the serial numbers filed off? Why did he split Australia in half ? Tell us by using the hashtag #Pratchat41 on social media to join the conversation!

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Guest Dr Charlotte Pezaro is an educator with a PhD in pedagogy and years of science and technology communication experience. Charlotte is also a qualified primary school teacher, and works with other teachers to help them improve their skills. You can find out more about Charlotte at charlottepezaro.com, or follow her on Twitter at @dialogicedu.

Next time we’re heading back to Ankh-Morpork for a tale of journalism, vampirism and authoritarianism, the 25th Discworld novel: 2000’s The Truth! We’ll be joined by returning guest, writer and deputy culture editor for Guardian Australia, Stephanie Convery. Send us your questions using the hashtag #Pratchat42, or get them in via email: chat@pratchatpodcast.com

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat76 Notes and Errata

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These are the episode notes and errata for Pratchat episode 76, “Real Men Don’t Drink…Decaf”, discussing the 2003 standalone Discworld novel Monstrous Regiment with guest Freya Daly Sadgrove.

Iconographic Evidence

Here’s “how is prangent formed”, the most famous YouTube compilation of misspelled Yahoo Answers questions about being pregnant, from 21 October 2016. While it’s mostly a bit of fun, it’s important to remember these were all asked by real people who had real fears and worries, just no way to edit their hastily (and perhaps secretly) typed questions. The US has a lot to answer for when it comes to sex (and indeed general) education…

Here’s that Traffic Accident Commission ad we mentioned, but please be warned, it’s pretty intense (though not gory).

Notes and Errata

  • The episode title is a bit of a mash-up of two ideas: first, Real Men Don’t Eat Quiche, the 1982 book by Bruce Feirstein satirising American ideas of masculinity (and which we last mentioned in our episode about The Unadulterated Cat, “The Cat in the Prat”). The second is another riff on the classic vampire line “I don’t drink…wine”, originally from the 1931 film Dracula starring Bela Lugosi (though the original line was “I never drink…wine”). Just to be clear: we don’t think there’s anything wrong with drinking decaf, or believe in the idea of a “real man”. You’re a man if you think you are; that’s how gender works.
  • “Let’s Get Down to Business” is the first line of the song “I’ll Make a Man Out of You” from the 1998 Disney animated film Mulan. Mulan is an adaptation of a Chinese folk story from around the 4th to 6th centuries BCE about Hua Mulan, a young woman who disguises herself as a man to fulfil her family’s conscription obligations, saving her father from being forced to join the army. She goes on to win great battles and achieve great fame. In the film, “I’ll Make a Man Out of You” is sung by Mulan’s Captain, Li Shang (played by BD Wong, but sung by Donny Osmond!), during a training montage for Mulan and her fellow fresh recruits.
  • Diana Wynne Jones (1934-2011) was a British fantasy children’s author. As one of Liz’s other favourite authors, we’ve mentioned her a lot – and one of these days we’ll do an episode or more about her books. Her most famous works include the Chrestomanci series about magical parallel universes, and Howl’s Moving Castle. The titular Howl is a mighty wizard, but the protagonist of the story is Sophie, the eldest daughter of a hat shop owner, who is cursed with old age by the Witch of the Wastes. Sophie gets a job as a cleaner for the wizard Howl, and makes a bargain with his fire demon, Calcifer, that he will restore her youth if she can free him from his contract to the wizard. It was very succesfully (if very loosely) adapted into a film by Hayao Miyazaki for Studio Ghibli in 2004.
  • The panel featuring Terry Pratchett and Diana Wynne Jones was “Whose Fantasy” at the Institute of Contemporary Arts in 1988. (Ben found it after we wondered if the two were friends in #Pratchat46, “The Helen Green Preservation Society”, and we mentioned it more recently in #Pratchat72, “The Masked Dancer”). It was chaired by Neil Gaiman and also features John Harrison and Geoff Ryman.
  • You can read the full text of the Daily Express review of Monstrous Regiment on Colin Smythe’s web page for the book. It opens with: “Not so long ago in a pub far, far, away Terry Pratchett announced that he had discovered an interesting fact. In the American Civil War more than 300 women had enlisted in the army dressed as men. There may have been more. These were just one ones who told people about it afterwards.”
  • Questionable Content (QC for short) is a long-running webcomic written and illustrated by American-Canadian cartoonist Jeph Jacques. It started in 2003, and is a slice-of-life story about indie rock fan Martin Reed and friends, set in a slightly futuristic world where artificial intelligence and advanced cybernetics are commonplace. At the time of writing it’s had more than 5,200 instalments! Elliot is a character introduced in 2011, an employee at a bakery first visited by Martin in Comic 1,845. Like Paul Perks, he’s a big but gentle man.
  • We previously met the small-but-officious Nuggan in the “illustrated Discworld fable” The Last Hero, as discussed in #Pratchat55, “Mr Doodle, the Man on the Moon”.
  • For the curious, you can find a list of Abominations Unto Nuggan mentioned in this book (and elsewhere – mainly The Last Hero and The Compleat Discworld Atlas) at the L-Space Wiki.
  • For reference, the members of the Monstrous Regiment are:
    • Lieutenant Blouse (no first name given; later promoted to much higher rank)
    • Sergeant Jack Jackrum (no other name given; later promoted to Sergeant Major)
    • Corporal Strappi (later revealed to (probably?) be a Captain and a “political”)
    • Private Oliver “Ozzer” Perks (Polly; later promoted to Sergeant)
    • Private Maladicta (Maladict)
    • Private Carborundum (Jade)
    • Private Igor (Igorina)
    • Private “Tonker” Halter (Magda)
    • Private “Shufti” Manickle (Betty)
    • Private “Wazzer” Goom (Alice)
    • Private “Lofty” Tewt (Tilda)
  • Ben gives a short account of The First Blast of the Trumpet Against the Monstruous Regiment of Women in the footnote, but if you want to read it, the full text is available via Project Goodmountain – er, Gutenberg.
  • We first heard about Terry Pratchett’s 2014 interview at the Wheeler Centre during the recording of #Pratchat26, “The Long Dark Mr Teatime of the Soul“ – our guest, Michael Williams, was director of the Centre at the time, and was the interviewer for the event. His story about making a faux pas – and Terry’s reaction – are included in the third episode of our subscriber bonus podcast, Ook Club. The full discussion, titled “Imagination, Not Intelligence, Made Us Human”, is available via YouTube. There’s a lot of good stuff in it! Pratchett mentions researching the history of women fighting and living as men at “a nice little place in London run by ladies who like other ladies very much indeed”; this is around the 31:30 mark.
  • “Sweet Polly Oliver” (also known as “Pretty Polly Oliver”) is song #367 in the Roud folk song index. It comes from around 1840 or earlier, and the first lines are “As sweet Polly Oliver lay musing in bed / A sudden strange fancy came into her head.” As Liz mentions, in the song Polly is following her lover, whom she eventually finds promoted to Captain and wounded; the doctors give up on him, but she nurses him back to health and they get married.
  • There are many other references to real protest and folk songs in the book; here are some of the folk songs:
    • “The World Turned Upside Down” – a British protest song from the 1640s, railing against restrictions placed on the celebration of Christmas by the British Parliament. A long-standing but unlikely story is that it was played by the British army band when Lord Cornwallis surrendered to the Americans after the Battle of Yorktown, hence the Hamilton song “Yorktown (The World Turned Upside Down)”. (Usually the band would play a song from the victor’s nation, but supposedly George Washington refused this tradition and told them to play a British song.)
    • “The Devil Shall Be My Sergeant” – a reference to “The Rogue’s March”, a song which was once traditionally played when drumming a disgraced solider out of the army. It had various sets of unofficial lyrics, many of which included the line “the Divil shall be me sergeant”. When it was no longer used officially by armies, it was played as “rough music” – yes, that was a thing on Roundworld, both in a similar sense as in I Shall Wear Midnight (see #Pratchat66, “Ol’ No Eyes is Back”), and more literally as a tune to shame followers of unpopular causes.
    • “Johnny Has Gone for a Solider” – an Irish folk song popular during the American Revolutionary War.
    • “The Girl I Left Behind Me” – Roud index #262, also known as “The Girl I Left Behind”. This is an English folk song from Elizabethan times, traditionally sung when soldiers marched off to war or a naval vessel set sail. It’s also the source of the lyric “Her golden hair in ringlets fair” which Igor quotes when coming up with excuses for Polly to have her old hair in her bag.
    • “Lisbon” or “William and Nancy” or “William and Polly” – #551 in the Roud index, this is possibly the song that Jackrum mentions when explaining the “Cheesemongers” nickname, which begins with the line “’Twas on a Monday morning, all in the month of May”. It’s sung by a sailor, William, who’s about to sail for Lisbon, and is leaving his pregnant lover, Nancy or Polly, behind. Nancy writes back to him saying she’ll disguise herself as a man so she can sail with him and save him from the terrors of the navy. The rest of the song doesn’t really match Jackrum’s description, which mashes up a whole lot of different bawdy folk tunes. There’s also “Dashing Away With the Smoothing Iron”, #869 in the Roud index, which begins with the first half of the line; it’s about a man repeatedly admiring a woman while she’s doing her ironing, and was the inspiration for Flanders and Swann’s “The Gas-Man Cometh”.
  • We read The Last Continent way back in 2020 in #Pratchat29, “Great Rimward Land”. The Last Continent is the twenty-second Discworld book, published in 1998, nine books and four years and four months before Monstrous Regiment. (Pratchett was still publishing two books a year at the time.)
  • Traditionally, tailors do indeed ask if gentlemen “dress to the left or right”, but stories conflict over whether this is because they intend to make said gentleman’s trousers more roomy on that side, or whether they just ask to avoid any awkward moments while taking inside leg measurements.
  • There have been many Roundworld equivalents of the Nugganite Working Girl Schools; some of the most infamous were the Magdalene Laundries run by the Catholic Church in Ireland. These were filled with so-called “fallen women” – mostly, but not exclusively, sex workers and pregnant girls – who were forced to work for free and suffered abuse at the hands of the staff.
  • Indulgences are a practice of the Catholic church. Ben is referring to “full indulgence”, a complete forgiveness for all sins offered to Crusaders, but regular indulgences are the reason for the minor penances of saying a number of “Hail Mary”s in order to be forgiven for sins confessed. When they were introduced the idea was that previous Catholics had lived such perfect lives that there’s a “treasury of merit” within the church, allowing them to give out lesser penances than the older, much harsher ones.
  • Ogres having layers is a reference to the 2001 DreamWorks animated film Shrek, in which the titular ogre (played by Mike Myers with a Scottish accent) explains to a talking Donkey (played by Eddie Murphy) that he’s not just the awful smelly monster that everyone assumes: “Ogres are like onions. They have layers. You peel them back and you find something else.” The film is (very loosely) based on a 1990 picture book by William Steig.
  • Maladict’s hallucinations make many general references to the tropes of Vietnam War films, but the main specific one we could spot was from Stanley Kubrick’s Full Metal Jacket (1987). In the film, the character Joker (played by Matthew Modine) writes “BORN TO KILL” on his hat, which matches the undead Maladict’s “BORN TO DIE”.
  • Matchbox Twenty are an American rock band from Orlando, Florida, fronted by singer and keyboard player Rob Thomas. Their debut 1996 post-grunge album Yourself or Somebody Like You was a massive hit, including the song “Push”, most recently seen being sung by various versions of Ken in the 2023 movie Barbie.
  • Blink-182 are a Californian rock band formed in 1992 whose third album, Enema of the State (1999), was probably their biggest success, with the singles “What’s My Age Again?” and “All the Small Things” doing well in many English-speaking countries at the time.
  • We last spoke of Danger 5 in #Pratchat52, “A Near-Watch Experience”. Created for SBS in 2012, Danger 5 is an action-comedy from the Australian comedy team Dinosaur. The first season is a parody of old school “men’s adventure” magazines and TV shows, with the titular “Danger 5” team repeatedly thwarting (though failing to capture or kill) Adolf Hitler in an absurd 1960s version of World War II. The second season from 2015 moves the team, Hitler and the target of their parody into the 1980s. You might still find it on Blu-Ray or DVD if you’re lucky; it was released by Madman Entertainment, but isn’t widely available. It was on Netflix in several territories for a while, but not any more; you can at least find clips, cast commentaries and even the prequel episode “The Diamond Girls” on the Dinosaur YouTube channel. In 2020 there was a new “Only on Audible” podcast series, Danger 5: Stereo Adventures. Dinosaur, or at least some of their creative team, have since created the animated series Koala Man for Hulu (it’s on Disney+ in Australia).

A few more notes coming soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat76 – Real Men Don’t Drink…Decaf

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Kiwi writer and poet Freya Daly Sadgrove joins Liz and Ben from Sydney as we adjust our uniforms and march into the horrible realities of war (class, gender and literal) to discuss Terry Pratchett’s thirty-first Discworld novel, 2003’s Monstrous Regiment.

Polly Perks has cut off her hair, put on some trousers and joined the army under the name of Oliver, all so she can find her strong but gentle-minded brother, Paul. Is soon turns out that her regiment, led by the infamous Sergeant Jackrum who swears to look after “his little lads”, is quite possibly the last one left in all of Borogravia. In her search for Paul, Polly will have to deal with the enemy, the free press, a vampire who might kill for a coffee, Sam Vimes, and The Secret: she might not be the only impostor in the ranks…

Coming in between the first two Tiffany Aching novels, Monstrous Regiment – which is also monstrous in size, possibly Pratchett’s second longest novel – is the last truly standalone Discworld story. It introduces a wonderful cast of characters who, sadly, we’ll never see again. Not only that, but it gives major supporting roles to old favourites Sam Vimes and William de Worde, with a side order of Otto von Chriek! Critics at the time compared it to Evelyn Waugh, Jonathan Swift and All Quiet on the Western Front, and it remains one of Pratchett’s most beloved and celebrated novels – both for what it says about war, and about gender.

Did you know The Secret before you read Monstrous Regiment? What’s it like re-reading it when you do know? How do you feel about the ending(s)? How does Pratchett’s handling of gender hold up against our modern understanding? What would you prohibit, in Nugganite fashion? And would you rather have a type of food or clothing named after you? Get on board the conversation for this episode with the hashtag #Pratchat76.

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Freya Daly Sadgrove (she/her) is a pākehā writer and performance poet from New Zealand, currently living in Sydney. Her first book of poetry, Head Girl, was published in 2020 by Te Herenga Waka University Press, and she is one of the creators of New Zealand live poetry showcase Show Ponies, which presents poets like they’re pop stars. Her first full-length live show, 2023’s Whole New Woman, blended poetry with live rock music. Freya has a website at freyadalysad.com (though it might not be available at the moment), and you can also find her as @FreyaDalySad on Twitter.

As usual you’ll find comprehensive notes and errata for this episode on our website, including lots of photos of the components we discuss.

Next episode we’re discussing two short stories about animals: “Hollywood Chickens” (found in A Blink of the Screen) and “From the Horse’s Mouth” (from A Stroke of the Pen). Our guest will be the author of The Animals in That Country, Laura Jean McKay. Get your questions in by mid-April 2024 by replying to us or using the hashtag #Pratchat77 on social media, or email us at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat64 – GNOME Terry Pratchett

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This month, Ben flies solo with guest Andy Matthews as they reach back into Pratchett’s earliest fiction to discuss Beatrix Potter, writing practice, The Matrix…oh, and Terry’s 1973 short story for the Bucks Free Press, “RIncemangle, the Gnome of Even Moor”!

The suspiciously familiar-sounding Gnome Rincemangle lives a sad, solitary life on the strange and mysterious (but also wet and cold) Even Moor. One day an owl tells him about the wonders of the nearby human village of Blackbury, so off he goes, accidentally hitching a ride on a lorry to department store. There he discovers he’s not the only Gnome in the world – but is the Store truly as much of a paradise as it seems?

Written on Thursday evenings for “Uncle Jim’s” children’s page when Pratchett himself was just 25 years old, this story forms the blueprint for the novel Truckers, published sixteen years later. How has Pratchett’s writing evolved over time? Is Andy right that “yearning” lies at the heart of his most successful work? Would this story amuse or frighten your children? Which of his other short stories should we give the full episode treatment? And is Pratchett the undisputed king of “fishing in his own stream” (sorry again, Ryn), or is this something all writers do, just less obviously? Join the conversation using the hashtag #Pratchat64.

Podcast: Play in new window | Download (Duration: 1:22:01 — 38.0MB)

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Podcast: Play in new window | Download (Duration: 1:22:01 — 38.0MB)

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Guest Andy Matthews is a comedian, podcaster and most recently an author. He writes and performs sketch comedy with Alasdair Trembly-Birchall, both live and on the podcast Two in the Think Tank, and the pair previously hosted the ABC radio comedy science quiz The Pop Test. Andy is also the Director of Stupid Old Studios, a podcast and video production studio in Melbourne, and the author of two volumes (so far) of Gustav & Henri, a “science fiction mystery time travel detective story” about friendship and snacks starring a dog and a pig, illustrated by Peader Thomas. You can find Andy on Twitter at @stupidoldandy, and his podcast at @twointank.

You’ll find notes and errata for this episode on our web site.

For our March episode, we’re going where Pratchat has never gone before: into Pratchett’s nonfiction! Author, publisher and roleplayer Peter M. Ball joins us for a collection of Pratchett’s scribblings about genre, fandom and Neil Gaiman. The specific pieces are “Kevins”, “Wyrd Ideas”, “Let There Be Dragons” and “Notes From A Successful Fantasy Author”, plus “Neil Gaiman: Amazing Master Conjuror” and Neil’s foreword to the book in which all of these were collected, 2014’s A Slip of the Keyboard. You’ll find all of those (except the foreword) in the book’s first section, “A Scribbling Intruder”. Send us your questions about them via email to chat@pratchatpodcast.com, or on social media using the hashtag #Pratchat65.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat16 – He Ain’t Heavy, He’s My Vorbis

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Episode twice-the-number-which-must-not-be-spoken (i.e. sixteen) takes us inside the Church of Om for a story of faith, religion and truth as we’re joined by the Reverend Doctor Avril Hannah-Jones to discuss Terry Pratchett’s 1992 Discworld novel, Small Gods!

Brutha is a lowly novice in the Omnian Citadel, dismissed by his superiors as a simpleton whose only notable talent is an extraordinary memory. He’s the last person expecting to hear the Voice of the Great God Om, though Brutha has his doubts: Om is supposed to manifest as a mighty golden bull or pillar of flame, not a one-eyed tortoise. Om’s not happy either: this isn’t how he planned his return from the celestial realm, and no-one but Brutha can hear him. Before god or novice can figure out what’s happening, Brutha is recruited by Deacon Vorbis – head of the feared Quisition – for a mission to nearby Ephebe: a nation of heretics, democracy and philosophers, one of whom has dared to pen a treatise describing the world as a flat disc which travels through space on the back of a turtle…

One of the few truly standalone Discworld novels, Small Gods focuses on how humans of the Disc create gods, rather than the other way round – for good and for ill. Drawing on the best and worst traditions of monotheism, Galileo’s defiance in the face of Catholic censure, and big philosophical questions, Small Gods still manages to be full of Pratchett’s trademark humour and humanism, and a long-time favourite for many fans. Do you rate it amongst the best Discworld novels? Would you recommend someone start with it? We’d love to hear from you! Use the hashtag #Pratchat16 on social media to join the conversation.

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Our guest, the Reverend Doctor Avril Hannah-Jones (she/her), is a Minister in the Uniting Church and an all-round wonderful human being. Always a geek, Avril rose to fame in 2011 via Adam Hills’ ABC comedy show In Gordon Street Tonight with the foundation of the Church of the Latter Day Geek, which for some reason got more attention than any of the work she has done advocating for LGBTIAQ+ rights or asylum seekers. Avril also appeared in the “Seven/Religion” episode of Splendid Chaps (mostly in part two, but you may also want to listen to part one), and on Doctor Who and the Episodes of Death. You can read about her adventures at her blog, Rev Doc Geek, follow her on Twitter at @DocAvvers, or head along to a Sunday service! She used to be in Williamstown, but since 2020 you’ll find her at North Balwyn Uniting Church.

You can find the show notes and errata for this episode on our web site.

It’s been a big year already for the Pratchat crew: we’ve launched our subscription service – a huge thank you to all our supporters! – and Liz and Ben will be appearing at both Speculate 2019 in mid-March, and Nullus Anxietas 7, the Australian Discworld Convention, in mid-April! Plus Ben will be performing a new show, You Chose Poorly, at the Melbourne International Comedy Festival from April 1-7.

Next month it’s back to the Ramtops as the witches return home in Lords and Ladies with writer, critic and editor Nadia Bailey! ! We’re recording that episode hot on the heels of this one’s release, so get your questions in via social media before February 16th using the hashtag #Pratchat17.

#Pratchat68 Notes and Errata

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These are the episode notes and errata for Pratchat episode 68, “Discus Ex Machina”, discussing Terry Pratchett’s third novel, 1981’s Strata, with guest EJ Mann.

Iconographic Evidence

Australian Bush Heritage’s thread of “Pedro Pascal as Australian frogs” first appeared in a Twitter thread, but we’ve embedded the Instagram version below. (Twitter is…not as stable as it once was.) Make sure you check out all of them!

Here are the first edition covers of Pratchett’s two early science fiction novels. Ben mistakenly remembered Pratchett’s cover for The Dark Side of the Sun featuring dragonflies, not bees; he may be remembering the later cover, also by original Strata artist Tim White, which depicts a robot insect which…well, it’s also not a dragonfly, but it’s more like one than Pratchett’s bees. Though the weird fungal creatures on his Strata cover do look like dragonflies – one of the many details that makes it entirely unlike the book in every way, aside from the inclusion of a lightning bolt.

Strata first edition; cover art by Tim White
Strata first edition; cover art by Tim White
The Dark Side of the Sun, first edition; cover art by Terry Pratchett
The Dark Side of the Sun, first edition; cover art by Terry Pratchett

Below is the earliest post we could find for the photo of the common snapping turtle with the “world” on its back. It’s from the source, the Twitter account for Task Force Turtle; see below in the notes for more on the turtle, and for an article where you can see it if Twitter becomes too unstable to supply this embedded tweet.

Notes and Errata

  • The episode title plays with the well-known Latin phrase “deus ex machina”, “God from the machine”. Originally used in Ancient Greek theatre as a literal stage direction, in which actors playing the roles of gods would be brought on stage via a machine, it has come to mean an unexpected plot resolution brought about by supernatural or implausible means, especially if those means have not previously been established in the narrative. We don’t think Strata is an example of this, but the Latin for “disc from the machine” seemed too perfect not to use.
  • The last in-person Australian Discworld Convention was Nullus Anxietas 7, held in Melbourne in April 2019. We recorded a live episode there: #PratchatNA7, “A Troll New World”, discussing the short story “Troll Bridge”.
  • Bush Heritage Australia is a non-profit organisation which was started as “The Australian Bush Heritage Fund” in 1991, with the purchase of forest land in Tasmania by environmentalist and former leader of the Australian Greens, Bob Brown. The charity now owns millions of hectares of bushland across Australia, which it manages in partnership with Aboriginal and Torres Strait Islander peoples. You can find out more at bushheritage.org.au, or follow them (and their very funny social media manager) as @BushHeritageAus on Twitter or Instagram.
  • You can read what Pratchett had to say about the Disc in 1981 on Colin Smythe’s website, where you’ll also find early reviews – including one by Neil Gaiman! Of the Discworld, Pratchett said:
    “I am also working on another ‘discworld’ theme, since I don’t think I’ve exhausted all the possibilities in one book!”
  • Thanks to subscriber Craig, who shared a photo of the full blurb for the first edition of Strata, which we can also confirm was first published by Colin Smythe in hardcover. (See above for the original covers of both Strata and The Dark Side of the Sun.) Here’s the longer blurb:

A flat earth? Impossible.
Kin Arad is the 210-year-old supervisor in charge of resurfacing the newly named planet, Kingdom. When she finds Jago Jalo, a man who has a cloak of invisibility and should have died a thousand years ago, in her office, she decides he must have an unusual tale. He has. He knows where such a world is. It is like the medieval earth…almost. Leiv Eiriksson is setting off for the New World, but he will never find it. Instead he sails to the edge of the world and its eternal waterfall.
It is obvious that this ‘earth’ has been built by the Great Spindle Kings, makers of universes, inventors of the strata machine and the ultimate in claustrophobes, and Jalo lures the human Kin, the kung Marco Farfarer and the fiftv-six-syllable-named shand better known as Silver, to undertake a voyage of discovery with him: the rewards must be beyond their dreams…or nightmares.
In Strata Terry Pratchett again shows the remarkably witty, imaginative and descriptive talents that have characterised his earlier works and show him to be one of the best s.f. writers of the younger generation.

Strata – blurb from the first hardcover edition (1981)
  • You can find many different covers for Strata at the Internet Speculative Fiction Database. While many seem to use stock sci-fi or fantasy art, most use Josh Kirby’s cover (though some use his art for The Dark Side of the Sun!). The German cover by Katarzyna Oleska is Ben’s favourite, and is the only one to show Kin as a Black woman; we also like the French one by Marc Simonetti, though he inexplicably depicts Kin as a cyborg with red skin, though accurately makes her bald. The mass market US paperback has a cover by Darrell K. Sweet which gets special mention for the very retro image of Kin in a silver spacesuit holding a raygun while on a Viking ship menaced by a dragon, but it makes her white (and ginger) and leaves out Marco and Silver entirely.
  • Magrathea is the fabled planet manufacturing planet which features prominently in the plot of The Hitchhiker’s Guide to the Galaxy. As well as many luxury planets built during a boom in the galactic economy, it also built the planet Earth; the fjords were designed by planetary architect Slartibartfast, who meets Arthur Dent during the final chapters of the first radio series/book/film etc.
  • Speaking of The Hitchhiker’s Guide to the Galaxy, Ben is correct: the original radio series was broadcast betweem 1978 and 1980. The first novel was published in 1979, while the original BBC television series was made in 1980, but broadcast in 1981. There have been numerous other versions, including an LP (which differs from the radio series), a videogame, a feature film, several stage plays, a comic book and, supposedly, another television series currently in production at Hulu.
  • The film Liz mentions with Olivia Wilde where remaining lifetime is a currency is indeed In Time (2011, dir. Andrew Niccol), a sci-fi action film starring Amanda Seyfried and Justin Timberlake. It’s similar to the earlier film Price of Life (1987, dir. Stephen Tolkin), and also the 1965 Harlan Ellison short story “‘Repent, Harlequin!’ Said the Ticktockman”. Ellison briefly sued Niccol (who is best known for Gattaca) and the producers of In Time, but dropped the suit after seeing the film.
  • Ringworld is a 1970 science fiction novel by American author Larry Niven. In the book, 29th century human Louis Gridley Wu is recruited on his 200th birthday by an alien “Puppeteer” named Nessus to go on an expedition. He is to investigate the Ringworld, a massive construct surrounding a Sun which has an immense Earth-like inner surface. He travels there with Nessus, a cat-like Tzin named Speaker-to-Animals, and another human, Teela Brown. Their ship is damaged on arrival and crashes; its hyperdrive still functions but it cannot get back into space to use it safely. The crew head towards the edge of the Ring, hoping to find technology to help them repair their ship, encountering strange technologies and the remnants of the Ring’s civilisations along the way. As Terry Pratchett put it on alt.fan.pratchett, “I intended Strata to be as much a (pisstake/homage/satire) on Ringworld as, say, Bill the Galactic Hero was of Starship Troopers. All Niven’s heroes are competent and all his technology works for millions of years…but he’s a nice guy and says he enjoyed the book.” There are four sequels: The Ringworld Engineers (1979), The Ringworld Throne (1996), Ringworld’s Children (2004) and Fate of Worlds (2012), which is also the last book in Niven’s Fleet of Worlds series. All of these books are set in Niven’s broader “Known Space” universe.
  • EFTPOS systems, which allow a transfer of funds direct from a purchaser’s bank account to a merchant, first appeared in America in 1981. The system was slow to be adopted by consumers, and credit cards and cheques remained much more popular alternatives to cash. Australian banks were pretty quick to adopt a national EFTPOS system, in part because they had already had to cooperate to set up Bankcard, a domestic credit card implemented in the 1970s before the major card companies came to Australia and New Zealand. Unfortunately, as is so often the case with these things, it appears one of the main reasons Australians call it EFTPOS is advertising: the major company making and selling the infrastructure equipment, and marketing it to the public during the 80s and 90s, was “eftpos Australia”. EFTPOS is also popular, and known by that term, in New Zealand and Singapore.
  • Budgie is the nickname for the budgerigar, a small species of parakeet with long tails. Like Liz, many Australians growing up in cities don’t realise they’re native birds, in part because they’re so commonly kept as pets – very unusual for native animals! In country areas they gather in huge flocks at water holes. Their popularity is largely due to their small size, colourful plumage (usually white and blue or yellow and green, but many other breeds exist), and their ability to “speak” and whistle. They’ve been exported – legally and otherwise – to many countries around the world. A common bit of Australian slang for men’s swimming costumes is “budgie smugglers”, referring to the fact that they don’t leave much to the imagination and the wearer’s genitals are often outlined, appearing around the same size as a budgie.
  • The Wayfarer series by American author Becky Chambers begins with her debut 2014 novel, The Long Way to a Small, Angry Planet, which she originally crowdfunded and self-published. It was nominated for several awards and republished by Hodder & Stoughton in 2015. The Wayfarer of the series title is a “tunnelling ship” – a spacecraft which builds wormholes between distant parts of space for other spaceships to use as shortcuts. The original novel follows the multi-species crew of the Wayfarer and their relationships during one long mission. It has so far been followed by three sequels: A Closed and Common Orbit (2016), Record of a Spaceborn Few (2018) and The Galaxy, and the Ground Within (2021), plus a short story, “A Good Heretic” (2019), though these follow different characters and stories in the same universe. The species who can communicate via coloured patches on their cheeks are the Aeluon, otherwise plain-coloured humanoids who are one of the more powerful species in the galaxy.
  • The Lying Bastard, the spaceship constructed by the Puppeteers for the mission to the Ringworld and named by Louis Wu, was sadly not shaped like a disc. In most depictions, including the ones sanctioned by Larry Niven himself, it looks more like a fighter jet.
  • Silver actually says her name is fifty-six syllables long – considerably more than Ben’s guess of twenty-three! The “unpronounceable name” trope is a common excuse to give aliens, demons and the like simple names, even when their origins suggest they should have a language and/or culture very different to human ones. Doctor Who has several examples, including the Doctor’s own name (in the modern series a secret, but hinted to be very long in some of the books) and that of fellow Time Lord Romanadvoratrelundar, more commonly known as Romana (though when they first meet, the Doctor also offers to call her “Fred”).
  • Slashie and multi-hyphenate are both terms for those who diversify into multiple disciplines, particularly in the arts. “Multi-hyphenate” is more common in the screen industry, where one might be a writer-director-producer on the same project; “slashie” is a more general arts term, for folks who (like Ben) have several different freelance careers to ensure enough work. (Ben is an actor/writer/game designer/educator, among other things.)
  • We’re still pretty sure that the whole “you might outnumber me, but how many of you will die before you get me?” thing does appear in a Discworld book somewhere, but we haven’t been able to find it. Do you know where it is? Let us know!
  • The turtle that burrows underground and comes up looking like A’Tuin (or Torterra, if you’re a Pokémon fan) is the common snapping turtle of North America, Chelydra serpentina. They migrate to muddy holes where they bury themselves to hibernate during Winter. In 2018, a photo of one such turtle was taken in Maryland by Timothy Roth, a psychology professor working with Task Force Turtle. The photo went viral on social media and is now posted to various Discworld forums at least a few times each year, though this turtle hadn’t just woken up from hibernation… You can see the image above, and read the story of how and why it was taken, and learn more about the turtles themselves, in the LiveScience article “How Butt Gas, Drugs and Amazing Memories Led to This Weird Turtle Photo”, from December 2018. As EJ mentions, its often linked to the “turtle island” stories of several North American peoples, including the Lenape and Haudenosaunee.
  • Stephen Briggs’ unabridged audiobooks of both Strata and The Dark Side of the Sun were released by Isis Audio Books as boxed sets of CDs in the early 2000s. The same recordings were re-released around 2007 on “mp3-CD” – yes, a CD-ROM with the tracks from the original CDs as mp3 files. This format was playable by some CD players produced in the 2000s (and may still be playable by some in-car CD players now), but quickly became obsolete as solid-state media (like USB drives) became cheaper, and then the audio industry shifted to download and streaming. When the Isis unabridged recordings of the Discworld novels and other books were licensed for digital distribution via Audible, Apple Books and so on, it seems Strata and The Dark Side of the Sun were not included, but then the Isis Discworld audiobooks – including the earlier ones narrated by Nigel Planer – don’t seem available digitally any more either. (We assume they were removed to avoid confusion, now the new Penguin audiobooks are out; Tony Robinson’s ones are still available, but under the series title “Discworld (abridged)” to make the distinction clear.) You can still find the physical media versions secondhand, though, if you’re keen.

More notes to come soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat68 – Discus Ex Machina

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We engage the matrix drive and set course for the Discworld that might have been, as EJ Mann joins us to discuss Terry Pratchett’s first attempt at writing a flat Earth, 1981’s Strata.

200-year-old human Kin Arad works for the Company building planets – the traditional, oblate spheroid kind. So when deep space pioneer Jago Jalo shows up wearing an invisibility cloak, and says he’s discovered a flat Earth full of advanced technology, she can’t resist. She’s joined by Marco, a four-armed paranoid Kung pilot who thinks he’s human; and Silver, a huge, gentle, bear-like and potentially ravenous Shand linguist. But the expedition soon goes wrong: betrayed by Jalo, their ship destroyed, the trio are stranded on a bizarre Disc-world full of dragons, demons and humans with strange beliefs. It’s also a duplicate of medieval Europe – but the world is breaking down. It’s a race against time as they journey to the centre of the Disc looking for a means of escape – and something is watching them all the way…

Pratchett’s third novel, the last before The Colour of Magic changed his life forever, Strata is a direct parody of Larry Niven’s 1970 sci-fi classic Ringworld. Many of Pratchett’s favourite ideas, jokes and themes appear here for the first time. You’ll find talking ravens, magic mixed with technology, characters who TALK LIKE THIS and an author taking the fantastic seriously to the point of absurdity. There are even a few bright young things who’ll later make it big on the Discworld, like the Broken Drum and Mrs Widgery’s Lodger.

Did you know this was a parody of Ringworld? Does it stands on its own, or is it doomed to live in the shadow of it’s more successful younger sibling? Could Pratchett have made it as a science fiction writer if he hadn’t switched to fantasy? And what standalone novel do you wish would inspire a series of 41 similar-but-different novels? Let us know! Use the hashtag #Pratchat68 to join the conversation. Though not on Bluesky, if you’re joining us there, because apparently they’re too good for hashtags?

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Guest EJ Mann (they/them) is spec fic fan, occasional spec fic writer (as E. H. Mann), nature nerd and long-time participant and organiser on the Australian convention scene. You can read some of their short fiction at their website, ehmannwrites.com. As mentioned at the top of the episode, EJ currently works for conservation charity Bush Heritage Australia, who work to preserve Australian wildlife by buying and caring for bushland in consultation with traditional owners. You can find out more about them at bushheritage.org.au.

As usual, you can find notes and errata for this episode on our website.

Next month we get back to the actual, honest-to-Glod Discworld with the short story “Theatre of Cruelty”, which we’ll be discussing with Irish author Caimh McDonnell! You can most easily find the story in Pratchett’s fiction anthology A Blink of the Screen. Get your questions in via social media using the hashtag #Pratchat70 (again, not on Bluesky), or send us an email at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat18 – Sundog Gazillionaire

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For episode eighteen we go back to Terry Pratchett’s science fiction beginnings as – in the evening between the two days of the 2019 Speculate festival – author Will Kostakis joins us to talk about Pratchett’s standalone 1976 novel, The Dark Side of the Sun!

Dom Sabalos is about to become Chairman of the planet Widdershins when he is messily assassinated. Well…mostly. When he survives against all odds, he discovers his death had been predicted using probability math. The same science also predicts he will discover Joker’s World, the mysterious home of the vanished ancient species thought to have laid the foundation for all intelligent life. Dom sets out to fulfil his destiny with his alien mentor Hrsh-Hgn, his new robot, Isaac, and a strange, lucky creature from his homeworld’s swamp.

Filled with references and homages to prominent science fiction authors like Larry Niven, Isaac Asimov and Frank Herbert, The Dark Side of the Sun is the first of Pratchett’s two early science fiction novels. (We’ll get to the other one, Strata, in fifty episodes’ time.) It features the first appearance of many names and concepts he would later recycle for the Discworld. It’s a short, fast-paced book with big ideas – not least Pratchett’s own take on the classic sci-fi trope of a vanished, ancient precursor species known only through mysterious artefacts. But does it work? Is this an early sign of genius, or a run-up for someone who needed more time to come into his own? We’d love to hear from you! Use the hashtag #Pratchat18 on social media to join the conversation.

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Guest Will Kostakis is a writer and award-winning author. He’s written many short stories and four novels, all for young adults, including The Sidekicks and The First Third. As mentioned in the episode, his first fantasy YA novel, Monuments, will be released in September 2019. You can find out more about Will and his work at willkostakis.com, or follow him on Twitter at @willkostakis.

You can find the full show notes and errata for this episode on our web site.

(This episode was released just before Liz and Ben appeared at Nullus Anxietas 7, the Australian Discworld Convention, on April 13 and 14 2019! The live episode they recorded at the convention is available in the podcast feed as #PratchatNA7, “A Troll New World”.)

Next month it’s back to the Discworld as we crank up the volume and rock out with Death! Yes, we’ll be reading Soul Music, so get your questions in via social media by mid-April using the hashtag #Pratchat19.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat6 – A Load of Old Tosh

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In episode six, word nerd and crypto-cruciverbalist David “DA” Astle joins us to discuss our first non-Discworld novel, Terry Pratchett’s Dodger! Published in 2012, it’s set in Victorian London and is heavily inspired by Charles Dickens and Punch magazine co-founder Henry Mayhew, author of London Labour and the London Poor – and both men appear as characters!

In the first quarter of Queen Victoria’s reign, a young woman falls from a carriage during a London storm, followed by two threatening men. Out of a nearby sewer grate springs Dodger, street orphan and accomplished “tosher” (sewer scavenger), who fights them off before Charles Dickens and Henry Mayhew happen by and take the woman to safety. Dickens enlists Dodger’s aid in investigating their mysterious charge, who is clearly on the run but refuses to speak of herself or those coming after her. Dodger will need to be sharp as a razor and to have all the luck the Lady of the Sewers can give him in this adventure – but will he be the same Dodger when it’s over?

In a spot of time travel, we leap forward to one of Pratchett’s last books. More serious than many of his other works, though still light in tone and written in a very Dickensian style – including chapters! – Dodger is quite a departure for Pratchett in many ways while still remaining essentially Pratchetty. (Pratchettesque?) What do you think of Dodger? Let us know! Use the hashtag #Pratchat6 on social media to join the conversation.

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You can find David Astle online at davidastle.com, itself a haven of word puzzles and anagrams, and he’s on Twitter as @DontAttempt (a joking translation of his cryptic crossword-maker initials, DA, which some see as proof of difficulty!). His latest work is David Astle’s Gargantuan Book of Words, which is available now through publishers Allen & Unwin, but watch out for Rewording the Brain and 101 Weird Words and Three Fakes, appearing in 2018. You can also catch him on the wireless on ABC Melbourne.

You can read the full notes and errata for this episode on our website.

We return to the Discworld for our May 8th episode, though we are going slightly out of order to read Eric, the first illustrated Discworld book! And who better to discuss it than an illustrator? So we’ll be joined by Adelaide-based artist and comic book creator, Georgina Chadderton (aka George Rex)! This one is recorded hot on the heels of our April episode, so by the time you read this we may have already asked for your questions, but even if you missed that callout you can still join in on social media with the hashtag #Pratchat7.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.