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Ben McKenzie

#Pratchat80 Notes and Errata

8 October 2024 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 80, “Always Believe in Your Golems”, discussing Terry Pratchett’s thirty-sixth Discworld novel, 2007’s Making Money, with returning guest Stephanie Convery.

Iconographic Evidence

The Count’s first appearance on Sesame Street, from the fourth season in 1972. He was created by long-time Sesame Street writer Norman Stiles, and was the longest running character performed by veteran muppet performer Jerry Nelson. Matt Vogel took over performing the Count in 2013, though he was made much less sinister fairly early on.

Notes and Errata

  • The episode title is a riff on British pop group Spandau Ballet’s hit song “Gold”. It was released in 1983, the fourth single from their third studio album, True, and is probably their most famous song, though at the time the title track from the same album was more popular. ”Gold” was heavily inspired by the film music of John Barry, including his work on many James Bond themes; the original lyrics from the chorus are: “Gold! (Gold) / Always believe in your soul / You’ve got the power to know / You’re indestructible / Always believe in…” It’s been featuring in subsequent pop culture; Ben remembers it from the 1998 comedy Four Men in a Car where a CD gets stuck, looping the line “you’re indestructible” as the car’s occupants try and fail to destroy the car CD’s player.
  • Ben covers some Pratchett news at the end of this episode, but we’re putting the notes about them up front to make them easier to find. (Notes below continue in the usual chronological order.)
    • The newly recovered story in A Stroke of the Pen is “Arnold, the Bominable Snowman”. We’ve not yet found where it’s available online, but we can confirm that digital editions of the book have been updated to include it.
    • You can find the free Quickstart for the Discworld: Adventures in Ankh-Morpork roleplaying game on the Modiphius website. It’s also available via DriveThruRPG. The Kickstarter launched on 15 October and ended on 7 November.
    • The three upcoming Discworld plays in Australia are The Fifth Elephant from Brisbane Arts Theatre from 19 October; Maskerade by Sporadic Productions in Adelaide from 30 October; and Guards! Guards! from Roleystone Theatre in Perth from 22 November.
  • William Morris (1834 – 1896) was a British artist, poet and novelist. His “terrible utopian novels” include News from Nowhere (1890), in which a member of the Socialist League falls asleep after a meeting and wakes up in a future society built on socialist and Marxist ideals. Morris is also known for his fantasy novels, which were among the first such popular novels to include supernatural elements and were hugely influential, including on J. R. R. Tolkien. These books include The Roots of the Mountains, The Wood Beyond the World, The Well at the World’s End, and The Water of the Wondrous Isles; many of these included socialist themes as well.
  • Making Money comes just three books after Going Postal. Moist doesn’t appear in any books in between, but he is mentioned briefly (though not by name) in Thud! He shows up again in the penultimate Discworld novel, Raising Steam, but doesn’t make any cameos in other books.
  • Robert E Howard’s Conan stories are set in the fictional “Hyborian Age” of Earth, estimated to be somewhere between 10,000 and 25,000 years ago. It’s meant to represent prehistoric Europe and Northern Africa, and thus Cimmeria is the ancient home of Celtic peoples, but it’s based on ahistorical stereotypes and is functionally a collection of fantasy analogues for modern nations. The real Cimmeria was an ancient “micro continent” that was originally part of Gondwana, the southern supercontinent. It became detached around 250 million years ago and moved north as part of continental drift, eventually colliding with and becoming part of Eurasia around 150 million years ago. It now forms part of the Middle East and western and south-eastern Asia.
  • “WORDS IN THE HEART CANNOT BE TAKEN” is from a heartbreaking scene towards the end of Feet of Clay, and the words are from Dorfl.
  • Squashing bread does not make it sweeter, but chewing on it does. The missing ingredient is saliva, which begins the process of breaking down the complex carbohydrates in the bread into sugars.
  • The compulsive need to count is known as “arithmomania”, and is a feature of European vampire lore. It was usually other kinds of grains, rather than rice, though this may also be the reason for throwing salt over your shoulder to ward off the Devil – he would be compelled to stop and count every grain.
  • The jiāngshī (殭屍) or Chinese hopping vampire is a form of undead from Chinese folklore, similar in some ways to both vampires and zombies. There are many varied accounts of their powers, limitations and vulnerabilities, but they don’t seem to have to count grains of rice – instead, one method for stopping them is through a ball of sticky rice at them which will draw out the evil in their soul. They have inspired an entire genre of films, most famously the Mr Vampire comedy horror movies made in Hong Kong in the 1980s and 1990s. These popularised the hopping version of jiāngshī, gave them a standard look (traditional mandarin robes from the Qing dynasty), and established some common ways to deal with them (e.g. placing a spell written on a piece of paper on their forehead) in much the same way as early vampire films solidified European vampire lore.
  • Bram Stoker (1847-1912) drew on various bits of vampire folklore when creating Dracula, but he also incorporated real life science, beliefs about disease, recent events, and other unrelated supernatural stories. The most prominent vampire-adjacent belief at the time was that contagious diseases were caused by corpses which still contained blood in the heart. This led especially poor folk in rural areas to dig up corpses and destroy them to try and halt the spread of illness, a practice which seems to have directly inspired parts of the novel. Stoker wrote fifteen novels, the second most famous being his last, The Lair of the White Worm (1911), another horror story incorporating various elements from folklore.
  • More notes coming soon.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: A Stroke of the Pen, Adorabelle Dearheart, Ben McKenzie, Elizabeth Flux, Making Money, Moist von Lipwig, Short Fiction, Stephanie Convery, Vetinari

#Pratchat80 – Always Believe in Your Golems

8 October 2024 by Pratchat Imps 2 Comments

Inequality reporter Stephanie Convery returns on a trip with Liz and Ben into the world of banking, high finance and monetary theory in Terry Pratchett’s thirty-sixth Discworld novel, 2007’s Making Money.

The Ankh-Morpork Post Office is running very smoothly – which has left Moist von Lipwig, reformed con-man and Postmaster General, at a loose end. But he resists the Patrician’s offer of a new job revitalising the Royal Mint and Royal Bank of Ankh-Morpork. The bank’s current owner is a Mark 1 Feisty Old Lady who knows her rich family are out to get her – and her little dog, too. But despite Moist’s best attempts to not get involved, both dog and bank wind up in his care – putting him in the sights of the Lavish family, and especially Vetinari-obsessed Cosmo Lavish. Meanwhile, manager of the Golem Trust (and Moist’s fiancée) Adora Belle Dearheart is digging up something ancient out on the desert. And Moist’s past is about to catch up with him…

Just a few novels after debuting in Going Postal, Moist von Lipwig is back! Making Money is about the nature of money, but also about the thrill of the chase, grappling with one’s inner nature, and obsession. Aside from Gladys the Golem, Moist and Adora Belle bring few of their previous supporting cast along for the ride; instead we meet a new cast including Mr Bent, the Lavishes, another Igor, the Post-Mortem Communications Department of Unseen University, and the very good boy Mr Fusspot.

Does this live up to the promise of Going Postal? Could Moist be in other Discworld books in disguise – and if so, as who? Did you guess Mr Bent’s secret? And if you had a Glooper, what would you use it to change in the world of money? No purchase necessary to join the conversation for this episode; just email us or use the hashtag #Pratchat80 on social media.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_80.mp3

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Stephanie Convery (she/her) is is a writer and author. Previously the Deputy Culture Editor for The Guardian Australia, she’s now their dedicated inequality reporter. Stephanie’s first book, After the Count: The Death of Davey Browne, was published in March 2020 by Penguin Books. (We suspect it won’t be her last.) You can follow Stephanie on Twitter at @gingerandhoney, and find her work at Guardian Australia. Her previous appearances on Pratchat were for #Pratchat2, “Murdering a Curry” (about Mort), and #Pratchat42, “Truth, the Printing Press, and Every -ing” (about The Truth).

You’ll find full notes and errata for this episode on our website.

Next episode we’re continuing our Moist streak (sorry) with the (so far) latest Discworld board game: Clacks! If you have questions about this game recreating the race between Moist and the Grand Trunk company, get them in to us by mid-October 2024 by tagging us or using the hashtag #Pratchat81 on social media, or emailing us at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Adorabelle Dearheart, Ankh-Morpork, Ben McKenzie, Discworld, Elizabeth Flux, Gladys, Igor, Moist von Lipwig, Patrician, Sam Vimes

#Pratchat81 – Only Fowls and Horses

8 November 2024 by Pratchat Imps Leave a Comment

Author and poet* Dr Laura Jean McKay joins Liz and Ben for two of Terry Pratchett’s short stories about intelligent animals: “Hollywood Chickens” (1990) and “From the Horse’s Mouth” (1972).

In 1973 Hollywood, a truck full of chickens overturned on a busy highway, depositing a population of chickens on the verge. A decade and a half later, scientists try to piece together the story of how they developed and evolved in pursuit of a very specific goal…

In the town of Blackbury, rag and bone man Ron is amazed to discover that his carthorse, Johnno, can talk. Will their relationship be forever changed by the adventure they share together?

These stories don’t share too much in common beyond being about animals, but they are a nice sample of Pratchett’s writing from two interesting points in his career: towards the end of his early phase of children’s stories for newspapers, not long after his first novel was published; and at the height of his early fame – the year, in fact, that he published five novels. You can find “Hollywood Chickens” most readily in A Blink of the Screen, and “From the Horse’s Mouth” in A Stroke of the Pen.

Do you have a favourite Pratchett short story? What do you think of the way he writes animals? Should we have inserted an ad for Maggi noodles into this episode? What are your best horse pun names, and how would you get to the other side? We’d love to hear from you whether you’re a horse, chicken, human or have mutant powers: join the conversation for this episode via email, or by using the hashtag #Pratchat81 on social media.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_81.mp3

Podcast: Play in new window | Download (Duration: 1:56:38 — 53.9MB)

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Dr Laura Jean McKay (she/her) is an author, poet* and an Adjunct Lecturer in Creative Writing at Massey University. Her novel The Animals in That Country – “like Thelma and Louise with a woman and a dingo” – has won multiple awards, including the Arthur C Clarke Award. Her latest book is the short fiction collection Gunflower, published in 2023. You can find Laura as @laurajeanmckay on Twitter and Instagram, and find out more about her books on her website, laurajeanmckay.com.au.

* Even if she doesn’t know it.

You’ll find full notes and errata for this episode on our website, and you can hopefully still get tickets for Guards! Guards! at the Roleystone Theatre in Perth, which opens on 22 November 2024.

Next episode we’re back on track to crack the Clacks in the most recent Discworld board game: Clacks! If you have questions about this game recreating the race between Moist and the Grand Trunk company, get them in to us ASAP by tagging us or using the hashtag #Pratchat82 on social media, or emailing us at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: A Blink of the Screen, A Stroke of the Pen, animals, Ben McKenzie, Dr Laura Jean McKay, Elizabeth Flux, non-Discworld, Short Fiction

#Pratchat79 Notes and Errata

8 August 2024 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 79, “Unalive from Überwald”, discussing Terry Pratchett’s 2002 short story “Death and What Comes Next”, with returning guest Tansy Rayner Roberts and new guest Karen J Carlisle.

Iconographic Evidence

If you also took photos of us at the convention, please get in touch – we’d love to see them and add a few here!

You can also find photos of the convention at the official website.

A photo of Ben and Liz, in costume as Rincewind and Moist von Lipwig, attempting to recreate the pose from the Pratchat logo.
Ben and Liz attempted to recreate the pose from the Pratchat logo, with costume and iconographic assistance from Danny Sag.
A photo of a small piece of white paper on a green surface. Handwriting in black pen reads:
“dead and not dead”
Schrödinger’s cat
What if the cat is Greebo?
Next to the writing is drawn a small cartoon cat with prominent whiskers and an eye patch.
The audience question with the very cute illustration of Greebo!

Notes and Errata

  • The episode title refers to the theme for Nullus Anxietas IX, “Come Alive in Überwald”, but since we were talking mostly about Death, “Live from Überwald” didn’t seem quite right.
  • Nullus Anxietas IX is, as you probably know, the ninth bi-annual Australian Discworld convention. As mentioned at the end of the episode, the next convention will be in Sydney in 2026, and you can already get a supporting membership for the next convention. For details, plus information on past conventions and Discworld fan clubs across Australia, head to ausdwcon.org.
  • Our previous live shows are:
    • #PratchatNA7, “A Troll New World” from Nullus Anxietas 7
    • “Book Discussion: The Carpet People” from the Virtual Discworld Fun Day (on YouTube)
    • #PratchatNALC, “Twice as Alive” from Nullus Anxietas: The Lost Con
  • Liz mentions two of her short stories:
    • The story about women turning into cleaning equipment is “Call Him Al”. You can read it in Meanjin, where it was published in 2020.
    • The story about an immigrant splitting into two people is “One’s Company”, originally published in the anthology Best Australian Stories 2017. It was published online at InterSastra in an Indonesian translation (“Cukup Sendiri”) by Nicolaus Gogor Seta Dewa; the original English version is also available there.
  • “Pantsers and Plotters” are widespread terms for “the two types” of writers, embraced to varying degrees by writing communities and individuals. The classification is based on whether a writer works out a plot in advance (a plotter), or writes by the seat of their pants (a pantser), making it up as they go along. It’s not entirely clear where these terms originated, but these days some writers refer to themselves as “plantsers” (a combination of the two), and other terms exist for roughly the same ideas. For example, in 2011 George R. R. Martin used the terms architect (similar to a plotter) and gardener (a variation on pantser in which the emphasis is on the weeding, i.e. editing).
  • Tansy’s stories that get mentioned include:
    • Musketeer Space, the gender-swapped Three Musketeers in space;
    • Teacup Magic, the Regency-inspired fantasy mystery series (we’ve linked to the collection);
    • We don’t think Tansy has written “Beauty and the Beast with cyborgs”, but she has written Curse of Bronze, a novella which riffs on Beauty and the Beast. It’s available for free as an ebook via BookFunnel (you’ll need to sign up to Tansy’s mailing list), or in audio form on her podcast Sheep Might Fly.
  • More notes coming soon.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Ben McKenzie, Death, Discworld, Discworld Convention, Elizabeth Flux, Karen J Carlisle, live episode, non-Discworld, Short Fiction, Tansy Rayner Roberts

#Pratchat79 – Unalive from Überwald

8 August 2024 by Pratchat Imps 2 Comments

Recorded live at the Australian Discworld Convention in Tarntanyangga (Adelaide), Karen J Carlisle and Tansy Rayner Roberts join us on stage to discuss short fiction, Death and the (sort of) last of Terry Pratchett’s Discworld short stories, 2004’s “Death and What Comes Next”.

Somewhere in time and space, a philosopher lies on his deathbed…and Death has come to collect. Only the philosopher isn’t convinced he’s real, or that any of this is even happening. Will “quantum” and cats in boxes be enough of an argument to dissuade Death from his job?

Created for the now defunct Time Hunt puzzle website, “Death and What Comes Next” was written somewhere between 2002 and 2004. At under 1,000 words it’s one of Pratchett’s shorter pieces of fiction, and contains several jokes he’d go on to re-use elsewhere, as well as a word puzzle which provided a code word for Time Hunt site. You can read the story for free at the L-Space Web, which also hosts fan translations in many languages.

Despite its placement in A Blink of the Screen, is this truly a Discworld story? Have you tried to solve the puzzle? How would you challenge Death to delay the time of your passing – and have you thought about what an encounter with the Discworld Death might be like for you? And is Death at his funniest here, or do you have other favourite Death moments? Join the conversation by using the hashtag #Pratchat79 on social media.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_79.mp3

Podcast: Play in new window | Download (Duration: 1:28:10 — 40.9MB)

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Guest Tansy Rayner Roberts (she/her) is a Tasmanian author of sci-fi, fantasy, cosy crime and much, much more. Her essay series Pratchett’s Women was collected into a book, and her follow up series on Pratchett’s men, “Men Who Respect Witches”, can be found at the online magazine Speculative Insight. Her latest novel is a time travel comedy called Time of the Cat, and you can find Tansy online at tansyrr.com and as @tansyrr on social media. Tansy was also a guest on our previous live episode, “A Troll New World”, recorded at Nullus Anxietas 7 in 2019.

Guest Karen J Carlisle (she/her) is a writer and illustrator based in Adelaide whose work spans Victorian mystery, steampunk, fantasy and yes, even (mostly) cosy murders. She has some new writing in the works, but her recent “Jack the Ripper thing” is Blood Ties, which you can find via her website, karenjcarlisle.com. You can also find her on Instagram, Twitter and various other social platforms as @karenjcarlisle.

As usual, you can find notes and errata for this episode on our website.

Next month it’s back to the books as we rejoin Moist von Lipwig for Making Money! Send us your questions about the book ASAP using the hashtag #Pratchat80.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ben McKenzie, Death, Death and What Comes Next, Discworld, Elizabeth Flux, Karen J Carlisle, live episode, non-Discworld, Short Fiction, Tansy Rayner Roberts

#Pratchat44 Notes and Errata

8 June 2021 by Ben Leave a Comment

These are the episode notes and errata for episode 44, “Cosmic Turtle Soup“, featuring guest Joel Martin, discussing the 2nd Discworld novel, 1986’s The Light Fantastic.

Iconographic Evidence

You can listen to the State Swim jingle right here:

The ridiculous fight between Xander and cheerleader-turned-vampire Harmony, occurs in Buffy: the Vampire Slayer‘s fourth season, in the seventh episode “The Initiative”. But you can see it on YouTube:

Notes and Errata

  • The episode title is references Joel’s comments that this book is the “primordial soup” of the Discworld books yet to come, the analogy of the “cosmic ocean” put forward by Carl Sagan in his book and television series Cosmos, and of course Great A’Tuin the World Turtle himself.
  • The term “hat-trick” does indeed originate with cricket, where it means taking three wickets (i.e. getting the batter out) on three consecutive deliveries (i.e. a single bowl of the ball). It has since spread to other sports and to mean more generally three successful attempts in a row. (In football, it specifically refers to a player scoring three goals in one game.) The term dates back to 1858, when English cricketer Heathfield Harman Stephenson performed the first recorded hat-trick; fans collected up money for him and used it to buy a hat, which they presented to him to commemorate the achievement. While this story seems well-documented, if Helen Zaltzman (see below) has taught Ben anything, it’s to be suspicious of neat etymological explanations…
  • The custom of throwing hats in the air to celebrate a victory or achievement is said by multiple sources to be a military tradition: cadets graduating to officer status would be given new hats, or at least no longer need to wear their old cadet ones, and they would symbolically throw them away. At least one story says this started specifically at the US Naval Academy with the class of 1912.
  • Helen Zaltzman is a comedian, writer and podcaster best known for the long-running comedy podcast Answer Me This? with fellow comedian Olly Mann, and her more recent show, The Allusionist, which explores language in as many different ways as possible. The Allusionist started out as part of the Radiotopia Network, but went fully independent in 2020 as part of Helen putting her money where her mouth was in backing diversity and inclusion in podcasting. If you enjoy the show, please consider supporting The Allusionist via Patreon. Oh, and we nearly forgot: Helen also makes a Veronica Mars recap podcast called Veronica Mars Investigations! Helen is the best.
  • “Commitment to the bit“, or “commit to the bit“, is a common phrase in comedy circles. It means to stick with a joke or comic premise all the way to the end, rather than shy away from it because it it doesn’t immediately work, or is impractical or uncomfortable. It’s obviously not always a good tactic, as seen recently during Eurovision 2021. Iceland employed actor Hannes Óli Ágústsson to relay their jury’s points in character as Olaf Yohansson from the comedy film Eurovision Song Contest: The Story of Fire Saga. Olaf’s whole shtick is that he only likes one song, “Ja Ja Ding Dong”, which he awkwardly and angrily demands at every opportunity. At the contest, he tried to give Iceland’s 12 points to the song – twice. Few things are as hated at Eurovision as a country’s jury announcer talking too long before delivering the points, so this over-commitment to the bit did not go down well.
  • The Colour of Magic was first published on the 24th of November, 1983 (one day after the 20th anniversary of Doctor Who!), and so its 35th anniversary was two weeks before #Pratchat14, published on December 8, 2018. It originally had cover art of Great A’Tuin swimming through space painted by Alan Smith; the Josh Kirby art first appeared on the first UK paperback edition, published in March 1985. The Light Fantastic was first published on the 2nd of June, 1986, so we’re a bit closer to the anniversary this time around!
  • Liz’s “double book” is the combined edition of The Colour of Magic and The Light Fantastic published in 2008, to tie in with The Mob’s two-part television adaptation The Colour of Magic, which also combined both books. They had previously been collected as a single volume in 1999 as The First Discworld Novels.
  • Liz’s annoyance with the “cosmic turtle business” at the start of many of the earlier Discworld books is well documented in many previous episodes.
  • In The Colour of Magic, Krull’s spaceship the Potent Voyager is only vaguely described as being made of bronze and looking “like a great flying fish”. The graphic novel depicts it as fish shaped, but without the wing-fins of a flying fish.
  • The Rocket Clock is one of the clocks used by the Australian version of Playschool to help tell the time in the 1980s. (The other famous one is the Flower Clock.) As you might expect, it resembles a space rocket, with a clock on the top section, and a bottom section which rotates to reveal a small diorama connected to a theme explored in that episode. The original version of the clock, used from 1966 to at least the 1980s, is now in the collection of the National Museum of Australia.
  • Mr Squiggle was a long-running Australian children’s program starring puppet character Mr Squiggle, “the Man in the Moon”. It ran for forty years between 1959 and 1999. Mr Squiggle, who would arrive in “Rocket“, his smoke-belching impatient rocket ship, had a pencil for a nose. He would use it to turn “squiggles” – scribbles sent in by children – into pictures. Because he was a marionette, puppeteer Norman Heatherington was watching upside down from above, so a lot of his drawings were upside down. This led to him having to tell his assistant, who was holding the puppet’s hand to keep him still, that “Everything’s upside down, Miss Jane”. He would later inspire the title of #Pratchat55: “Mr Doodle, the Man on the Moon“.
  • In the tabletop roleplaying game Dungeons & Dragons, players create characters whose power is measured in “levels”. As they accumulate experience, they gain levels of power and new abilities. In the current edition all characters can reach up to level 20, with wizards learning more and more powerful spells as they level up. Ben has mentioned Dungeons & Dragons many times, as far back as #Pratchat4; his article “What Even Is Dungeons & Dragons?” is a good primer for the novice, though note it’s a little sweary.
  • The Necrotelicomnicon is mentioned in several books, including The Colour of Magic, Sourcery and Moving Pictures. It’s a pun on the Necronomicon, a fictional book of evil magic written by the “Mad Arab Abdul Alhazred” that appears in the stories of H. P. Lovecraft.
  • “Vancian magic” is the sort used in older editions of Dungeons & Dragons, in which a wizard must study their spell book and memorise a spell, fixing it in their mind, before they can cast it. Once cast, the spell leaves their mind entirely, and they must memorise it anew to cast it again. The name comes from the source that inspired this form of spellcasting, the “Dying Earth” books by American writer Jack Vance.
  • The comic with several different Joker origin stories is probably 2020’s Three Jokers, by Geoff Johns and Jason Fabok, which reveals that three of the stories are correct – there have been more than one Joker all along. But he’s had many other origin stories; this article from Screen Rant runs through many of them.
  • In case the pun is lost on you, timber is wood that’s been prepared for building, usually by being sawn into planks. Timbre is the quality of tone of a sound, especially a voice or musical instrument. You can think of it as all the things that distinguish two sounds of the same frequency from each other.
  • The Tooth Fairy – well, one of them at least – plays a major part in Hogfather (#Pratchat24). Buggy Swires is a gnome exterminator living in Ankh-Morpork; he returns in several books, starting with Feet of Clay (#Pratchat24). The pictsies known as the Nac Mac Feegle first appear in Carpe Jugulum (#Pratchat36).
  • Toadstool houses are the traditional homes of Smurfs, small blue creatures invented in 1959 by Belgian cartoonist Peyo. We previously talked about them in #Pratchat9, “Upscalator to Heaven”, about Pratchett’s second tiny people book, Truckers; and in #Pratchat36, “Home Alone, But Vampires”, about the book that introduced the Nac Mac Feegle, Carpe Jugulum. (There’s more detail about the Smurfs in the show notes for #Pratchat36.)
  • Lonely Planet is a prominent publisher of travel guides for tourists on a budget. In the pre-smartphone days every backpacker bought a Lonely Planet guide to the country where they were headed, but in recent years – especially since the global pandemic – their business has waned. The company was started in Australia by Maureen and Tony Wheeler in 1972, but was later sold to the BBC and is now owned by Red Media, the company behind CNET, Metacritic and GameSpot, among other prominent online media outlets.
  • Pratchett writes about tiny people many times, including in his first novel The Carpet People, the Bromeliad trilogy (Truckers, Diggers and Wings), and the various tiny denizens of the Discworld, most prominently gnomes and pictsies.
  • While houses made of food or confectionary date back further, the gingerbread cottage appears in the fairytale of “Hansel and Gretel”, collected and published by the Brothers Grimm in 1812. “Hansel and Gretel” is the archetypal story of Aarne–Thompson–Uther type 327A. Pratchett returns to the idea in the witches books, especially Wyrd Sisters (#Pratchat4). The witches refer to Aliss Demurrage, aka “Black Aliss”, as a witch who worked some of the greatest magic, but also as a cautionary tale: she built a gingerbread cottage, a sure sign she’d gone to the bad, and by the end was making poisoned apples before she was pushed into her own oven by children she was trying to eat. (Her cottage is also said to be in Skund, leading some Pratchett fans to suggest that Granny Whitlow was an alias she used to lure children.)
  • The Rite of AshkEnte is performed here, and also in Mort (when it summons Mort as well as Death), Reaper Man, and Soul Music (where it summons Susan). Death tends to show up without needing to be asked in later books.
  • We have a play with the famous “you have my sword” sequence from the film Lord of the Rings: The Fellowship of the Ring, which doesn’t appear in the book. (Frodo does say “I will take the Ring to Mordor!” and then “Though I do not know the way” in the book, but Elrond decides who will accompany him after the council is over.) Here’s the dialogue from the movie:

Frodo: I will take it. I will take it. I will take the Ring to Mordor. Though… I do not know the way.
Gandalf: I will help you bear this burden, Frodo Baggins, as long as it is yours to bear.
Aragorn: If by my life or death I can protect you, I will. You have my sword.
Legolas: And you have my bow.
Gimli: And my axe!

The Lord of the Rings: Fellowship of the Ring (2001, dir. Peter Jackson)
  • You can find Fury’s drawing of the Luggage as Trunkie from The Last Continent in the notes for #Pratchat29, “Great Rimward Land”.
  • The Last Continent was published twelve years after The Light Fantastic, in 1998, so Liz was pretty close with her guess of ten years.
  • Liz suggests the Luggage might have “a chamber full of pigs?” in reference to the “having your enemies’ corpses eaten by pigs” method of getting away with murder. This features prominently in the television series Deadwood, and also Guy Richie’s film Snatch. You can find a list of uses as the “Fed to Pigs” trope on TV Tropes. Ben also mentions a bath full of (Hollywood style) acid, most famously used by Walter White in Breaking Bad.
  • Pratchett uses the Megalith pun in Lords and Ladies: “It was always cheaper to build a new 33-MegaLith circle than upgrade an old slow one.” This is a pun on MegaHertz (MHz), the unit used to measure the clock speed or clock rate of computer processors – in simple terms, how many instructions they execute per second. In the 1980s, home computers used chips like Intel’s 386, which had speeds of between 16 and 40 MHz. While it was used heavily in marketing, clock speed was not a sure measure of computer performance.
  • Pratchett moved to Broad Chalke in Wiltshire in 1993, seven years after The Light Fantastic was published. Before that he lived in the village of Rowberrow, Somerset, about 67 kilometres (or about 42 miles) to the northwest. He was never very far from many sites of ancient interest, but Broad Chalke was only a stone’s throw (sorry) from Stonehenge.
  • There are several stone circles better than Stonehenge, depending on who you ask and how you define “better”, but the one at Avebury is about 30km to the north and much, much bigger. Longtime British YouTuber Tom Scott made this video about it.
  • The Small Faint Group of Boring Stars is mentioned again in The Last Continent; the wizards travel quite far back in time, to an age when the stars were much closer and less faint (though possibly just as boring).  
  • The Free and Sovereign State of Yucatán is one of the 52 states of Mexico. There are several theories behind its name, and there are two versions of the “Your Finger You Fool” type: one involves the Mayan phrase Ma’anaatik ka t’ann, or “I do not understand you”, and the other uh yu ka t’ann, or “hear how they talk”. Another involves the casava plant, known locally as yuca (see #Pratchat41, “The Adventures of Crab Boy and Trouser Girl” for more on this plant) which was cultivated in the area, the name Yucatá meaning “land of yucas”. A third one suggests the name comes from the local Chontal Maya people, who call themselves the Yokot’anob or Yokot’an, meaning “the speakers of Yoko ochoco”.
  • Cohen is not in fact mentioned in The Colour of Magic; this is the first time we meet him.
  • The famous “What is best in life?” dialogue was made famous by Arnold Schwarzenegger in the 1982 film Conan the Barbarian, based on the Conan stories of Robert E Howard. The lines in full are below; they don’t appear in Robert E Howard’s stories, but are instead inspired by words attributed to Genghis Khan himself…

Mongol General: Hao! Dai ye! We won again! This is good but what is best in life?
Mongol Soldier: The open steppe, fleet horse, falcons at your wrist and the wind in your hair.
Mongol General: Wrong! Conan, what is best in life?
Conan: To crush your enemies, see them driven before you and to hear the lamentation of their women.

Conan the Barbarian (1982, dir. John Milius)
  • The people around the breakfast table in The Truth are Mr Windling and the other lodgers at Mars Arcanum’s guest house, where William de Worde lives. He doesn’t tell them he’s the editor of The Ankh-Morpork Times. (We covered The Truth in #Pratchat42, “Truth, the Printing Press and Every -ing”.
  • The cover art we’re talking about is the Josh Kirby art for the Corgi edition, still used for the Corgi edition (though the one currently in print uses a zoomed in subset of the image). You can find it on the official Josh Kirby website.
  • The “uncanny valley” describes the discomfort felt at seeing an artificial creature that is very like, but not mistakable for, the real thing. It can apply to anything living but is strongest – and most often used – to refer to the effect produced by androids and computer-generated representations of faces. There are many theories that try and account for why these things creep it out.
  • In Stanley Kubrick’s 1980 film version of The Shining, based on Stephen King’s 1977 novel, a pair of creepy twins appear as ghosts. The “Grady twins” are not twins in the book, but sisters aged 8 and 10, and are only mentioned, rather than appearing as ghosts. In the film, they appear to the young psychic Danny Torrance, dressed identically and speaking to him in unison saying “Come and play with us” – now a famous classic line of horror cinema. Though Kubrick denied it was intentional, many have pointed out that the look of the twins in the film resembles the photograph Identical Twins, Roselle, New Jersey, 1967 by American photographer Diane Arbus.
  • Mort was published in November 1987, so about seventeen months after The Light Fantastic. Liz’s guess of seven months is spot on for the third Discworld book, though – Equal Rites was published in January 1987!
  • It was announced on the 28th of April, 2020 that Narrativia had made an exclusive new deal with Motive Pictures and Endeavour Content to produce “definitive” and “absolutely faithful” Discworld adaptations for the screen. So far no actual productions have been announced, but the Narrativia website now has sections for all of the major Discworld screen projects of the last decade or so. The page about the new Discworld deal still lists only the initial agreement.
  • The extra space in Death’s House is described near the start of Soul Music, when Death watches Albert flit from the edge of his impossibly large office to the edge of the carpet around his desk:

Death gave up wondering how Albert covered the intervening space when it dawned on him that, to his servant, there was no intervening space…

Pratchett, Soul Music (1994)
  • By season three of The Good Place, the humans who are at the centre of the show have been exposed to a lot of the weirdness that exists beyond the mortal, material world. Near the end of the season, an accident in the “Interdimensional Hole of Pancakes” sends Chidi briefly to another realm, and when he returns he describes it like this:

Chidi Anagonye: I… I just saw a trillion different realities folding onto each other like thin sheets of metal forming… a single blade.

Michael: Yeah yeah, the Time-Knife. We’ve all seen it.

The Good Place, season 3 episode 12, “Chidi Sees the Time-Knife” (2019)
  • The Untempered Schism is “a gap in the fabric of reality from which can be seen the whole of the Vortex” of space and time. It’s introduced at the end of the third season of the revived Doctor Who in the penultimate episode, “The Sound of Drums”. The Doctor explains that it’s an initiation rite for young Gallifreyans, who at the age of eight must stare into it; according to him, “some would be inspired, some would run away, and some would go mad.” He says he ran away; the Master instead went mad, constantly hearing “the drumming”, though this is later revealed to be more than it seems.
  • The Doctor Who universe influencer jokes refer to the city of New New York, as introduced in the episode “New Earth”; the “EarPods” used by alternate universe Cybermen to control and convert humans, as seen in the two-part season two story “Rise of the Cyberman”/”The Age of Steel”; and the Adipose, a species of creatures whose cute babies could be incubated in a human body by accumulating fat tissue, under the guise of a diet pill, as seen in the season four opening episode “Partners in Crime”. The idea of influencers in the Whoniverse isn’t a million miles away from the later BBC fiction podcast Doctor Who: Redacted, published in April 2022, which features a gang of podcasters who follow a conspiracy theory about a blue box associated with mysteries throughout human history.
  • Icelandic names are subject to some fairly strict conventions, overseen by the Icelandic Naming Committee. There’s a list of around 4,000 traditional Icelandic names which can be used freely, but new names must be approved by the committee. In addition, by convention Icelandic people take either their father’s or mother’s name as a surname, appended with -son, –dottir or (since 2019) –bur for son, daughter or child, respectively. Episode 87 of The Allusionist podcast, “Name v. Law”, covers some of this in detail, though note it was released in 2018, before the change allowing non-gendered suffixes. The Allusionist returned to Icelandic names in December 2021 for episode 147, the second of the two-part story, “Survival: Today, Tomorrow” about trying to change the Icelandic language.
  • “That bit in The Hobbit” is Chapter II, “Roast Mutton”, when Bilbo is scouting ahead of the company of dwarves and comes upon three trolls named William, Bert and Tom. Bilbo is caught picking a troll’s pocket (Tolkien trolls wear trousers!), and he and the dwarves are caught. Gandalf manages to keep all three trolls arguing with each other, distracting them until the sun comes up and turns them to stone.
  • 5G, short for fifth-generation, is the name given to the newest mobile communications network technology being rolled out around the world. 5G is capable of far greater data transfer speeds than its predecessor 4G, at least at short range. It has been the subject of many conspiracy theories that claim it causes health problems in humans, despite a lack of any evidence that this is true. These theories mutated during 2020 to suggest that 5G caused or spread COVID-19, and they were believed enough that 5G towers in several countries were vandalised.
  • Lackjaw does indeed describe himself as “of the dwarfish persuasion“.
  • The magic shop trope can be traced back as far as H. G. Wells’ stories The Crystal Egg (1897) and The Magic Shop (1903). TV Tropes lists it as “The Little Shop That Wasn’t There Yesterday” and has many other examples. Pratchett revisits it in a more traditional way in Soul Music (discussed by us in #Pratchat19, “It Don’t Mean a Thing if It Ain’t Got Rocks In”), where Buddy buys his guitar. It’s not the same shop, though – the proprietor is an old woman who seems quite happy with her lot, and she seems to sell only musical instruments.
  • We keep mentioning Howl’s Moving Castle, so it’s probably a good idea for us to do that Diana Wynne Jones episode we keep talking about. Previous episodes where this book have been mentioned include #Pratchat17, #Pratchat26, #Pratchat30 and #Pratchat43. In a nutshell: Howl is a wizard who lives as a recluse in a castle that not only can move from place to place, but has a magical front door that can open in one of several fixed locations.
  • Cane toads, Rhinella marina, are native to the Americas and were introduced to Australia from Hawaii in 1935 for purposes of pest control on sugar cane farms. We previously talked about them in #Pratchat22, “The Cat in the Prat“, where we recommended in the episode notes the documentaries Cane Toads: An Unnatural History (1988) and its sequel, Cane Toads: The Conquest (2010). You can indeed still get various souvenirs made from dead toads; you can see examples at the website Souvenirs Australia (though it’s not a pretty sight).
  • The “critical Black Mass” pun is not about wizards or gods, but rather books of magic. It comes up in a description of the library as Trymon heads there to bribe the Librarian while the wizards are still speaking to Death.
  • Bethan is not mentioned in Interesting Times. Rincewind does mention in Sourcery that he was a guest at Cohen’s wedding to “a girl of about Conina’s age”, but Bethan isn’t mentioned by name and Rincewind gives no indication that he knows how the marriage went.
  • We looked up Echidna penises for #Pratchat12, “Brooms, Boats and Pumpkinmobiles“.
  • Rincewind will return in The Last Hero, The Science of Discworld II: The Globe, The Science of Discworld III: Darwin’s Watch and The Science of Discworld IV: Judgment Day. He’s also a minor character in Unseen Academicals, and mentioned briefly in Raising Steam.
  • Michael Moorcock’s “Wizardry and Wild Romance: A Study of Epic Fantasy” is less an essay, and more of a book, first published in 1987. An expanded edition, now 206 pages long, was released in 2004.
  • Blades in the Dark is a tabletop roleplaying game written and designed by John Harper and published in 2015. It’s set in an “industrial-fantasy” world, and players form a company of criminals who try to stake a claim for themselves in the inescapable city of Duskvol, surrounded by horror and haunted by deadly ghosts. Among its distinctive features are a system of retroactively planning heists and packing gear, which gets you into the action quicker. If industrial-fantasy isn’t your thing the system has also been used to make several other games in other genres.
  • Campaign settings are the various fantasy worlds used for Dungeons & Dragons and other games which aren’t tied too much to a specific universe. D&D has a large number of these covering various sub-genres of fantasy, from the post-apocalyptic sword and sorcery of Dark Sun to the gothic horror of Ravenloft. There are too many to list them all, since aside from the dozens of official ones there are many more published independently. (Ben’s favourite is probably Planescape, which both ties together all the others in a weird multiverse, and introduces an interdimensional hub city on the inside of a ring in the theoretical centre of everything.)
  • Mage: The Ascension, first published in 1993, was the third game in the World of Darkness series of modern horror roleplaying games, following Vampire: the Masquerade and Werewolf: the Apocalypse. Mage is also effectively a sequel to the earlier game about medieval wizards, Ars Magicka, but in the modern world the rise of science and rational thought means magic doesn’t work like it used to.
  • Cavaliers of Mars by Rose Bailey is the latest in a fine tradition of games that seek to emulate the “planetary romance” genre of fiction. These were science fiction or fantasy stories from around the turn of the twentieth century in which the fantastic adventures take place on other worlds – either in our own solar system as in A Princess of Mars by Edgar Rice Burroughs (adapted as the hugely underrated film John Carter), or in other galaxies entirely – for example, James Herbert’s Dune is sometimes classified as a planetary romance.
  • The Old-School Renaissance or Revival – usually abbreviated to OSR – is a movement in roleplaying game communities which prefers the early versions of Dungeons & Dragons and similar games from the 1970s and 1980s. There are now many games that seek to recapture the feel of those games, either by re-implementing the original rules (a genre known as “retro-clones”) or writing games with more modern rules but the old-school philosophy in mind. Exactly what that philosophy is varies according to who you ask, but it usually means a smaller set of rules, and more reliance on both player skill (as opposed to rules which emulate the skill of the characters being played) and rulings by the Game Master (who OSR games often call the referee). Famous examples include Torchbearer, The Black Hack, Dungeon Crawl Classics, the Old School Reference and Index Compilation (OSRIC) and Old-School Essentials. Dungeon World isn’t usually counted as an OSR game, but it has many similarities. (It’s a translation of D&D-like fantasy into the now super popular “Powered by the Apocalypse” framework, created by Meguey & Vincent Baker for their post-apocalyptic RPG Apocalypse World.)
  • The six flavours of quarks are up, down, charmed, strange, top and bottom. “Flavour” is the name given to unique combinations of other characteristics like spin and charge; it’s sometimes also called “species”. Quarks form other particles, like neutrons and protons, when three of them are combined in different flavour combinations.
  • The World War II realtime Twitter account is @RealTimeWWII. It tweets “on this day” war events from the years 1939 to 1945, and is currently up to 1943 on its second time around.
  • In Chinese numerology, four – 四 (Anglicised as sì or sei) – is inauspicious because it sounds like the word for “death”, 死 (sǐ or séi). This causes as serious an aversion as Europeans traditionally have to the number thirteen, and just as some might have triskaidekaphobia, in China and other parts of East Asia, tetraphobia is common enough that buildings do not number floors using the digit 4.
Posted in: Episode Notes Tagged: Ankh-Morpork, Ben McKenzie, Death, Discworld, Elizabeth Flux, Genghiz Cohen, Joel Martin, Rincewind, The Luggage, Twoflower, Unseen University, Ysabell

#Pratchat78 – One Step Beyond

8 July 2024 by Pratchat Imps Leave a Comment

It’s the final leg of the Long Journey as Joel Martin and Deanne Sheldon-Collins answer our Invitation! Both previous Long Earth guests return to discuss the fifth and final of Terry Pratchett and Stephen Baxter’s collaborations, the 2016 novel The Long Cosmos.

It’s 2070, and a message has been received across the Long Earth: “JOIN US.” Joshua Valienté hears it and gets one of his headaches, but he’s still mourning the death of his ex-wife Helen, so he rejects the call to adventure. He goes off alone into the High Meggers, despite multiple warnings that he’s too old for this shit. Meanwhile Nelson Azikiwe finds and loses a new family, and goes in search of Lobsang for help. And the Next find that the Invitation is more than two words long, and put into action far-reaching plans to bring everyone together to follow its instructions…

The last of Pratchett’s novels to be published, The Long Cosmos brings the series to a close. (If you need a recap, see our “The Longer Footnote” bonus episode.) Like the previous book, The Long Utopia, this one also takes place on a relatively small number of Earths – but it has its gaze fairly firmly fixed on the stars above, and wears its influences (especially Carl Sagan’s Contact) on its sleeve.

Who got their epic first contact novel in our weird parallel worlds travelogue? Is this where you thought the story would go? What would your friends be able to predict about you if they kept a detailed spreadsheet? After five books, is this a satisfying conclusion? Join the conversation by using the hashtag #Pratchat78 on social media.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_78.mp3

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Guest Joel Martin (he/him) is a writer, editor and podcaster now based in the UK. He previously hosted the writing podcast The Morning Bell, and produced The Dementia Podcast for Hammond Care. Joel’s previously been on the show to discuss The Long Earth, The Long Mars, The Colour of Magic and The Light Fantastic, making him our most frequent guest. He recommended the 1989 novel Hyperion by Dan Simmons, along with its sequel The Fall of Hyperion. (There are also two more novels in the Hyperion Cantos series.)

Guest Deanne Sheldon-Collins (she/her) is an editor and writer in Australia’s speculative fiction scene, working for Aurealis magazine, Writer’s Victoria, the National Young Writer’s Festival, and as co-director of the Speculate festival. Deanne previously joined us for The Long War and The Long Utopia. She once again recommended Pratchat listener favourite, Martha Wells’ series The Murderbot Diaries, which consists of seven novels and novellas. The first is 2017’s All Systems Red.

As usual, you can find notes and errata for this episode on our website.

We’re off to Adelaide to be guests at the Australian Discworld Convention, where on Friday 12 July we’ll be recording a live episode with authors Tansy Rayner Roberts and Karen J Carlisle! We’ll be discussing Pratchett’s Discworld short fiction “Death and What Comes Next”, and probably more broadly how Pratchett writes about Death (and death). The story is available online at the L-Space Web. We’ll mostly be taking questions from the live audience, but you can also share yours via social media (if you’re quick!) using the hashtag #Pratchat79.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ben McKenzie, collaboration, Deanne Sheldon-Collins, Elizabeth Flux, Joel Martin, Joshua Valienté, non-Discworld, Stephen Baxter, The Long Cosmos, The Long Earth

#Pratchat78 Notes and Errata

8 July 2024 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 78, “One Step Beyond”, discussing Terry Pratchett’s final collaboration with Stephen Baxter, 2016’s The Long Cosmos, with returning guests Joel Martin and Deanne Sheldon-Collins.

Notes and Errata

  • The episode title is from the song “One Step Beyond”, originally by Jamaican artist Prince Buster, who released it as a B-side on his single “Al Capone” in 1964. Coincidentally the version of the original we could find on YouTube features footage of exactly the kind of exoticised “Egyptian” dancing we imagined Fred and Nobby doing in our episode about Jingo. (We don’t necessarily recommend listening to all Prince Buster’s back catalogue; the music is great, but some of the lyrics are misogynist at best.) In the UK and Australia, ”One Step Beyond” is much better known via the cover by Madness, a ska band from Camden who also took their name and other early covers from Prince Buster. The song was the title track on Madness’ first studio album, One Step Beyond (1979), and their second hit single.
  • We’ve previously discussed the The Long Earth:
    • The Long Earth in #Pratchat31, “It’s Just a Step to the West” (May 2020)
    • The Long War in #Pratchat46, “The Helen Green Preservation Society” (August 2021)
    • “The High Meggas” in #Pratchat57West5, “Daniel Superbaboon” (July 2022)
    • The Long Mars in #Pratchat57, “Get Your Dad to Mars!” (August 2022)
    • A recap of the first three books in #PratchatPreviously, “The Long Footnote” (July 2023)
    • The Long Utopia in #Pratchat69, “Long Fall Sally” (July 2023)
    • A recap of the first four books in #PratchatPreviously2, “The Longer Footnote” (July 2024)
  • The Long Earth timeline only gets a bit longer in this book; here’s an updated (and simplified) list of major events to help you keep it all straight:
    • 1848-1895 – the adventures of Joshua’s ancestor, natural stepper Luis Valienté, culminating in “the Fund”, an organisation that bribes steppers to interbreed. (The Long Utopia)
    • 2001 – Freddie Burdon is given Maria Valienté’s details by The Fund. (The Long Utopia)
    • 2002 – Maria, now 15, gives birth to Joshua, leaving him briefly alone on a stepwise Earth. (The Long Earth)
    • 2015 – “Step Day” – humanity at large learns of the Long Earth. (The Long Earth)
    • 2026 – The Green family and others establish Reboot on Earth West 101,754. (The Long Earth)
    • 2029 – Monica Jansson investigates Bettany Diamond, the “Damaged Woman” who sees into stepwise Earths. (The Long Cosmos)
    • 2030 – Lobsang and Joshua go on “The Journey” and meet Sally Linsay; they also find the Cueball Earth. Lobsang’s “ambulant unit” is left behind with First Person Singular on the far side of The Gap. Joshua (M28) meets Helen (F17). Rod Green delivers the suitcase nuke to Datum Madison. (The Long Earth)
    • 2031 – Joshua and Helen get married. (before The Long War)
    • 2036 – Cassie Poulson is the first human to encounter the “silver beetles” in New Springfield on Earth West 1,217,756. (The Long Utopia)
    • 2038 – After three years of distributing copies of the Complete Works to Long Earth communities, Johnny Shakespeare’s matter printer makes a mutant copy of itself on Earth West 31,415 which multiplies until the world has to be evacuated. (The Long Utopia)
    • 2040 – Maggie’s mission captaining The Benjamin Franklin. Roberta’s trip with the Chinese East Twenty Million mission. War is avoided between the United States and Valhalla. Joshua loses his hand after being captured by the Beagles. The Yellowstone supervolcano erupts. Monica Jansson dies. (The Long War) Stan Berg is born. (The Long Utopia)
    • 2045 – Maggie’s mission as captain of the Neil Armstrong II, and Sally’s trip to Mars with her father Willis and Frank Wood. Frank dies on Mars. Joshua and Sally help the Next escape from military prison, and Joshua successfully talks Maggie out of blowing them up; they leave to establish the Grange, and Lobsang destroys Happy Landings with a meteorite. (The Long Mars) Lobsang “dies” in late fall; his funeral is in December. (The Long Utopia)
    • 2052 – Nikos is the first confirmed human to step “North” when he finds the Gallery and the silver beetles on New Springfield. (The Long Utopia)
    • 2054 – “George”, Agnes and their adopted son Ben settle in New Springfield. (The Long Utopia)
    • 2056 – Agnes realises something is wrong with the world and discovers the beetles. Stan is approached by Roberta Golding to join the Next in the Grange and declines. (The Long Utopia)
    • 2058 – Lobsang and Joshua investigate Earth West 1,217,756 and uncover the beetles’ plans. Six months later in Fall, Joshua finds Sally and they retrieve the old Lobsang from Earth West 174,827,918, the home of the Traversers. (The Long Utopia)
    • 2059 – Early in the year, Stan, “George” and Sally “cauterise” Earth West 1,217,756 just before it is destroyed by the beetles.
    • 2067 – Helen Green dies and is buried in Datum Madison. (The Long Cosmos)
    • 2070 – The Invitation is heard by humans, the Next, the trolls and many others. Joshua goes on his ill-fated sabbatical, is rescued by Sancho, and the pair rescue Rod from the Yggdrasil world. Meanwhile Nelson meets his son and grandson, who is lost when Second Person Singular steps away. The Next start the project to build the Thinker. (The Long Cosmos)
    • 2071 – The Thinker nears completion and Maggie, Joshua, the new Lobsang, Sancho and friends take three big steps North. (The Long Cosmos)
  • Stella Welch is not a new character; she appears briefly in The Long Utopia, held up as one of the brightest “pre-Emergence” Next in the Grange. She is also one of the Next who answers Lobsang’s call for help about New Springfield, and reveals the plan to recruit Stan to seal off that Earth.
  • Ben refers to “Martin” from the Humble; this is due to a typo in his notes. The character is actually Marvin Lovelace, who (as Liz rightly remembered in a bit cut for time) is one of the Next who appeared in The Long Utopia. In that book he’s a gambler, an undercover agent for the Next who found Stan Berg, and later answers Lobsang’s call for help alongside Stella. He seems briefly conflicted about Stan’s fate.
  • More notes coming soon.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Ben McKenzie, Deanne Sheldon-Collins, Elizabeth Flux, non-Discworld, Stephen Baxter, The Long Earth, The Long Utopia

#PratchatPreviously2 – The Longer Footnote

8 July 2024 by Pratchat Imps Leave a Comment

Our July episode about The Long Cosmos, fifth and final of the Long Earth series, is arriving on time! But we still thought you might appreciate a recap and reminder of what happened in the previous four novels.

Was this helpful? Were you annoyed by the slight inaccuracies made for brevity? Do you double-dare us to do this for the Discworld series as whole? (Please don’t…) Let us know what you think, using the hashtag #PratchatPreviously2 on social media, or get in touch via email or our subscriber Discord.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_bonus_episode_Previously2.mp3

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The previous recap, “The Long Footnote”, has a bit more detail on the first three books.

Pick up the story in #Pratchat78, “One Step Beyond”, with Joel Martin and Deanne Sheldon-Collins discussing The Long Cosmos. It should be out by the time you finish listening to this recap!

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ben McKenzie, Bonus Episode, Footnote, recap, The Long Earth, The Long Mars, The Long Utopia, The Long War

#Pratchat69 Notes and Errata

23 July 2023 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 69, “Long Fall Sally”, discussing Terry Pratchett’s penultimate collaboration with Stephen Baxter, 2015’s The Long Utopia, with returning guest Deanne Sheldon-Collins.

Notes and Errata

  • The episode title puns on the song “Long Tall Sally”, written and originally recorded by Little Richard (with Robert “Bumps” Blackwell and Enotris Johnson) in 1956. Fittingly for The Long Earth, “Long Tall Sally” was famously covered by both The Kinks and The Beatles in 1964. Why call it that? Well…it’s a bit of a spoiler, but it’s obviously a reference to Long Earth supporting protagonist Sally Linsay, and you’ll understand if you’ve read the book (or when you get to the end of the episode).
  • We’ve previously discussed the The Long Earth:
    • The Long Earth in #Pratchat31, “It’s Just a Step to the West” (May 2020)
    • The Long War in #Pratchat46, “The Helen Green Preservation Society” (August 2021)
    • “The High Meggas” in #Pratchat57West5, “Daniel Superbaboon” (July 2022)
    • The Long Mars in #Pratchat57, “Get Your Dad to Mars!” (August 2022)
    • A recap of the first three books in #PratchatPreviously, “The Long Footnote” (July 2023)
  • The Long Utopia adds a lot of new events to the Long Earth timeline; here’s a short(ish) reference to put them in context with some years from the previous books.
    • 1848 – Luis Valienté is recruited by Oswald Hackett into the Knights of Discorporea.
    • 1852 – Luis and the other Knights, including Fraser Burdon, assist the Underground Railroad in America, then get rich by plundering other Earths’ gold veins.
    • 1871 – the Knights go on their final mission in Berlin before Mr Radcliffe tries to murder them. They go into hiding.
    • 1895 – Hackett meets with Luis and Burdon and they form “the Fund” to set up marriages between stepping families and ensure more steppers are born.
    • 1916 (or 1917) – Percy Blakeney accidentally steps to a nearby Earth in the prelude to The Long Earth.
    • 2001 – Freddie Burdon is contacted by the Fund and given Maria Valienté’s details.
    • 2002 – Maria, now 15, gives birth to Joshua in stepwise Madison.
    • 2015 – “Step Day”, when humanity at large learns of the Long Earth. Joshua is thirteen.
    • 2026 – 117 pioneers, including the Green family, arrive on Earth West 101,754 and found the town of Reboot.
    • 2028 – Helen’s mother, Tilda Green, dies sometime between this year and 2030.
    • 2030 – “The Journey”, Lobsang and Joshua’s trip from The Long Earth. Rod Green (Helen’s brother) blows up Datum Madison this year, around the same time as Joshua (aged 28) meets Helen Green (aged 17).
    • 2031 – Joshua and Helen get married.
    • 2036 – Cassie Poulson is the first human to encounter the “silver beetles” in New Springfield on Earth West 1,217,756.
    • 2040 – Maggie’s mission captaining The Benjamin Franklin, Roberta’s trip with the Chinese East Twenty Million mission, and most of the rest of The Long War. The Yellowstone supervolcano erupts. Stan Berg is born.
    • 2045 – Maggie’s mission as captain of the Neil Armstrong II, and Sally’s trip to Mars with Willis and Frank. Lobsang dies in late fall this year, and his funeral is in December.
    • 2052 – Joshua turns 50 and does his 100,000 steps walk. Nikos finds the Gallery and meets the silver beetles.
    • 2054 – “George”, Agnes and Ben settle in New Springfield.
    • 2056 – Agnes realises something is wrong with the world and discovers the beetles. Stan is approached by Roberta Golding to join the Next in the Grange and declines.
    • 2058 – Lobsang and Joshua investigate Earth West 1,217,756 and uncover the beetles’ plans. Six months later in Fall, Joshua finds Sally and they retrieve the old Lobsang from Earth West 174,827,918, the home of the Traversers.
    • 2059 – Early in the year, Stan, “George” and Sally “cauterise” Earth West 1,217,756 just before it is destroyed by the beetles.
  • The new English translation of Journey to the West, the Chinese folk novel by Wu Chen’en, is Julia Lovell’s from 2021, titled Monkey King. The titular Monkey is a trouble-making immortal recruited to aid a Buddhist monk in fetching scriptures from a monastery in India. This is meant to redeem Monkey for his previous misdeeds, including upsetting the order of Heaven, but he refuses to behave. The monk, Tripitaka, tricks Monkey into putting on a cap that conceals a metal band, which he is able to tighten around Monkey’s head with a secret spell (referred to as the “headache sutra” in the famous Japanese television version of the story). This doesn’t injure Monkey – he is made of stone, it’s a whole thing – but it does cause him intense headaches which Tripitaka uses to rein in his violent impulses.
  • Joshua was 13 on Step Day, not 14 as Ben guesses. He was born in 2002, not 2001.
  • While we’re working out how to pronounce Nikos, Liz mentions “Nikolaj”, Charles Boyle’s adopted son in the police sitcom Brooklyn-99. The precise pronunciation of Nikolaj’s name is a repeated gag and character moment between Boyle and his partner, best friend and idol, Jake Peralta.
  • As we’ll mention next episode, the Valhalla Belt references Strata as the main characters live in an alternate universe where Erik Leifsson made it to the Americas, united with its indigenous peoples and formed a nation called Valhalla, which dominated the world through superior technology.
  • Joshua is eleven years older than Helen, and first met her when she was 17. They got married in 2031, when he was 29 and she was 18. Freddie was 17 when he had sex with Maria, who was 14; she was actually 15 by the time she gives birth in May 2002, though this doesn’t change our opinions much.
  • The “10,000 steps” Ben mentions are actually the “Seven Thousand Steps”, a paved path that winds around the mountain known as The Throat of the World in the videogame The Elder Scrolls V: Skyrim. Climbing the steps is an early part of the main quest; they lead to the monastery of High Hrothgar, where the Greybeards await the arrival of the player character, who is the Dragonborn – a prophesied hero with the power of the Voice, able to speak the magical language of dragons.
  • We put some of the dates in the timeline above, but Ben is correct about the history of the Green family, especially about her mother, Tilda, being the driving force behind their migration. They first tried settling in Madison West 2, but it wasn’t far enough away; they then invested heavily in the development of Madison West 5, but didn’t make enough money to leave their Datum jobs behind. Tilda wanted her own dream, not someone else’s, and convinced the family to head out into the further Long Earth, abandoning Rod and all their other ties to the Datum to join the group who founded Reboot in 2026. She died of cancer between 2028 and 2030, and no-one told Rod; he seemed to think she was still alive when he was captured by Monica, minutes before the bomb went off.
  • Liz compares Willis Linsay to Tom Wambsgans from Succession, a character in the popular HBO series about a wealthy family, headed by Logan Roy (Brian Cox), who owns the global media empire Waystar. As the title suggests, a large part of the drama revolves around who will succeed the ailing Logan as head of the company. Tom (Matthew Macfayden) is a Waystar executive who marries Logan’s youngest child, Shiv (Sarah Snook); he is thus close to, but not truly part of, the family’s inner circle. The series ran for four seasons between 2018 and 2023.
  • Ben makes a joke about “love languages”, which we’ve mentioned before; in brief they’re a highly reductive, heteronormative and traditional theory about the ways in which people like to show and be shown affection. In the original version, invented by an American pastor, there are five, but really the useful thing to take from the concept is that different folks like to show and receive love in different ways.
  • The short story “The High Meggas”, Pratchett’s original exploration of the ideas behind The Long Earth, was written in the 1980s; he gives the year 1986, though that conflicts with some accounts of what else he was working on at the time. Ben compares Sally Linsay to Larry Linsay, the protagonist of that story, who is more or less a combination of Sally and her father Willis: one of the inventors of the “moving belt” (the story’s equivalent of the Stepper Box) who ends up living far from other humans in the High Meggers (which are spelt with an “a” in the story). We discussed the short story in #Pratchat57West5, “Daniel Superbaboon”.
  • As we’ve mentioned in our previous Long Earth episodes, complete drafts of the final three novels were finished in 2013, and were full collaborations up to that point. It is true that Baxter did the final polishing and tweaking after that, with only minimal involvement from Pratchett, who had moved on to Raising Steam and The Shepherd’s Crown. Relevant to this episode’s discussion, they did plan the series as a five-book arc right at the start, probably in 2010 or 2011. Thanks again to Marc Burrows, author of The Magic of Terry Pratchett, from which most of this information is drawn. (There’s surprisingly little about The Long Earth in A Life With Footnotes.)
  • Liz’s reference to Nelson Azikiwe’s “sex barge” is his trip with Lobsang to meet Second Person Singular, a Traverser off the coast of New Zealand somewhere around Earth West 700. The society of islanders there has some things in common with the community of the Next in the Grange, included them being quite relaxed about casual sex. His encounter with Cassie for “a little wiggle” is recounted (subtly) in Chapter 60 of The Long War.
  • The Knights of Discorporea use their own terms for stepping, since no global consensus has been reached. Luis Valienté doesn’t have a name for stepping, but uses “dexter” and “sinister” for the directions, Latin words for right and left respectively (a clue to Luis’ more educated early life). Hackett calls stepping “Waltzing”, and uses “widdershins” and “deiseal” for the directions. Pratchett fans will be well familiar with widdershins, which as discussed in the episode notes for #Pratchat30 is an old English word (not an Old English word) which means anti-clockwise, or to move around something by keeping it on your left. Deiseal comes from Irish and means movement “to the right”, or clockwise, making it a good if oddly chosen opposite to widdershins. (A variant word, deasil, just means clockwise.) We presume widdershins and sinister map to “West”, and deiseal and dexter to “East”, since that’s how those compass directions appear on a European map in the usual orientation.
  • X-Men: First Class is the 2011 prequel film showing the origins of the X-Men, a group of mutant superheroes recruited as teenagers by powerful mutant telepath Charles Xavier in his quest to appease the humans who hate and fear them. (That’s possibly a bit harsh, but we’ve been thinking about the superhero as upholder of the status quo recently.) The film was originally intended as a reboot of the X-Men film franchise, but the next film, X-Men: Days of Future Past linked it to the existing X-Men films and established it as a prequel.
  • The Chartists were a working class movement for political reform in the UK, founded in 1838. They demanded a number of changes to improve British democracy, including an expansion of suffrage (though not to women), secret ballots, and less restrictive requirements for who could stand for the House of Commons. The reforms were supported by millions of working class folks, who presented petitions to parliament, but they didn’t see any of their desired changes adopted until after the movement died out in 1857. The “uprising” of April 1848 was part of a renewed interest in Chartism following the French Revolution, and was really a peaceful meeting when a new petition was intended to be brought to parliament by a procession of Chartists. But the government, who strongly opposed the reforms, enacted old and new laws to make the procession illegal, and had huge numbers of police in attendance (including 100,000 special constables!). In the end the meeting ended without the planned procession, though it is true that many were moved to violently oppose the oppression of the government, and presumably those would have been the “agents” removed by the Knights. They are still working for the government agains the common folk, though.
  • When Liz says that “in Doctor Who, Queen Victoria is a werewolf”, she is referring to the episode “Tooth and Claw” from season two of the revived series, when the Tenth Doctor and Rose encounter a recently bereaved Queen Victoria on a trip across the Scottish highlands where she is attacked by an alien werewolf. It is suggested that she may have been bitten by the wolf, and as Rose and the Doctor depart they wonder if this means the Royal Family are indeed all werewolves.
  • Prince Albert of Saxe-Coburg and Gotha, German Prince Consort to Queen Victoria, was a noted small-L liberal with great influence over the Queen. He had an interest in many progressive ideas and social reforms, including support of emancipation (as seen in The Long Utopia), technology, education, science and the welfare of the working class, including raising the working age. While this makes him sound pretty great, it’s important to remember this was all from a fairly paternalistic “we must care for those less fortunate than us” perspective, and he had no desire to lessen his own power or position, but his heart does seem to have been in the right place. His European ambitions seem to stem at least in part from a fear for his royal relatives, especially in the mid 19th century in the wake of the many revolutions in continental Europe. He’s perhaps best remembered for championing the Royal Exhibition of 1851, for which the Crystal Palace was built, and which probably wouldn’t have happened without his campaigning.
  • Queen Charlotte is the monarch in the alternate reality “Regency”-era of the Bridgerton television series, based on the series of romance novels by Julia Quinn. The story of her marriage to King George III is told in the spin-off mini-series Queen Charlotte: A Bridgerton Story, released in May 2023. Ben edits a Bridgerton podcast, What Would Danbury Do?, who covered Queen Charlotte in episode 40, “Sorrows, Prayers and Enduring Love”, with guest Maxine Beneba Clarke.
  • There’s no directly Biblical evidence for Mary’s age at the time of Jesus’s birth, but based on marriage customs many historians have said she was likely to be a teenager. Sources we’ve found have suggested she was maybe 14 when Gabriel appeared to her to give her the news, but 15 or even 16 when Jesus was actually born. But there’s no official answer, and she is most often depicted as an adult woman, as she would have been in any case at the time of Jesus’ crucifiction.
  • Liz mentions Joshua’s Tree, a reference to U2’s 1987 album The Joshua Tree, which itself is named after an actual species of tree native to the Mojave Desert in America. It was named by Mormon settlers, who thought it looked like Joshua raising his hands in prayer. It’s first three tracks are three of U2’s biggest hits: “Where the Streets Have No Name”, “I Still Haven’t Found What I’m Looking For” and “With or Without You”.
  • Bill Chambers’ story about the Cueball is, in fact, word for word the same in The Long War chapter 58, and The Long Utopia chapter 1, save that in this book there are a couple of asides to remind us about the history of the Long Earth. The Cueball was first mentioned, very briefly, in chapter 28 of The Long Earth.
  • The Southern Vampire series – not to be confused with the Vampire Chronicles, which is a whole other thing – are a series of books written by American author Charlaine Harris. Also known as the Sookie Stackhouse Mysteries, they follow protagonist Sookie, a telepathic waitress living in the town of Bon Temps, Louisiana, in a world where vampires have made themselves public knowledge following the development of a blood substitute called “Tru Blood”. (Oh yes – it’s the series that spawned the TV show True Blood, though it’s a loose adaptation.)
  • The Book of Matthew pretty unambigiously states that Judas Iscariot, one of Jesus’s twelve close disciples, did betray Jesus, identifying him to soldiers with a kiss in exchange for a bribe of thirty pieces of silver. Other Biblical writings say Judas was influenced by the Devil to do this, rather than the money being his motivation, and some say Jesus foresaw his betrayal and allowed it since it was part of God’s plan. This has led to something of a contradiction; was he following God’s plan, controlled by Satan, or exercising free will? Bertrand Russell and other philosophers have written about this.
  • Thomas Moore’s Utopia was first published in 1516, originally in Latin. The title is derived from Greek and literally translates to “nowhere” or “no place”.
  • The band that would become The Beatles first formed in 1956 as The Quarrymen, named after their school, Quarry Bank High School, and specifically the start of the school song, “Quarry men old before our birth”. Throughout their early career that went through several names, including in 1960 the Beatals, The Silver Beetles, and for the first time, The Beatles. They were also known for a brief time in 1961 as The Savage Young Beatles, hence Ben’s mash-up of “The Savage Silver Beatles”.
  • Ben mentions Star Trek being set “150 years in the future”, which would place it in the mid-23rd century. That’s about right for the original series of Star Trek, in which James Kirk becomes captain of the USS Enterprise from around the year 2265. However Ben is more thinking of Star Trek: The Next Generation, which takes place 100 years later in the 24th century: Jean-Luc Picard takes command of the newly launched USS Enterprise D in 2364.
  • The Cavern Club was a jazz club in Liverpool which opened in 1957, inspired by jazz clubs in Paris. As rock and roll began to take off in London, it became one of the central venues, and the Beatles played many of their early important gigs there as early as 1958, when they were still called The Quarrymen. The club is still open, though it closed for a time in the 1970s and 80s during the construction of an underground train route. There may well have been clubs called The Gallery or The Observatory, but they don’t seem to have played a big part in rock and roll history if so.
  • We mention a few other von Neumann replicators in fiction include:
    • The alien Replicators in Stargate: SG-1, who initially appear as insect-like robots made of multiple identical pieces. They first appear in the season 3 episode “Nemesis”, where they are the great enemy being fought in a war by the advanced alien Asgardians. They return many times in multiple forms in both SG1 and its spin-off Stargate: Atlantis. As Liz mentions, their origins are later explored, most notably in the fifth season episode of Stargate: SG-1, “Menace”.
    • The Slylandro Probes appear in the 1992 videogame Star Control II: The Ur-Quan Masters, recently re-released as Free Stars: The Ur-Quan Masters. The probes seem to be working for someone, though exactly who – and why they are so hostile – is one of many mysteries the player can choose to solve in the game.
    • Another example we didn’t mention comes from the weird 1990s sci-fi series Lexx, in which drones resembling flying robotic arms also act like von Neumann replicators.
  • Freeman Dyson (1923-2020; no relation to the dude who invents vacuum cleaners) was a British-American physicist who contributed a lot of enduring ideas to science and science fiction. (One of them, thankfully, was not his skepticism of climate change.) The two here are:
    • The Dyson Sphere was a thought experiment about how a super-advanced species might efficiently capture all the energy it could need from its own sun. The basic idea – a huge spherical construction around a star – pre-dates Dyson, first appearing in the 1937 novel Star Maker by Olaf Stapleton, and also J. D. Bernal’s 1929 nonfiction book The World, the Flesh, and the Devil: An Enquiry Into the Future of the Three Enemies of the Rational Soul. Both of these were inspirations for Dyson, who wrote about the idea of a sphere in his paper ‘Search for Artificial Stellar Sources of Infrared Radiation’ for Science in 1959. He didn’t call it a Dyson sphere himself, and indeed didn’t imagine an actual sphere, but instead a spherical group of independent solar collectors. The idea took many sci-fi writers imaginations, with variations appearing in novels like Ringworld throughout the 1970s and beyond. Dyson thought the popular sci-fi depiction – of a literal solid sphere, as in the Star Trek: The Next Generation episode ‘Relics’ – impossible.
    • The Dyson planetary spin motor seems to come from Dyson’s 1966 essay ‘The Search for Extraterrestrial Technology’, published in Perspectives in Modern Physics. The beetles use exactly his method, including how to accelerate the planet’s rotation.
  • In Star Trek: The Next Generation, the Borg Collective are faction of cybernetic organisms first encountered in the second season episode ‘Q Who’. The possess (more or less) a group consciousness and superior technology, and seek to “assimilate” all other forms of life into the Collective, mostly by infecting other humanoids with nanites which transform them into more Borg. Like the Silver Beetles, they generally ignore beings they do not consider a threat, prioritising their current tasks. The Cybermen in Doctor Who are a similar concept, though they are not often written as well.
  • Taskmaster is a British comedy gameshow in which guest comedians compete to complete ridiculous “tasks” set by the hosts, Greg Davies, the taskmaster who judges the winner, and show creator Alex Horne, who acts as a meeker referee to make sure contestants follow the rules of each task. It debuted in 2015 on UK digital channel Dave, moving to Channel 4 in 2020, and has run so far (as of mid-2024) for 17 series and more than 150 episodes. Local versions have been created in many countries, including one for Australia and New Zealand on Channel 10 in 2023, hosted by taskmaster Tom Gleeson and referee Tom Cashman.
  • The trope of someone being eaten alive by tiny creatures – often until there’s nothing left, except maybe bones – appears in lots of places:
    • The X-Files episode Liz remembers with the glowing green bugs is “Darkness Falls” from the show’s first season in 1994.
    • The tiny dinosaurs in Jurassic Park are “compys”, short for Procompsognathus; they appear in the first novel, and then become one of several unused elements from that novel used in the sequels, in this case Jurassic Park: The Lost World.
    • In the 1999 film The Mummy (a guilty favourite of this podcast), one of the terrors in the Mummy’s tomb is a hoard of scarabs that can devour you in seconds.
  • Defying Doomsday is a 2016 anthology from Australian publisher Twelfth Planet Press. It’s a collection of post-apocalyptic fiction featuring disabled and chronically ill protagonists, and won a Ditmar Award for Best Anthology; it includes the story “Did We Break the End of the World?” by friend of the show Tansy Rayner-Roberts, which also won a Ditmar for best novelette or novella. It was followed in 2020 by Rebuilding Tomorrow, a similar anthology with a more hopeful theme, which won an Aurealis Award for Best Anthology in 2021. (It’s not clear if these are still in print.)
  • Deanne recommended the The Murderbot Diaries by Martha Wells, a series beginning with All Systems Red.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Ben McKenzie, Deanne Sheldon-Collins, Elizabeth Flux, non-Discworld, Stephen Baxter, The Long Earth, The Long Utopia
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