Stephanie Convery

#Pratchat42 – Truth, the Printing Press and Every -ing

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Author, editor and journalist Stephanie Convery returns to Pratchat as newspapers and conspiracy hit Ankh-Morpork in the same week! It’s The Truth, Terry Pratchett’s 25th Discworld novel, first published in 2000.

William de Worde has made a reasonable living writing a monthly newsletter for notables, keeping them informed of goings on in Ankh-Morpork. But when he’s nearly run over by Gunilla Goodmountain’s new movable type printing press, he begins producing a different kind of “paper of news” – one that anyone can buy on the street, full of the important stories of the day. Before long “the Ankh-Morpork Times” – produced with the help of writer Sacharissa Cripslock and vampire iconographer Otto von Chriek – is a hit…and has ruffled a few feathers. But William has a powerful drive to spread the news, only intensified when Lord Vetinari is found unconscious next to a horse loaded with money after supposedly having stabbed his clerk. The Patrician being arrested for attempted murder and embezzlement is big news, of course – but is it the truth?

Pratchett cut his teeth as a writer as a journalist, and had for many years used his work as inspiration – but nowhere as directly as in the 25th Discworld novel, which introduces the Disc’s first newspaper journalists, William de Worde. Apart from William, the novel also brings us the Times’ staff, most notably Sacharissa and Otto, who pop up in many future books, and the unforgettable “New Firm” of Mr Pin and Mr Tulip – plus the triumphant return of Gaspode! The books also draws on sources as broad as Shakespeare, the history of printing, Watergate and Pulp Fiction for inspiration, references and jokes, while still packing in themes as serious as public interest, prejudice, class privilege and…well…the truth.

Is it weird seeing Vimes as a secondary character through the eyes of a journalist? Do you wish the staff of the Times had more books of their own? Where do you come down on the debate over public interest vs “of interest to the public”? Share your truth with us via the hashtag #Pratchat42 on social media, and join the conversation!

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Guest Stephanie Convery is a freelance writer and, at the time of this episode, Deputy Culture Editor for Guardian Australia. (She’s since become their dedicated inequality reporter.) Since she was last a guest on this podcast (discussing Mort way back in #Pratchat2, “Murdering a Curry”), Stephanie has published her first book: After the Count, a critically acclaimed “history and interrogation of boxing as art and a cultural examination of sport”, framed around the death of boxer Davey Browne following a knockout in the ring. You can check out Stephanie’s work at Guardian Australia, or follow her on Twitter at @gingerandhoney.

We’d love to know if you want us to do an episode about The Watch television series, and whether you’d support Ben making a similar podcast about the works of Douglas Adams.

Next time we’re jumping ahead into the future as we continue to spread out Tiffany Aching’s story: yes, it’s time to grab A Hat Full of Sky! We’ll be joined by writer and poet, Sally Evans. Send us your questions using the hashtag #Pratchat43, or get them in via email: chat@pratchatpodcast.com

You’ll find the full notes and errata for this episode on our web site.

This month (April 2021) you can also help raise money for Meals on Wheels in the US as part of the #Reviews4Good initiative! We’ll respond and double the donation, too. Just review the show (or an episode) on Podchaser.

#Pratchat2 – Murdering a Curry

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In our second episode, writer and editor Stephanie Convery joins us as we discuss the runner-up in our poll for which book to read first – Terry Pratchett’s Mort! Published 30 years ago, it’s the fourth Discworld novel, and the first to put Death in a starring role.

Mort (short for Mortimer), a daydreaming farmer’s son, is offered an apprenticeship by Death himself. Travelling outside of space and time to Death’s home, he finds things aren’t what he expects: Death has an elderly manservant, an adopted daughter, and an unusual interest in fly fishing. Mort, left to do the job alone, tries to defy fate in a very human (and teenage) moment  – but can he possibly succeed? And why does an immortal anthropomorphic personification need an apprentice, anyway?

Mort is often cited (including by us) as the first book in the series that feels like the Discworld we know and love, so if you’re joining us for the first time this episode, this is a great place to start. (And don’t worry: we do later go back and read the first three books, The Colour of Magic, The Light Fantastic and Equal Rites. See our Books page for a list of episodes in publication order.)

Podcast: Play in new window | Download (Duration: 1:33:48 — 86.6MB)

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Guest Stephanie Convery is a writer and author, and at the time of this episode deputy culture editor of Guardian Australia. She is currently their dedicated inequality reporter. Stephanie’s first book, After the Count: The Death of Davey Browne, was published in March 2020 by Penguin Books. You can follow Stephanie on Twitter at @gingerandhoney, and find her work at Guardian Australia.

You can find the full show notes and errata for this episode on our web site.

#Pratchat3 Notes and Errata

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Theses are the show notes and errata for episode 3, “You’re a Wizzard, Rincewind”, featuring guest Cal Wilson, discussing the fifth Discworld novel, 1989’s Sourcery.

Iconographic Evidence

The photo used as publicity for Cal’s 2018 show Hindsight.

Notes and Errata

  • The episode title riffs on Hagrid’s famous words to an unbelieving Harry Potter in the first novel (and film), Harry Potter and the Philosopher’s Stone: “Your’s a wizard, Harry!”
  • Freddie Mercury was a first son of a son of undetermined order, so his magical powers clearly came from somewhere else.
  • Ben talks a lot about Dungeons & Dragons this episode; if you’ve no idea what it’s all about, his article “What Even Is Dungeons & Dragons?” will get you up to speed. (Content note: the article is a little sweary.)
  • Some of Terry’s thoughts on J K Rowling can be found online in his interview with The Age here: “Mystery lord of the Discworld”, Peter Fray, November 6, 2004.
  • A person who doesn’t realise they’re no good at what they do might have a form of cognitive bias known as the Dunning-Kruger effect, named for a 1999 psychological study.
  • Hook turns might not be widely used by cars outside of Melbourne, but they’re a common way for bicycles to turn across traffic at cross intersections in many parts of the world.
  • The Annotated Pratchett File (APF for short) is a brilliant source of information on the various references in the novels. We also recommend the Discworld & Terry Pratchett Wiki, also hosted by the L-Space Web.

#Pratchat2 Notes and Errata

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Theses are the show notes and errata for episode 2, “Murdering a Curry“, featuring guest Stephanie Convery discussing the fourth Discworld novel, 1988’s Mort.

  • Sir Terry’s own thoughts on where to start reading the Discworld are most clearly outlined in the essay “Straight from the Heart, Via the Groin”, which is most easily found in the 2014 non-fiction collection A Slip of the Keyboard.
  • “Mort” does mean death, but it’s not Latin – it’s French (or in Discworld terms, Quirmian).
  • A “squib” in the world of Harry Potter is the rare child of a magical person who is not magical themselves.
  • The lead Gentleman in the Buffy the Vampire Slayer episode Hush was played by Doug Jones, now famous for playing Abe Sapien in the Hellboy films, the Faun and the Pale Man in Pan’s Labyrinth, and Saru in Star Trek Discovery. He plays Count Orlok, the titular vampire, in the upcoming remake of Nosferatu. And he’d make a great Death.
  • Christopher Lee was the voice of Death in both Cosgrove Hall animated adaptations (Wyrd Sisters and Soul Music), and The Mob’s live-action adaptation of The Colour of Magic, following Ian Richardson’s death. And his Death. (Richardson played Death in The Mob’s first Discworld adaptation, Hogfather.) The body of Death was played by Marnix Van Den Broeke, who also played the golem Mr Pump in Going Postal.
  • The horse that plays Bucephalus in Gilliam’s The Adventures of Baron Munchausen is, unfairly, not named in the credits of the film.