Stephanie Convery

#Pratchat80 Notes and Errata

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These are the episode notes and errata for Pratchat episode 80, “Always Believe in Your Golems”, discussing Terry Pratchett’s thirty-sixth Discworld novel, 2007’s Making Money, with returning guest Stephanie Convery.

Iconographic Evidence

The Count’s first appearance on Sesame Street, from the fourth season in 1972. He was created by long-time Sesame Street writer Norman Stiles, and was the longest running character performed by veteran muppet performer Jerry Nelson. Matt Vogel took over performing the Count in 2013, though he was made much less sinister fairly early on.

Notes and Errata

  • The episode title is a riff on British pop group Spandau Ballet’s hit song “Gold”. It was released in 1983, the fourth single from their third studio album, True, and is probably their most famous song, though at the time the title track from the same album was more popular. ”Gold” was heavily inspired by the film music of John Barry, including his work on many James Bond themes; the original lyrics from the chorus are: “Gold! (Gold) / Always believe in your soul / You’ve got the power to know / You’re indestructible / Always believe in…” It’s been featuring in subsequent pop culture; Ben remembers it from the 1998 comedy Four Men in a Car where a CD gets stuck, looping the line “you’re indestructible” as the car’s occupants try and fail to destroy the car CD’s player.
  • Ben covers some Pratchett news at the end of this episode, but we’re putting the notes about them up front to make them easier to find. (Notes below continue in the usual chronological order.)
  • William Morris (1834 – 1896) was a British artist, poet and novelist. His “terrible utopian novels” include News from Nowhere (1890), in which a member of the Socialist League falls asleep after a meeting and wakes up in a future society built on socialist and Marxist ideals. Morris is also known for his fantasy novels, which were among the first such popular novels to include supernatural elements and were hugely influential, including on J. R. R. Tolkien. These books include The Roots of the Mountains, The Wood Beyond the World, The Well at the World’s End, and The Water of the Wondrous Isles; many of these included socialist themes as well.
  • Making Money comes just three books after Going Postal. Moist doesn’t appear in any books in between, but he is mentioned briefly (though not by name) in Thud! He shows up again in the penultimate Discworld novel, Raising Steam, but doesn’t make any cameos in other books.
  • Robert E Howard’s Conan stories are set in the fictional “Hyborian Age” of Earth, estimated to be somewhere between 10,000 and 25,000 years ago. It’s meant to represent prehistoric Europe and Northern Africa, and thus Cimmeria is the ancient home of Celtic peoples, but it’s based on ahistorical stereotypes and is functionally a collection of fantasy analogues for modern nations. The real Cimmeria was an ancient “micro continent” that was originally part of Gondwana, the southern supercontinent. It became detached around 250 million years ago and moved north as part of continental drift, eventually colliding with and becoming part of Eurasia around 150 million years ago. It now forms part of the Middle East and western and south-eastern Asia.
  • “WORDS IN THE HEART CANNOT BE TAKEN” is from a heartbreaking scene towards the end of Feet of Clay, and the words are from Dorfl.
  • Squashing bread does not make it sweeter, but chewing on it does. The missing ingredient is saliva, which begins the process of breaking down the complex carbohydrates in the bread into sugars.
  • The compulsive need to count is known as “arithmomania”, and is a feature of European vampire lore. It was usually other kinds of grains, rather than rice, though this may also be the reason for throwing salt over your shoulder to ward off the Devil – he would be compelled to stop and count every grain.
  • The jiāngshī (殭屍) or Chinese hopping vampire is a form of undead from Chinese folklore, similar in some ways to both vampires and zombies. There are many varied accounts of their powers, limitations and vulnerabilities, but they don’t seem to have to count grains of rice – instead, one method for stopping them is through a ball of sticky rice at them which will draw out the evil in their soul. They have inspired an entire genre of films, most famously the Mr Vampire comedy horror movies made in Hong Kong in the 1980s and 1990s. These popularised the hopping version of jiāngshī, gave them a standard look (traditional mandarin robes from the Qing dynasty), and established some common ways to deal with them (e.g. placing a spell written on a piece of paper on their forehead) in much the same way as early vampire films solidified European vampire lore.
  • Bram Stoker (1847-1912) drew on various bits of vampire folklore when creating Dracula, but he also incorporated real life science, beliefs about disease, recent events, and other unrelated supernatural stories. The most prominent vampire-adjacent belief at the time was that contagious diseases were caused by corpses which still contained blood in the heart. This led especially poor folk in rural areas to dig up corpses and destroy them to try and halt the spread of illness, a practice which seems to have directly inspired parts of the novel. Stoker wrote fifteen novels, the second most famous being his last, The Lair of the White Worm (1911), another horror story incorporating various elements from folklore.
  • More notes coming soon.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat42 – Truth, the Printing Press and Every -ing

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Author, editor and journalist Stephanie Convery returns to Pratchat as newspapers and conspiracy hit Ankh-Morpork in the same week! It’s The Truth, Terry Pratchett’s 25th Discworld novel, first published in 2000.

William de Worde has made a reasonable living writing a monthly newsletter for notables, keeping them informed of goings on in Ankh-Morpork. But when he’s nearly run over by Gunilla Goodmountain’s new movable type printing press, he begins producing a different kind of “paper of news” – one that anyone can buy on the street, full of the important stories of the day. Before long “the Ankh-Morpork Times” – produced with the help of writer Sacharissa Cripslock and vampire iconographer Otto von Chriek – is a hit…and has ruffled a few feathers. But William has a powerful drive to spread the news, only intensified when Lord Vetinari is found unconscious next to a horse loaded with money after supposedly having stabbed his clerk. The Patrician being arrested for attempted murder and embezzlement is big news, of course – but is it the truth?

Pratchett cut his teeth as a writer as a journalist, and had for many years used his work as inspiration – but nowhere as directly as in the 25th Discworld novel, which introduces the Disc’s first newspaper journalists, William de Worde. Apart from William, the novel also brings us the Times’ staff, most notably Sacharissa and Otto, who pop up in many future books, and the unforgettable “New Firm” of Mr Pin and Mr Tulip – plus the triumphant return of Gaspode! The books also draws on sources as broad as Shakespeare, the history of printing, Watergate and Pulp Fiction for inspiration, references and jokes, while still packing in themes as serious as public interest, prejudice, class privilege and…well…the truth.

Is it weird seeing Vimes as a secondary character through the eyes of a journalist? Do you wish the staff of the Times had more books of their own? Where do you come down on the debate over public interest vs “of interest to the public”? Share your truth with us via the hashtag #Pratchat42 on social media, and join the conversation!

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Guest Stephanie Convery is a freelance writer and, at the time of this episode, Deputy Culture Editor for Guardian Australia. (She’s since become their dedicated inequality reporter.) Since she was last a guest on this podcast (discussing Mort way back in #Pratchat2, “Murdering a Curry”), Stephanie has published her first book: After the Count, a critically acclaimed “history and interrogation of boxing as art and a cultural examination of sport”, framed around the death of boxer Davey Browne following a knockout in the ring. You can check out Stephanie’s work at Guardian Australia, or follow her on Twitter at @gingerandhoney.

We’d love to know if you want us to do an episode about The Watch television series, and whether you’d support Ben making a similar podcast about the works of Douglas Adams.

Next time we’re jumping ahead into the future as we continue to spread out Tiffany Aching’s story: yes, it’s time to grab A Hat Full of Sky! We’ll be joined by writer and poet, Sally Evans. Send us your questions using the hashtag #Pratchat43, or get them in via email: chat@pratchatpodcast.com

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

This month (April 2021) you can also help raise money for Meals on Wheels in the US as part of the #Reviews4Good initiative! We’ll respond and double the donation, too. Just review the show (or an episode) on Podchaser.

#Pratchat2 – Murdering a Curry

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In our second episode, writer and editor Stephanie Convery joins us as we discuss the runner-up in our poll for which book to read first – Terry Pratchett’s Mort! Published 30 years ago, it’s the fourth Discworld novel, and the first to put Death in a starring role.

Mort (short for Mortimer), a daydreaming farmer’s son, is offered an apprenticeship by Death himself. Travelling outside of space and time to Death’s home, he finds things aren’t what he expects: Death has an elderly manservant, an adopted daughter, and an unusual interest in fly fishing. Mort, left to do the job alone, tries to defy fate in a very human (and teenage) moment  – but can he possibly succeed? And why does an immortal anthropomorphic personification need an apprentice, anyway?

Mort is often cited (including by us) as the first book in the series that feels like the Discworld we know and love, so if you’re joining us for the first time this episode, this is a great place to start. (And don’t worry: we do later go back and read the first three books, The Colour of Magic, The Light Fantastic and Equal Rites. See our Books page for a list of episodes in publication order.)

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Guest Stephanie Convery is a writer and author, and at the time of this episode deputy culture editor of Guardian Australia. She is currently their dedicated inequality reporter. Stephanie’s first book, After the Count: The Death of Davey Browne, was published in March 2020 by Penguin Books. You can follow Stephanie on Twitter at @gingerandhoney, and find her work at Guardian Australia.

You can find the full show notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat3 Notes and Errata

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Theses are the show notes and errata for episode 3, “You’re a Wizzard, Rincewind”, featuring guest Cal Wilson, discussing the fifth Discworld novel, 1989’s Sourcery.

Iconographic Evidence

The photo used as publicity for Cal’s 2018 show Hindsight.

Notes and Errata

  • The episode title riffs on Hagrid’s famous words to an unbelieving Harry Potter in the first novel (and film), Harry Potter and the Philosopher’s Stone: “Your’s a wizard, Harry!”
  • Freddie Mercury was a first son of a son of undetermined order, so his magical powers clearly came from somewhere else.
  • Ben talks a lot about Dungeons & Dragons this episode; if you’ve no idea what it’s all about, his article “What Even Is Dungeons & Dragons?” will get you up to speed. (Content note: the article is a little sweary.)
  • Some of Terry’s thoughts on J K Rowling can be found online in his interview with The Age here: “Mystery lord of the Discworld”, Peter Fray, November 6, 2004.
  • A person who doesn’t realise they’re no good at what they do might have a form of cognitive bias known as the Dunning-Kruger effect, named for a 1999 psychological study.
  • Hook turns might not be widely used by cars outside of Melbourne, but they’re a common way for bicycles to turn across traffic at cross intersections in many parts of the world.
  • The Annotated Pratchett File (APF for short) is a brilliant source of information on the various references in the novels. We also recommend the Discworld & Terry Pratchett Wiki, also hosted by the L-Space Web.

#Pratchat2 Notes and Errata

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Theses are the show notes and errata for episode 2, “Murdering a Curry“, featuring guest Stephanie Convery discussing the fourth Discworld novel, 1988’s Mort.

  • Sir Terry’s own thoughts on where to start reading the Discworld are most clearly outlined in the essay “Straight from the Heart, Via the Groin”, which is most easily found in the 2014 non-fiction collection A Slip of the Keyboard.
  • “Mort” does mean death, but it’s not Latin – it’s French (or in Discworld terms, Quirmian).
  • A “squib” in the world of Harry Potter is the rare child of a magical person who is not magical themselves.
  • The lead Gentleman in the Buffy the Vampire Slayer episode Hush was played by Doug Jones, now famous for playing Abe Sapien in the Hellboy films, the Faun and the Pale Man in Pan’s Labyrinth, and Saru in Star Trek Discovery. He plays Count Orlok, the titular vampire, in the upcoming remake of Nosferatu. And he’d make a great Death.
  • Christopher Lee was the voice of Death in both Cosgrove Hall animated adaptations (Wyrd Sisters and Soul Music), and The Mob’s live-action adaptation of The Colour of Magic, following Ian Richardson’s death. And his Death. (Richardson played Death in The Mob’s first Discworld adaptation, Hogfather.) The body of Death was played by Marnix Van Den Broeke, who also played the golem Mr Pump in Going Postal.
  • The horse that plays Bucephalus in Gilliam’s The Adventures of Baron Munchausen is, unfairly, not named in the credits of the film.