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#Pratchat90 Notes and Errata

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These are the episode notes and errata for Pratchat episode 90, “Mind the Ginnungagap”, discussing the 40th Discworld novel, 2013’s Raising Steam, with returning guest Craig Hildebrand-Burke.

Iconographic Evidence

The cover of the first edition US hardcover, the first of Pratchett’s books to be published by Doubleday in the US. The cover art is by Justin Gerard, his only cover for a Discworld novel, though he did do the US covers for The Science of Discworld books, The Folklore of Discworld, A Blink of the Screen and A Slip of the Keyboard.

Notes and Errata

  • The episode title makes the obvious gag that Pratchett himself didn’t, combining ginnungagap – the primordial “yawning void” of Norse (and Discworld dwarfish) mythology, from which the world (or one of them, at least) was created – and “mind the gap”, the famous advice on posters and announcements in the London Underground, warning passengers of the gap between the train and the platform.
  • As mentioned, Craig was previously a guest on one of our last pre-pandemic episodes: #Pratchat27, “Leshp Miserablés”, discussing Jingo.
  • “Gunzel” is uniquely Australian slang for a train or tram spotter – or by analogy, anyone with a specific nerdy interest (though that usage is uncommon). While it has an uncertain etymology, the term is at least several decades old; one account traces it specifically back to employees of the Sydney Tramway Museum in the 1960s, who supposedly picked it up from The Maltese Falcon (as they enjoyed using exaggerated American slang from old films and magazines). Originally used as a insult akin to British terms like “gricer” and “anorak”.
  • Melbourne’s City Loop is a central underground railway system passing in a circle through five stations in Melbourne’s central business district (CBD). Until 2025, all major train lines in Melbourne entered the loop on one of four tracks, passing through all of these stations before exiting again. In order to relieve congestion – there are eleven different train lines, but only four tracks in the loop – a new Metro Tunnel project was commenced in 2015 to dig a new tunnel across the CBD, linking the southeast directly to the northwest and creating five new underground stations (some of which are connected directly to the existing ones) in Melbourne and its inner suburbs. Those stations and the new tunnel opened in November 2025, and eventually some of the train lines will stop running around the loop and only run through the tunnel. (While not a true gunzel, Ben is very keen on public transport, so unlike Liz he’s very much looking forward to travelling on the new train route and seeing the new stations.)
  • Rob Wilkins gives an account of the writing of Raising Steam in the final chapter of the official Pratchett biography, A Life with Footnotes. He described the process as quite different from the usual, with Pratchett producing many, many scenes, but never getting to the stage of finding the “unifying, crystallising vision that would have turned these scenes into a novel”. He credits Pratchett’s UK editor, Philippa Dickson, with finding the pattern and the gaps in those scenes, and giving Wilkins advice on where to guide Pratchett in order to turn them into a book. Notably not involved was Pratchett’s previous and just as talented and beloved US editor, Jennifer Brehl, as he had only recently switched US publishers from HarperCollins to Knopf Doubleday. (This explains the new cover artist, as seen on Ben’s edition.)
  • Train-based fantasy, sci-fi and other fiction that we mention include:
    • Perdido Street Station and its sequels The Scar and The Iron Council, weird fiction novels by China Miéville which combine elements of fantasy and steampunk. The Iron Council features trains most prominently of the three.
    • Iron Dragon, perhaps the first “crayon rails” style train board game set in a fantasy world.
    • Westworld, the television series (based on the 1973 film) about fantasy theme parks staffed by “Hosts”, artificially intelligent robots indistinguishable from humans. The titular “Westworld”, a wild west town, was serviced by a replica steam train, which later plays an important part in the plot.
    • Points and Lines, aka Tokyo Express in the newer 2022 English translation, a 1958 Japanese crime novel by Seichō Matsumoto involving trains and timetables.
    • The Dark Tower series of novels, specifically The Waste Lands and Wizard and Glass, by Stephen King. These books feature Blaine, an insane artificial intelligence which controls a monorail train. The children’s book which references Blaine is Charlie the Choo-Choo.
    • Deadlands is a roleplaying game originally designed by Shane Lacy Hensley. The supernatural ore that powers some of its steampunk technology is called “ghost rock”. The current version is a setting for the Savage Worlds roleplaying game, rather than a game in its own right. Note that like many “weird west” games and stories of the twentieth century, the original 1990s edition contained plenty of appropriation (and misrepresenation) of the cultures of Native and Black Americans; we’re not sure what the later versions are like.
    • Spire: The City Must Fall and Heart: The City Beneath, a pair of related tabletop roleplaying games designed by Grant Howitt and Chris Taylor. The class Ben mentions is the “Vermissian Knight”, though Ben got their ability twisted a bit; one of their “zenith abilities” (that are generally a character’s final act) turns them into a living train, who steams off into the Heart (the weird, living dungeon beneath the city of Spire, from which the abandoned Vermissian train system drew its power). The remaining members of their party get a special “Deus Ex Machina” abiltity that they can cash in once to have the train-thing return, smashing into an enemy who is defeating them and dealing massive damage before going on their way again.
    • The Peter Grant novels, particularly Whispers Underground, by Ben Aaronovitch. Aaronovitch is a big Pratchett fan, and references the Discworld in most of his novels; he also coincidientally reviewed Raising Steam for The Guardian when it was first published.
    • Snowpiercer, a film and subsequent television series, both based on the French graphic novel by Jacques Lob.
    • Abiotic Factor, a survival videogame by New Zealand developers Deep Field Games. The Train, also known as “the Steam Engine” or IS-0138 (a designation usually given to creatures or objects, rather than worlds), is noted as “highly dangerous” with the note “IT MUST NEVER STOP”.

More notes coming soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat90 – Mind the Ginnungagap

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Psychologist Craig Hildebrand-Burke rejoins Liz and Ben as we don our flat caps and anoraks, as we make sense of Terry Pratchett’s penultimate Discworld novel, 2013’s Raising Steam.

Dick Simnel has created Iron Girder, the Disc’s first steam engine – and he’s brought it to Ankh-Morpork seeking an investor. He finds one in Sir Harry King, who is keen to be known as the King of something other than what brought him his wealth. As excitement and interest in the “steam engines” starts to build, Lord Vetinari sees its potential – but only if someone oversees this new enterprise on behalf of the city. That someone is, of course, Moist von Lipwig, who is in need of a new way to live dangerously. And dangerous it will be, since the conservative dwarf grags are once again moving against their progressive King. They’re attacking anything too new to be traditionally dwarfish – which means modern dwarfs, clacks towers, goblins with jobs…and the steam train…

Terry Pratchett clearly had a love of steam engines – he particularly requested a steam roller be the thing to destroy his unfinished works after his death. This at least partly explains why – instead of the announced Raising Taxes – the next Moist von Lipwig book would see him helping to bring the Discworld into the age of steam. Written in 2012 and 2013, as Pratchett’s illness started to worsen, it had a troubled journey into existence, with Rob Wilkins writing in the official biography that ‘the real triumph of Raising Steam was that it existed at all.’ But while it might lack the sharpness of plot and theme and structure that mark Pratchett’s best work, there are still plenty of great jokes, characters, observations and ideas in Raising Steam – especially for the Discworld fan who’s also a bit of a gunzel (that’s Fourecksian for “train spotter”).

Have you read Raising Steam? How do you rate it, compared to the previous novels in the series? How many words did you have to look up? What were your favourite allusions to the history of steam, and to railway fiction, that we didn’t mention? Get aboard the comment train by using the hashtag #Pratchat90 on social media, or comment on our website, to join the conversation!

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Guest Craig Hildebrand-Burke (he/him) is an educational and development psychologist who last joined us way back in January 2020 for #Pratchat27, “Leshp Miserablés”, to talk about Jingo. He specialises in working with neurodivergent children and young people and their families, as well as d/Deaf and hard of hearing children and families. We can’t advertise his actual practice, but you can find him on Instagram as @craighbpsychologist. (There are only a few posts in the grid, but he shares a lot of great stuff as reels!)

You can find episode notes and errata on our web site.

Now we’re nearly at the end of the Discworld, it’s time to make sense of it all – so next month, we’ll be sifting through the A-Z of the series, The Discworld Companion! (We’ll be using The Ultimate Discworld Companion as the default, but any version you have should do!) Send us any questions you have about this encyclopaedia-like tome via email (chat@pratchatpodcast.com), or send a clacks over your social network of choice using the hashtag #Pratchat91.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat89 Notes and Errata

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These are the episode notes and errata for Pratchat episode 89, “An Awfully Teeny Weeny Adventure”, discussing the 1995 computer game Discworld, with guest Jody Macgregor.

Iconographic Evidence

We’ll add a few choice screenshots here! Watch this space.

Notes and Errata

  • The episode title is obviously a reference to one of the companies who made Discworld, Teeny Weeny Games, and the fact that it’s a graphic adventure game. But it’s also a riff on “an awfully big adventure”, which is how Peter Pan describes death in the original play by J M Barrie. An Awfully Big Adventure is also the title of a film – coincidentally released in 1995, the same year as Discworld – about a teenage girl drawn into the drama and trauma behind the scenes of a post-war production of Peter Pan. It was directed by Mike Newell, and starred Georgina Cates, Hugh Grant and Alan Rickman. (Note that the film comes with a few content warnings.)
  • You can read a PDF of the 1993 interview with Terry from PC Gamer #1 via the PC Gamer website. It was originally made available for ‘A tribute to Terry Pratchett’, an article by Christopher Livingston published on 13 March 2015, soon after his death.
  • We mention two articles which discuss who holds the rights to the game:
  • Unsurprisingly we mention a lot of videogames in this episode, especially adventure games. Here’s a quick list of the adventure games; we’ll add more games, and some details, soon.
    • The Secret of Monkey Island (LucasArts 1990)
    • Monkey Island 2: LeChuck’s Revenge (LucasArts 1991)
    • Space Quest IV: Roger Wilco and the Time Rippers (Sierra On-Line 1991) – Ben was wrong about the prequel that was skipped; he’s confusing the time travel in this game (in which space janitor Roger Wilco visits several sequel games that don’t yet exist) with the missing fourth game in Sierra’s Leisure Suit Larry series. (Similar “Search for the Sequel” jokes have been proposed for films, but none filmed as far as we can find.)
    • Day of the Tentacle (LucasArts 1993)
    • Sam & Max Hit the Road (LucasArts 1993)
    • Freddi Fish and the Case of the Missing Kelp Seeds (Humongous Entertainment 1994) – designed by Ron Gilbert, who also made The Secret of Monkey Island and most of the other adventure games mentioned by Ben this episode!
    • Full Throttle (LucasArts 1995)
    • The Curse of Monkey Island (LucasArts 1997)
    • Grim Fandango (LucasArts 1998)
    • Duck Quest? (Waffle Friday Studios 2013)
    • The Cave (Doublefine Productions 2013)
    • Thimbleweed Park (Terrible Toybox 2017)
    • Return to Monkey Island (Terrible Toybox 2022)

More notes coming soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat89 – An Awfully Teeny Weeny Adventure

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Games journalist and PC Gamer editor Jody Macgregor joins Liz and Ben to take control of an oddly Pythonesque Rincewind and discuss the 1995 graphic adventure game Discworld from Teeny Weeny Games and Perfect 10 Productions.

A nefarious secret society has summoned a dragon in Ankh-Morpork! It’s a suspiciously familiar plot, and of course the only one who can save the city is…Rincewind? This wizard might not know any spells, but he’s decidedly snarky and cunning – and accompanied by an inventory window on legs. Together, they’ll use petty theft, time travel and logic that would put Rube Goldberg to shame to rid the city of this scaly threat forever…twice!

Terry Pratchett was famously an early adopter of computers, and a devoted video game player, so its no surprise that there were other Discworld videogames before…er…Discworld. But this 1995 point-and-click graphic adventure game is by far the most well known and beloved of the lot – despite also being infamous for its difficulty, in a genre known for obscure puzzles with illogical solutions! The player controls a version of Rincewind voiced by Eric Idle, who must travel back and forth all over Ankh-Morpork (and to the edge of the Disc) to collect a variety of random objects to save the city. The plot is loosely based on Guards! Guards!, with some flavour from Moving Pictures and a cast drawn from the early wizards novels. It was followed by two more games from the same team: Discworld II: Missing, Presumed…?!, and Discworld Noir, each with quite different visual styles, and the latter with a brand new protagonist. Sadly, all three are “abandonware” – not only unavailable, but languishing in copyright limbo, with no-one sure enough who currently has the rights to get them published again.

Have you had a chance to play Discworld? What do you think of this version of Rincewind, Ankh-Morpork and the Disc? Would you like to hear us do episodes about the two other adventure games? And what other adventure games would you recommend for folks looking for a similar vibe? What other kinds of Discworld videogame would you like to see? Click on Pratchat and choose the question mark icon to join our online conversation, using the hashtag #Pratchat89.

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Guest Jody Macgregor (he/him) is a journalist who started out writing about music, but now writes mostly about videogames. He’s been writing for PC Gamer for about a decade, and is currently the magazine’s weekend and Australian editor. You can find out more about him, and read his most recent reviews and articles, by looking up his profile at pcgamer.com.

You can find episode notes and errata on our web site.

Next month we’re catching a train – the Ankh-Morpork Scenic Railway, that is – as we read Terry Pratchett’s penultimate Discworld novel, Raising Steam! Send us your questions via email (chat@pratchatpodcast.com), or get on board via your local social media platform using the hashtag #Pratchat90.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat54 – The Land Before Vimes

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The Trousers of Time end up in a knot as writer Nadia Bailey rejoins Liz and Ben and we go back to the Glorious Past in the twenty-ninth Discworld novel, 2002’s Night Watch.

While pursuing dangerous killer Carcer across the rooftop of Unseen University, a magical bolt of lightning (or something) sends Sir Samuel Vimes, Commander of the City Watch and Duke of Ankh, thirty years into the past – along with his quarry. Carcer kills Vimes’ old mentor, Sergeant John Keel, and Vimes steps into Keel’s thinly-soled shoes; he’ll have to show himself the ropes to keep history intact. But he’s not just reliving any old past: it’s almost the Glorious 25th of May. The day the people deposed the paranoid Patrician Lord Winder; the day hundreds were killed in violent clashes across the city; and the day John Keel died…

Night Watch is beloved by Discworld fans, no least because it gives a double dose of everyone’s favourite “honest copper”, Sam Vimes. But he leaves Sybil in labour as he’s thrust back intp the best and worst days of his early career, forced to grapple with the darkness in his and others’ souls with only the technobabble of a few time boffin monks for guidance. It’s possibly Pratchett’s darkest book, and certainly takes us into one of the darkest corners of the Discworld: Ankh-Morpork before the rise of Vetinari and the Guilds.

Does Vimes knows where to draw the line in this book? Is Carcer an intriguing villain, or a cookie cutter evil psychopath? Could you teach your younger self everything you needed to know to become you? And is this book in your top five, or do you fail to see what all the fuss is about? Join the conversation using the hashtag #Pratchat54 on social media.

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Guest Nadia Bailey is a writer, editor and critic. She’s published a number of pop-culture related books about such diverse subjects as Stranger Things, Frida Kahlo and Ruth Bader Ginsburg. Her latest publication is The Deck of Crystals, a deck of cards which looks into the history, superstition and lore of gemstones. Nadia has just begun a PhD researching (among other things) the lives of queer women during World War I. You can find Nadia on Twitter as @animalorchestra, or visit her website at nadiabailey.com.

As usual, you can find notes and errata for this episode on our website.

Next month we’re joining a ragtag crew of misfits on a desperate mission to save the Disc in the second big illustrated Discworld adventure, The Last Hero! And to help us navigate Paul Kidby’s astonishing illustrations, we’re welcoming back illustrator and comic book creator Georgina Chadderton. Send us your questions via the hashtag #Pratchat55, or via email to chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat61 – What Terry Wrote

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Designer and educator Matt Roden delves deep under Ankh-Morpork with Liz and Ben as they unravel the mystery of the penultimate City Watch book, 2005’s Thud!.

As the anniversary of the Battle of Koom Valley approaches, the dwarfs and trolls of Ankh-Morpork find their ancient enmity stirred up – not least by Hamcrusher, a conservative leader of the “Deep Down” dwarfs, who has preached hatred against the trolls. But now Hamcrusher’s dead – not that the other deep downers want the Watch to know about it – and Vimes must solve the puzzle of his murder before tensions explode across the city. On top of that, he’s also been sent a government inspector, he’s had to take on the Watch’s first vampire, someone’s stolen the most talked-about painting in town – and he has to get home at 6 o’clock sharp, every night, to read Where’s My Cow? to his infant son…

While most Watch books have a mystery that needs solving, none so far have felt as much like a contemporary thriller as Thud! There’s an awful lot going on, with politics, religion, art and history all in the mix. Is it too much for one book? Are there threads that get dropped along the way? Is Pratchett having his cake and eating it too with his fantasy abstractions of real world issues? And who do you think should star in Discworld legal drama The Good Dwarf? Join in the conversation using the hashtag #Pratchat61 on social media!

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Guest Matt Roden is a graphic designer, educator and the Creative Learning Manager for the Museum of Contemporary Art Australia. Matt has a long history with storytelling and education; he helped set up The Ministry of Stories in London, and was the first volunteer and a long-running Storyteller with Sydney’s Story Factory. You can follow Matt on Instagram (where you can see photos of his dog) at @matthewrodeo.

As usual, you can find notes and errata for this episode on our web site.

We apologise that this episode has gone out much later than planned. While our schedule has gotten a little out of whack, we’ll still be continuing our “Thud! trilogy” next episode with our special crossover with sibling Pratchett podcast The Truth Shall Make Ye Fret. We’ll be joined by Jo and Francine to discuss Where’s My Cow?, the hottest children’s book in Ankh-Morpork! Plus we have plans to extend our Thud! trilogy to four parts – details coming in our very next episode.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat70 – Punching Up

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Liz and Ben are joined by guest author Caimh “C. K.” McDonnell as they read a very early and very short chapter in the history of the Watch: Terry Pratchett’s 1993 short Discworld story, “Theatre of Cruelty”.

When the Watch discover a murdered entertainer with pockets full of change, a string of sausages round his neck, and no witnesses to the crime, the Clues are very unhelpful. But Corporal Carrot is on the case – and when it comes to solving the crime, he knows the way to do it…

Written for W H Smith’s free Bookcase magazine – a pristine copy of which now fetches a few hundred dollars – “Theatre of Cruelty” was published not long before the second Watch novel, Men at Arms. It packs more jokes into 1,000 words than most people write in a lifetime, and is also a delightful extra outing with the original officers of the Ankh-Morpork City Watch. But don’t take our word for it: you can read it yourself at the L-Space web.

Is it a satisfying murder mystery? Why does Pratchett seem to have a thing for Punch and Judy? And how on Earth did we talk for nearly two hours about such a short piece of writing? Join the conversation – and send us your favourite short stories and cruel bits of theatre – using the hashtag #Pratchat70.

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Guest Caimh McDonnell is a comedian, writer and author best known for two series of books. The first is the “Dublin Trilogy” comic thrillers, starring Bunny McGarry and a cast of loveable rogues, beginning with A Man With One of Those Faces in 2016 (though see the reading order on his website). The other – as C. K. McDonnell – is the comic urban fantasy series The Stranger Times, about a weird newspaper called The Stranger Times, and beginning with the novel titled…er…The Stranger Times in 2021. Aside from his books you can hear his writing on two podcasts: The Bunnycast for further crime stories, and The Stranger Times Podcast for more Stranger Times. You might also catch him live this Halloween via his Facebook or YouTube accounts! Caimh is on Twitter at @caimh, and his website is whitehairedirishman.com. The Stranger Times series has its own site at thestrangertimes.co.uk.

You’ll find notes and errata for this episode on our web site.

For our October episode, we’re going on one last trip to Roundworld as we read and discuss The Science of Discworld IV: Judgement Day with two special guests, including our old friend and Uniting Church minister, the Reverend Doctor Avril Hannah-Jones. We’re recording around the 25th of September, so don’t delay – get your questions about the book (or the Science series as a whole!) in ASAP via email to chat@pratchatpodcast.com, or on social media using the hashtag #Pratchat71.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat70 Notes and Errata

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These are the episode notes and errata for Pratchat episode 70, “Punching Up”, discussing Terry Pratchett’s 1993 Discworld short story, “Theatre of Cruelty”, with guest Caimh McDonnell.

Iconographic Evidence

Since it was available for free, there are lots of scans floating about on the internet, and it’s a shorter version than the one available for free on the L-Space web, we figure it should be okay for us to share the original two-page spread of the story from Bookcase magazine, including the original version of Josh Kirby’s illustration.

Notes and Errata

  • The episode title plays on Mr Punch, the concept of “punching up” in comedy (i.e. the idea that the targets of derision in comedy should be those with more power), and the other concept of “punching up” in writing (i.e. adding more jokes and/or pace to a script to improve it).
  • We’ve mentioned Ben Aaronovitch’s Rivers of London series of urban fantasy novels before. They follow the adventures of new police officer Peter Grant as he becomes apprentice to the last wizard in England, who also works for the London police. There are now nine novels, four novellas, a short story collection, nine graphic novels (originally published as separate issue comic books) and a tabletop roleplaying game. The best place to start is probably Rivers of London, the first novel from 2011, which was originally titled Midnight Riot in the US (but is now published there under its proper title). The first comic, Body Work, is also a good place to dip in, as are most of the novellas and short stories.
  • The Fortean Times is the magazine of the Fortean Society, an organisation founded by American researcher and writer Charles Fort. He collected and wrote about “anomalous phenomena” – unusual events and experiences which had gone unexplained by science, though apparently he did it to keep scientists on their toes rather than because he believed any of the theories put forth in his writing. The Fortean Times is still published in the US, UK and other countries today, and you can find them online at forteantimes.com (though you have to subscribe in print). Fort himself is mentioned in Good Omens.
  • We can’t find a good reference for the edition of Good Omens with two Thursdays in one week, if that is a real error and not a fevered imagining of Ben’s. But there have been other notable ones: in some recent editions, Anathema is referred to as Agnes in one sentence when showing her index cards to Newt, and a persistent one in earlier editions was Famine saying his name had seven letters when cryptically referring to himself with a crossword clue. Some white editions of the book had a cover misprint in which the text and Crowley’s glass of wine appear, but the demon himself does not!
  • On Roundworld, “theatre of cruelty” is an artistic concept created by Antonin Artaud, a French poet and theatre maker (among many other things) active in the 1920s and 30s. His theatre of cruelty wasn’t literally theatre, or literally cruel, but rather a reaction against realism. He wanted performance to be something more visceral: a spectacle, incorporating music, dance, lights and everything other than text, performed by “athletes of the heart” who would surround audiences to shock them out of complacency and wake them up to the horrors and violence of real life. While not embraced widely, it’s been an influence on many theatre makers, notably director Peter Brook in his work with the Royal Shakespeare Company in the 1960s, including a famous 1966 production of the play Marat/Sade. This YouTube video from CrashCourse is a pretty good overview.
  • Neil Gaiman’s Sherlock Holmes stories are “A Study in Emerald”, from the 2003 anthology Shadows Over Baker Street, and “The Case of Death and Honey”, from the 2011 collection A Study in Sherlock. “A Study in Emerald” won both a Hugo and Locus Award in 2004, and has been adapted into a board game by Martin Wallace, of Discworld: Ankh-Morpork and The Witches fame.
  • Harlan Ellison (1934-2018) was an American speculative fiction writer whose work encompassed novels, short stories, television (most famously the Star Trek episode “The Guardian on the Edge of Forever”), videogames and more. Angry Candy is his 1988 anthology about death, containing the award-winning short stories “Eidolons”, “Paladins of the Lost Hour” and “Soft Monkey”. Dangerous Visions was a 1967 collection of groundbreaking science fiction stories edited by Ellison and was hugely influential, not least for the way it included sex in the genre. It was followed by Again, Dangerous Visions in 1972, and he announced a third, The Last Dangerous Visions, in 1973, but it was not published in his lifetime. His failure to publish the book became a controversy in speculative fiction circles, especially after several of the authors who sold him stories died before seeing them in print; British author Christopher Priest wrote about the book for his own fanzine, eventually expanding the piece into a short book titled The Book on the Edge of Forever in 1988. Ellison’s literary estate is now managed by Babylon 5 creator J. Michael Straczynski, who announced in 2022 that The Last Dangerous Visions would finally be published in September 2024, preceded by new editions of the first two books.
  • Regular listeners will be familiar with Liz’s love for Diana Wynn Jones, and we’ve previously mentioned her 1988 novelette “Carol O’Neir’s Hundredth Dream”. It’s part of her Chrestomanci series of stories and books, set in a magical universe where there are a specific number of alternate worlds.
  • We’ve also previously discussed American horror and mystery writer Shirley Jackson (1916-1965), most notably in #Pratchat58, “The Barbarian Switch”. Her famous story “The Lottery” appears in the many collections, including 1949’s The Lottery and Other Stories. Dark Tales is a more recent anthology, published by Penguin in 2016.

More notes to come soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#PratchatNALC – Twice as Alive

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With the ei- the twice-fourth Australian Discworld Convention postponed until next year, Liz and Ben fired up their crystal balls to project themselves live for the one-day online event, Nullus Anxietas: The Lost Con! In this special one-hour mini-episode, we revisit the very first Terry Pratchett book discussed on the podcast: the fifteenth Discworld novel, 1993’s Men at Arms!

You can of course listen to #Pratchat1 again if you like, though we’ve included a few important excerpts in this revisit episode. As well as discussing the book in the light of everything we’ve read (and everything that’s happened) since, we reminisce about figuring out how the podcast would work, and answer some questions posed by the live online audience. Has your opinion of Carrot/Angua changed over time? Is Cuddy’s death still too upsetting to think about? What other names and Discworld-specific words are we pronouncing wrong? We’d love to know! (Except maybe that last one.) Use the hashtag #PratchatNALC on social media to join the conversation.

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Intrigued by the idea of a Discworld fan convention? You should be! Old-school fan conventions are few and far between, and we’d love you to support one of the few left in Australia. Find out more about Nullus Anxietas, the Australian Discworld Convention, and get a convention membership (attending or supporting) at ausdwcon.org. You can also follow Nullus Anxietas on Twitter, Instagram and Facebook.

You can find the full show notes and errata for this episode on our web site.

Huge thanks to everyone who attended the convention, those who listened to us live and asked questions, and to the other panelists – there were some amazing discussions and great fun to be had by all! Especially big thanks once again to the massive team of hard-working volunteers and committee members at Nullus Anxietas, especially “the Man with the Vote”, Steve Lewis, and question wrangler Danny Sag. While Nullus Anxietas 7A was sadly cancelled in the end, the Australian Discworld Convention returns to life in 2024 with Nullus Anxietas IX: Come ALIVE in Überwald! in Adelaide. We hope to see you there.

This is the closest thing we’ve done to a live show since our appearance at the last Nullus Anxietas convention, but the online format seemed to work pretty well. We’ll look into the possibility of doing our more online live events in future – let us know if that’s something you’d like to see!

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat40 – The King and the Hole of the King

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Comedian Richard McKenzie returns to get a bit gothic as he, Liz and Ben head to Überwald to discuss The Fifth Elephant in the room…by which we mean the twenty-fourth Discworld novel, published in 1999.

As Ankh-Morpork and its neighbours embrace modern semaphore technology, trouble is brewing among the dwarfs. A new Low King is soon to be crowned in Überwald – and not everyone is happy with the choice. The Patrician selects just the right “diplomat” for the job: the Duke of Ankh, Sir Samuel Vimes. He reluctantly agrees to face vampires, werewolves, Igors and dwarf politics in a place where his Watch badge holds no sway. He’s not going alone – though Sergeant Detritus (a troll) and Corporal Cheery Littlebottom (the first openly female dwarf) are not likely to be popular with the traditional dwarfs of Überwald. Luckily he also has diplomatic attaché Inigo Skimmer, and his strongest ally: his wife, the Lady Sybil Ramkin…

After exploring one vampire family from Überwald in Carpe Jugulum, Pratchett takes Sam Vimes out of his comfort zone and into the lands of the fabled fifth elephant, while making far fewer references to the Luc Besson film than you’d expect. With Carrot and Angua off on a B-plot, and Colon, Nobby and the rest of the Watch left behind in the C-plot, it’s also a chance for background characters Detritus, Cheery and Lady Sybil to shine. The novel also expands on the culture of vampires, werewolves, Igors and especially dwarfs, building the foundations for many future novels.

It’s a great read for a Discworld fan – but would The Fifth Elephant make a confusing introduction to the series? Was this Sybil’s finest hour, or were you left wanting more of her? Does a beloved character do a murder? If so, is it okay? And did Carrot really need to be there, or was he just a Gaspode enabling device? Tell us by using the hashtag #Pratchat40 on social media to join the conversation!

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Returning guest Richard McKenzie is hopefully back to hosting trivia twice a week, on Thursdays and Sundays, at the Cornish Arms on Sydney Road in Brunswick, Melbourne. He and Ben devised the Dungeons & Dragons themed impro comedy show Dungeon Crawl, which now usually appears at Melbourne games expo PAX Aus. Richard also appears in the lineup of ensemble comedy shows The Anarchist Guild Social Committee and Secondhand Cinema Club.

A a quick reminder that you can order Collisions, the short story anthology from Liminal Magazine, from your local bookshop! It includes Liz’s story “The Voyeur” and fifteen others. The link also has some online sources if you need ’em.

Next time we’re reading something very different: Pratchett’s standalone, non-Discworld young adult novel from 2008, Nation! We’ll be joined by educator Charlotte Pezaro. Send us your questions using the hashtag #Pratchat41, or get them in via email: chat@pratchatpodcast.com

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.