Elizabeth Flux

#Pratchat82 Notes and Errata

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These are the episode notes and errata for Pratchat episode 82, “Clack Go the Gears”, discussing Leonard Boyd and David Brashaw’s 2015 board game Clacks, based on Pratchett’s 33rd Discworld novel, Going Postal, with guests Nicholas J Johnson and Lawrence Leung.

Iconographic Evidence

A photograph of the Clacks board game components laid out on a small table in front of the box. These include the board; square wooden lamp tokens; small wooden “meeples” - humanoid playing pieces - for one player and for the Post Office; a cardboard “Deep Dwarf” token; wooden Clacks tower pieces; the game manual; the large Clacks code reference card; a cloth bag filled with square jacquards; an egg timer; and the cards for Clacks message words, fault and incident reports, and operator’s logs.
The original edition of Clacks with all the components for a solo game laid out.
The box art for the original edition of Clacks.
The, set up with lamp tiles, one player meeple, and some Clacks tower markers.
The Clacks manual, made to look like a techincal manual for a Clacks tower.
Example Clacks message cards.
Some of the jacquards, with the patterns of lights they can affect.
Two of the three types of cards: Fault Reports, used in the competitive game, and Incident Reports, used in cooperative and solo games.
A competitive game in progress – note this is before Ben fell behind everyone else…
The end of Ben’s solo game – pipped at the post by Moist von Lipwig!
Ben’s words for the solo game.

Notes and Errata

  • The episode title repurposes “Click Go the Shears”, a popular Australian folk song about sheep shearers. The song’s lyrics were first published as “The Bare-Belled Ewe” in 1891, though the original author is known only as “C. C.”. It’s set to the American Civil War tune “Ring the Bell, Watchman” by Henry Clay Work from 1865, and the first verse parodies the lyrics of the original. It wasn’t widely popular until it was republished and recorded in the 1950s, but is now very well known. Ben used “gears” for the rhyme in the title, but of course it’s the shutters that make the clacking noise in the towers. Ben had a go at a full Clacks-based chorus:
    Clack go the shutters, boys, clack clack clack!
    Quick eye and hands as you send a signal back
    Check it twice for errors and then add it to the queue
    And watch the drop so you don’t end up as a GNU!
  • Nick and Lawrence were previously guests to discuss Going Postal in #Pratchat38, “Moisten to Steal”, back in December 2020. We also have notes for that episode, which include quite a bit about the real-world precedents for the Clacks.
  • Ben’s had a look but so far hasn’t been able to identify the craft book that showed him how to make a zither. We’ll add it if he does! A zither, by the way, is a wooden stringed instrument with no neck. It looks and sounds a bit like a cross between a harp and a guitar.
  • The correct name for the “craw” of a zither or other wooden string instrument is, in fact…sound hole! Who’d have thought. Holes with specific shapes can have more specific names, like the “f-holes” in violins.
  • The Collector’s Edition of Clacks was released in 2021. While Ben is correct in his footnote that it was originally planned for the 5th anniversary in 2020, its official name is “Collector’s Edition”; it just also has “5th Anniversary” written in the top left corner of the box’s cover.
  • Mousetrap is a classic board game for children first published in 1963. Like many games of this era, it has a great gimmick, but is otherwise…not very good. In Mouse Trap’s case, the gimmick is a set of small plastic buckets, see-saws, ladders, balls, pipes and other household objects. As players roll dice and move their mice pieces around the path on the board, they gain and lose wedges or cards representing pieces of cheese, and assemble the toys into a Rube Goldberg-style contraption with a cage suspended over a final space. In the original design (including the 1986 Milton Bradley edition that Ben played as a child), the game ends with the players continuing to circle a final loop in the path on the board. One of these final spaces allows a player to rotate the crank that might set off the trap and capture a mouse, and the game ends when only one mouse is left. The original version includes a diver and a bathtub, though its been revised a few times – including getting rid of the final loop, and making the objective to collect the most cheese. A new version, first published in 2001, has a new trap design which replaces the bathtub with a toilet, but the original is still in print.
  • In The Lord of the Rings, the warning beacons of Gondor are bonfires on mountaintops used to signal alarm in the kingdom of Gondor. They are lit during The Return of the King; in the book there are seven, and they’re lit when news of the invading fleet of ships is received. In the film, Denethor, the Steward of Gondor, refuses to call for aid, but Gandalf has Pippin light the beacon in Minas Tirith. There are nearly twice as many beacons in the film, which light up one by one until they are visible in Edoras, where Aragorn is trying to convince King Théoden to come to Gondor’s aid.
  • Wikisneaks, designed by Ben McKenzie and Jess Kilby, was played outside on the lawn of the State Library of Victoria as part of the playful program at the 2013 Freeplay Independent Games Festival. Not only could teams negate or steal other teams’ points, the number of points you scored determined how many pieces of a final puzzle you received! Much like in our game of Clacks, though, in the end the players all helped each other. You can find a description and photos of Wikisneaks on the old Pop Up Playground website.
  • Binary – in the computing sense – refers to systems which, at their simplest, are based on “bits” of data which can contain one of two pieces of information, usually rendered as zero or one. These bits are combined in larger groups to store more complex information; for example a byte stores eight bits, and is the basis of most modern computing systems. In old-school text encoding, each character – a letter, number or punctuation mark etc – is stored as a byte. In modern computing, the unicode standard – which attempts to store character information for every language – has versions that use 8, 16 and 32 bits, among others – though not a 6-bit one like the Clacks use.
  • Braille is a touch-based alphabet intended for use by blind and vision-impaired people. It uses patterns of raised dots in a two-by-three grid to represent letters and numbers, and it can be printed using embossing, or dynamically rendered using refreshable displays (which handily maps onto binary bits since each dot in the grid can be raised or flat). Notably the Clacks codes do not match Braille patterns, which should come as no surprise since they are intended to visually resemble the letters they represent. Braille was created by Louis Braille in 1824, originally in French, and intended as an improvement on a previous “night writing” alphabet. It is now used for writing more than a hundred languages around the world.
  • Pictionary is a party game first published in 1985, and was a massive hit at the time. It takes the parlour game of charades and translates the play-acting to drawing, while also providing a simple structure through the use of a board and prompt cards.
  • Klotz is not, as Ben mistakenly thought during the game, the name of a golem, but rather a place – probably in Überwald – mentioned in passing in Carpe Jugulum. It’s where vampires can be dispatched by having a lemon shoved into their mouth before being decapitated.
  • Many successful board games, especially simple and family friendly ones, have licensed variations tying in with all kinds of other brands. The undisputed king of this is Monopoly, which has had hundreds of versions tying in to everything from The Simpsons and Doctor Who, to the Olympics, the AFL (including specific teams), Harley Davison motorcycles and many many more. Monopoly almost never changes anything significantly – it just replaces the names and art on the board, and the design (and sometimes names) of the cards and money. Cluedo (or Clue in the US) is another popular one, though the original murder is often translated into another kind of mystery to suit the tone of the license; for example, in Friends Cluedo, the players are trying to discover which of the friends is keeping a secret, and what that secret is. Love Letter (see below) and Pandemic have also had this treatment, though the Star Wars and World of Warcraft versions of Pandemic are changed enough that they feel like distinct (though closely related) games.
  • Speaking of Pandemic, it’s a great example of action points in games. This is a mechanic (or kind of rule) in which a player has a limited number of points each turn to spend on taking specific actions. In a simple system, each action costs one point, but in some games – like Clacks – some actions will cost more points, further constraining the player’s choices. Often these choices are fixed, but Clacks attaches most of them to the jacquards; sometimes you can afford to play more than one, and sometimes you can’t.
  • We discussed The Witches board game in #Pratchat67, “The Three-Elf Problem”. It’s a semi-cooperative game, and uses the most common version of that setup: the players have to work together to avoid losing as a team, but they are still competing to be the single winner at the end of the game.
  • Love Letter is a 2012 microgame designed by Seiji Kanai. It uses a deck of just sixteen cards (in the original version), each representing a person at court to whom a player is giving the love letter they want passed on to the Princess. While the theme is cute, the play is quite cutthroat, with players usually winning by eliminating their rivals; if there is more than one left at the end of a round, then the one with the highest-ranking member of court wins. It’s been reimplemented with many altered themes, including versions about writing to Santa, capturing Batman villains and – like every game at some stage, it seems – investigating the horrors of the Cthulhu mythos. Most alternate versions include at least a couple of extra or modified cards, and there are also multiple versions of the original with varying numbers of extra cards to accomodate more players. A second edition released in 2022 expanded the size of the deck to twenty-eight cards, but the original version and its main variations remain the most popular.
  • Castles of Mad King Ludwig is a 2014 board game designed by Ted Alspach. Players try to build a castle that will please the random desires of a King loosely based on Ludwig II of Bavaria, who built a lot of fancy fairytale castles in the nineteenth century. As one of the only five board games Liz has ever played, we’ve previously mentioned it in #Pratchat21 “Memoirs of Agatea” (about Interesting Times), #Pratchat67, “The Three-Elf Problem” (about The Witches board game), and #Pratchat75, “…And That Spells Trouble”, (about the Guards! Guards! board game).
  • Wingspan is a hugely popular, multi award winning 2019 board game designed by Elizabeth Hargrave. Players try to attract birds to their three habitats, in an “engine-building” style of game play where you try to pick combinations of bird powers that will work well together to generate the most points by the end of the game. It’s very successful, not least because of the delightful theme and gorgeous watercolour bird art on the cards, and there have been multiple expansions adding birds from other parts of the world to the North American birds in the original. A more recent spin-off, Wyrmspan, swaps the birds for dragons and adds a bit more complexity.
  • Parasite is a 2019 comedy thriller South Korean film, written and directed by Bong Joon-Ho. It depicts the struggling Kim family, who scam their way into a number of jobs for the wealthy Park family.
  • Squid Game is a 2021 South Korean black comedy series made for Netflix, created by Hwang Dong-hyuk. In the series, poor Koreans are offered a chance to win massive cash prize by competing in a secret tournament of deadly versions of children’s games.
  • We previously talked about Mahjong way back in #Pratchat12, “Brooms, Boats and Pumkinmobiles”, where we compared it to Cripple Mr Onion. It’s a Chinese game, usually for four players, which uses a set of 144 or more big clacky tiles, mostly “simples” numbered 1 to 9 in three suits, plus some “honours” and unique bonus tiles. Players begin with a hand of thirteen tiles, and take turns to discard ones they don’t want, draw new ones, and sometimes steal tiles discarded by other players. The aim is to collect and declare (by calling “Mahjong”) a named sets of tiles which meets a minimum number of points, decided in advance; the overall winner is the player with the highest cumulative score over several games. But it’s also important to know that there are as many (likely many more) variations on Mahjong as there are of poker, so you’ll want to learn the version your local community plays. To learn more, one place to start might be episode #211 of the Shut Up & Sit Down podcast about how they tried and failed to make a video review of Mahjong.
  • For more on how Leonard and David created Guards! Guards! and Clacks, we recommend listening to David Brashaw’s interview with our sibling podcast The Truth Shall Make Ye Fret. You’ll find it in the episode “Picture Books and Board Games with Pratchat and David Brashaw” from 20 November 2023; David’s interview starts at around the 1 hour, 8 minutes and 45 seconds mark, after a discussion with Liz and Ben about Where’s My Cow?
  • We discussed Thud, the 2002 board game designed by Trevor Truran, back in #PratchatPlaysThud, “The Troll’s Gambit”; and Thud! the book in #Pratchat61, “What Terry Wrote”. There’s some commentary in both episodes, and their accompanying notes, about the way the game came about and inspired the novel.
  • BoardGameGeek, or BGG for short, is a fan-run board game database, very much the equivalent of the Internet Movie Database for games. It was created in 2000, and is still running strong. Its an excellent place to find details, photos and rules clarifications for board games of nearly any vintage; we’ve linked games mentioned in these notes to their entries on the site. You can find Ben on there under the username beejay.
  • The BGG rating system has been consistent for a long time. Any user with an account can rate any game with a score between 1 and 10, and given a weighted average score, which is what you see on the main page for a game. The official descriptions of what each rating mean relate not just to how much a player enjoyed the game, but how willing they are to play it again; for example, 10 is “Outstanding. Always want to play, expect this will never change.” and 1 is “Defies description of a game. You won’t catch me dead playing this. Clearly broken.” Clacks currently has a score of 6.2, where 6 means: “Fair. Some fun or challenge at least, will play occasionally if in the right mood.” Ben’s definition for 7 is actually closer to that of 8; 7 is “Good. Usually willing to play.” while 8 is “Very good. Like to play, will probably suggest it, will never turn it down.”
  • A Fake Artist Goes to New York is the English translation of Jun Sasaki’s 2011 game エセ芸術家ニューヨークへ行く, one of a series of games in very small boxes from the company Oink Games. In the game, the players are all artists drawing a picture together, each adding one line at a time, without saying what they’re trying to draw. When the cards with the thing to be drawn are handed out, one random player gets a card that instead just says “fake” – so they don’t know! Their job is to guess what they’re drawing, while the other players have to try and guess which one of them was the fake artist. A similar game is Alexandr Ushan’s Spyfall from 2015, in which one player is a double agent who doesn’t know where the other spies are meeting. Players take it in turns to ask each other questions, hoping to either find out where they are, or identify the double agent.
  • The Undergraduate Medicine and Health Sciences Admission Test, or UMAT, was a test used in Australia and New Zealand from the 1990s to the 2010s as a mandatory part of the selection process for medical students. Part 3 of the test dealt with “non-verbal reasoning”. The UMAT – along with a graduate equivalent, the GAMSAT – was created by the Australian Council for Educational Research (ACER), but was eventually found to be a poor predictor of who would succeed in a medical degree. In 2019 it was replaced by the University Clinical Aptitude Test (UCAT), an updated version of a test used in the UK since 2006.
  • Exploding Kittens is a 2015 card game created Matthew Inman, Elan Lee and Shane Small, the first to be published under the banner of Inman’s popular web comic The Oatmeal. The game involves drawing cards representing various kittens with different powers and abilities; if you draw the exploding kitten you lose the game, but the other kittens let you avoid this by putting the kitten back in the draw pile, forcing other players to draw cards, peeking at the top cards in the deck and so on. It was notable at the time for being the biggest Kickstarter game project ever, raising more than eight million dollars; it’s still the fourth biggest game crowdfunding campaign ever, and there have been many expansions, spin-offs and other games from the same studio. The official website includes the original instructional video on how to play.
  • Ticket to Ride, designed by Alan R. Moon and originally published by Days of Wonder in 2004, is a classic train game. Players collect train cards and play coloured sets of these cards to claim routes between cities on a map. This scores points, but the real kicker is at the end of the game, when players reveal the secret route ticket cards they collected at the start; if they connected the cities on the card, they score bonus points, but if they didn’t, they lose that many points. The original uses a map of the USA in the nineteenth century, but there have been many other versions with maps of other countries and regions, and most recently a “legacy” version of the game which adds additional rules as it progresses.
  • Sagrada is a 2017 game by Adrian Adamescu and Daryl Andrews. Players are artisans, and draft colourful translucent dice to place on a grid to create a stained glass window. The numbers rolled on the dice indicates the shade of the colour, and players score points based on how they’ve placed their dice and secret bonus objectives. The name comes from the Sagrada Família, the largest unfinished Catholic church in the world, which has been under construction in Barcelona since 1882.
  • The Truth Shall Make Ye Fret is actually the sixth podcast to have read and discussed every Discworld novel. The first five, in order, were Radio Morpork, The Death of Podcasts, Wyrd Sisters, The Compleat Discography and Desert Island Discworld. The next one is likely to be the first broader book podcast to do it, Fiction Fans. (You can find indexes of these shows and of their episodes for individual books at our side project, The Guild of Recappers & Podcasters.)
  • Marc Burrows’ one man show The Magic of Terry Pratchett will play at the Adelaide Fringe Festival from 21 February to 7 March, 6 PM on the main stage at the Arthur Arthouse. Tickets are $28 and there’s a group from local fan club City of Small Gods going on 28 February if you want to meet some fellow fans (and Pratchat listeners). Get all the info and book tickets on the Adelaide Fringe website.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat38 Notes and Errata

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These are the show notes and errata for episode 38, “Moisten to Steal“, featuring guests Nicholas J Johnson and Lawrence Leung, discussing the 33rd Discworld novel, and the first to feature Moist von Lipwig, 2004’s Going Postal.

Iconographic Evidence

  • David Lynch’s 1984 film adaptation of Frank Herbert’s novel Dune is famous for many things. One of them is British singer Sting’s supporting role as Feyd-Rautha, sadistic nephew of the evil Baron Harkonnen. He is introduced stepping out from jets of steam wearing only a pair of winged metal underpants, as captured in this gif:

Notes and Errata

  • The episode title plays on the phrase used to refer to envelopes you have to lick in order to seal them – “moisten to seal”.
  • Ben is actually thinking of the music video (or “film clip” as he calls it) for Michael Jackson’s “Beat It”, the third single from Jackson’s 1982 album Thriller. The dance fight in question takes place during the guitar solo, and you can see it on YouTube here. (You can also see a parody of it in the music video for Weird Al Yankovic’s “Eat It”.)
  • Though the first editions of The Colour of Magic were published by Colin Smythe in 1983, it likely wasn’t available in Australia until the release of the Corgi paperback edition in 1985. This isn’t easy to verify though, so if you have any information on this, let us know!
  • We’ve previously discussed all three books in the Book of the Nomes trilogy, aka “The Bromeliad”: Truckers, Diggers and Wings.
  • We’ve also covered all three of the Johnny Maxwell books: Only You Can Save Mankind, Johnny and the Dead and Johnny and the Bomb.
  • We discussed Guards! Guards! with Aimee Nichols back in #Pratchat7A, “The Curious Incident of the Dragon and the Night Watch“.
  • We discussed Mort all the way back in our second episode, #Pratchat2, “Murdering a Curry“.
  • The Terminator is the titular protagonist of James Cameron’s 1984 science fiction film The Terminator. Arnold Schwarzenegger starred as the Terminator, a cyborg sent back in time by the artificial intelligence Skynet to kill Sarah Connor (Linda Hamilton). By doing so it hopes to alter the future in which her unborn son leads a resistance movement against Skynet’s machine army. The film was a success, and its direct sequel Terminator 2: Judgment Day (1991) even more so, resulting in a franchise of comics, novels, games, a TV series (The Sarah Connor Chronicles starring Lena Heady) and three further feature films. Cameron himself was only directly involved with the most recent film sequel, 2019’s Terminator: Dark Fate, which while getting the best critical response of the later films made the least money. Schwarzenegger appears in nearly all of the films as a version of the Terminator, creating an iconic character with his deadpan delivery.
  • Several news outlets, including The Guardian, reported in September 2020 that Australia Post management asked its office workers to volunteer to deliver mail – in their own cars – to help clear a backlog of deliveries.
  • The Clacks first appear in 1999’s The Fifth Elephant (discussed in #Pratchat40, “The King and the Hole of the King“), forming an important part of the plot. By the time of that book, semaphore towers have proliferated across Ankh-Morpork. The Watch seem to have their own system, but the Clacks stretches as far as Überwald and has caught on quickly since its invention. The Grand Trunk company does not yet have a monopoly on the system, though a trunk to Genua is being planned. It may also be the Dearheart system was just so superior that it outperformed all rivals, though it is more likely from the description of Gilt and his cronies’ business tactics that they bought up any competitors after they took over the company.
  • On Roundworld (i.e. our world), the earliest kind of semaphore tower first appeared around the 4th century BCE in Greece. Rather than a symbolic system of flags or lights, they used vessels of water which were emptied for an amount of time indicated by the sender through torch signals. The water would run out until it reached the level marked with the message the sender wanted to transmit. The more modern kind of tower, which resembles the Clacks, was the optical telegraph, inspired by military semaphore of the time – see the note below.
  • Le Comte de Monte-Cristo (in English, The Count of Monte Cristo) is a French serialised adventure novel written by Alexandre Dumas (1802-1870) and first published between 1844 and 1846. The hero, honest sailor Edmond Dantès, is on his way home to marry his fiancée in 1815 when he is framed as a traitor and sentenced to imprisonment in an island fortress. There he is mentored by a fellow prisoner, who helps him identify the three men who betrayed him. Dantès escapes, and secures the hidden treasure belonging to his mentor, but ignores his advice and uses it to seek revenge, disguised as “the Count of Monte Cristo”. One of his revenge plots includes Dantès bribing the poorly paid operator of an optical telegraph tower to send a false message, which is picked up by an official and passed indirectly to the Count’s victim.
  • There have been multiple versions of the optical telegraph. The best-known is the French system created by engineer Claude Chappe for the Revolutionary government in 1793, which is the one appearing in Dumas’ novel. Inspired by naval semaphore flags, Chappe created a system of pulleys that moved one large beam with a smaller rotating beam on each end; these could be quickly moved into many different shapes. He also devised the code used by the telegraph, and a set of rules for its operation, so he would likely have got along well with the crackers of the Smoking Gnu! The Clacks grid of shutters is probably mostly based on the system invented by Lord George Murray for the British admiralty in 1795, though this was superseded in 1816 by the simpler and easier to see system invented by Sir Home Popham.
  • Channel 4 sitcom The IT Crowd is set in the IT department of Reynholm Industries, where nerds Moss (Richard Ayoade) and Roy (Chris O’Dowd) end up with a new manager, Jen (Katherine Parkinson), who knows nothing about computers. It ran for four series from 2006 to 2010, plus a double-length finale in 2013. In the episode “The Speech” from series 3, Jen makes Roy and Moss write her an acceptance speech for an award; they decide to embarrass her by convincing her that a small black box with a blinking light is “the Internet”.
  • ADSL is a type of Digital Subscriber Line, a technology allowing fast transfer of digital information over old copper telephone lines by using frequencies not used by standard voice communication. The A stands for Asymmetric – ADSL provides a much faster speed for downloads than for uploads. Because there may be a great deal of noise on the line, depending on the gauge and quality of the copper network, ADSL is not suited to long-distance use so it is only deployed for up to a few kilometres from an exchange – and you are likely to get less noise over shorter distances, so if you’re closer to the exchange your signal will be clearer and consequently your speeds will be faster.
  • The Sting is a 1973 film directed by George Roy Hill and starring Paul Newman and Robert Redford. It won a slew of Oscars in 1973 and was so influential that according to Nick, there are two kinds of con artist films: those made before The Sting, and those made after! We don’t want to give anything away here, but if you want to know more, check out episode 21 of Nick’s old podcast Scamapalooza, in which he discusses the film with American author Matthew Specktor.
  • We’ve talked before about The Shawshank Redemption, Frank Darabont’s 1994 adaptation of the Steven King short story starring Tim Robbins and Morgan Freeman. It’s one of Liz’s favourite films; you can find some of the biggest mentions in #Pratchat14 and #Pratchat28.
  • Lawrence Leung’s Sucker began life as an award-winning solo comedy show in 2001, but was adapted into a feature film in 2015, starring John Luc as young Lawrence, Timothy Spall as a conman known as “the Professor”, and Lily Sullivan as his daughter, Sarah. It’s narrated by Lawrence as “The Real Lawrence Leung”.
  • Christopher Nolan’s 2005 film Batman Begins presents a bit of a departure from the standard origin story of Bruce Wayne; his parents’ murderer Joe Chill is caught and goes to prison, but is paroled when he testifies against mob boss Carmine Falcone. Now a young adult, Bruce plans to murder him but is beaten to it by a hitman working for the mob. It’s a conversation with Falcone himself that convinces Bruce to become a symbol of fear to criminals, but even after his return to Gotham he faces significant setbacks on the road to becoming Batman.
  • In the 2008 Bond film Quantum of Solace – referred to rather rudely by certain people on this podcast as “the shit one” – Bond is driving an investigation into a secret criminal organisation known as Quantum. They successfully frame him for murder and he is cut off from MI6, forced to go it alone.
  • Frank Abagnale Jr was a notorious conman of the 1960s who spent six years between the ages of 15 and 21 scamming banks, stealing money through elaborate schemes, and pretending to be a doctor, a lawyer and even an airline pilot. After he left prison he helped the FBI catch other conmen and eventually became a security consultant to banks and other organisations, helping them avoid being scammed. His 1980 autobiography Catch Me If You Can was adapted into a 2002 Hollywood film directed by Steven Spielberg, and starring Leonardo DiCaprio as Frank and Tom Hanks as an FBI agent trying to catch him. It was also adapted into a Broadway musical in 2011.
  • Ferdinand Waldo “Fred” Demara (1921-1982) was another impostor who not only pretended to be a doctor but also a school teacher, a psychology professor and a Christian Brother. He was caught several times but continued to assume new roles until he began to make money from his fame; television appearances on game shows made it more difficult for him to pretend to be someone else. In his later years he apparently tried to go straight, but was dogged by his past actions. He still managed to be friends with many high profile people, including the actor Steve McQueen. His life story was adapted into the 1961 film The Great Impostor, starring Tony Curtis.
  • We’ve previously talked about Giacomo Casanova (1725-1798) and his Discworld dwarfish counterpart Casanunda in our episodes about Witches Abroad, Lords and Ladies and Carpe Jugulum. The real Casanova left an indelible mark on Western culture by publishing a no holds barred autobiography, Histoire de ma vie (Story of My Life), which as well as giving us an accurate idea of 18th century European society made his name synonymous with “womaniser”.
  • The “Jedi mind trick” first appears in the original Star Wars (1977). Obi-Wan Kenobi uses the Force to convince some Stormtroopers that C-3PO and R2-D2 “aren’t the droids you’re looking for”, and explains to an impressed Luke Skywalker that “the Force can have a strong influence on the weak-minded.” Luke, Qui-Gon Jinn and Rey all use similar mind tricks in later films, but they don’t always work. It was first referred to as a “mind trick” by Jabba the Hutt in Star Wars: Return of the Jedi.

These show notes were delayed by Ben moving house in December, but he’s catching up!

#Pratchat38 – Moisten to Steal

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Writers, comedians, magicians and con-men experts Nicholas J Johnson and Lawrence Leung join us as we meet the distressingly named Moist von Lipwig in his 2004 debut, Terry Pratchett’s 33rd Discworld novel, Going Postal!

Con-man Moist von Lipwig (aka Albert Spangler) thinks he’s come to the end of the line when he’s hanged by order of Lord Vetinari, Patrician of Ankh-Morpork. But while the world believes him hanged, the city’s tyrant has actually saved him for something bigger: he wants Moist to revitalise the city’s derelict post office. It seems like a hopeless task with no chance of success or escape, what with the mountains of mail, unsatisfactory staff, golem parole officer, and the communications monopoly of the Grand Trunk Sempahore Company, run by the piratical Reacher Gilt. But every con-man needs a challenge…

Pratchett’s first Moist book is a great in to the Discworld at large, with a gripping self-contained story of new technology vs old, capitalism vs the public good, and one man’s lifetime of criminal habits vs his better nature. As well as Moist himself, it introduces such memorable characters as Mr Pump, Stanley the pin collector, and the one and only Adorabelle Dearheart. (Everyone in this book has an amazing name.) It’s not a short book, and we struggle to cover all its themes, twists and turns. Do you love Moist von Lipwig? Could you get over his name? Could you operate a Clacks tower? And just how deep did Vetinari’s plan go, anyway? Join the discussion using the hashtag #Pratchat38.

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Guest Nicholas J Johnson is an author, magician and expert in scams and swindles, earning himself the nickname “Australia’s Honest Con-Man”. His new children’s book, the “autobiographical” Tricky Nick, features magic and time travel and all sorts, and is available now from Pan Macmillan. Find out more about Nick’s live performances and workshops at conman.com.au, or follow him on Twitter at @countlustig.

Guest Lawrence Leung is a comedian, screenwriter and actor, known to Australian audiences from his roles in Offspring and Top of the Lake, and his own shows including Lawrence Leung’s Choose-Your-Own-Adventure and Maximum Choppage, and the feature film Sucker. Find out all the latest about Lawrence, including when you can catch his live-streamed comedy shows, at lawrenceleung.com, or you can follow him on Twitter at @Lawrence_Leung.

You can find episode notes and errata on our web site.

Our plan to cover Sir Terry’s short fiction was via live shows, but since that hasn’t worked out for us this year, in January we’re going to discuss 1998’s short witches story, The Sea and Little Fishes. We’ll also be welcoming our first international guest: Marc Burrows, author of the Pratchett biography The Magic of Terry Pratchett! Send us your questions via social media using the hashtag #Pratchat39.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat81 Notes and Errata

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These are the episode notes and errata for Pratchat episode 81, “Only Fowls and Horses”, discussing Terry Pratchett’s 1990 short story “Hollywood Chickens”, and 1972 short story “From the Horse’s Mouth”, with guest Dr Laura Jean McKay.

Iconographic Evidence

We’re hoping to find the illustration from the original version of “Hollywood Chickens” from More Tales From the Forbidden Planet; if you have access to a copy, please let us know!

Notes and Errata

  • The episode title is a pun on Only Fools and Horses, a popular BBC sitcom which originally ran between 1981 and 1991, and continued to show up in the form of Christmas specials until 2006. It starred David Jason (known to Discworld fans for playing Albert and later Rincewind in The Mob’s adaptations for Sky Television) and Nicholas Lyndhurst as “Del Boy” and Rodney Trotter, two half brothers living in south-east London. The show revolves around their various get rich schemes, mostly to do with buying and selling dodgy goods. It holds the record for the highest ratings for a UK sitcom, with 24 million people tuning in to watch the supposed last ever episode in 1996.
  • If The Animals in That Country sounds familiar it may be because it’s won many awards, including the 2021 Victorian Prize for Literature, the 2021 Victorian Premier’s Literary Awards Prize for Fiction, being named a Slate and Sunday Times Book Of The Year, and the 2021 Arthur C. Clarke Award. The title might also be familiar – it’s named after a collection of short stories by Margaret Atwood.
  • Thelma & Louise – the regular one, without a dingo – is a beloved 1991 film directed by Ridley Scott (yes, the Alien guy) and written by Callie Khouri. It stars Geena Davis and Susan Sarandon as the titular friends, whose holiday road trip goes horribly wrong…which isn’t a great description of the film, but it’s considered a modern feminist classic for good reason. David and Sarandon were both nominated for Academy Awards, and it was also nominated for several others, winning for Best Screenplay. A musical version is currently in development.
  • Pratchett’s most prolific year was, in fact, 1990 – the same year he wrote “Hollywood Chickens”. That year he published five novels: Diggers (#Pratchat13), Good Omens (#Pratchat15), Wings (#Pratchat20), Eric (#Pratchat7) and Moving Pictures (#Pratchat10).
  • Anaïs Nin (1903-1977), whose full name was Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell, was a French-American writer best known for her prolific personal journals, which she started writing at the age of 11.
  • Pratchett actually says that “short stories cost me blood” twice – and in the same book! In A Blink of the Screen, he says this in the author’s note for “Turntables of the Night” (see #Pratchat72, “The Masked Dancer”) and “The Sea and Little Fishes” (see #Pratchat39, “All the Fun of the…Fish?”).
  • Pratchett’s meeting with Arthur C. Clarke is detailed in Chapter 3 of A Life With Footnotes. It did indeed happen in the toilet.
  • The Arthur C. Clarke Award is a British award for the year’s best science fiction novel. It was established in 1987 via a grant from Clarke; the winner is chosen by a panel made up of members of three prominent British science fiction organisations. The Animals in That Country won in 2021; the most recent winner is Martin McInnes for his novel In Ascension.
  • Diane Duane is an American science fiction and fantasy author, best known for the Young Wizards series of fantasy novels, as well as decades of work on Star Trek as a novelist, screenwriter and more. But that’s just scratching the surface of her work. As Diane was kind enough to point out to us in a comment below (when this note was sadly left very unfinished), she was also a long-time friend of Pratchett’s. We’ve previously linked to Diane’s blog post about the Maggi soup ads incident, as well as this post about it on the Stuffed Crocodile blog; both of them have pictures of the affected books. The previous mention of the soup story was in Eeek Club 2023.
  • The Hollywood Freeway Chickens are absolutely real, though their origins are a mystery. The original colony lives near the exit to Vineland Avenue, and they seem to have been there since 1969 (so a bit earlier than Diane’s story). There’s also a second colony, the “New Freeway Chickens”, a couple of miles away. Several people have come forward over the years claiming to have put them there (via truck accident or otherwise), but none of these stories have been verified. Attempts to remove the chickens have never managed to catch them all, so while we couldn’t find definite confirmation of this, it seems likely that they’re still there now. Listener Natalie was kind enough to ask Diane Duane about it via Tumblr on our behalf; and Diane was a good sport and gave a lovely answer. You can read the original discussion on Tumblr, but in brief: Diane had seen the chickens “often”, and mentioned that “when the subject came up in some convention bar or other, (a) we were in Telling Another Writer About A Cool if Unlikely-Sounding Thing mode—at which time you do not “pull the long bow,” just lay out the facts as known to you—and (b) I knew quite well Terry’d later do his fact-checking and possibly find out more about the story than I knew: which would be fun. …Thus (eventually/accidentally) leaving me with one of the greatest blurb slugs ever seen. 😄”
  • The X-Files (1993-2002; 2016-2018) is a classic sci-fi crime drama. It follows two FBI agents, weirdo Fox Mulder (David Duchovny) and skeptical Dana Scully (Gillian Anderson), who are assigned weird unsolved cases – the “X-Files” – which usually (but not always) have a supernatural explanation. We’ve previously mentioned the show in #Pratchat35, #Pratchat36, #Prachat42 and #Pratchat69.
  • The Ursula Le Guin story about ants Laura mentions is “The Author of the Acacia Seeds and Other Extracts from the Journal of the Association of Therolinguistics”, first published in the 1974 anthology Fellowship of the Stars. The phrase being debated in the story is indeed “Up with the Queen!”
  • More notes coming soon.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#EeekClub2023 Notes and Errata

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These are the episode notes and errata for our special Glorious 25th of May episode, “Eeek Club 2023“, discussing topics chosen by our Eeek tier subscribers.

Iconographic Evidence

The “I’m not an actor” scene from My Favourite Year, starring not Laurence Olivier, but Peter O’Toole.

Notes and Errata

  • If you need an explanation of the Glorious 25th of May, see #Pratchat54, “The Land Before Vimes”, our episode discussing Night Watch. As mentioned in our previous Eeek Club specials, the 25th of May is also Towel Day and Geek Pride Day.
  • This is our third Eeek Club special; the other two are (predictably) Eeek Club 2021 and Eeek Club 2022.
  • The Pratcats are the cat owners of your two human hosts. They are Asimov and Huxley, who live with Liz, and Kaos, who lives with Ben. Kaos lived up to his name this episode when he unplugged Ben’s microphone near the end of the recording; if you notice any decline in audio quality towards the end, that’d be why.
  • We mention a lot of actors and shows in our casting discussion:
    • Brian Blessed has been suggested as a Mustrum Ridcully by many, many fans, if you go looking, so it’s a little surprising Ben hasn’t seen anyone do it before. Ben lists many of his famous screen roles, but Blessed wasn’t in Excalibur; in Ben’s defence, as he says, everyone else was. One role Ben neglected to mention is that Blessed was in the 1995 television adaptation of Johnny and the Dead, playing William “Bill” Stickers. A dream come true for Pratchett if he did base Ridcully on him!
    • Elisabeth Moss is an American actor best known for her starring role as June (aka Offred) in the television adaptation of The Handmaid’s Tale, but has also been in the 2020 film version of The Invisible Man, the television adaptation of time travel horror Shining Girls, and the upcoming Taika Waititi film Next Goal Wins. Liz also mentions The Square, a 2017 Swedish satirical film directed by Ruben Östlund, in which Moss plays a journalist named Anne.
    • Richard Ayoade’s more recent screen roles have included voice acting in The Lego Movie 2, The Mandalorian, DreamWorks’ The Bad Guys and Pixar’s Soul, as well hosting the television shows Gadget Man and Question Team and frequently appearing as a guest on panel shows. He was also in the other The Watch, a terrible 2012 movie about a group of idiot neighbourhood watch members who stumble across an alien invasion. (It was discussed by our sibling podcast, Who Watches the Watch, in the episode “Who Watches ’The Watch’ (2012)”.)
    • Taika Waititi is now best known as a director of big Hollywood films, but we still fondly remember him as Viago in the original What We Do in the Shadows, which also features his Our Flag Means Death co-star Rhys Darby, the third member of Flight of the Conchords. If you’re not familiar with Our Flag Means Death, it’s a heartwarming, comic, queer retelling of the story of Stede Bonnet, a real merchant turned pirate from the golden age of piracy, who did indeed cross paths with Edward Teach, aka Blackbeard.
    • Charles Dance is now most famous for playing Tywin Lannister, the scheming patriarch of House Lannister, in Game of Thrones, but his turn as Vetinari in Going Postal was just the year before! He’s also known for Alien3, The Crown and more recently the Netflix adaptation of Neil Gaiman’s The Sandman, where he appears as Roderick Burgess, the man who summons and traps Dream and sets the plot of the series in motion.
    • Yeun Sang-yeop, or Steven Yuen as he’s usually credited, does indeed play Glenn in The Walking Dead; he played the character for a little over six seasons. You may also have seen him in Bong Joon-ho’s Netflix film Okja, Jordan Peele’s recent sci-fi spectacle Nope, or as the voice of the title character in the animated Amazon superhero adaptation Invincible. He’s also in Love Me, a sci-fi film scheduled for release in 2024 and apparently not related to the TV series.
    • Ivor Novello was a Welsh singer and actor, who gained fame not only in silent films but also on the stage. He was a successful composer and writer too, with many hit films and stage musicals from the 1930s to the 1950s.
    • Melissa Jaffer has had a long career in Australian television, but you probably know her from the gloriously weird US/Australian sci-fi series Farscape, where she played Utu-Noranti Pralatong in the show’s final seasons. The ABC’s Swap Shop, which ran for a single season of 52 episodes in 1988 (and managed to so impress itself on a young Ben’s brain), featured Jaffer as Mimi, the proprietor of the tiitular shop where anyone could swap something new for something in the shop. It’s not related to the earlier BBC series The Multi-Coloured Swap Shop, a live Saturday morning show for kids hosted by Noel Edmonds, or the reboot of that Swap Shop with puppet fox Basil Brush, Basil’s Swap Shop, in 2008.
    • Bob Morley is an Australian actor best known, as Liz mentions, from teen sci-fi drama The 100, which she’s mentioned on the show before. As well as roles in both of the major Australian soaps, Home and Away and Neighbours, he’s recently appeared in episodes of Nathan Fillion’s police drama The Rookie and the Australian series Love Me for streaming service Binge, an adaptation of the Swedish series Älska mig.
  • In Miss Fisher’s Murder Mysteries, the television adaptation of the Phyne Fisher books written by Kerry Greenwood, the titular detective is played by Essie Davis, who was . Davis’ version of the character seems to be somewhere in her 30s or early 40s, but in the novels Phryne is 28.
  • Guest Andy Matthews joined us in #Pratchat64, “GNOME Terry Pratchett“, to discuss the short story “Rincemangle, the Gnome of Even Moor”.
  • It is indeed Ponder who, with the help of Ridcully and the other wizards of the High Energy Magic Building, traps sound in a string in a box in Soul Music. More on the book in #Pratchat19, “It Don’t Mean a Thing if it Ain’t Got Rocks In”.
  • The “Machete Order” for Star Wars is named after the blog on which it first appeared, “No Machete Juggling”, written by film fan Rob Hilton in 2011. The basic idea is to avoid spoiling the big reveal near the end of The Empire Strikes Back, which comes as no surprise if you’ve already watched the prequel movies. The original recommendation is to watch Episodes IV, V, II, III and VI in that order, leaving out Episode I entirely. Others have gone deeper, suggested specific moments when you stop one of the films to watch others before returning to the film you paused, or including only specific scenes from certain films, and so on. You can read the original blog post on Rob Hilton’s current website, alongside an update which answers questions and adds the sequel films (the short answer is anything after Episode VI is just watched in chronological order).
  • As we’ve noted in our episodes about them, Tiffany ages 1-3 years between most of her books, whereas the gap between other Discworld novels usually seems shorter, but also is never stated as clearly. There are therefore two different attempts to assemble a timeline of the series just on the L-Space wiki; for the record, Ben prefers the original. In shorthand, though, most of the books take place in chronological order, with the notable exception of Small Gods (most of which happens about a century before everything else), and possibly Pyramids, though the discrepancy over this is happily waved aside in Thief of Time.
  • Catfishing refers to using a fake identity, including using photos of someone else, to interact with other people via social media. The term was coined by the 2010 documentary Catfish, which documents an online relationship begun by the brother of one of the filmmakers which turns out to be with a fictional person. There’s some controversy over how early the creators knew about the deception, and whether they pretended not to catch on in as part of making the film, but the false persona and the person behind it were real. The term comes from a story told by a person in the film about how catfish were sometimes shipped with cod to keep them alert and active, even though the cod were the marketable fish.
  • Byron Baes is a 2022 Netflix reality series set in the beach town of Byron Bay, New South Wales, following the lives of several social media stars. Byron is a hotbed of dubious wellness and hippie culture and has become hugely commercialised over the past few decades, so it’s no surprise influencers spend a lot of time there.
  • We’re sure we’ve linked to the British man who greeted his farm animals on social media before, but we’ve so far been unable to find him (it’s not easy searching through nearly seventy previous episodes’ worth of notes). If you know who he is, let us know!
  • For those who missed the Maggi Noodles reference, Pratchett famously cancelled his contract with his original German publisher Heyne Verlag when he discovered they were inserting ads into the middle of their sci-fi books – including ads for Maggi Soups (not noodles) in their translations of Pyramids, Sourcery and others. It wasn’t just an inserted extra page, either – they added text to the book to give context to the Maggi logo! This post on the Stuffed Crocodile blog has a good summary of the whole palaver, including a picture of an affected copy of Sourcery. Pratchett wasn’t singled out for this nonsense; author Diane Duane has also written about this, including some images of Heyne’s altered translations of her Star Trek novels, and the story of how Pratchett found out about it. Diane noticed this link and blogged about it briefly again on Tumblr. (Hello to Diane, and to any listeners who found us via that link!)
  • Liz’s short story about women transforming into mops is “Call Him Al”, published in Meanjin in 2017. You can read it online.
  • We discussed the first Tiffany book, The Wee Free Men, in #Pratchat32, “Meet the Feegles”.
  • We discussed the concept of Ankh-Morpork elections in last year’s Eeek Club 2022, and it was indeed Karl’s question. (It’s right at the end.)
  • Thanks to subscribers Sally and Danny, who pointed out that we haven’t yet read the last important book which involves Nobby and Colon. Ben clearly doesn’t remember Snuff as well as he thought! (But no further spoilers, please.)
  • For more on Teppic, Ptraci, Djelybeybi and You Bastard the camel listen to our Pyramids episode, #Pratchat5, “Ten Points to Viper House”.
  • Victor Tugelbend and Theda “Ginger” Withel are protagonists in Moving Pictures, which we discussed in #Pratchat10, “We’re Gonna Need a Bigger Broomstick”.
  • It’s not Laurence Olivier but Peter O’Toole who utters the line “I’m not an actor, I’m a movie star!” It’s from the 1982 film My Favourite Year; see the iconographic evidence section above for the clip.
  • Liz mentioned the “AI Influencer” Lil Miquela, who is entirely artificial. You can find her as @lilmiquela on Instagram, where her bio reads “🤖 19-year-old robot living in LA 💖”. Be warned, she’s a bit uncanny valley.
  • We’ve mentioned Jasper Fforde many times; he’s most famously the author of the Thursday Next series of novels in which the titular heroine lives in a world where fiction and reality are blurred, and investigates literary crimes. We are eagerly awaiting Red Side Story, the follow-up to his weird sci-fi novel Shades of Grey (subtitled The Road to High Saffron to differentiate it from that other book), about a world where humans have mostly lost the ability to see colour.
  • Ben mentions a “Yesterday-style scenario”, referring to the 2019 film Yesterday in which a man is struck by a bus and awakes to find himself in a parallel universe where the Beatles never existed, and he’s the only one who can remember their music. The world is annoyingly otherwise exactly the same as the one with the Beatles in it.
  • Susannah Clarke is the British author of the enormous (and excellent) Regency fantasy novel Jonathan Strange & Mr Norrell, and the much shorter (and also excellent) Piranesi, as well as a number of short stories set in the Jonathan Strange universe.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat80 Notes and Errata

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These are the episode notes and errata for Pratchat episode 80, “Always Believe in Your Golems”, discussing Terry Pratchett’s thirty-sixth Discworld novel, 2007’s Making Money, with returning guest Stephanie Convery.

Iconographic Evidence

The Count’s first appearance on Sesame Street, from the fourth season in 1972. He was created by long-time Sesame Street writer Norman Stiles, and was the longest running character performed by veteran muppet performer Jerry Nelson. Matt Vogel took over performing the Count in 2013, though he was made much less sinister fairly early on.

Notes and Errata

  • The episode title is a riff on British pop group Spandau Ballet’s hit song “Gold”. It was released in 1983, the fourth single from their third studio album, True, and is probably their most famous song, though at the time the title track from the same album was more popular. ”Gold” was heavily inspired by the film music of John Barry, including his work on many James Bond themes; the original lyrics from the chorus are: “Gold! (Gold) / Always believe in your soul / You’ve got the power to know / You’re indestructible / Always believe in…” It’s been featuring in subsequent pop culture; Ben remembers it from the 1998 comedy Four Men in a Car where a CD gets stuck, looping the line “you’re indestructible” as the car’s occupants try and fail to destroy the car CD’s player.
  • Ben covers some Pratchett news at the end of this episode, but we’re putting the notes about them up front to make them easier to find. (Notes below continue in the usual chronological order.)
  • William Morris (1834 – 1896) was a British artist, poet and novelist. His “terrible utopian novels” include News from Nowhere (1890), in which a member of the Socialist League falls asleep after a meeting and wakes up in a future society built on socialist and Marxist ideals. Morris is also known for his fantasy novels, which were among the first such popular novels to include supernatural elements and were hugely influential, including on J. R. R. Tolkien. These books include The Roots of the Mountains, The Wood Beyond the World, The Well at the World’s End, and The Water of the Wondrous Isles; many of these included socialist themes as well.
  • Making Money comes just three books after Going Postal. Moist doesn’t appear in any books in between, but he is mentioned briefly (though not by name) in Thud! He shows up again in the penultimate Discworld novel, Raising Steam, but doesn’t make any cameos in other books.
  • Robert E Howard’s Conan stories are set in the fictional “Hyborian Age” of Earth, estimated to be somewhere between 10,000 and 25,000 years ago. It’s meant to represent prehistoric Europe and Northern Africa, and thus Cimmeria is the ancient home of Celtic peoples, but it’s based on ahistorical stereotypes and is functionally a collection of fantasy analogues for modern nations. The real Cimmeria was an ancient “micro continent” that was originally part of Gondwana, the southern supercontinent. It became detached around 250 million years ago and moved north as part of continental drift, eventually colliding with and becoming part of Eurasia around 150 million years ago. It now forms part of the Middle East and western and south-eastern Asia.
  • “WORDS IN THE HEART CANNOT BE TAKEN” is from a heartbreaking scene towards the end of Feet of Clay, and the words are from Dorfl.
  • Squashing bread does not make it sweeter, but chewing on it does. The missing ingredient is saliva, which begins the process of breaking down the complex carbohydrates in the bread into sugars.
  • The compulsive need to count is known as “arithmomania”, and is a feature of European vampire lore. It was usually other kinds of grains, rather than rice, though this may also be the reason for throwing salt over your shoulder to ward off the Devil – he would be compelled to stop and count every grain.
  • The jiāngshī (殭屍) or Chinese hopping vampire is a form of undead from Chinese folklore, similar in some ways to both vampires and zombies. There are many varied accounts of their powers, limitations and vulnerabilities, but they don’t seem to have to count grains of rice – instead, one method for stopping them is through a ball of sticky rice at them which will draw out the evil in their soul. They have inspired an entire genre of films, most famously the Mr Vampire comedy horror movies made in Hong Kong in the 1980s and 1990s. These popularised the hopping version of jiāngshī, gave them a standard look (traditional mandarin robes from the Qing dynasty), and established some common ways to deal with them (e.g. placing a spell written on a piece of paper on their forehead) in much the same way as early vampire films solidified European vampire lore.
  • Bram Stoker (1847-1912) drew on various bits of vampire folklore when creating Dracula, but he also incorporated real life science, beliefs about disease, recent events, and other unrelated supernatural stories. The most prominent vampire-adjacent belief at the time was that contagious diseases were caused by corpses which still contained blood in the heart. This led especially poor folk in rural areas to dig up corpses and destroy them to try and halt the spread of illness, a practice which seems to have directly inspired parts of the novel. Stoker wrote fifteen novels, the second most famous being his last, The Lair of the White Worm (1911), another horror story incorporating various elements from folklore.
  • More notes coming soon.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat80 – Always Believe in Your Golems

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Inequality reporter Stephanie Convery returns on a trip with Liz and Ben into the world of banking, high finance and monetary theory in Terry Pratchett’s thirty-sixth Discworld novel, 2007’s Making Money.

The Ankh-Morpork Post Office is running very smoothly – which has left Moist von Lipwig, reformed con-man and Postmaster General, at a loose end. But he resists the Patrician’s offer of a new job revitalising the Royal Mint and Royal Bank of Ankh-Morpork. The bank’s current owner is a Mark 1 Feisty Old Lady who knows her rich family are out to get her – and her little dog, too. But despite Moist’s best attempts to not get involved, both dog and bank wind up in his care – putting him in the sights of the Lavish family, and especially Vetinari-obsessed Cosmo Lavish. Meanwhile, manager of the Golem Trust (and Moist’s fiancée) Adora Belle Dearheart is digging up something ancient out on the desert. And Moist’s past is about to catch up with him…

Just a few novels after debuting in Going Postal, Moist von Lipwig is back! Making Money is about the nature of money, but also about the thrill of the chase, grappling with one’s inner nature, and obsession. Aside from Gladys the Golem, Moist and Adora Belle bring few of their previous supporting cast along for the ride; instead we meet a new cast including Mr Bent, the Lavishes, another Igor, the Post-Mortem Communications Department of Unseen University, and the very good boy Mr Fusspot.

Does this live up to the promise of Going Postal? Could Moist be in other Discworld books in disguise – and if so, as who? Did you guess Mr Bent’s secret? And if you had a Glooper, what would you use it to change in the world of money? No purchase necessary to join the conversation for this episode; just email us or use the hashtag #Pratchat80 on social media.

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Stephanie Convery (she/her) is is a writer and author. Previously the Deputy Culture Editor for The Guardian Australia, she’s now their dedicated inequality reporter. Stephanie’s first book, After the Count: The Death of Davey Browne, was published in March 2020 by Penguin Books. (We suspect it won’t be her last.) You can follow Stephanie on Twitter at @gingerandhoney, and find her work at Guardian Australia. Her previous appearances on Pratchat were for #Pratchat2, “Murdering a Curry” (about Mort), and #Pratchat42, “Truth, the Printing Press, and Every -ing” (about The Truth).

You’ll find full notes and errata for this episode on our website.

Next episode we’re continuing our Moist streak (sorry) with the (so far) latest Discworld board game: Clacks! If you have questions about this game recreating the race between Moist and the Grand Trunk company, get them in to us by mid-October 2024 by tagging us or using the hashtag #Pratchat81 on social media, or emailing us at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat81 – Only Fowls and Horses

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Author and poet* Dr Laura Jean McKay joins Liz and Ben for two of Terry Pratchett’s short stories about intelligent animals: “Hollywood Chickens” (1990) and “From the Horse’s Mouth” (1972).

In 1973 Hollywood, a truck full of chickens overturned on a busy highway, depositing a population of chickens on the verge. A decade and a half later, scientists try to piece together the story of how they developed and evolved in pursuit of a very specific goal…

In the town of Blackbury, rag and bone man Ron is amazed to discover that his carthorse, Johnno, can talk. Will their relationship be forever changed by the adventure they share together?

These stories don’t share too much in common beyond being about animals, but they are a nice sample of Pratchett’s writing from two interesting points in his career: towards the end of his early phase of children’s stories for newspapers, not long after his first novel was published; and at the height of his early fame – the year, in fact, that he published five novels. You can find “Hollywood Chickens” most readily in A Blink of the Screen, and “From the Horse’s Mouth” in A Stroke of the Pen.

Do you have a favourite Pratchett short story? What do you think of the way he writes animals? Should we have inserted an ad for Maggi noodles into this episode? What are your best horse pun names, and how would you get to the other side? We’d love to hear from you whether you’re a horse, chicken, human or have mutant powers: join the conversation for this episode via email, or by using the hashtag #Pratchat81 on social media.

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Dr Laura Jean McKay (she/her) is an author, poet* and an Adjunct Lecturer in Creative Writing at Massey University. Her novel The Animals in That Country – “like Thelma and Louise with a woman and a dingo” – has won multiple awards, including the Arthur C Clarke Award. Her latest book is the short fiction collection Gunflower, published in 2023. You can find Laura as @laurajeanmckay on Twitter and Instagram, and find out more about her books on her website, laurajeanmckay.com.au.

* Even if she doesn’t know it.

You’ll find full notes and errata for this episode on our website, and you can hopefully still get tickets for Guards! Guards! at the Roleystone Theatre in Perth, which opens on 22 November 2024.

Next episode we’re back on track to crack the Clacks in the most recent Discworld board game: Clacks! If you have questions about this game recreating the race between Moist and the Grand Trunk company, get them in to us ASAP by tagging us or using the hashtag #Pratchat82 on social media, or emailing us at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat79 Notes and Errata

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These are the episode notes and errata for Pratchat episode 79, “Unalive from Überwald”, discussing Terry Pratchett’s 2002 short story “Death and What Comes Next”, with returning guest Tansy Rayner Roberts and new guest Karen J Carlisle.

Iconographic Evidence

If you also took photos of us at the convention, please get in touch – we’d love to see them and add a few here!

You can also find photos of the convention at the official website.

A photo of Ben and Liz, in costume as Rincewind and Moist von Lipwig, attempting to recreate the pose from the Pratchat logo.
Ben and Liz attempted to recreate the pose from the Pratchat logo, with costume and iconographic assistance from Danny Sag.
A photo of a small piece of white paper on a green surface. Handwriting in black pen reads: “dead and not dead” Schrödinger’s cat What if the cat is Greebo? Next to the writing is drawn a small cartoon cat with prominent whiskers and an eye patch.
The audience question with the very cute illustration of Greebo!

Notes and Errata

  • The episode title refers to the theme for Nullus Anxietas IX, “Come Alive in Überwald”, but since we were talking mostly about Death, “Live from Überwald” didn’t seem quite right.
  • Nullus Anxietas IX is, as you probably know, the ninth bi-annual Australian Discworld convention. As mentioned at the end of the episode, the next convention will be in Sydney in 2026, and you can already get a supporting membership for the next convention. For details, plus information on past conventions and Discworld fan clubs across Australia, head to ausdwcon.org.
  • Our previous live shows are:
  • Liz mentions two of her short stories:
    • The story about women turning into cleaning equipment is “Call Him Al”. You can read it in Meanjin, where it was published in 2020.
    • The story about an immigrant splitting into two people is “One’s Company”, originally published in the anthology Best Australian Stories 2017. It was published online at InterSastra in an Indonesian translation (“Cukup Sendiri”) by Nicolaus Gogor Seta Dewa; the original English version is also available there.
  • “Pantsers and Plotters” are widespread terms for “the two types” of writers, embraced to varying degrees by writing communities and individuals. The classification is based on whether a writer works out a plot in advance (a plotter), or writes by the seat of their pants (a pantser), making it up as they go along. It’s not entirely clear where these terms originated, but these days some writers refer to themselves as “plantsers” (a combination of the two), and other terms exist for roughly the same ideas. For example, in 2011 George R. R. Martin used the terms architect (similar to a plotter) and gardener (a variation on pantser in which the emphasis is on the weeding, i.e. editing).
  • Tansy’s stories that get mentioned include:
    • Musketeer Space, the gender-swapped Three Musketeers in space;
    • Teacup Magic, the Regency-inspired fantasy mystery series (we’ve linked to the collection);
    • We don’t think Tansy has written “Beauty and the Beast with cyborgs”, but she has written Curse of Bronze, a novella which riffs on Beauty and the Beast. It’s available for free as an ebook via BookFunnel (you’ll need to sign up to Tansy’s mailing list), or in audio form on her podcast Sheep Might Fly.
  • More notes coming soon.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat79 – Unalive from Überwald

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Recorded live at the Australian Discworld Convention in Tarntanyangga (Adelaide), Karen J Carlisle and Tansy Rayner Roberts join us on stage to discuss short fiction, Death and the (sort of) last of Terry Pratchett’s Discworld short stories, 2004’s “Death and What Comes Next”.

Somewhere in time and space, a philosopher lies on his deathbed…and Death has come to collect. Only the philosopher isn’t convinced he’s real, or that any of this is even happening. Will “quantum” and cats in boxes be enough of an argument to dissuade Death from his job?

Created for the now defunct Time Hunt puzzle website, “Death and What Comes Next” was written somewhere between 2002 and 2004. At under 1,000 words it’s one of Pratchett’s shorter pieces of fiction, and contains several jokes he’d go on to re-use elsewhere, as well as a word puzzle which provided a code word for Time Hunt site. You can read the story for free at the L-Space Web, which also hosts fan translations in many languages.

Despite its placement in A Blink of the Screen, is this truly a Discworld story? Have you tried to solve the puzzle? How would you challenge Death to delay the time of your passing – and have you thought about what an encounter with the Discworld Death might be like for you? And is Death at his funniest here, or do you have other favourite Death moments? Join the conversation by using the hashtag #Pratchat79 on social media.

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Guest Tansy Rayner Roberts (she/her) is a Tasmanian author of sci-fi, fantasy, cosy crime and much, much more. Her essay series Pratchett’s Women was collected into a book, and her follow up series on Pratchett’s men, “Men Who Respect Witches”, can be found at the online magazine Speculative Insight. Her latest novel is a time travel comedy called Time of the Cat, and you can find Tansy online at tansyrr.com and as @tansyrr on social media. Tansy was also a guest on our previous live episode, “A Troll New World”, recorded at Nullus Anxietas 7 in 2019.

Guest Karen J Carlisle (she/her) is a writer and illustrator based in Adelaide whose work spans Victorian mystery, steampunk, fantasy and yes, even (mostly) cosy murders. She has some new writing in the works, but her recent “Jack the Ripper thing” is Blood Ties, which you can find via her website, karenjcarlisle.com. You can also find her on Instagram, Twitter and various other social platforms as @karenjcarlisle.

As usual, you can find notes and errata for this episode on our website.

Next month it’s back to the books as we rejoin Moist von Lipwig for Making Money! Send us your questions about the book ASAP using the hashtag #Pratchat80.

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