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Angua

#Pratchat66 Notes and Errata

8 April 2023 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 66, “Ol’ No Eyes Is Back“, discussing the 2010 Discworld novel, I Shall Wear Midnight, with returning guest Amie Kaufman.

Iconographic Evidence

We refer a few times to Pratchett’s 2010 Richard Dimbleby lecture, “Shaking Hands With Death”. It was published in 2012, and then collected in A Slip of the Keyboard in 2014, and we’ll have an episode on it in due course. You can watch the whole thing below, as the lecture is televised on BBC One, though the YouTube clip is not an official upload. Pratchett was unable to read it himself on the night, and gave the gig to Tony Robinson.

Notes and Errata

  • The episode title riffs on the classic 1973 Frank Sinatra album Ol’ Blue Eyes Is Back. It’s also, because we’re big nerds, a reference to Ol’ Yellow Eyes Is Back, the 1991 album by Star Trek: The Next Generation actor Brent Spiner, whose android character Data has golden eyes. Ben was delighted to discover another riff on the title while looking up these details: Old Brown Ears Is Back, a 1993 album by noted muppet pianist and singer, Rowlf the Dog!
  • Guest Amie Kaufman was last on way back in July 2018 for #Pratchat9, “Upscalator to Heaven”, discussing Truckers. Her most recent books at the time were Ice Wolves, the first in the Elementals trilogy, and Obsidio, the final book in the Illuminae Files trilogy with Jay Kristoff. Since then she’s published the two other Elementals books, Scorch Dragons and Battle Born; another YA sci-fi trilogy with Kristoff, the Aurora Cycle; the Illuminae Files novella Memento (a hard to get publisher exclusive); two duologies with Meagan Spooner, The Other Side of the Sky and Beyond the End of the World, and Unearthed and Undying; and two books with Ryan Graudin, The World Between Blinks and Rebellion of the Lost. So by our count, that’s actually eleven novels and one novella!
  • The blurb Amie reads seems to be from an American edition of the book, but we’re not sure which one. If you know, please tell us! A new edition is on the way in June, with a new cover matching the other recent paperback editions, and it uses a blurb very similar to, though shorter than, the one Amie reads. The old blurb was:
    A man with no eyes. No eyes at all. Two tunnels in his head… It’s not easy being a witch, and it’s certainly not all whizzing about on broomsticks, but Tiffany Aching – teen witch – is doing her best. Until something evil wakes up, something that stirs up all the old stories about nasty old witches, so that just wearing a pointy hat suddenly seems a very bad idea. Worse still, this evil ghost from the past is hunting down one witch in particular. He’s hunting for Tiffany. And he’s found her…
  • Pratchett mentions that I Shall Wear Midnight is the last Tiffany Aching book is at least a few places, but you can find it mentioned in this interview with book blogger the Bookwitch, and in this Guardian piece about I Shall Wear Midnight, both from 2010.
  • Pratchett doesn’t say in his Richard Dimbleby Lecture that he gives the death he describes for his father to the Baron, but the Guardian piece mentioned above draws the same conclusion.
  • On the subject of Boffo, Wintersmith pretty directly tells us it isn’t a common practice for witches to buy stuff from there, at least not in the Ramtops. In chapter 3, “The Secret of Boffo”, Tiffany asks Miss Treason directly:

‘Do all witches buy from Boffo?’ said TIffany.
‘Only me, at least around here. Oh, and I believe Old Mistress Breathless over in Two Falls used to buy warts from there.’

  • Granny previously visited Ankh-Morpork in Equal Rites (see #Pratchat25, “Eskist Attitudes”), and again with Nanny Ogg in Maskerade (#Pratchat23, “The Music of the Nitt”).
    • In Equal Rites there’s exactly one mention of city witches: they’ve left “witch marks” on the outside of the rear doors of Unseen University, advising any witches who visit that they are welcome and that the housekeeper Mrs Whitlow is “gullible and foolish”; Granny notes that “city witches didn’t seem that bright themselves”, though she doesn’t meet any or mention that any live in Ankh-Morpork. After spending some time with Mrs Whitlow, who at the time considered herself a psychic medium and put on posh airs, Granny wonders if she isn’t a “born witch who somehow missed her training”. She also does some witchery for folks while staying in the city, including brewing potions with the excitingly cheap glassware available.
    • In Maskerade, when she arranges lodgings in the Shades, Granny describes Mrs Palm as “an old friend. Practic’ly a witch.” But there’s no mention of any actual city witches.

More notes coming soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Amber Petty, Amie Kaufman, Angua, Ankh-Morpork, Ben McKenzie, Carrot, Elizabeth Flux, Granny Weatherwax, Letitia, Mrs Proust, Nac Mac Feegle, Nanny Ogg, Preston, Roland, The Chalk, Tiffany Aching, Vimes

#Pratchat66 – Ol’ No Eyes Is Back

8 April 2023 by Pratchat Imps 1 Comment

Returning guest, author Amie Kaufman heads back to the Chalk with Liz and Ben to face the rough music in a bumper-size discussion of the penultimate Tiffany Aching book, 2010’s I Shall Wear Midnight.

Tiffany Aching, nearly sixteen, is no longer an apprentice. Now two years under the witch’s hat, she cares for those as can’t care for themselves, and deals with the harsh realities of rural life. But all is not well in the Chalk: the unending need for its only witch is pushing Tiffany to the edge, and an act of violence – and its consequences – test her limits. Roland, the Baron’s son, is engaged – but not to Tiffany. While he’s away, the old Baron dies, and Tiffany must fetch him home to take his place. And on top of all that, something is stirring: something old and evil that stirs up old prejudices and fears about witches – and is aiming them directly at Tiffany Aching…

Content note: this episode contains discussion of (fictional) intimate partner and family violence, miscarriage and suicide.
If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you.

Nearly three years after she danced the Dark Morris and kissed the Wintersmith, we rejoin Tiffany Aching, who is discovering that even fixing her mistakes can have consequences. But is this really a book for younger readers – or even young adults – when it includes some of the heaviest stuff of any Discworld novel? Does it all hang together, or are there a few ideas fighting each other in this plot? Who knew what and when about the Cunning Man, and is he Pratchett’s creepiest villain yet? What spill words do you not say when you’re listening to the show? Join in the conversation using the hashtag #Pratchat66 on social media!

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Returning guest Amie Kaufman is the author of (so far) twenty novels for middle grade and young adult audiences, including the Illuminae Files and Aurora Cycle sci-fi trilogies with Jay Kristoff; the Elementals, Starbound and Unearthed series with Meagan Spooner, and the World Between Blinks books with Ryan Graudin. For Pratchett fans she recommends her upcoming YA fantasy novel Isles of the Gods, launching in May 2023. As mentioned in the episode, Amie also produces two podcasts about writing: Amie Kaufman on Writing, a 10-minute masterclass on writing techniques, and Pub Dates, in which she and co-writer Meagan Spooner take you behind the scenes on writing and publishing a novel, and what comes after. For more of Amie’s exploits visit amiekaufman.com or sign up for her Substack newsletter Finding North.

As usual, you can find notes and errata for this episode on our web site.

Catch Liz in person when she’s one of the speakers for the Sci-Fight science comedy debate “Should we fear AI?” on Thursday, 13 April 2023 at Howler in Melbourne! It’s hosted by previous guest Alanta Colley and features a great line-up of comedians, writers and scientists. Get all the details and book tickets vis moshtix.

Next month, now that we’ve met all the characters who’ll appear in it, we’ll be playing and discussing the 2013 board game The Witches: A Discworld Game, designed by Martin Wallace! Send us your questions using the hashtag #Pratchat67, and if you’re a subscriber, watch out for an unboxing video via our Ko-Fi page soon. And while our plans for #Pratchat68 in June aren’t quite fixed yet, here’s an earlier than usual heads up that in July we’ll be discussing the fourth Long Earth novel, The Long Utopia, with returning guest Deanne Sheldon-Collins. Those books are long, so you might want to get started now! Send in your questions for that one using the hashtag #Pratchat69 – or drop us an email at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Amber Petty, Amie Kaufman, Angua, Ankh-Morpork, Ben McKenzie, Carrot, Elizabeth Flux, Granny Weatherwax, Letitia, Mrs Proust, Nac Mac Feegle, Nanny Ogg, Preston, Roland, The Chalk, Tiffany Aching, Vimes

#Pratchat61 Notes and Errata

5 December 2022 by Ben 2 Comments

These are the episode notes and errata for Pratchat episode 61, “What Terry Wrote“, discussing the 24th Discworld novel, 2005‘s Thud! with guest Matt Roden.

Notes and Errata

  • The episode title plays with “What Tak wrote”, the creation myth of the dwarfs, as featured at the start of Thud!
  • For those interested, here’s the Pratchat intro script as it appears in our episode notes template. Ben updates it when creating the notes for a new episode, inserting the book’s title and the details for the guest.
LIZ: I’m Elizabeth Flux.
BEN: I’m Ben McKenzie.
LIZ: Welcome to Pratchat, the monthly Terry Pratchett book club podcast.
BEN: Each month we discuss one of Terry Pratchett’s books with a special guest.
LIZ: This month we’re reading Book Title, [pun/joke about the book].
BEN: And our [returning] guest is [descriptors], [guest name] - welcome [guest]!
  • 100 Story Building and Story Factory are not-for-profit creative writing centres for children and young people which run workshops centred around storytelling, literacy and writing, mostly in schools. Both were inspired in large part by 826 Valencia, a creative writing centre for established in San Francisco in 2002 by educator Ninive Caligari and novelist Dave Eggers (of McSweeney’s fame). Other similar organisations exist in many countries, including The Ministry of Stories in London (with which Matt was involved) and Fighting Words in Dublin.
  • A geode is a hollow, rounded sedimentary or igneous rock (and we’ll come back to that term) which has minerals on the inside of the hard outer shell. Those minerals often include crystals, like quartz or amethyst. Igneous geodes are often formed when there is a bubble of gas inside a flow of magma or lava. They’re very popular as jewellery and ornaments, and are often cut in half for display, with the flat edge of the shell polished to show off its formations too. They’re not to be confused with thunder eggs, which are similar but distinct spherical structures also formed in lava.
  • Octarine – the eighth colour, the colour of magic – is last definitely mentioned before Thud! in The Last Continent, back in 1998. (It might also be mentioned in The Last Hero, though this is harder to verify without re-reading the whole book.) It does get a passing mention in The Science of Discworld III: Darwin’s Watch, but only in a non-fiction chapter.
  • Detritus and Cuddy, the Watch’s first troll and dwarf recruits, argue – and become fast friends – in Men at Arms. We discussed the book all the way back in #Pratchat1, “Boots Theory“, and revisited in the live special #PratchatNALC, “Twice as Alive“.
  • The “dwarf and the troll in the rock band together” are hornblower Glod Glodsson and percussionist Lias Bluestone who form a band with Imp y Celyn’s in Soul Music. We discussed the novel in #Pratchat19, “It Don’t Mean a Thing If It Ain’t Got Rocks In“.
  • Rush Hour is a 1998 action comedy directed by Brett Ratner and starring Jackie Chan and Chris Tucker as Detective Inspector Lee from Hong Kong and Detective James Carter of the LAPD. Lee is summoned to Los Angeles to help rescue the kidnapped daughter of his former boss, and Carter is assigned to “babysit” him as punishment, making him determined to solve the case. It was a big hit, spawning two sequels: Rush Hour 2 in 2001, which moved the action to Hong Kong, and Rush Hour 3 in 2007, which took both officers away from home to Paris. There have been rumours of a fourth film for years, and in this era of legacy sequels who knows – it could still happen.
  • The Wire is an American crime television series created for HBO by David Simon, an American author and former crime reporter. It’s set in the city of Baltimore, in the US state of Maryland, and each season explores a different group connected to crime and law enforcement, though drug gangs and the police appear in all five seasons, which were first broadcast between 2002 and 2008. Season four, the one specifically mentioned by Matt, deals with the education system and the mayor’s office. The Wire notably stars Wendell Pierce as William “The Bunk” Moreland, a homicide detective who features in all five seasons; you might know him as the voice of Death in BBC America’s The Watch. (See #Pratchat52, “A Near-Watch Experience“.)
  • We’ll mention the earlier Watch novel, The Fifth Elephant, quite a few times this episode. It introduced the idea of the Deep Downers and is the origin of a lot of Discworld dwarf culture, previous books having mostly stuck to a parody of Tolkien’s dwarfs. It also announced the impending arrival of Young Sam We discussed it in #Pratchat40, “The King and the Hole of the King“, back in February 2021.
  • Fizz, the political cartoonist for The Ankh-Morpork Times, is named for Phiz, the pen name of popular Huguenot illustrator Hablot Knight Browne (1815-1882). His inclusion here (and in Monstrous Regiment) reflects that he contributed cartoons for the British satricial magazine Punch in very much the same style, but Browne was also known for illustrating novels and serialised stories in more reputable publications, most notably for Charles Dickens’ Pickwick Papers, which started with the pseudonym Nemo before changing it to Phiz. “Phiz”, by the way, is short for “Phizzog”, an English slang term for face which is derived from the word “physiognomy”, which means “a person’s facial features or expression”. (We’re not sure which came first, the cartoonist’s tag or the slang term, but its a fun word all the same.)
  • The Good Wife is a CBS legal drama set in Chicago, which ran for seven seasons between 2009 and 2016. It stars Julianna Margulies as Alicia Florrick, a woman who restarts her legal career as a junior lawyer when her State’s Attorney husband is jailed for corruption. It was followed in 2017 by The Good Fight, a spin-off starring Christine Baranski as her The Good Wife character Diane Lockhart, a senior lawyer at Florrick’s firm who has to start over at a new one after her daughter is scammed, resulting in financial disaster. It ran for six seasons between 2017 and 2022. We previously mentioned both shows in #Pratchat51, “Boffoing the Winter Slayer“. The Good Dwarf could deal with similar themes of what women are expected to give up for men, but adding in the unique species and gender angles of Discworld dwarfs. Don’t forget to tell us which characters you think should be in it!
  • Code-switching is originally a linguistic term for when a multi-lingual speaker changes between languages (or varieties of the same language) in the same conversation. This usage dates back to 1951 with the book Language of the Sierra Miwok by Lucy Shepard Freeland, when she notes it in the context of Californian First Nations people. Code-switching involves a great deal of mental energy as different languages have very different structures, idioms and modes of speech, and multilingual speakers often have to switch for their own needs as well those of the people they’re speaking to. The term has seen expanded use to mean switching between any two different modes of speaking (or thinking), especially when it comes to different levels of privilege, expected gender roles, and neurodiversity.
  • The Da Vinci Code was Dan Brown’s smash hit novel from 2003 (two years before Thud!), the second to star Robert Langdon, a university professor who specialises in religious iconography and “symbology”. Langdon, who was introduced in Brown’s 2000 novel Angels & Demons, would appear in four more books. The Da Vinci Code‘s plot uses ideas from earlier writings about the Holy Grail and the Templars, and kicks off when professor is murdered to protect a secret about Christ which was uncovered by Leonardo da Vinci, who left clues in his paintings – most notably The Last Supper. It was controversial for its portrayal of the Catholic Church (who employ assassins in the book) and Christianity in general, as well as for its cavalier attitude to religion, history and art – Brown claimed in interviews that the background history he used for the book was “all” or “99%” true, including the existence of secret societies generally considered fictitious. In 2005, the same year as Thud!, Tony Robinson – comic actor, Discworld audiobook narrator and presenter of Time Team – produced The Real Da Vinci Code for Channel 4, in which he debunked many of the supposed historical facts mentioned in the book. This didn’t hamper the book’s immense popularity, though, and in 2006 it was adapted for film by Ron Howard, with a script by Akiva Goldman and starring Tom Hanks as Langdon. The film was followed by adaptations of Angels & Demons and the fourth Langdon novel, Inferno.
  • A cyclorama (not “cyclodrama” as Matt says, though we’re all for drama in the round) is the Roundworld equivalent of Ransom’s painting in the book: a panoramic painting intended to be displayed on the inside of a cylindrical platform, surrounding the viewer. The term is also used for the building or room designed to hold such a painting. They were apparently very popular in the late 19th century. These days “cyclorama” is more commonly used to refer to the all-white backdrops used on stages, or in photography studios, where they are curved to give the illusion of there being no background at all.
  • Mr Sheen is an Australian brand of cleaning products – specifically an aerosol-based surface polish – created in the 1950s. They were popular well into the 1990s, remembered for their mascot, a small Mr Magoo-like cartoon figure with a large shiny forehead and glasses, and his catchy advertising jingle. He found success in other markets, too, notably the UK, where the Australian mascot was replaced by a moustached flying ace who flew around the house on a can of the product. “Mr Shine” has also been used as a name by many cleaning companies and products, though none of them seem famous enough to be a direct reference.
  • The city of Dis appears in Inferno, the first part of Dante’s The Divine Comedy, where it encompasses Lower or Nether Hell – which are the sixth, seventh, eighth and ninth circles, housing those souls whose sins were willing or “obdurate” (i.e. unrepentant) – in order, those of heresy, violence, fraud and treachery. The city’s outer walls are surrounded by the River Styx, which forms a moat. Its name is derived from Virgil’s Aeneid, which refers to the Underworld as “the realms of Dis”, and mentions its “mighty walls”. “Dis Pater”, Latin for “Father of Dis”, was also the ruler of the Underworld in Roman mythology.
  • The Gooseberry is most obviously a pun on the Blackberry, the early smartphone which was a little ahead of its time, but nonetheless popular with high-powered business folks in the 1990s and 2000s, before the advent of touch-screen smartphones with the iPhone and its competitors. It might also be a reference to UK slang, in which a “gooseberry” is like a “third wheel” – someone who feels a bit unnecessary or left out in company, usually a couple.
  • “Unrelenting standards” is a psychological term for internal pressure to perform well, manifesting as perfectionism, difficulty in gauging one’s own performance compared to what’s generally considered acceptable, a desire to avoid criticism or mistakes, and an obsession with productivity and efficiency. It’s often said to be a product of growing up being valued primarily for your achievements, or in an atmosphere of frequent criticism and little praise.
  • We’ve previously mentioned the Love Languages in #Pratchat46, “The Helen Green Preservation Society“. They originate in the 1992 book The Five Love Languages: How to Express Heartfelt Commitment to Your Mate, which was written by Gary Chapman, a Baptist pastor and radio host. The book was phenomenally successful, selling more than 11 million copies and spawning many sequels and imitators. Ben is not a fan because the idea is very reductive; psychologists and counsellors have criticised Chapman’s work for over-simplifying and homogenising human experiences of love and communication, even where they appreciate the metaphor and have tried to expand it. Other critics note that Chapman is not professionally trained in psychology or counselling, holds some deeply conservative and homophobic views, and based his book on his experience with a fairly narrow sample of his parishioners. He also rejects any expansion of the idea. perhaps because its made him a great deal of money… For the record, his original five love languages are “Acts of Service”, “Words of Affirmation”, “Quality Time”, “Receiving Gifts” and “Physical Touch” – which you can probably see already leaves out a lot.
  • For more about Moving Pictures as a horror story, see our discussion in #Pratchat10, “We’re Gonna Need a Bigger Broomstick“.
  • Stephen King’s “Tak” appears in his 1996 novels Desperation and The Regulators, the latter of which was published under King’s outed pen name Richard Bachman, claiming to be a novel Bachman had written years earlier. Instead, it’s intentionally a story set in a parallel universe to Desperation, with alternate versions of many of the same characters – including the author!. Like the Summoning Dark, King’s Tak comes out of a deep mine in the desert and inhabits a human host – in Desperation it is a police officer who becomes a sort of berserker. We won’t say too much more, but as Ben mentions in the episode, the similarities don’t go much further than that, but it might be a deliberate reference.
  • The HBO miniseries starring Ben Mendelsohn is the 2020 adaptation of another Stephen King book, 2018’s The Outsider, which does indeed have a similar plot.
  • “And then the car ate a person I guess?” is a reference to Stephen King’s Christine, a 1983 novel about a seemingly possessed, jealous and violent classic car named “Christine”. It was adapted the same year into a film by John Carpenter, with some details – notably the source of the car’s demonic presence – changed considerably. Carpenter directed it as a career-saving move after his previous labour-of-love film, The Thing, didn’t do well at the box office, but both films are now cult classics. A remake of Christine is rumoured to be in production.
  • A “cryptex” is a small container with a secure, complex lock, intended to carry secret messages. The term – a portmanteau of “cryptic” and “codex” – was invented by Dan Brown for The Da Vinci Code, though there’s nothing about the device itself that requires the use of cryptology to use. The original version in the novel is a hollow cylinder made of stone and brass with five rotating sections, each containing every letter of the alphabet (though whether it’s the Latin or modern English alphabet is unclear). This makes it basically a letter-based combination lock with between 280,000 and 11 million possible combinations, depending on some details not given in the novel. Physical reproductions of the cryptex have become widely available since the release of the Da Vinci Code film; Ben has even used one as part of an escape room experience he designed.
  • We mention that on the Discworld, werewolves are classified as undead, something which dates back to Angua’s first appearance in Men at Arms. We’ve never really agreed; see above for our episodes about the book, where we decide they are, if anything, “twice as alive”.
  • “A Collegiate Casting-Out of Devilish Devices” is the fifth and final Discworld short story, first published in the Times Higher Education Supplement in May 2005, just four months before Thud! We’ll be discussing it in #Pratchat63, coming in January 2023.
  • “Fracas“, along with “rumpus”, are both used by William de Worde during a meeting with Lord Vetinari in The Truth. A footnote describes them as the word equivalent of rare fish, claiming that they are “found only in certain kinds of newspapers” and “never used in normal conversation.” For more on this, see #Pratchat42, “Truth, the Printing Press and Every -ing“.
  • Liz mentions “Incepting The Wire“; she’s invoking the concept of “inception” from Christopher Nolan’s 2010 film Inception. The film is about a crew of criminals who use technology to enter the dreams of others, stealing important secrets from their subconscious. The plot of the film involves the crew being hired for the more difficult crime of “inception”: inserting an idea into the mind of the target.
  • We Own This City is a 2022 television mini-seres created by David Simon for HBO. Like The Wire, it’s set in Baltimore and is about law enforcement – in this case, corrupt members of the Gun Trace Task Force, based on real-life events which occurred between 2015 and 2019.
  • The Descent is a 2005 British horror film written and directed by Neil Marshall. Ben doesn’t necessarily recommend it, especially if, like him, you’re not really a horror fan – it’s pretty full on. Ben prefers the director’s previous film, the 2002 black werewolf comedy Dog Soldiers, but The Descent was pretty successful. A sequel, The Descent Part 2, was released in 2009, though it was directed by Jon Harris, who edited the original. It’s considered to be…not as good.
  • When Detritus is in the desert of Klatch in Jingo, he initially has a lot of trouble in the heat, especially as his helmet conks out. Later, at night when the desert is very cold, his brain cools and becomes more efficient, as he puts it. Sadly he doesn’t say anything about the apparent demise of his helmet; the relevant passage is quoted below, and the helmet isn’t mentioned again. See also our discussion of the novel in #Pratchat27, “Leshp Miserablés“, and our next episode, #Pratchat62, “There’s a Cow in There“, when we mention the helmet again.

The troll was standing with his knuckles on the ground. The motor of his cooling helmet sounded harsh for a moment in the dry air, and then stopped as the sand got into the mechanism.

Jingo – Terry Pratchett, 1997
  • Matt mentions Brick’s stream-of-consciousness passages read like “an excerpt from an Irvine Welsh novel“. Welsh is a Scottish author, most famously of Trainspotting, the 1993 novel about a group of addicts – of heroin or other things – that was adapted into film by Danny Boyle in 1996. Both book and film are considered classics.
  • Matt’s “dribbling dragon” is an allusion to “Chekhov’s gun” (originally “Чеховское ружьё”, or “Chekhov’s rifle” in Russian), advice given by the Russian playwright Anton Chekhov in several letters to younger writers in the early twentieth century. It’s basically the idea that you should only include necessary details in your story – the usual example being that if you include a gun in the first act of your story, it should be used to shoot someone before the end of the play or else taken out of the story entirely.
  • Reg Shoe, revolutionary-turned-zombie-turned-activist-turned-police detective, is not at all mentioned in Thud!, despite having a prominent supporting role in the two preceding Watch novels, The Fifth Elephant and Night Watch. Angua does mention in passing to Sally that “no-one cares if you’re a troll or a gnome or a zombie or a vampire”, but that’s as close as it comes. Vimes doesn’t even think of Reg during the flashback to his meeting with the Patrician about Sally, when he mentally lists the weirder members of the Watch: he thinks only of trolls, dwarfs, golems, a werewolf, an Igor and Nobby.
  • We’ve mentioned the British drama Downton Abbey a few times before on the podcast, most notably in #Pratchat36. The series was created and co-written by English actor, writer, director and actual aristocrat and member of the House of Lords, Julian Fellowes. It follows the inhabitants of the titular manor house: the aristocratic Crawley family, led by Lord Grantham, and their servants. It’s set between 1912 and 1925 and features many significant historical events, including the sinking of the Titanic, the Great War, and the Spanish Flu epidemic. (Of note: Mary Crawley, eldest daughter of Lord Grantham, is played by Susan Dockery, known to Discworld fans as Susan in the television adaptation of Hogfather.) It ran for six series on ITV between 2010 and 2015, and became a worldwide phenomenon, especially after it was added to the streaming service Netflix. The story has since been continued in two films: Downton Abbey in 2019, set during a visit by the royal family to Downton in 1927, and Downton Abbey: A New Era in 2022, set in 1928 and involving a film crew hiring the Abbey as a location, and the family going on a trip to France to visit a villa the Dowager Countess (played by Maggie Smith) is bequeathing to one of her great granddaughters. Fellowes also created the HBO series The Gilded Age, set in 1880s America, and there’s been talk of potentially featuring a younger version of Smith’s character in that show.
  • When Ben mentions “the witch in that Tiffany Aching book“, he’s referring to Miss Level, the witch with two bodies – kind of the opposite of Miss Pickles and Miss Pointer – who mentors Tiffany in A Hat Full of Sky. For more on that, listen to #Pratchat43, “Big Wee Hag: Far Fra’ Home“.
  • The Leonardo DiCaprio pointing meme is an image of the actor character Rick Dalton pointing at a movie screen when he sees himself, taken from the film Once Upon a Time in Hollywood (2019, dir. Quentin Tarantino). It’s often used in conjunction with a quote, retweet or another image to show the poster self-identifies with it. We previously mentioned it in #Pratchat36, “Home Alone, But Vampires“, and #Pratchat43, “Big Wee Hag: Far Fra’ Home“.
  • Ben hasn’t yet confirmed whether its Mr Shine or Grag Bashfulsson who warns Vimes he might have to rein in his anger more than usual, but he’ll keep looking.
  • Vetinari worries he’s pushed Vimes too far in Men at Arms, though Ben has the reasoning backwards – he’s worried because, as he mentions to Leonard da Quirm, Vimes didn’t punch the wall.
  • Tracey Emin is a British artist known for her personal, confessional works in a variety of media, and was considered an enfant terrible of the Young British Artists (or YBAs) in the late 1980s and early 1990s. Her most famous piece is probably Everyone I Have Ever Slept With 1963-1995, a tent appliquéd with the names of all her sexual partners, which was destroyed in a fire in a storage facility in 2004. The “modern” artworks mentioned in the book are by Daniella Pouter, and include Don’t Talk to Me About Mondays, described as a pile of rags, which might be a reference to Emin’s famous 1998 work My Bed, literally the artist’s bed piled with items from her bedroom in disarray.
  • “The Peaky Blinders thing” is a reference to the flat caps with sharpened pennies sewn into the brim, used as concealed weapons by Willikins street gang. The real “Peaky Blinders” were a street gang in Birmingham in the 1880s through to the 1910s; there’s a story that they used caps with razor blades sewn into them as weapons, leading to the gang’s name, but the name pre-dates disposable razor blades so this is probably apocryphal. A more sound theory is it referred to their sartorial style: they did wear flat caps, but also dressed rather well for a street gang, so the name probably referred to the hats and that they were fancy, as “blinder” is Birmingham slang for “dapper”. Another possibility is their technique of grabbing a robbery victim’s hat from behind and pulling it down over their eyes, so they wouldn’t be seen and couldn’t be identified. The term has become popular again since the BBC series Peaky Blinders gained popularity, though it’s a heavily fictionalised version of the real gang. It ran for six series between 2013 and 2022.
  • We heard the story of Michael Williams’ 2014 interview with Pratchett during the recording of #Pratchat26, “The Long Dark Mr Teatime of the Soul“, and we included his story in the third episode of our subscriber bonus podcast, Ook Club. You can hear the full discussion as “Imagination, Not Intelligence, Made Us Human” on the Wheeler Centre website…or you could. Now, instead, we direct you to the video of the discussion on YouTube. There’s a lot of good stuff in it!
  • If you’re interested in a full count of who dies in the Discworld books, you’re in luck: The L-Space Web fan site has just such a record! Like a lot of things on L-Space, “The Death Lists” wasn’t maintained all the way to the end of the series, but peters out around the time newsgroups and static websites were being replaced by social media and wikis. But, in this case, it only goes up to Thud! so happily (if that’s the right word) it covers most of the books we’ve discussed on the podcast up to this point. Though you might want to take it with a grain of salt – we note the Thud! entry doesn’t seem to include the four mining dwarfs left to die under Ankh-Morpork after hearing what the Cube had to say…
  • Ben would like to apologise for being needlessly pedantic about the two Discworld books which don’t feature Death, and his roasting at Matt’s hands is well deserved. Despite that, we can confirm he remembered correctly that they are The Wee Free Men (which we covered in #Pratchat32, “Meet the Feegles”) and Snuff. The Reaper Man thing is absolutely not true, do not go back and check or listen to #Pratchat11, “At Bill’s Door”.
  • The Thing appears in the Bromeliad, mostly the first and final books Truckers (see #Pratchat9, “Upscalator to Heaven”) and Wings (see #Pratchat20, “The Thing Beneath My Wings”). In those books the Thing is a small, seemingly indestructible black cube passed down through generations of Nomes to Old Torrit and then Masklin, which used to occasionally speak and provide advice. When Masklin brings it to Arnold Bros, it recharges itself using the Store’s electricity and reveals that it is “Flight Recorder and Navigation Computer of the Starship Swan”, helping Masklin with a lot of his plans to get the Nomes out of the Store and eventually back to their home planet. Cube-shaped computers and recording devices also appear in other media, most notably in Star Wars, where both the Jedi and the Sith store holographic recordings on “holocrons” which are commonly cube-shaped.
  • The main mentions of school projects in Pratchett’s work occur in the Johnny books. In Chapter 5 of Johnny and the Dead, Johnny uses the excuse of a school project to ask about the surviving member of the Blackbury Pals, claiming that “You could get away with anything if you said you were doing a project.” He uses this trick again in Johnny and the Dead in order to speak to Mrs Tachyon when she’s in hospital, and his legit history project comes in handy when the kids have to disguise themselves for a trip back in time to the 1940s.
  • Bedknobs and Broomsticks (1971) is a Disney musical blending live-action and animation, much like Mary Poppins. Also like Mary Poppins, its based on novels for children by an English author, in this case Mary Norton’s The Magic Bedknob; or, How to Become a Witch in Ten Easy Lessons (1944) and Bonfires and Broomsticks (1947). The protagonist, Ms Eglantine Price (played by Angela Lansbury in the film, in her screen musical debut), is a single woman living in a coastal village in Dorset during World War II who is, against her will, saddled with some children evacuated from London. They discover Ms Price is learning witchcraft by correspondence, and end up joining her on an adventure to complete her education and locate a powerful spell she believes can aid in the war effort. It’s not specifically included in the list of Pratchett Family Movies (or PFMs) mentioned in a footnote in Chapter 9 of A Life With Footnotes, but it wouldn’t look out of place next to the likes of Time Bandits, The Princess Bride and Ladyhawke.
  • Irish, British and American actor Angela Lansbury (1925-2022) had a long and distinguished career on stage and screen. She is best remembered as Jessica Fletcher, the crime writer protagonist of the popular American cosy mystery TV series Murder, She Wrote, which ran for twelve seasons between 1984 and 1996, followed by four TV movies up until 2003. But she was also an accomplished singer, and played many famous roles in stage musicals including being the original Mrs Lovett in Sweeney Todd: The Demon Barber of Fleet Street, and Mrs Potts in the Disney film Beauty and the Beast. Her last role being a cameo appearance as herself in Ryan Johnson’s Glass Onion in 2022, and she died on 11 October, 2022, not long before we recorded this episode.
  • In Thud!, while complaining to Cheery about the announcement in the Times that the post office is issuing memorial Koom Valley stamps, Vimes says “Remember the cabbage-scented stamp last month?” This is an unusually direct reference to the events of the immediately previous Discworld novel, Going Postal (see #Pratchat38, “Moisten to Steal”). In Chapter 12, once stamp collecting has started to take off, Junior Postman Stanley Howler presents his own design to Moist for a stamp depicting a cabbage, printed with cabbage ink and using gum made from broccoli: “A Salute to the Cabbage Industry of the Sto Plains”. This directly links the two books as being closer in time than the gap between their publication, and reinforces the basic idea that the Discworld books more or less happen in the order in which they’re published, with a couple of notable exceptions.
  • Ridcully certainly has a busy month. The above link suggests that there is less than a month between Ridcully overseeing Moist’s race against the Clacks in Going Postal and tricking out Vimes’ coaches in Thud! Ridcully also appears at an important meeting near the end of Making Money, and also has his head printed on the fee-dollar note when Moist introduces paper money in the final chapter. Of note: The Science of Discworld III (see #Pratchat59) and the short story “A Collegiate Casting-Out of Devilish Devices” (see #Pratchat63) were also published the same year as Thud!, so Ridcully may also be dealing with A. E. Pessimal’s inspection and an invasion of Auditors into Roundworld at around the same time. A busy month indeed!
  • Brian Blessed (b. 1936) is an English actor from Yorkshire who is known for his booming voice. His best-known roles include King Richard IV in the first series of Blackadder, Prince Vultan of the Hawkmen in the 1981 film version of Flash Gordon, and the voice of Boss Nass in Star Wars Episode I: The Phantom Menace. But he’s been a fixture of British television, stage and film for years, popping up in memorable guest roles in Space: 1999, Blake’s 7, Doctor Who and many more. As well as many cult films of the 1980s, he’s been in Kenneth Branagh’s Shakespeare films Henry V (1989), Much Ado About Nothing (1993) and Hamlet (1996). Of note to Terry Pratchett fans, he appears as William “Bill” Stickers, deceased communist, in ITV’s 1995 adaptation of Johnny and the Dead.
  • Lord Melchett, played by Stephen Fry, is another character from the British sitcom Blackadder. He appears in the second series, Blackadder II, as an obsequious member of the royal court and Lord Edmund Blackadder’s rival for the favour of Queen Elizabeth I. In this instance, though, Ben is really thinking more of Lord Melchett’s descendent, the Blackadder Goes Forth character General Melchett (also played by Fry), who is more over-the-top eccentric and dangerously in charge of British soldiers on the front line during World War I.
  • We’ve mentioned Back to the Future before, most recently in #Pratchat54, “The Land Before Vimes”, our discussion of Night Watch. In the film, eccentric scientist Doc Brown creates a time machine using a DeLorean sports car. Its time travel device, the “flux capacitor”, requires the vehicle to travel at 88 miles per hour (about 142 kilometres per hour); when it hits that speed the car and its occupants are instantly transported to the destination point in time, leaving behind flaming tyre tracks. At the end of the first film, Doc returns from a trip to the future to take his young friend Marty “back to the future”; Marty worries they don’t have enough road to get up to 88mph, to which Doc famously replies “Roads? Where we’re going, we don’t need roads.” The DeLorean then begins to fly… Pratchett was a fan of the film – the biography A Life With Footnotes recounts the story of the time he almost bought a replica of the DeLorean time machine – and he previously referenced it in Soul Music, in which Binky leaves flaming hoof prints behind when he travels time-bendingly fast.
  • George R. R. Martin is the bestselling author of the A Song of Ice and Fire fantasy series of books that begins with A Game of Thrones. The series was famously adapted for television by HBO as Game of Thrones. The novels are very long, but don’t all cover the same amount of time; by some estimates, the narrative time that passes varies between as little as a few months to more than a year. And then you have to factor in that the seasons of the world of the book are also irregular, for undisclosed fantastical reasons…
  • Listener Graeme Kay sent us in his tip that he thinks Koom Valley might be based on a place in Far North Queensland, not least because Pratchett is known to have spent plenty of time on holiday in that part of Australia. The specific place Graeme was thinking of is at Babinda Boulders on the land of the Yidindji people south of Cairns. Graeme mentioned “The Devil’s Pool”, but it’s one of several specific spots at Babinda which are connected by rushing water (the others are “The Chute” and “The Washing Machine”). Despite warning signs and local oral traditions about Siren-like dangers, younger tourists continue to visit those parts of the Boulders. More than twenty people have died there in the last century or so, largely because of underwater hazards that make it very difficult to survive being dragged under by the current. Those hazards do sound very similar to the ones encountered by Vimes in Koom Valley, and which would have surely killed him if not for the influence of the Summoning Dark. Sadly this is not a phenomenon of the past; the latest death occurred in December 2021, and a recent safety review completed in January 2023 recommended better signage to try and prevent more deaths. You can read about that, and see pictures of the location and diagrams of the hazards there, in this ABC news article.
  • We discussed Carpe Jugulum, the last of the witches books, in #Pratchat36, “Home Alone, But Vampires”.
  • Granny Weatherwax battles with her sister Lily in Witches Abroad. It’s never stated clearly, but it’s suggested that Lily is older than Granny, though her use of magic makes her look younger. She’s never described as her twin.
  • Granny doesn’t say anything about it, but in Carpe Jugulum when she is fighting the influence of Count de Magpyr, she has to choose between the darkness and the light to escape the lands of Death. In the end, she faces the light…and steps backwards. A very Granny Weatherwax solution, and reminiscent of her dilemma in the mirror dimension in Witches Abroad.
  • Liz says “Revved up like a deuce”, which is a lyric from “Blinded by the Light”, a song by Bruce Springsteen released on first album, 1973’s Greetings from Asbury Park, N.J. It was famously covered by Manfred Mann’s Earth Band on the 1976 album The Roaring Silence, and that version was a top ten hit in several countries.
  • We’ve previously mentioned Sophie’s Choice, the 1979 final novel by American author William Styron, which was adapted into a film in 1981 starring Meryl Streep, Kevin Kline and Peter MacNicol. While it’s meant to be a surprise revelation in the story, it’s now famous for Sophie – a Polish immigrant who escaped Nazi Germany – having to choose which of her two children would be killed when she was sent to Auschwitz, with both of them being killed if she refused to choose. It’s since entered popular culture as a shorthand for an impossible (or at least very difficult) choice.
  • We mention a few famous fictional butlers this episode, including Alfred Pennyworth (Batman), Mr Butler (Miss FIsher’s Murder Mysteries), Alfred Pennyworth (not to be confused with Pennywise the Clown), and Jeeves (of Jeeves and Wooster fame). We previously talked about Willikins and the “battle butler” trope in #Pratchat27, “Leshp Miserablés”, when discussing Jingo.
  • The line about a god of policemen does not actually appear in Feet of Clay (#Pratchat24), and Vimes doesn’t say it – though it is attributed to him. In The Last Hero (#Pratchat55), when Carrot arrives in Dunmanifestin, chief god of the Disc Blind Io asks Carrot if there’s a god of policemen. ‘No, sir,’ Carrot replies. ‘Coppers would be far too suspicious of anyone calling themselves a god of policemen to believe in one.’ There’s also this line from near the start of Night Watch (#Pratchat54), which explains why most Watch members are buried in the Cemetery of Small Gods: “Policemen, after a few years, found it hard enough to believe in people, let alone anyone they couldn’t see.”
  • Despite his self-doubt, Ben is right: igneous rock is indeed formed by volcanoes. Specifically, igneous rock is formed from cooled magma or lava, forms of molten rock that naturally occur beneath the Earth’s crust but come nearer the surface in volcanos (magma) or are released during an eruption (lava).
  • Liz and Ben are both sort of right about the difference between concrete and cement. Cement is the binding agent used to make concrete, mortar, stucco and grout. It’s a combination of limestone, clay, shells and silica sand, which is mixed with water and then sets hard when it dries out. It’s not often used on its own, but instead combined with aggregate (a mixture of gravel and sand) to make concrete, which is the hard substance used for footpaths, driveways and structures. Most cement today is “Portland cement”, a fine grey powder developed in the 19th century by father and son Joseph and William Aspdin, who named it for its resemblance to Portland stone from the island of Portland in Dorset in the south of England. It mostly replaced the use of hydraulic lime, or “quicklime”. Cement is also combined with sand to make mortar, the “glue” that holds bricks together, and stucco, also known as render, used as a wall covering and to fashion ornamentations; and grout, used to fill the gaps between tiles. While all three use the same basic ingredients, they use different recipes, techniques and additives to achieve different consistencies suited to each use.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Angua, Ankh-Morpork, Ben McKenzie, Carrot, Colon, Detritus, Dwarfs, Elizabeth Flux, Matt Roden, Mustrum Ridcully, Nobby, The Watch, Trolls, Vetinari, Vimes

#Pratchat61 – What Terry Wrote

5 December 2022 by Pratchat Imps Leave a Comment

Designer and educator Matt Roden delves deep under Ankh-Morpork with Liz and Ben as they unravel the mystery of the penultimate City Watch book, 2005’s Thud!.

As the anniversary of the Battle of Koom Valley approaches, the dwarfs and trolls of Ankh-Morpork find their ancient enmity stirred up – not least by Hamcrusher, a conservative leader of the “Deep Down” dwarfs, who has preached hatred against the trolls. But now Hamcrusher’s dead – not that the other deep downers want the Watch to know about it – and Vimes must solve the puzzle of his murder before tensions explode across the city. On top of that, he’s also been sent a government inspector, he’s had to take on the Watch’s first vampire, someone’s stolen the most talked-about painting in town – and he has to get home at 6 o’clock sharp, every night, to read Where’s My Cow? to his infant son…

While most Watch books have a mystery that needs solving, none so far have felt as much like a contemporary thriller as Thud! There’s an awful lot going on, with politics, religion, art and history all in the mix. Is it too much for one book? Are there threads that get dropped along the way? Is Pratchett having his cake and eating it too with his fantasy abstractions of real world issues? And who do you think should star in Discworld legal drama The Good Dwarf? Join in the conversation using the hashtag #Pratchat61 on social media!

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_61.mp3

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Guest Matt Roden is a graphic designer, educator and the Creative Learning Manager for the Museum of Contemporary Art Australia. Matt has a long history with storytelling and education; he helped set up The Ministry of Stories in London, and was the first volunteer and a long-running Storyteller with Sydney’s Story Factory. You can follow Matt on Instagram (where you can see photos of his dog) at @matthewrodeo.

As usual, you can find notes and errata for this episode on our web site.

We apologise that this episode has gone out much later than planned. While our schedule has gotten a little out of whack, we’ll still be continuing our “Thud! trilogy” next episode with our special crossover with sibling Pratchett podcast The Truth Shall Make Ye Fret. We’ll be joined by Jo and Francine to discuss Where’s My Cow?, the hottest children’s book in Ankh-Morpork! Plus we have plans to extend our Thud! trilogy to four parts – details coming in our very next episode.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Angua, Ankh-Morpork, Ben McKenzie, Carrot, Colon, Detritus, Dwarfs, Elizabeth Flux, Matt Roden, Mustrum Ridcully, Nobby, The Watch, Trolls, Vetinari, Vimes

#Pratchat52 Notes and Errata

8 February 2022 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 52, “A Near-Watch Experience“, featuring guests Fury and Patrick Lenton, discussing BBC America’s 2021 television series The Watch.

Iconographic Evidence

This is the best still we’ve found of the assassin Karen from Finance:

Karen from Finance in her distinctive headwear on the left; on the right is Sex Party Ben (no relation).

The Watch cast and crew

As mentioned in the footnote, we are not good at naming the cast and crew of the show this episode. Here are the key creative folks:

Crew

Head Writer and Executive Producer
Simon Allen

Writers
Joy Wilkinson (“Twilight Canyons”)
Catherine Tregenna (“Not On My Watch”)
Amrou Al-Kadhi (“The Dark in the Dark”)
Ed Hime (“Nowhere in the Multiverse”)

Directors
Craig Viveiros (episodes 1-2)
Brian Kelly (episodes 3-5)
Emma Sullivan (episodes 6-8)

Cast

Richard Dormer (Vimes)
Lara Rossi (Sybil)
Adam Hugill (Carrot)
Marama Corlett (Angua)
Joni Ayton-Kent (Cheery)
Samuel Adewunmi (Carcer)
Bianca Simone Mannie (Wonse)
Anna Chancellor (Vetinari)
Wendell Pierce (voice of Death)
Ralph Ineson (voice of Detritus)
Craig Macrae (Death/Detritus)
Matt Berry (voice of Gawain)
Ingrid Oliver (Dr Cruces)
Natalie Walsh (Karen From Finance/Goblin #4)
Ruth Madeley (Throat)
James Fleet (Archchancellor)

Notes and Errata

  • The episode title is pretty obvious this month, right?
  • The other podcast which covered The Watch episode by episode – yes, we’ve heard you and we’re going to do it too – is Who Watches the Watch. Their discussion of the show starts with the podcast episode “WE WATCH THE WATCH“, which covers the first two episodes of The Watch. (We’ve not listened to these, to remain fresh for this episode and also the episode-by-episode proper recap, so do let us know if you listen and enjoy them. Watch the website for details on our mini-series!)
  • Fury previously joined us in May 2019 for #Pratchat19, “It Don’t Mean a Thing If It Ain’t Got Rocks In“, discussing Soul Music; and in March 2020 for #Pratchat29, “Great Rimward Land“, to discuss The Last Continent.
  • Patrick’s roles at Junkee included Entertainment Editor, Deputy Editor and then proper, capital E, he’s the boss of what people write Editor. (That’s not how he described it.) He’s also written for the publication; here’s a page listing all his work for the site.
  • All the heterosexual nonsense I was forced to endure started out as a series of recaps by Patrick and Bec Shaw (aka @Brocklesnitch) of The Bachelor and The Bachelorette for Junkee. They’ve since taken it independent; you can find it on the newsletter platform substack. They have also branched out to cover various Netflix Christmas films and now Married At First Sight (though this latter experiment was cut short as the show proved too horrible to continue with – see below).
  • Married at First Sight (aka MAFS) is an Australian version of the Danish reality television show Gift ved første blik (er…”Married at First Sight”) in which contestants who’ve not previously met are paired up by “experts” and carry out the “social experiment” of being “married”. Those last scare quotes are especially warranted in the Australian version, as contestants can’t legally be married – the Australian Marriage Act 1961 requires a minimum of 28 days’ notice before a wedding. (Contestants have a non-binding commitment ceremony instead.) The original and its clones – which have appeared in fourteen countries around the world – are depressingly popular (the Australian MAFS is in its ninth season), even though they often showcase the worst traditional heterosexual gender roles have to offer. Another contributing factor to the tone of the show is that the contestants are often older and seemingly genuinely desperate in their search for love – as opposed to contestants on lighter shows like The Bachelor, where many of them are more interested in becoming a reality television star or increasing their reach as an influencer.
  • Below is the logo for The Watch; as you can see from the poster, Ben’s wrong – it’s not the same as the lettering on the Watch House in the show! The same font is used on the Watch badge, though, which is displayed as part of the title card, so that might be where he got confused (though the logo is also shown there).
The Watch promotional poster
  • Black Books is a Channel 4 sitcom about misanthropic drunken bookshop owner Bernard Black (co-creator Dylan Moran) and his friends, the naive and optimistic Manny Bianco (Bill Bailey) and neurotic Fran Katzenjammer (Tamsin Greig). It ran for three series between 2000 and 2004.
  • Garth Merenghi’s Darkplace was a 2004 spoof horror television series created for Channel 4 by by Richard Ayoade and Matthew Holness. The titular show is treated as a classic 1980s series – largely a spoof of the work of Steven King and other popular horror of the 80s – which was never broadcast. Scenes from the original show (made to look as though shot on cheap video) are played alongside modern day interviews with its writer and star, Garth Merenghi (played by Holness) and his agent, Dean Learner (played by Ayoade). The show was inspired by the pair’s prior stage shows Garth Merenghi’s Fright Knight and Garth Merenghi’s Netherhead, the latter of which one the Perrier Award at the 2001 Edinburgh Fringe. The television series also features Matt Berry (more about him below), and was followed up by the spin-off Man to Man with Dean Learner, a chat show in which Ayoade’s character interviewed various fictional characters played by Holness, including Merenghi.
  • “A near-Vimes experience” is indeed from one of the books – specifically Thud! But as we’ve not covered it yet, we won’t say any more.
  • A “ring light” is used in photography and film as a way to provide even illumination to a subject fairly close to the camera, which is placed in the middle of the ring. Modern ring lights, which use LEDs and can operate without using much power at a variety of intensities and levels of warmth, are an inexpensive way to light yourself when taking your own photos, and so have become popular with influencers, cosplayers and Instagram users. When the subject is close, a reflection of the ring light often appears in their pupils – and effect seen on Vimes in the opening moments of A Near Vimes Experience.
  • The Wire was a critically acclaimed crime drama produced by HBO between 2002 and 2008. Set in Baltimore, each of its five seasons focusses on a different group and their relationship to the police, who appeared in all five seasons. Wendell Pierce was the first actor to be cast for the show, as homicide detective William “The Bunk” Moreland, who like many of the characters was based on a real person.
  • The original “second-hand set of dimensions” are the very first words of the Discworld series, appearing at the start of The Colour of Magic. Of note: the early trailers for The Watch, including the New York Comic-Con teaser, used the more verbatim version “In a distant and second-hand set of dimensions”; it was truncated to “Somewhere in a secondhand dimension” for broadcast.
  • The best article to read about the the development of show is Marc Burrows’ “Calling time on The Watch? What went wrong (and right) with the latest Terry Pratchett adaptation” for the pop culture website heyuguys.com. You might also be interested in this timeline researched by Discworld Monthly, though note it was mostly compiled before the show was released.
  • SyFy is a cable channel owned by NBC Universal, specialising in (yes) science fiction. It was launched in 1992 as the Sci-Fi Channel, dropped the “Channel” in 1999, and changed the spelling in 2009. Before the rise of streaming services, SyFy often picked up sci-fi and fantasy shows which were cancelled by other networks, including Sliders and Mystery Science Theatre 3000. They are also noted for making lower budget sci-fi series.
  • Killjoys is a 2015 sci-fi series following the adventures of three interplanetary bounty hunters, made for the Canadian channel Space (now known as the CTV Sci-Fi Channel) and SyFy. It ran for five ten-episode seasons, and starred Hannah John-Kamen, Aaron Ashmore and Luke Macfarlane.
  • Sucker Punch is a 2011 action film directed and co-written by Zack Snyder. It stars Emily Browning, Abbie Cornish, Jena Malone and Vanessa Hudgens as young women committed to an insane asylum in the 1960s who retreat into a fantasy world of guns, aliens and robots, which represents their attempt to escape before they are lobotomised. Snyder described it as “Alice in Wonderland with machine guns”, which is…look, not entirely inaccurate.
  • Torchwood was a 2007 spin-off from Doctor Who in which the Doctor’s immortal companion Captain Jack Harkness leads the Cardiff team of Torchwood, a secret organisation who protect Earth against extraterrestrial threats. It was meant to be a more adult show, and that’s more or less true if you assume “adult” means swearing and fucking. Torchwood had its moments, but like The Watch suffered from a wildly fluctuating tone and a seeming lack of knowing what kind of show it wanted to be, especially in its first season. (The third season is basically a different show altogether, and very good (if very grim); the fourth season was an American co-production that isn’t as good, but is still interesting.) Only Catherine Tregenna worked as a writer on both shows, but in Fury’s defence she does represent 20% of The Watch’s writing team. In addition, Ed Himes and Joy Wilkinson have both written for Doctor Who under its current showrunner, Chris Chibnall, who was also the man in charge of Torchwood for its first two seasons, so there’s some of the same DNA there.
  • The extremely faithful adaptation of Good Omens, made for Amazon Prime in 2019, was written by Neil Gaiman, who also served as the show runner alongside a production team headed by Terry’s assistant Rob Wilkins (who also has an executive producer credit on The Watch) and Rob Brown (who was one of the original producers for The Watch, working on it from the early days of the project until around 2015). Fury describes it as “so bad”; we’ll cover it eventually and let you know what we think. A second season is currently in production, based on ideas Neil and Terry had back in the day for a potential sequel – as explained in this post on Neil’s blog.
  • The Wheel of Time is a 2021 Amazon Prime TV series based on Robert Jordan’s best-selling fantasy book series, which began in 1990 with The Eye of the World. The full series comprises fourteen novels, the last three of which were finished by Brandon Sanderson after Jordan’s death in 2007. There’s also a prequel, New Spring, which was originally published as a novella in the 1998 collection Legends – which you might remember was where Terry Pratchett first published “The Sea and Little Fishes” (see #Pratchat39).
  • The Lord of the Rings: The Rings of Power is another Amazon Prime TV series, set to be released in 2022. It is set thousands of years before the events of The Lord of the Rings novels; Bilbo and Frodo’s adventures take place in the Third Age of Middle-earth, while The Rings of Power is set in the Second Age, a period only loosely detailed by Tolkien. (The Silmarillion, which tells of the history and mythology of Middle-earth, mostly deals with the First Age, with only one of its five parts detailing the Second Age.) Based on the deal struck by Amazon to secure the rights to The Lord of the Rings, it will run for five seasons and have a total budget of $US1 billion, making it the most expensive television series ever made.
  • Ben says a few times that we’ll talk about the issue of “copaganda” and the “police as resistance” theme of The Watch, but we didn’t get there in the end. We’ll be sure to talk more about it in the episode by episode mini-series, and probably also in our episode about Night Watch. But in brief, “copaganda” – a Portmanteau of “cop” and “propaganda” – is the tendency for media outlets to run stories of heroism and bravery in the police force over stories of corruption, incompetence or systemic prejudice. In recent years, as the problems with policing grow worse (especially, but not only, in America), this has been extended to the kinds of fictional shows that promote police officers in an always-friendly light. The lighthearted comedy Brooklyn-99, set in a police precinct in New York, wrapped up its last season trying to deal with some of the real issues with American policing, with mixed results. In this context, the idea of police being “the resistance” when in reality they are part of the oppressive system is a bit…off. (Even if it is true to the spirit of the Watch in the books, especially Night Watch.)
  • Ben’s got things a bit mixed up around when we first see Carcer, condensing the flashbacksa bit, but the first twenty years ago sequence ends with Captain Keel walking out to confront Carcer at about the 2:40 mark. Vimes then spots Carcer in the Drum at around 10 minutes, prompting the flashback of him shooting Keel. So that’s about seven and a half minutes later. (We don’t see the chase that ends with him falling from the University tower until Vimes is tracking Carcer via the iconographs at around the 18 minute mark.)
  • There are eight books featuring the Ankh-Morpork City Watch (or mostly just Vimes, in some of the later ones): Guards! Guards!, Men at Arms, Feet of Clay, Jingo, The Fifth Elephant, Night Watch, Thud! and Snuff. They also star in the short story “Theatre of Cruelty”, set between Guards! Guards! and Men at Arms, and – in additional to cameos in many books set in Ankh-Morpork – make significant appearances in The Truth and Monstrous Regiment.
  • The episode where Vimes goes off into the desert is episode five, “Not on My Watch”; Vimes is heading off to destroy Wayne by throwing him in the lake which destroys magical artefacts. The sequence starts at around the 7:53 mark. The “Miami Vice music” plays until he falls down a sand dune around 30 seconds later. Miami Vice was an American crime drama that ran on NBC between 1984 and 1990, produced by Michael Mann and telling stories of vice cops who used the confiscated belongings of drug dealers to go undercover. It drew heavily on the New Wave – a cultural movement that followed the punk era, but more quirky and weird than post-punk, with an emphasis on stylised visuals. The show was also famous for its synthesised soundtrack; the title music was by Czech-American composer Jan Hammer, and Vimes’ accompaniment definitely has a similar vibe, though it’s not the actual song.
  • Wingspan is published by Stonemeier Games (in English) and designed by Elizabeth Hargrave. The gorgeous art of the birds is by a number of artists including Beth Sobel, Natalia Rojas and Ana Maria Martinez. Two expansions for the game add European and Oceanic birds into the mix – the original game is mostly North American species.
  • New Girl is an American sitcom that aired on Fox for seven seasons between 2011 and 2018. It stars Zoey Deschanel as Jess Day, a quirky teacher who after coming home to find her boyfriend teaching on her immediately moves out into a New York apartment with three guys.
  • Oath: Chronicles of Exile and Empire is published by Leder Games (in English) and designed by Cole Wehrle, with very distinctive art by Kyle Ferrin. The pair previous worked on the hit looks-cute-but-is-actually-cutthroat game Root, about cats, birds, foxes, bunnies, mice and other cute critters warring over their woodland home.
  • Disney isn’t just considering making a live-action Snow White and Seven Dwarves – it’s in pre-production and has cast West Side Story‘s Rachel Zegler as Snow White, and Gal “Wonder Woman” Gadot as the Evil Queen. The news was met in late January with outrage by disability activists, including actor Peter Dinklage – both for the treatment of dwarf characters in the film, and the plans that they would be CGI characters, presumably voiced by famous able-bodied actors. This opinion piece on MSNBC by Eric Garcia sums up where things are at.
  • The scene in which Carrot calms down a tavern full of dwarfs occurs in Guards! Guards!, though he doesn’t sing – he merely speaks to them in dwarfish and chastises them, wondering what their mothers – “who first showed you how to use a pickaxe” – would think of their behaviour.
  • Matt Berry (Gawain/Wayne, the sword) is an English actor and comedian who gained fame for supporting roles in The Mighty Boosh and The IT Crowd before starring in his own shows including dark weird sitcom Snuff Box, showbiz spoof Toast of London (and its recent sequel, Toast of Tinseltown) and landing on of the main roles in the US television version of What We Do in the Shadows. He’s no stranger to voice work, appearing as a recurring character in Matt Groening’s fantasy animated show Disenchantment and as the voice of the dried 8D8 in Disney’s latest Star Wars show, The Book of Boba Fett.
  • We’ll see if we can source that clip of the New Zealand LARP golem costume from Fury, but it’s worth noting in case of any confusion that Detritus is not CGI – he’s entirely a practical effect, a costume using stilts and arm extensions worn by performer Craig Macrae, who also plays the physical form of Death. (LARP, by the way, is short for live-action roleplay – a form of roleplaying game in which people dress up as and physically act out their character’s adventures, rather than sitting down around a table and imagining them.)
  • Terry Pratchett’s Going Postal was an adaptation made by The Mob for Sky One in 2010, following their adaptations of Hogfather in 2006 and The Colour of Magic in 2008. Mr Pump, the golem tasked by the Patrician with keeping an eye on Moist von Lipwig, is portrayed physically by Dutch actor and stuntman Marnix Van Den Broeke in a pretty awesome costume that looks like its made from terracotta. (Van Den Broeke also wore the Death costume in The Mob’s other adaptations.) Mr Pump’s voice is provided by English actor Nicholas Farrell.
  • Danger 5 is a 2012 Australian action-comedy produced for SBS by Dinosaur, a production company formed by the team behind hit web series Italian Spiderman, a spoof of 1960s Italian action films. Danger 5 is a campy spoof of “boy’s own” and spy adventure serials of the 1960s, like Voyage to the Bottom of the Sea or Danger Man. The first season sees the “Danger 5” team of World War II Allied agents thwarting a number of Adolf Hitler’s schemes, though Hitler himself always escapes via the same footage of him jumping through a window. The second season, broadcast in 2015, gets more absurd and moves the characters into the 1980s, though Hitler is still their nemesis.
  • Boromir is a human, a military commander from Gondor who accompanies Frodo and his companions on their quest in The Lord of the Rings: Fellowship of the Ring. As Ben mentions, he dies after being shot by three arrows, and in the film version is played by Sean Bean; this role and a few others in which his character dies prompted the frequently quoted bit of lore that he has died more on-screen deaths than any other actor, though that isn’t true. (At one point the actual winner of that title was said to be John Hurt, but Ben thinks Christopher Lee probably has a better claim.)
  • Fury likens carrying the rocky bit of Detritus around to the famous scene in Hamlet, Act V Scene i, in which Hamlet comes across the skull of Yorick, the king’s Fool, whom he knew as a boy.
  • The games Ben is talking about are Vampire: The Masquerade and Werewolf: The Apocalypse, part of the original World of Darkness from White Wolf Games. In Vampire, each character has been turned into one of the undead and must fight a nightly struggle between the animal desires of the “Beast Within”, learning how to feed it enough to sate it without becoming monstrous. The tagline of Vampire: The Masquerade is “A Storytelling Game of Personal Horror”, with the in-character motto “A Beast I am, lest a Beast I become.” Werewolf: The Apocalypse’s tagline was the slightly different “A Storytelling Game of Savage Horror”, but this was dropped from later editions; werewolves had to balance their human and wolf sides, the latter represented by their supernatural Rage.
  • CCTV – short for Closed-circuit Television, meaning a camera that transmits a single signal to a specific and usually small number of monitors – has become the shorthand term for video surveillance. In most precedural crime dramas, as well as older police dramas like The Bill, it’s common for police to request CCTV from the area where a crime was committed. This mirrors real life, where police in many countries have the power to request footage from the owners of security cameras, which are primarily private businesses and individuals.
  • Various estimates put the number of CCTV cameras in London at around half a million, though only around 25,000 or fewer of those are operated by government authorities. They were first introduced in large numbers in the late 1980s, so Ben’s estimate that London has been one of the most heavily camera-monitored cities for 30 years is probably about right.
  • The writers of The Watch are indeed all British.
  • Miranda Hart is an English comedian and actor best known for her television work, including her brilliant self-titled BBC sitcom Miranda. (On a side note, Miranda co-stars Tom Ellis, now better known for playing the title role in the Netflix series Lucifer, based on Neil Gaiman’s version of the character.) She’s also played dramatic roles with a bit of comedy in them, including in the hit medical drama Call the Midwife, and Autumn de Wilde’s 2021 film adaptation Emma. starring Anna Taylor-Joy. We previously talked about her playing Lady Sybil in #Pratchat27, “Leshp Miserablés“.
  • It’s true that in television programs – and especially American ones, both dramas and comedies – the majority of characters are upper-middle-class, professional people. They are usually lawyers, doctors, advertising executives, police officers, writers, broadcasters and so on. While this has changed in the last decade or so, there’s still an imbalance – perhaps more so than the improved (but still not great) situation for characters who aren’t straight white men.
  • There have been many “generic fantasy world maps” like the ones Ben mentions; one of the fancier ones is “Clichéa” by DeviantArt map maker Sarithus. You can also find a much earlier version of the same idea in a book we’ve mentioned before: Diana Wynne-Jones’ The Tough Guide to Fantasyland.
  • “Tulip and Pin” is a reference to the characters Mr Pin and Mr Tulip, who appear in The Truth (see #Pratchat42, “Truth, The Printing Press and Every -ing“). The poster appears about twenty minutes into the episode, and reads:

Pin & Tulip’s Goblin Labour
Enquire at the docks for an immediate quote
Cheap, Reliable, Disposable

  • The character of Throat is indeed credited as “Throat Dibbler”. She never says “And that’s cuttin’ me own throat,” but the character’s catchphrase does appear on a poster in episode two.
  • Blindspotting is a 2021 American comedy-drama television series on the Starz network, which forms a sequel to the 2018 film Blindspotting. It’s set in Oakland, California, and stars Jasmine Cephas Jones as Ashley, a supporting character from the film, who is forced to move in with her mother in law when her partner Miles is sent to prison. It was created by Daveed Diggs (of Hamilton and The Unbreakable Kimmy Schmidt fame) and Rafael Casal, who also appear as their characters from the film (Casal plays Miles).
  • On the question of whether the writers have written comedy before, the answer does appear to be no. Mostly they have previous credits on drama and fantasy shows. (We don’t think no-one should be allowed to work on comedy without prior experience, but The Watch‘s mix of absurdism, satire and farce might have benefitted from some; it’s a tricky assignment!) Though it’s worth noting is that showrunner Simon Allen wrote for both New Tricks and M. I. High, both shows with a mix of action and comedy.
  • See the top of this discussion for a photo of the fictional Karen From Finance, but the real life version is the drag persona of Richard Chadwick. This more famous Karen – in Australia at any rate – has been around since at least 2017, and has toured internationally with her shows Death Drop and Out of Office. You can find out more about her at karenfromfinance.com.
  • Karen From Finance was indeed a contestant on the first season of Ru Paul’s Drag Race Down Under in 2021. Various commentators criticised the show, not least for its choice of contestants. Past photos of Scarlet Adams showed her performer appearing on stage in blackface in a parody of Aboriginal Australians, and Karen From Finance was revealed to have a tattoo of a golliwog, a type of doll based on (or at very least associated with) racist depictions of Black people. Both gave seemingly sincere apologies for their past actions, but it highlighted the majority white cast of the show – especially after both non-white contestants were eliminated, while one of the eliminated white contestants was allowed to return with little explanation. It’s generally seen by Drag Race fans as a low-point, but perhaps they’ll do better in season two, which is coming in 2022.
  • The “a wizard did it” trope is when something that doesn’t makes sense in a fantasy show is explained away by saying it’s the result of magic, which supposedly doesn’t have to make normal logical sense. (Pratchett’s magic, at least in the Discworld, specifically doesn’t work like this and always makes at least narrative sense. In many books – especially the early ones – it relies on principles of conservation of energy similar to physics, which gives it many limitations.)
  • Lock, Stock and Two Smoking Barrels was the debut film from English director Guy Ritchie. It’s a crime caper film in which a number of plots start separately and converge at the end on a pair of expensive antique shotguns. We last mentioned it in #Pratchat36, “Home Alone, But Vampires”, and used it as inspiration for the title of #Pratchat33, “Cat, Rats and Two Meddling Kids“.
  • In Guards! Guards!, Lupine Wonse was Lord Vetinari’s secretary, and the author of the plot to summon the Noble Dragon and depose him in favour of a King. One detail we neglected to mention is that in the novel, Wonse is a childhood friend of Vimes – something seemingly missing from The Watch version, even though they were both members of Carcer’s gang. (Though presumably this Wonse was much younger than Vimes, as we discuss regarding the potential age gap between Wonse and Carcer.) We discussed Wonse, and the resemblance of his cult, the Elucidated Brethren of the Ebon Night, to modern-day members of the “manosphere”, back in #Pratchat7A, “The Curious Incident of the Dragon and the Night Watch“.
  • Jocasta Wiggs appears as a minor character in one of the opening scenes of Night Watch – so expect to hear more about her in our Night Watch episode!
  • If you want to learn more about punk, you could watch the documentary Punk Attitude, or – for more on the visual style – listen to episode six of the podcast series Articles of Interest, “Punk Style“. In brief, punk rock was a DIY counter-culture response to 1970s rock music, which was perceived as having sold out for money. It drew on 1960s garage rock as a musical influence, and was explicitly anti-establishment and provocative.
  • The “Rule of Three” (not usually the “rule of threes” plural) in comedy and writing is basically the idea that a collection of three things is usually the funniest. The reason for this is that three is the minimum number of things that can establish and then break a pattern, one of the basic premises of joke writing.
  • Simon Allen is credited as an associate producer of the 2012 BBC spy drama Hunted (starring Australia’s own Melissa George), and the 2018 German war drama Das Boot for Sky One, which forms a sequel to the 1981 film of the same name. His credit on The Musketeers is as executive producer for the third and final season in 2016. Whether he was the show runner on any of these is a little hard to discern, since it’s not a specific credit in the UK, but the executive producer title makes it likely for at least The Musketeers, and this is corroborated by info we found elsewhere.
  • The BBC’s 2014 series The Musketeers is not actually very steampunk at all, though its first season does feature Peter Capaldi as Cardinal Richelieu. (He was unable to return in later seasons as during filming on the first one in 2013 he accepted the role of the Twelfth Doctor, a dream of his since childhood.) Ben is really thinking of the 2011 film version, The Three Musketeers, which stars Orlando Bloom, Milla Jovovich and Mads Mikkelsen (though not as the musketeers, who are played by Matthew Macfadyen, Ray Stevenson, Luke Evans and Logan Lerman).
  • Dan Harmon is the creator of the television series Community and Rick & Morty. We couldn’t find a specific essay in which he talks about characters needing to have one core trait that doesn’t change, but he’s mentioned similar advice many times in blogs and interviews.
  • Ben mentions the Summoning Dark, which is the concept from the novel Thud! on which “the Dark in the Dark” is based. It has a very different nature and story in the book, so we’ll leave that for our future Thud! episode.
  • The 2016 Netflix series Dirk Gently’s Holistic Detective Agency is very loosely based on Douglas Adams’ 1987 novel Dirk Gently’s Holistic Detective Agency, which was itself largely a mash-up of Adams’ two Doctor Who scripts, City of Death (from which he takes a plot about an alien spacecraft exploding in the distant past and sparking the creation of life on Earth) and Shada (from which he takes the idea of an alien time traveller hiding out as a professor in an obscure Oxbridge college). The series uses almost none of the characters or situations from the novel or its sequels The Long Dark Tea-time of the Soul and the unfinished Salmon of Doubt, though there are little Easter eggs and nods to all of them. Dirk in the TV show (played brilliantly by Samuel Barnett) is much younger and the product of a government conspiracy, but somehow the essential spirit of the original remains while being welded to a bunch of new supporting characters and the infrastructure required to sustain two seasons of episodic television. Tonally and stylistically it has a few things in common with The Watch, especially in the second season, but it’s based in a real world with an extra layer of very weird stuff, which helps ground everything. Ben kind of loved it, and to be honest preferred it to the earlier English adaptation Dirk Gently (2010-2012), which starred Stephen Mangan and was much more similar to original novel.
  • Pratchett’s first few Discworld books – in which, as Fury puts it, he “set up a bunch of shit, flails a bit, and finds his feet” – include the early Rincewind books, which are still largely based in parody of the fantasy genre as a whole, and Equal Rites, in which we get an early and mostly fully-formed version of Granny Weatherwax and another witch who seems like a prototype of Nanny Ogg. There’s also a huge shift in the series in which the fantasy fades into the background to support the stories about stuff like war, class, racism and violence, rather than being the point.
  • The exclusive Narrativia deal was announced on the 28th of April, 2020. It’s with distributor Endeavour Content and production company Motive Pictures, the latter of which was launched in 2019 by Simon Maxwell, backed by Endeavour. Maxwell was previously Head of International Drama at Channel 4 Television, while the Motive Pictures team also includes Executive Producer Sam Lavender of Film4, who worked on The Favourite and The Lobster. It’s not clear if that definitely means no more of The Watch – the licensing deal between BBC Studios and Narrativia isn’t exactly public knowledge – but it’s possible, as Marc Burrows suggests in the article we linked earlier, that the screen rights to the Watch books specifically might still belong to them.
  • Ben will share as many Easter eggs as he can when we make the episode-by-episode mini-series podcast, but here’s a quick list of a few of his favourites:
    • Carcer’s surname is never mentioned in the published version of Night Watch, but “Carcer Dun” is his full name in an earlier preview of the book.
    • Lady Sybil’s “school” is called “The Sunshine Rescue Centre for Broken Bedraggled Things”, a variation on the various “Sunshine Sanctuaries” Sybil runs in the books.
    • Vimes drinking Bearhugger’s whiskey (we never see the label up close, but the design is cool).
    • The song “Gold”, and the number of words in dwarfish for kinds of gold and rock, are mentioned several times in the books. (Ben also loved the brief moment when Carrot and Cheery bond over the song, one of the few times Carrot’s dwarfish heritage comes out.)
    • Twilight Canyons is named after an idea Pratchett had for a story about retired heroes who were losing their memories, mentioned in the afterword to The Shepherd’s Crown.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Angua, Ankh-Morpork, Ben McKenzie, Carrot, Cheery Littlebottom, Detritus, Discworld, Elizabeth Flux, Fury, Patrick Lenton, Sybil, Television adaptations, The Watch, Vetinari, Vimes

#Pratchat52 – A Near-Watch Experience

8 February 2022 by Pratchat Imps 2 Comments

This month, we’ve put down the books and picked up the remote control! Guests Patrick Lenton and Fury join us to discuss a show “based on characters created by Sir Terry Pratchett”: 2021’s The Watch.

Sam Vimes was a street kid in Ankh-Morpork who joined the Watch to kill its Captain and free the imprisoned members of his gang. But he had a change of heart. Twenty years later, he’s still there – a washed-up drunk of a Captain, whose force of misfits have almost nothing to police since the criminal Guilds were all legalised. But during his latest assignment – to find a missing library book – he sees someone who died twenty years ago. Soon the Watch is up to their necks in dragons, ancient artefacts and magical experiments gone wrong, and it’ll take all their cunning and heart to get to the bottom of it…plus a little help from noblewoman-turned-vigilante, Lady Sybil Ramkin.

After a long road through development hell, initially with Pratchett himself at the helm, The Watch eventually emerged as a surprisingly “punk rock police procedural”; a brightly-coloured Dungeon-punk explosion which wears its queerness on its sleeve. The Watch remixes characters and concepts from the books into something so different that fans and friends of Pratchett quickly disowned it. The critical reaction was middling at best, and it took six months for it to be released on Pratchett’s home soil.

But is it any good?

Could you divorce yourself from the source material? If so, does The Watch work on its own terms? Is it funny? Is it comprehensible? Is watching it a good time? Which bits got up your nose, and which did you love? Who was your favourite character, and why was it Cheery? And given we barely scratched the surface of talking about it this episode – should we do a bonus mini-series, discussing it episode by episode? Let us know by joining the conversation, using the hashtag #Pratchat52.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_52.mp3

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Guest Patrick Lenton is currently Deputy Editor: Arts + Culture for The Conversation, and was previously a senior editor at Junkee. He is also a freelance writer whose work has spanned journalism, theatre, fiction and comedy. His most recent short story collection is Sexy Tales of Palaeontology from Subbed In, and he writes the newsletter All the Hetereosexual Nonsense I Was Forced To Endure with Rebecca Shaw. You can find Patrick on Twitter as @PatrickLenton, and his handy LinkTree will help you find his other stuff.

Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in #Pratchat19 (Soul Music) and #Pratchat29 (The Last Continent) – our last in-person episode, recorded in the before times! Their live multi-disciplinary show Gender Euphoria toured Australia in 2019 and 2020, and their book I Don’t Understand How Emotions Work is (probably) still available. You can find out more about them at furywrites.com, or follow them on Twitter as @fury_writes. Their first TV show, Crazy Fun Park, is currently in production and scheduled to premiere on ABC ME and ABC iview in late 2022.

As usual, you can find notes and errata for this episode on our website.

Next month we’re heading to one of the books that (sort of) provided a big chunk of inspiration for The Watch, and a fan favourite, frequently topping rankings of the Discworld series: Night Watch! Meet the original Carcer Dun, Jocasta Wiggs, young Sam Vimes, and – eventually – Young Sam Vimes… Send us your questions via the hashtag #Pratchat53, or via email to chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Angua, Ankh-Morpork, Ben McKenzie, Carrot, Cheery Littlebottom, Detritus, Discworld, Elizabeth Flux, Fury, Patrick Lenton, Sybil, Television adaptations, The Watch, Vetinari, Vimes

#PratchatNALC Notes and Errata

25 July 2021 by Ben Leave a Comment

These are the notes and errata for our bonus live episode “Twice as Alive“, revisiting #Pratchat1 and the 1993 Discworld novel Men at Arms.

  • The episode title is a reference to the teaser at the start of #Pratchat1, in which both guest Cal Wilson and Liz declared that they didn’t think of werewolves as undead, but rather “twice as alive”.
  • The Lost Con was intended “as an 8 hour taster for the non-virtual convention in Sydney next year” – the Australian Discworld convention, Nullus Anxietas 7a (NA7a). The Lost Con was free to all members of the 2022 convention, whether full or supporting, and ran from 4 PM to midnight on Saturday, July 3rd – the original weekend planned for NA7a, which was last year postponed from 2021 to 2022. The move was prudent – Sydney is currently experiencing a serious outbreak of the Delta strain of COVID-19 and has been in lockdown since 26 June, with several stages of local restrictions imposed before that. This is the first major lockdown experienced by Sydney since the nation-wide lockdown in early 2020. From your hosts in Melbourne – we really hope you can get out of it faster than we did last year. Our thoughts are with you all.
  • The theme of Nullus Anxietas 7a will be “Ankh-Morpork: Citie of One Thousand Surprises”. (The theme of NA7 was “Going Postal”.)
  • We discussed the vote for the first book preview episode in #Pratchat0, “And the Winner is…“, and in Liz’s blog post “Let’s Start From The Very Beginning (but not actually)“.
  • #Pratchat1, “Boots Theory“, was released on the 7Ath of November, 2017 – three years and eight months ago in real time, or 237 years ago in COVID time, at release of this podcast.
  • Members of The Lost Con Zoom chat were split over whose pronunciations they preferred. The folks from Discworld Monthly informed us that according to Stephen Briggs, there were definitely disagreements over pronunciation for the audiobooks. You can find his guides for some pronunciation in the front of some of his play adaptations; for example in Jingo he specifies that Angua’s name should be pronounced with a hard “g”, but either “Angwa” or “Ang-you-ah” is listed as acceptable.
  • One of the perils of not actually having time to re-read the book (or even re-listen to the entire previous episode) is that we forget little details. Like the fact that Carrot does indeed pick up the gonne, and after a brief look smashes it against a wall, destroying it. As he says when Vimes warns him not to touch it: “Why not? It’s only a device.” Of note: he leaves the broken bits in the clocktower of the Assassin’s Guild.
  • The western roleplaying videogame with the spittoons that Ben mentions is West of Loathing, a spin-off from the online game Kingdom of Loathing.
  • You can read more about the Yarra river in the episode notes for #Pratchat1.
  • Liz’s Detritus pun, which Ben didn’t pick up on at the time, was “inflammation of the d’être“, as in raison d’être, a French term meaning “reason to be”. It’s commonly used by English speakers as an alternate way of referring to something so important if gives them a reason to be alive. Note that in French it’s not really pronounced in such a way that makes the pun work, but English speakers often say it that way.
  • Detritus’ brain-cooling helmet makes later appearances in Jingo (where it breaks down trying to keep his brain cool in the desert) and The Truth, where he switches it on in order to think clearly about how to deal with William de Worde asking journalistic questions.
  • The two-player roleplaying game Ben is discussing is Tin Star Games’ Partners, released in digital form in 2021 following a successful Kickstarter campaign.
  • We discussed Feet of Clay in #Pratchat24, “Arsenic and Old Clays“, released in October 2019.
  • We discussed Jingo in #Pratchat27, “Leshp Miserablés“, released in January 2020.
  • Hitchcock and Scully are the two rusted-on detectives who serve in the 99th precinct of the New York Police Department on the sitcom Brooklyn Nine-Nine, portrayed by Dirk Blocker and Joel McKinnon Miller respectively. They are notoriously incompetent, unhealthy and lazy, concerned primarily with snacks and other food. Originally supporting characters, they became a staple of the show and feature in the opening credits as of season six, the second episode of which (titled “Hitchcock & Scully”) explored their backstory as hotshot detectives in the 1980s.
  • The Ankh-Morpork Archives, Vol. 2 was published on the 29th of October, 2020, collecting material from the Discworld’s Ankh-Morpork City Watch Diary 1999, the Discworld Fools’ Guild Yearbook and Diary 2001, the Discworld (Reformed) Vampyres’ Diary 2003 and Lu-Tze’s Yearbook of Enlightenment 2008. Ben is right that the City Watch diary, published in September 1998, came out after Jingo (November 1997) and before The Fifth Elephant (November 1999).
  • We discussed The Fifth Elephant in #Pratchat40, “The King and the Hole of the King“, released in February 2021.
  • Asimov is one of Liz’s cats, who along with her other cat Huxley and Ben’s cat Kaos are collectively known as the “Pratcats”. Huxley and Kaos are relative newcomers, but Asimov has been around since the beginning; as well as hearing his bell jingling in the background of many episodes, he was featured as a guest on #Pratchat22, “The Cat in the Prat“.
  • The cult in Guards! Guards! are the Elucidated Brethren of the Ebon Night (not to be mistaken for the Illuminated and Ancient Brethren of Ee). We discussed their similarity with incels and other “alt-right” groups in #Pratchat7A (see the next point).
  • We discussed Guards! Guards! in #Pratchat7A, “The Curious Incident of the Dragon and the Night Watch“, released in June 2018 and The Truth in #Pratchat42, “The Truth, the Printing Press and Every -ing“, released in April 2021. The other book in which there’s a plot to dispose Vetinari is Feet of Clay, which as mentioned above was discussed in #Pratchat24.
  • As per the excerpt from #Pratchat1, our original suggestion was that Vetinari become a vampire, but we have previously discussed the idea of a zombie Vetinari…though we’re not entirely sure when! Possibly it was in #Pratchat30, “Looking Widdershins“, which is also where we first discussed the possibility of Moist Von Lipwig being groomed as the next Patrician (as suggested by listener Luke Jimenez).
  • The “critical Black Mass” joke in The Light Fantastic, as discussed in #Pratchat44, “Cosmic Turtle Soup“, refers to a collection of “books that leak magic”.
  • Ben and Liz both discuss their Pratchett origin stories in #Pratchat9, “And the Winner is…“. Liz realised her first was not in fact The Fifth Elephant just after recording #Pratchat7A, as discussed near the start of #Pratchat9, “Upscalator to Heaven“.
  • We discussed the Johnny Maxwell books in 2020: Only You Can Save Mankind in #Pratchat28, “All Our Base Are Belong to You“, released in February; Johnny and the Dead in Pratchat34, “Only You Can Save Deadkind“, released in August; and Johnny and the Bomb in Pratchat37, “The Shopping Trolley Problem“, released in November.
  • Early versions of “Guns don’t kill people, people kill people” go back to as early as 1913, in press releases in various American magazines from a lobby group aligned with gun manufacturer Colt. These were designed to counter growing public concern about the availability of cheap mass-produced firearms, especially pistols, and the resulting escalation in deaths by shooting, which even back then were leading to calls for more regulation and control of guns. While earlier versions included things like “it’s not the gun, it’s the man behind the gun”, the current version is the most recognisable, and seems to have first arisen in the 1950s or 1960s. It’s nonsense, of course; no-one ever suggested that a gun could kill someone on its own. The point of the phrase is to make guns themselves seem neutral, neither good nor evil, but also to paint the perpetrators of gun deaths as obsessed murderers: killers who will use any means necessary, whether they have a gun or not. This ignores the fact that guns are deadlier than other weapons, and indeed the fact that guns even are weapons, i.e. devices designed only to harm living creatures. If you want to know more, the phrase is also the title of a very useful 2016 book on the subject: “Guns Don’t Kill People, People Kill People” and Other Myths About Guns and Gun Control, by Dennis A. Henigan.
  • The gonne influences Vimes by telling him that All that you hate, all that is wrong, I can put right, and Vimes finds it difficult to resist. He also remembers it pulling its trigger by itself, dragging his finger along with it, and only ends up putting it down and not shooting the villain because Carrot orders him to attention.

Posted in: Episode Notes Tagged: Angua, Ankh-Morpork, Assassin's Guild, Ben McKenzie, Bonus Episode, Carrot, Colon, Cuddy, Detritus, Discworld, Elizabeth Flux, Fool's Guild, Gaspode the Wonder Dog, live episode, Men at Arms, Nobby, Nullus Anxietas, The Watch, Vetinari, Vimes

#PratchatNALC – Twice as Alive

25 July 2021 by Pratchat Imps Leave a Comment

With the ei- the twice-fourth Australian Discworld Convention postponed until next year, Liz and Ben fired up their crystal balls to project themselves live for the one-day online event, Nullus Anxietas: The Lost Con! In this special one-hour mini-episode, we revisit the very first Terry Pratchett book discussed on the podcast: the fifteenth Discworld novel, 1993’s Men at Arms!

You can of course listen to #Pratchat1 again if you like, though we’ve included a few important excerpts in this revisit episode. As well as discussing the book in the light of everything we’ve read (and everything that’s happened) since, we reminisce about figuring out how the podcast would work, and answer some questions posed by the live online audience. Has your opinion of Carrot/Angua changed over time? Is Cuddy’s death still too upsetting to think about? What other names and Discworld-specific words are we pronouncing wrong? We’d love to know! (Except maybe that last one.) Use the hashtag #PratchatNALC on social media to join the conversation.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_live_02.mp3

Podcast: Play in new window | Download (Duration: 56:13 — 26.1MB)

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Intrigued by the idea of a Discworld fan convention? You should be! Old-school fan conventions are few and far between, and we’d love you to support one of the few left in Australia. Find out more about Nullus Anxietas, the Australian Discworld Convention, and get a convention membership (attending or supporting) at ausdwcon.org. You can also follow Nullus Anxietas on Twitter, Instagram and Facebook.

You can find the full show notes and errata for this episode on our web site.

Huge thanks to everyone who attended the convention, those who listened to us live and asked questions, and to the other panelists – there were some amazing discussions and great fun to be had by all! Especially big thanks once again to the massive team of hard-working volunteers and committee members at Nullus Anxietas, especially “the Man with the Vote”, Steve Lewis, and question wrangler Danny Sag. While Nullus Anxietas 7A was sadly cancelled in the end, the Australian Discworld Convention returns to life in 2024 with Nullus Anxietas IX: Come ALIVE in Überwald! in Adelaide. We hope to see you there.

This is the closest thing we’ve done to a live show since our appearance at the last Nullus Anxietas convention, but the online format seemed to work pretty well. We’ll look into the possibility of doing our more online live events in future – let us know if that’s something you’d like to see!

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Angua, Ankh-Morpork, Assassin's Guild, Ben McKenzie, Bonus Episode, Carrot, Colon, Cuddy, Detritus, Discworld, Elizabeth Flux, Gaspode, live episode, Men at Arms, Nobby, Nullus Anxietas, Patrician, The Watch, Vimes

#EeekClub2021 Notes and Errata

25 May 2021 by Ben Leave a Comment

These are the episode notes and errata for the bonus episode Eeek Club 2021, answering questions from our Eeek tier subscribers.

  • In Ankh-Morpork, the “Glorious 25th of May” is the date of the “Glorious Revolution”, commemorated only by a small number of people who were there. They wear lilac in memory of those who died. It is covered in much detail in Night Watch, which we’ll be reading for our December 2021 episode. On Roundworld, Pratchett fans have adopted the date as a celebration of Discworld and Terry Pratchett, often wearing lilac (the flower or the colour), and sometimes raising money for Alzheimer’s research. May 25th is also Towel Day, a celebration of Douglas Adams, which began two weeks after his death in 2001, and “Geek Pride Day”, which was started in Spain in 2006. That the Ankh-Morpork revolution shares a date with the former may not be a coincidence, since Night Watch was published in 2002.
  • We did indeed start offering subscriptions in January 2019; we announced them in #Pratchat15, “It’s the End of the World As We Know It (and I Feel Nice and Accurate)“.
  • Our big open slather questions episode was #Pratchat30, “Looking Widdershins“, released on the 8th of April, 2020.
  • James Spader provides the voice of robot protector-turned-exterminator Ultron in the 2015 Marvel superhero film, Avengers: Age of Ultron.
  • The lockdown-related Discworld questions in #Pratchat30 begin around 1 hour, 5 minutes and 41 seconds in.
  • The first lockdown in Melbourne – and the rest of Australia – began on March 29, 2020. Melbourne had subsequent lockdowns from July 9 to October 26 2020, February 12 to 17 2021, and from May 27 until – at the time of last update – at least June 10, 2021.
  • Dragon King of Arms appears in Feet of Clay, which we discussed in #Pratchat24, “Arsenic and Old Clays“.
  • We also discussed the difference between vaccination and variolation in the notes for #Pratchat43, “Big Wee Hag: Far Fra’ Home“.
  • Ben says The Truth, but means The Times, as in The Ankh-Morpork Times, the first newspaper on the Discworld. It features in the novel The Truth, which we discussed in #Pratchat42, “Truth, the Printing Press and Every -ing“.
  • The Sto Plains – which occupy the area directly hubwards of Ankh-Morpork, on the opposite side to the Circle Sea – include many city-states, like the kingdom of Sto Lat (ruled by Queen Keli), the Duchy of Sto Helit (as in Duchess Susan Sto Helit), and the protectorate of Sto Kerrig. Sto Lat is probably closest, only about 20 miles from the Hubwards Gate of Ankh-Morpork. Their populations aren’t known, but it seems likely the plains’ residents don’t outnumber the million people who live in Ankh-Morpork. The various kingdoms and smaller towns and cities of the plains are all independent of the city, but most of them use Ankh-Morpork dollars as their currency, and certainly look to Ankh for guidance in matters of culture, technology and commerce.
  • The Trans-Tasman Bubble is the quarantine-free travel arrangement between Australia and New Zealand, countries with similarly low COVID-19 cases, separated by the Tasman Sea. It was announced as a possibility early on in the pandemic, but officially took affect on April 19, 2021. The day this episode was released (May 25, 2021), new cases were announced in Melbourne, leading to the reinstatement of some restrictions and a 72-hour pause on the bubble for travel from Melbourne.
  • “Young Igor” is our affectionate name for the Igor who joins the Ankh-Morpork City Watch in The Fifth Elephant; he is the nephew of the Igor who worked for the Morporkian embassy in Überwald. We last saw him in The Truth, where he was tending to the wounds suffered by the Patrician and his clerk, Drumknott.
  • Rincewind’s age isn’t definite, but a good guess is that he was 32 during the events of The Colour of Magic, and 57 by the time of The Last Hero, so Ben is probably right about him “pushing 60”.
  • Melbourne’s second lockdown lasted 112 days, from July 7 to October 28, 2020. During most of that time, residents were only allowed to leave their homes under very limited conditions, and restricted in how far they could travel from home. It’s probably stretching it a bit to say these were some of the harshest lockdown conditions in the world, but it was reported that way at the time.
  • Liz’s comment about “trips to Aspen” refers to multiple incidents from March 2020, at the start of the pandemic, when wealthy Australians returning from a skiing holiday in Apsen, Colorado tested positive for the virus but did not self-isolate, causing a cluster of new cases.
  • Though he does walk with a cane, the Patrician is not as old as he seems; clues from various books (primarily Night Watch) place him as somewhere between 50 and 55, but it seems the assassination attempts of Men at Arms, Feet of Clay and The Truth have taken their toll and he’s not as strong as he used to be. Or at least, that’s what he’d like his opponents to think…
  • The Bubonic plague is a disease caused by infection of the lymphatic system with the bacteria Yersinia pestis. Usually a human is infected by a flea bite; several flea species can carry the bacteria, and spread among human populations via rats. The plague is responsible for three major pandemics: the plague of Justinian in the 6th century, which killed around 25 million people; the Black Death of the 14th century, which may have killed as many as 200 million people in Europe – about a third of the population; and the plague of the mid-19th century, which caused the deaths of around 15 million people in mainland Asia. (For comparison, as of May 2021, the COVID-19 pandemic has officially caused 3.6 million deaths, though the estimated total death toll is 7.7 million.) Untreated, Bubonic plague is very deadly, killing half or more of those infected. Thankfully it can be treated effectively with antibiotics, reducing its mortality rate to 15% or much lower. These days cases are very rare, though the disease has not been entirely eradicated.
  • Here are some links to the very excellent The Truth Shall Make Ye Fret head canon Twitter threads:
    • The original Discworld lockdown thread: https://twitter.com/MakeYeFretPod/status/1247840167819456515
    • Mental health tips: https://twitter.com/MakeYeFretPod/status/1260514179779383297
    • Kinds of masks: https://twitter.com/MakeYeFretPod/status/1303711942234836992
    • Stockpiling habits: https://twitter.com/MakeYeFretPod/status/1250387201986383872
    • Quarantine hobbies: https://twitter.com/MakeYeFretPod/status/1252918448793018371
    • Ankh-Morpork businesses during lockdown: https://twitter.com/MakeYeFretPod/status/1255429705458688000
    • Post-Lockdown activities: https://twitter.com/MakeYeFretPod/status/1257993303527735297
    • Lockdown 2: https://twitter.com/MakeYeFretPod/status/1326545920415051783
  • Aunty Donna are an absurdist sketch comedy group based in Melbourne and formed in 2011. Their latest work is the Netflix series Aunty Donna’s Big Ol’ House of Fun. You can find out more about them at auntydonna.com.
  • Equal Rites is the third Discworld novel, and the first to feature Granny Weatherwax. It tells the story of Eskarina Smith, a girl based in (large) part on Pratchett’s daughter Rhianna, who becomes the Disc’s first female wizard. We discussed it in #Pratchat25, “Eskist Attitudes“. The subject of the gender split in magical society comes back in the later Tiffany Aching books.
  • Ben mentions VCAL, which is the Victorian Certificate of Applied Learning. This is a more practical alternative to the standard Victoria Certificate of Education (VCE), a qualification which is more likely to lead to a university degree; VCAL is instead intended to prepare students for an apprenticeship, TAFE course or similar directly vocational training.
  • Most of the captains depicted in the numerous Star Trek television series go on “away missions“, i.e. missions in which they leave their ship (or equivalent). This is especially true of Captain James T Kirk of the original Star Trek, though it’s hinted that this practice is frowned upon by the time of Star Trek: The Next Generation, in which Captain Picard’s first officer, Riker, leads most away missions. Mind you, Picard’s contemporary captains Janeway (Star Trek: Voyager) and Sisko (Star Trek: Deep Space Nine) go on plenty of missions too…
  • Speaking of Star Trek, the episode Ben is thinking of is indeed called “The Measure of a Man“. It’s the ninth episode of season two of Star Trek: The Next Generation, originally broadcast in February 1989. It’s frequently cited as one of the show’s early greats, even if the legal proceedings are a bit suspect. The book The Metaphysics of Star Trek, which uses Star Trek scenarios to illustrate various metaphysical concepts, was later republished as Is Data Human?, as one of the chapters of the book deals with the issue of “personhood”.
  • We discussed The Science of Discworld back in #Pratchat35, “Great Balls of Physics“.
  • Final Death is the term used in the roleplaying game Vampire: The Masquerade (and its cousin, Vampire: The Requiem) for the ultimate destruction of a vampire, who is already undead. They are not nearly as impossible to kill as the vampires of the Discworld; see for example our discussion of Carpe Jugulum in #Pratchat36, “Home Alone, But Vampires“.
  • The Sesame Street song about being alive – or at least the one Ben is thinking of – is “You’re Alive“, first broadcast in 1980. It’s not quite how Ben remembered it, but Sesame Street has tackled the topic several times, always using the measures of eating, breathing and growing.
  • Alan Alda, best known for his years playing trauma surgeon Hawkeye Pierce in the Korean War sitcom M*A*S*H, established the Alan Alda Center for Communicating Science in 2009. The Flame Challenge launched in 2012, with the aim of answering the question “What is flame?” in a way that an 11-year-old could understand, as judged by actual 11-year-olds – all because Alda himself received an uninspiring answer from his sixth grade teacher when he was eleven. The winner was announced at the World Science Festival, and the competition was successful enough to inspire several more over the next few years. Each answered a new question picked by 11-year-olds, including “What is time?” and “What is colour?” Sadly the websites for the challenge and the Alan Alda Center no longer exist, but you can find the winners on YouTube with a bit of effort.
  • We’ve previously talked about Beauty and the Beast villain Gaston and his fate, perhaps most significantly in #Pratchat28, “All Our Base Are Belong to You“.
  • The Beast’s age can be worked out from two bits of evidence. First, the enchanted rose, which will only bloom “until his 21st year”; this implies he is aging during his curse, and the rose is wilting during the events of the film. Second, Lumiere – the maître d’ of the house, transformed into a candelabra – says that they’ve been waiting for “ten years” since being cursed. Why the curse affected the servants is not clear, but muddying the waters is the portrait Belle finds of the Beast, in which he looks exactly like his 21-year-old self. Regardless of the Beast’s true age, Chip’s birth remains a mystery.
  • The original Beauty and the Beast was written in 1740 by Parisian novelist Gabrielle-Suzanne Barbot de Villeneuve. Her version is long, detailed and contains and many characters, including Belle being one of twelve children. Most later retellings are based on a greatly pared back version rewritten by Jeanne-Marie Leprince de Beaumont and first published in 1756. These originals draw on the story of Cupid and Psyche, and do not include an equivalent of Gaston, who was added in some later versions. Assuming the Disney version happens around the time the oldest stories were written, Liz is right that they would have lived to see the French Revolution in 1789.
  • Anti-racism is is active opposition to racism, and can take many forms. While the idea has gained more visibility in recent years, with books like Ibram X. Kendi’s How to Be Anti-Racist and renewed momentum behind the #BlackLivesMatter movement, it’s certainly not a new idea.
  • The Captain Samuel Vimes ‘Boots’ theory of socioeconomic unfairness appears in Men at Arms, which we discussed in #Pratchat1, “Boots Theory“. We revisited Men at Arms in #PratchatNALC, “Twice as Alive“, a live appearance at The Lost Con online event run by the Australian Discworld Convention.
  • Diggers is the second of the three books of the Bromeliad, Pratchett’s trilogy about the diminutive Nomes. We covered Truckers in #Pratchat9, “Upscalator to Heaven“, Diggers in #Pratchat13, “Don’t Quarry Be Happy” and Wings in #Pratchat20, “The Thing Beneath My Wings“.
  • We discussed The Long Earth and (briefly) The High Meggas in #Pratchat31, “It’s Just a Step to the Left.”
  • Thanks to listener Steve Leahy, who reminded us that there is at least one alien on the Discworld: Tethys, the sea troll, who crash-landed there after falling off his own watery world of Bathys. He appears in The Colour of Magic, which we discussed in #Pratchat14, “City-State Lampoon’s Disc-Wide Vacation.” (We discuss the sequel, The Light Fantastic, in #Pratchat44, “Cosmic Turtle Soup“.)
  • “Literary fiction” is basically a synonym for “high brow”, “serious literature” or “worthy of awards”, and is used to distinguish supposedly more sophisticated and “important” writing from so-called “genre fiction”. As we discuss, it can get in the bin.
  • Ben finally found a source for the story of the student with the Terry Pratchett book who was dismissed by a lecturer, only to turn things around by revealing they’d written a thesis on his work. It was related on Tumblr by the user thebibliosphere in a comment on this post about “people I still want to stab more than a decade later”. We’ve embedded that exchange below.
https://fistinginferno.tumblr.com/post/187226941007/people-i-still-want-to-stab-over-a-decade-later
  • The “sort of neolithic spaceship” Potent Voyager was dropped off the Rim in Krull in The Colour of Magic; it is already falling, with Twoflower inside, when we encounter it at the start of The Light Fantastic.
  • Mutter’s Spiral is not a real world name for the the Milky Way; it’s the name given to it by the Time Lords in Doctor Who, as mentioned in the 1976 story The Deadly Assassin (yes, they really named it that). You are right to infer this means Ben has spent too much time thinking about Doctor Who.
  • We previously mentioned The Homeward Bounders by Diana Wynne Jones in our discussion of The Long Earth in the afore-mentioned #Pratchat31, “It’s Just a Step to the Left.”
  • Ben still maintains a list of Discworld podcasts on Podchaser, but has since grown this into the wiki side-project The Guild of Recappers & Podcasters. The podcasts he mentions at the end of this episode are:
    • The Truth Shall Make Ye Fret (Patreon here)
    • Radio Morpork
    • Desert Island Discworld (Patreon here)
    • Who Watches the Watch (Patreon here)
    • Unseen Academicals (Patreon here)
Posted in: Episode Notes Tagged: Angua, Ankh-Morpork, Bonus Episode, Dorfl, Eeek Club, Granny Weatherwax, Nomes, Patrician, Reg Shoe, Roundworld, The Watch, Unseen University, Vetinari, Vimes

Eeek Club 2021

25 May 2021 by Pratchat Imps Leave a Comment

Welcome to a new tradition: the Pratchat Eeek Club! Each year, on the Glorious 25th of May, we will release a bonus episode discussing Terry Pratchett-related topics selected by our Eeek tier subscribers.

This year, the topics are:

  • How would Ankh-Morpork deal with COVID-19?
  • What would happen if Granny Weatherwax was head of Unseen University – or if Angua commanded the Watch?
  • Are golems alive? (For that matter, is fire alive?)
  • How has Pratchett and/or the Discworld informed our personal philosophies?
  • If Pratchett had kept writing the Discworld series, would it have evolved into science fiction?
https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Eeek_Club_2021.mp3

Podcast: Play in new window | Download (Duration: 1:39:27 — 46.0MB)

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A big thank you to all our subscribers for making Pratchat possible, but especially to our Eeek Club contributors: Karl, Catherine, Soren, Jess and David, and Frank!

You’ll find detailed notes and errata for this episode on our website.

Want to make sure we get through every Pratchett book – or even choose a topic for next year’s Eeek Club? You can support Pratchat by subscribing for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

Posted in: Podcast Tagged: Angua, Ankh-Morpork, Bonus Episode, Dorfl, Eeek Club, Granny Weatherwax, Nomes, Patrician, Reg Shoe, Roundworld, The Watch, Unseen University, Vetinari, Vimes
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