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Mustrum Ridcully

Eeek Club 2023

25 May 2023 by Pratchat Imps Leave a Comment

It’s a third instalment of the Pratchat Eeek Club! Each year, on the Glorious 25th of May, we release a bonus episode discussing Terry Pratchett-related topics selected by our “Eeek” tier subscribers.

This year, the topics are:

  • What are your ultimate actor castings for Discworld characters?
  • Is there a Discworld equivalent of podcasts?
  • What are your possible Discworld reading orders, and what are their strengths and weaknesses?
  • How would social media work on the Discworld?
  • Do women carry the physical and mental load of the Discworld?
  • Which Discworld characters would you love a “Where are they now” update for?
  • What would the Discworld be like if Terry were creating it today, and how would you help him?
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A big thank you to all our subscribers for making Pratchat possible, but especially to our Eeek Club contributors: Frank, Jing, Graham, Karl, the Caths, Jess and Ellie, Nathan and the others who didn’t send in questions this year.

You’ll find detailed notes and errata for this episode on our website.

Want to make sure we get through every Pratchett book – or even choose a topic for next year’s Eeek Club? You can support Pratchat by subscribing for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

Posted in: Podcast Tagged: Ankh-Morpork, Ben McKenzie, Bonus Episode, CMOT Dibbler, Eeek Club, Elizabeth Flux, Granny Weatherwax, Moist von Lipwig, Mustrum Ridcully, Patrician, Roundworld, Vetinari

#Pratchat35 – Great Balls of Physics

8 September 2020 by Pratchat Imps Leave a Comment

Liz, Ben and science communicator Anna Ahveninen have the weird sensation of being a specimen in a jar as they discuss Terry Pratchett’s 1999 collaboration with biologist Jack Cohen and mathematician Ian Stewart, The Science of Discworld.

Research wizard Ponder Stibbons splits the magical equivalent of the atom, but the experiment fills Unseen University with dangerous raw magic. To use it up, sentient thinking machine Hex initiates “the Roundworld Project” – the creation of a reality devoid of magic. This universe in a bottle has no narrative imperative, only one kind of light, and not a single star turtle. What it does have are rocks, flaming balls of gas and rules. This all seems very unnatural to the wizards, so there’s only one thing to do: poke it with a stick and see what happens…

After reading one too many “Science of Star Trek” books, science writers and Pratchett fans Jack and Ian joined forces with Sir Terry to write a book in which they would use the wizards’ exploration of a bottle universe to explore our own, and the science that explains it. The concept was a bit of a gamble, and no-one wanted to publish it at first, but it proved a big hit, spawning three sequels. The Science of Discworld concentrates on the beginning and evolution of the universe and the history of life on Earth, with plenty of asides about the nature of science and how it is taught (including the now famous concept of “lies-to-children”). In between these essays, the Unseen University wizards poke our own “Roundworld” with a big stick and try to make sense of a world without magic – in part by forcing Rincewind into the role of virtual astronaut.

What did you learn from The Science of Discworld? Do you enjoy the alternating fantasy and science chapters? How does it compare to the other “The Science of” books? And does the science still stand up, eighteen years after the revised edition of 2002? Use the hashtag #Pratchat35 on social media to join the conversation!

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Guest Anna Ahveninen is a science communicator, writer and (ex) chemist who currently works at the Australian Academy of Science. You can follow her on Twitter at @Lady_Beaker. Anna also wanted to give a shout out to the STEMMinist Book Club (the second M is for Medicine), who you can also find on Twitter at @stemminist, and on Goodreads.

Turns out we jumped the gun a little with Collisions – the Liminal magazine fiction anthology won’t be published until November! We’ll remind you in a couple of episodes.

Next month it’s back to the Ramtops for our favourite coven’s last hurrah, as Lancre is invaded by vampires in Carpe Jugulum! We’ll be joined by actor, singer and cabaret star Gillian Cosgriff. Get your questions in via social media using the hashtag #Pratchat36, or send us an email at chat@pratchatpodcast.com.

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ankh-Morpork, Anna Ahveninen, Ben McKenzie, Discworld, Elizabeth Flux, HEX, Ian Stewart, Jack Cohen, Mustrum Ridcully, Ponder Stibbons, Science, Science of Discworld, Wizards

#Pratchat26 – The Long Dark Mr Teatime of the Soul

8 December 2019 by Pratchat Imps Leave a Comment

In episode 26, Michael Williams of The Wheeler Centre joins Liz and Ben to get into the holiday spirit with Terry Pratchett’s very Christmassy 1996 Discworld novel Hogfather.

It’s Hogswatch, and the Assassins Guild of Ankh-Morpork has accepted a very unusual assignment, and Lord Downey has given it to the very unusual assassin Mr Teatime. But who would want to kill the Hogfather? And how would you even accomplish such a thing? As Death fills in for the Fat Man delivering presents, his granddaughter Susan is reluctantly drawn to investigate, teaming up with the newly created Oh God of Hangovers. But much more than the joy of children is at stake – for without the Hogfather, will the sun even rise tomorrow?

Hogfather brings to life a character previously mentioned only in passing rather paradoxically by replacing him with Death, who gets a sort of working holiday. It’s our second and final adventure with Susan, and the wizards get heavily involved – as does their arcane thinking machine Hex. It’s full of not-quite-Christmas cheer, black humour, true pathos and a pure expression of many of Terry’s most deeply held beliefs. Could this be the ultimate story of Christmas? Do its themes of belief and justice hit the mark? And what kind of creature would you call into existence if there were excess belief sloshing around? Use the hashtag #Pratchat26 on social media to join the conversation and have your say!

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Guest Michael Williams is the Director of the Wheeler Centre for Books, Writing and Ideas in Melbourne. They have a year-round program of talks, interviews, panel discussions, podcasts and writing. Find out more about what’s happening at @wheelercentre on Twitter and Instagram, or check out videos of past talks on YouTube – including Michael’s 2014 interview with Terry Pratchett. You’ll find all the Wheeler Centre’s upcoming events at wheelercentre.com, as well as a collection of Michael’s writings and events. You can also find Michael on Twitter at @mmccwill.

The Sci-Fight comedy debate over the topic “Santa is Real” featured a great line-up of comedians and scientists, including previous Pratchat guest Nate Byrne (#Pratchat24). It was at Howler in Brunswick on Thursday December 12, 2019. Details and tickets for future debates, plus photos of the Christmas one, can be found at scifight.com.au.

Next month we continue through the Discworld with 1997’s Jingo, a tale of nationalism, war, racism and greed, which also has a submarine in it. We’ll be recording in the week or so before Hogswa- er, Christmas, so get your questions in via social media using the hashtag #Pratchat27.

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Albert, Ankh-Morpork, Beggars Guild, Ben McKenzie, Death, Death of Rats, Discworld, Elizabeth Flux, HEX, Hogfather, Michael Williams, Mustrum Ridcully, Ponder Stibbons, Susan, Unseen University, Wizards

#Pratchat21 – Memoirs of Agatea

8 July 2019 by Pratchat Imps Leave a Comment

Twenty-one today! In this episode, Elizabeth and Ben are joined by David Ryding of Melbourne UNESCO City of Literature as we rejoin Rincewind and some of his old friends in Terry Pratchett’s 17th Discworld novel: 1994’s Interesting Times.

Rincewind, the worst student Unseen University ever had, has quite literally been to hell and back. But when a summons arrives in Ankh-Morpork requesting the presence of “the Great Wizzard”, his old faculty bring him home, then send him to the far-flung Agatean Empire. All is not well on the Counterweight Continent: rebels are (gently) questioning centuries of enforced order, inspired by the revolutionary pamphlet “What I Did on My Holidays”. The ruthless Lord Hong plots to change the Empire forever. The walls have failed to keep out a horde of barbarian invaders – seven of them, in fact. And it’s about to be visited by a very special kind of butterfly…

Pratchett revisits characters from his first Discworld novels, as Rincewind is reunited with Cohen the Barbarian in Twoflower’s homeland. But in 2019, twenty-five years after it was first published, his depiction of a comic fantasy Asia leaves a bit to be desired. There’s plenty going on, and some stirring speeches, but it’s also hard to ignore that nearly all the main characters are white folks “saving” a foreign nation from itself – a nation inspired by real-world Asian countries. Is there a clear message in the book? How does this sit on the evolution of Pratchett’s work from parody to satire? And were you glad to see such old favourite characters return, or could you have done without them? We’d love to hear from you! Use the hashtag #Pratchat21 on social media to join the conversation.

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Guest David Ryding has been Director of the Melbourne UNESCO City of Literature office since its establishment in 2014 (though Melbourne has been a City of Literature since 2008). Prior to that he was director of the Emerging Writers Festival, then executive director of the NSW Writers Centre (now know as Writing NSW). You can find out more about what he does at the City of Literature office at cityofliterature.com.au, and they’re also on Twitter at @MelCityofLit. If you’re looking for other great literary podcasts made in Melbourne, you can find some listed on their site here.

You can find the full show notes and errata for this episode on our web site.

We hope you enjoyed our first ever live show, recorded at Nullus Anxietas VII, where we discussed Cohen’s previous adventure in the short story “Troll Bridge”! We’d love to record more bonus episodes in future, and you can help us do it by supporting Pratchat.

In August we leave the Discworld and indeed the land of fiction to read one of Pratchett’s oddest books: The Unadulterated Cat, a 1989 collaboration with cartoonist Gray Joliffe in which he makes the case that the only “real cat” is one that destroys gardens, eats wildlife and makes a thorough nuisance of itself. If you have questions, send them to us via social media using the hashtag #Pratchat22.

Posted in: Podcast Tagged: Ben McKenzie, David Ryding, Discworld, Elizabeth Flux, Genghiz Cohen, Mustrum Ridcully, Rincewind, The Luggage, Twoflower, Wizards

#Pratchat19 – It Don’t Mean a Thing if it Ain’t Got Rocks In

8 May 2019 by Pratchat Imps Leave a Comment

In our nineteenth episode it’s back to the Discworld as we join Death, and meet his granddaughter Susan, as writer and illustrator Fury joins us to talk about Terry Pratchett’s 1994 Discworld novel, Soul Music!

Susan Sto Helit doesn’t have time for anything silly – not for grief, not for tiny skeletal rats who are here to inform her of SQUEAK, and most definitely not for this new craze sweeping the Disc. But “music with rocks in” has other ideas, and doesn’t care who gets swept up in the swell. With her long lost grandfather (the one with the bony knees) missing in action, Susan has no choice but to take on the family business and try not to….erm…rock the boat.

Pratchett is never one to shy away from the big themes and Soul Music packs a lot of punch into a deceptively simple plot. It explores grief, family, teenage obsession and showbiz. It also continues the story of Mort, and introduces us to some new characters that we quickly grow to love (and sadly never see again). With more music references and jokes than a Spinal Tap album, Soul Music is Imp-possible to put down. Got a favourite Discworld band name? Or an idea as good as “My Little Binky”? We’d love to hear from you! Use the hashtag #Pratchat19 on social media to join the conversation.

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Guest Fury is a writer and author based in Naarm/Melbourne. Their book, an experimental graphic novel memoir titled I Don’t Understand How Emotions Work, is available here.

You’ll find the full show notes and errata for this episode on our web site.

As mentioned this episode, we recorded our first live show at Nullus Anxietas VII, discussing the short story Troll Bridge with author Tansy Rayner-Roberts! It’s in the podcast feed as #PratchatNA7, “A Troll New World”.

Next month we head to the skies and cling on for dear life as we finish the Bromeliad trilogy with Wings! Get your questions in via social media using the hashtag #Pratchat20.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ben McKenzie, CMOT Dibbler, Death of Rats, Elizabeth Flux, Fury, HEX, Mustrum Ridcully, Ponder Stibbons, Susan, Wizards

#Pratchat10 – We’re Gonna Need a Bigger Broomstick

8 August 2018 by Pratchat Imps 2 Comments

For our tenth episode it’s back to the Discworld – and Ankh-Morpork – as academic, writer and broadcaster Dr Dan Golding joins us for Terry Pratchett’s Moving Pictures. The tenth Discworld novel, Moving Pictures was published in Pratchett’s most prolific year: Good Omens, Eric and both sequels to Truckers also came out in 1990!

Student wizard Victor Tugelbend has been happily failing exams at Unseen University for years…but when alchemists suddenly invent “moving pictures”, Victor finds himself drawn to Holy Wood, the mysterious coastal home of this new entertainment industry. He’s not the only one: hopeful actors, ambitious producers and even talking animals have all been caught up in the glamour of the “clicks”. It’s not magic in the wizard sense, but there’s definitely something unnatural going on – and it’ll take Victor, fellow star Theda “Ginger” Withel, Gaspode the Wonder Dog and the faculty of Unseen University – including new Archchancellor Mustrum Ridcully – to solve the mystery of Holy Wood.

Bringing modern world concepts to the Disc had always been a feature of the series, but Moving Pictures really kicks off the tradition of “X comes to the Discworld” plots. Pratchett takes broad aim at Hollywood in a mix of homage and parody, referencing everything from the pre-talkie era to the Golden Age and 1980s blockbusters. It also features the first major roles for Detritus and Cut-Me-Own-Throat Dibbler (both introduced in Guards! Guards!), and is the first appearance of Gaspode the Wonder Dog (who returns in Men at Arms) and the stable, ongoing cast of Unseen University wizards. There’s so much happening in Moving Pictures, and we’d love to hear what you thought of it! Use the hashtag #Pratchat10 on social media to join the conversation.

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Guest Dan Golding is an academic, writer, composer and broadcaster. His next book Star Wars After Lucas will be released on May the 4th, 2019, but you can see his ABC series What is Music? with co-host Linda Marigliano right now! Check it out on ABC iView or the triple j YouTube channel. He also co-hosts the podcast Art of the Score with Andrew Pogson and Nicholas Buc, which you can find online at artofthescore.com.au or on Twitter at @ArtoftheScore. Dan is also on Twitter at @dangolding.

You can find the full show notes and errata for this episode on our web site.

In our next episode we’ll be joined by television captioner and Discworld mega-fan Sarah Pearson as we reunite with Death for the eleventh Discworld novel, Reaper Man! If you have questions you want answered on the podcast, send them in by  via social media using the hashtag #Pratchat11.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ben McKenzie, CMOT Dibbler, Dan Golding, Discworld, Elizabeth Flux, Gaspode the Wonder Dog, Moving Pictures, Mustrum Ridcully, Windle Poons, Wizards

#Pratchat11 – At Bill’s Door

8 September 2018 by Pratchat Imps 5 Comments

For our eleventh episode we welcome Pratchett fan Sarah Pearson to the mic to discuss a Discworld novel of two halves: Terry Pratchett’s Reaper Man! The eleventh Discworld novel, published in 1991, Reaper Man is the second book to focus on Death and the newly stable faculty of Unseen University.

The faceless bureaucrats of the multiverse have decided Death is sentimental and inefficient, and he’s been fired! While he heads off to live among humans for his remaining time – until his replacement comes to claim him – his absence means those who die sort of…don’t. That includes Windle Poons, 130-year-old wizard of Unseen University, whose return as a zombie gives him a new lease on life – much to the horror of his fellow faculty members. But Death’s absence is having other weird consequences: objects spring to life, non-human species spawn their own Deaths, and strangest of all, a warehouse in Ankh-Morpork mysteriously fills with small glass orbs…

Reaper Man‘s two mostly separate plots – Death’s forced retirement, and the wizards’ investigation of the alien lifeforms – bring back not only Death but also Windle Poons and the faculty of Unseen University, both introduced in Moving Pictures, alongside cameos by familiar faces like CMOT Dibbler and Fred Colon. Plus we meet a bunch of new and memorable characters: the Death of Rats, the Auditors of Reality, Mrs Cake and her daughter Ludmilla, and undead activist Reg Shoe and his friends from the Fresh Start Club. It’s a big cast, but then with two separate plots there’s plenty for them to do! We’d love to hear what you thought of Reaper Man; use the hashtag #Pratchat11 on social media to join the conversation.

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Sarah Pearson appeared on the ABC quiz show Hard Quiz, and works as a captioner for television.

In our next episode we’ll be joined by editor Jackie Tang as we power on to the next Discworld novel and travel far from the lands we know in Witches Abroad! We’re recording only a week after this episode is released, so to have us answer them on the podcast, get your questions via social media before September 15, 2018 using the hashtag #Pratchat12.

You’ll find the full notes and errata for this episode on our web site.

Want to make sure we get through every Pratchett book? You can support Pratchat for as little as $2 a month and get subscriber bonuses, like the exclusive bonus podcast Ook Club!

 

Posted in: Podcast Tagged: Ben McKenzie, CMOT Dibbler, Death, Discworld, Elizabeth Flux, Mustrum Ridcully, Reaper Man, Reg Shoe, Sarah Pearson, Windle Poons, Wizards

#Pratchat17 – Midsummer (Elf) Murders

8 March 2019 by Pratchat Imps 3 Comments

In our seventeenth episode we join everyone’s favourite dysfunctional coven – and guest, writer Nadia Bailey – as we return to Lancre for Terry Pratchett’s 1992 Discworld novel, Lords and Ladies!

The Lancre coven have returned from their trip abroad, but despite the impending royal wedding of Magrat and King Verence, all is not well in the Ramtops: it’s circle time, when the walls between worlds are thin, and in the witches’ absence someone has been toying with powers beyond their understanding. As usual Granny Weatherwax thinks she can sort everything out herself: facing down a young witch wannabe and keeping the Gentry at bay. But Granny is off her game. Is it the arrival of an old flame? Or is her time as a witch of Lancre nearly up? She’ll need Nanny and Magrat’s help to see off the threat of the Lords and Ladies…

Bringing us back to the witches after only one book away, Lords and Ladies is a particularly Pratchett take on the ancient Celtic stories that inspired modern ideas of fairies and elves. One of the few novels to cross the streams between the witches and wizards, it also gives us more of a glimpse into Esme Weatherwax’s past, hints at the future of witchcraft (and royalty) in Lancre, and introduces the infamous “Trousers of Time”. Is this your favourite witches novel? What do you think of the parallel universes, other dimensions and alternate timelines it describes? And is this the best take on elves since Tolkien? We’d love to hear from you! Use the hashtag #Pratchat17 on social media to join the conversation.

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Guest Nadia Bailey is an author, journalist and critic whose work has appeared in The Australian, The Age, The Lifted Brow and many others. The Book of Barb, an unofficial celebration of the surprisingly popular supporting character from the first season of Netflix “kids on bikes” drama Stranger Things, was her first book; it was followed by The Stranger Things Field Guide in December 2018. In between Nadia wrote The World’s Best BFFs, a book of profiles of celebrity best friends. All three are published by Smith Street Books. You can find Nadia online at nadiabailey.com, and she tweets at @animalorchestra.

You can find full show notes and errata for this episode on our web site.

Don’t forget that you can see Liz and Ben at both Speculate 2019 on March 15 and 16, and at Nullus Anxietas 7, the Australian Discworld Convention, on April 13 and 14! Plus Ben’s new show, You Chose Poorly, plays at the Melbourne International Comedy Festival from April 1-7.

Next month, to tie in with our appearance at Speculate, we’ll be leaving the Discworld and blasting off into outer space as we discuss one of Pratchett’s early sci-fi novels, The Dark Side of the Sun, with writer Will Kostakis! We’ll likely be recording around the time of Speculate 2019, so get your questions in via social media before March 15th using the hashtag #Pratchat18.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ben McKenzie, Casanunda, Discworld, Elizabeth Flux, Granny Weatherwax, Librarian, Magrat, Mustrum Ridcully, Nadia Bailey, Nanny Ogg, Ponder Stibbons, Witches

#Pratchat65 Notes and Errata

8 March 2023 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 65, “Let There Be Gaimans“, discussing several pieces from the “Scribbling Intruder” section of Pratchett’s 2014 nonfiction anthology, A Slip of the Keyboard, with special guest Peter M Ball.

Iconographic Evidence

We’ve mentioned it before a few times, but here again is Michael Williams’ interview with Terry Pratchett from 2013, during his tour to promote Snuff, titled “Imagination, not intelligence, made us human.” (It used to be available as an audio recording, but now it’s only available via YouTube.)

Notes and Errata

  • The episode title is probably not Ben’s best work, but it was there…
  • GenreCon is a writing conference in Meanjin (aka Brisbane) specifically for genre writers that tries to cover as many genres as possible: science fiction, romance, crime, fantasy, horror, and more. It just ran its eighth conference from 17-19 February 2023, with this year’s guests including friends of this podcast Garth Nix (#Pratchat51, “Boffoing the Winter Slayer“) and Will Kostakis (#Pratchat18, “Sundog Gazillionaire” and #Pratchat37, “The Shopping Trolley Problem“).
  • The Queensland Writers Centre is a not-for-profit membership organisation supporting local writers of all kinds. It was established in January 1990, and as well as GenreCon runs workshops and other events, and provides various services including consulting, mentorship and manuscript assessment and editing.
  • The Author is the quarterly journal of The Society of Authors, established in 1884, and is the UK’s union for writers, illustrators and literary translators – not just for authors any more! Terry was Chair of their Management Committee from 1994 to 1995, helping to shape their policy and strategy. His time in those meetings inspired the short story “A Collegiate Casting-Out of Devilish Devices”, which we discussed in #Pratchat63. He was also elected as a member of the Society’s Council. Philip Pullman was President of the Society from 2013 until early 2022, when he resigned following some controversy around a memoir. The current Chair is Joanne Harris, best known for her novel Chocolat. Notably both Harris and Pullman were some of the more level-headed voices speaking up about the Roald Dahl rewrite controversy (see below), with Harris in favour of the changes, and Pullman advocating letting Dahl’s books fade away without being republished.
  • Ben is wrong about one thing in his FAQ footnote: the Pratchett newsgroups (see below) did have an FAQ! You can still find it at lspace.org here. We think this was the last version, updated in 2005; like the Annotated Pratchett File (also see below), it was maintained by Leo Breebaart, who also created the L-Space web.
  • We’ve previously talked about newsgroups in #Pratchat10 and #Pratchat42, but for context: the Usenet system was created in 1980 as an Internet-based alternative to local Bulletin Board Systems. Setting standards that would later be used by web-based internet forums, they organised posts by users into conversation-like “threads” of messages, which were themselves organised into “newsgroups” under hierarchical categories, similar to (but distinct from) domain names. There were three newsgroups of primary interest to Pratchett fans: alt.books.pratchett for discussion of the books themselves; alt.fan.pratchett (the big one) for general fan chit-chat (though this often included the books); and alt.fan.pratchett.announce, a moderated group for announcements of signings and other events of interest to fans. Pratchett was active on the first two.
  • Peter says Pratchett started publishing Discworld in about ’88, but we suspect he meant that the Discworld really took off around then, with the publication of the fourth and fifth books, Sourcery and his first really big hit, Wyrd Sisters. The Colour of Magic was first published in November 1983.
  • Pratchett’s fifth and tenth books (including the three pre-Discworld ones) were The Light Fantastic in 1985, and Pyramids in 1989. The gap in between contained the first big growth spurts of the Internet, but to put them in perspective, Tim Berners Lee only created the first version of the World Wide Web in 1989, and the first widely available web browser, Mosaic, didn’t launch until 1993 – by which time Pratchett was onto his twenty-fourth book, Johnny and the Dead! If you wanted to chat to people on the internet, newsgroups and mailing lists were the go in the 1990s…
  • In Benjamin Partridge’s monthly comedy podcast, The Beef and Dairy Network Podcast, Partridge plays the unnamed host of the fictional industry body’s podcast. Through mostly unscripted interviews with characters played by various guest actors and comedians, Partridge slowly builds up a bizarre alternate reality over many years. One of the recurring characters is disgraced “Bovine Poet Laureate” Michael Banyan (played by comedian Henry Paker), author of a book of cow poetry titled Crab of the Land, who often tells outrageous stories about partying with Jonathan Franzen.
  • ChatGPT is an “AI chatbot” created by the company OpenAI and publicly launched in a prototype state in November 2022. It’s capable of producing sophisticated text responses to prompts using the GPT 3 large language model previously created by OpenAI, and as a result has become hugely popular and controversial. It’s not actually intelligent; rather it uses statistical models based on a huge corpus of text (i.e. large parts of the internet up to 2021) to assemble sentences, poems or lines of code which are drawn from that corpus. We’ll probably talk about it some more in the next episode of our subscriber-only bonus podcast, Ook Club.
  • Pratchett told alt.fan.pratchett he was leaving for the reasons outlined in “this piece”Wyrd Ideas” on the 3rd February 1999, after a user speculated about Sam and Sybil having children (he was writing The Fifth Elephant at the time). This was despite other users in the group (and possibly the version of the FAQ available at the time) asking people not to do this sort of thing. You can see his post here – and thanks to Jo and Francine of The Truth Shall Make Ye Fret, who saved Ben the trouble of searching for this by linking to it from their own episode notes! Pratchett didn’t leave newsgroups altogether; he continues to “lurk” (i.e. read without posting much) on alt.books.pratchett and other newsgroups (mostly about videogames) until around 2008.
  • We mention several famous writers who published their works in serial form, usually in magazines. But we could have mentioned many more! As well as French authors Jules Verne, Victor Hugo and Alexandre Dumas, there’s also Charles Dickens, Arthur Conan Doyle, George Eliot, Elizabeth Gaskell, Thomas Hardy, George Meredith, Robert Louis Stevenson and many, many more.
  • Speaking of Alexandre Dumas, his surname is pronounced “Doo-ma”. He was indeed paid by the line by some of the newspapers who published his stories, though others paid him by episode, leading to very long books rather than very short dialogue. According to some accounts, his publishers eventually caught on to his writing style, and insisted that a line had to fill half a newspaper column to count, supposedly forcing him to kill off a monosyllabic character he’d invented to extend his dialogue. Charles Dickens, by contrast, is said to have written verbosely as he was paid by the word, but in fact he was paid for instalments which had a very specific page count (32 pages in some accounts). Like a first year arts student, he may have used more words to fill the pages faster…a style emulated by Pratchett in Dodger (discussed in #Pratchat6, “A Load of Old Tosh“).
  • Watch this space for a brief history of fanfic, but in the meantime you can check out Archive of Our Own (aka AO3) for yourself – and yes, there’s an extensive Discworld collection there!
  • The Nanny (not Nanny Ogg) was a hugely popular American sitcom which ran from 1993 to 1999 – coincidentally the period between “Kevins” and “Wyrd Ideas” – on the CBS network. It starred co-creator Fran Drescher as Fran Fine, a down on her luck Jewish woman from Queens who tries selling makeup door-to-door. She’s hired by high class English Broadway producer and widower Maxwell Sheffield to be the new nanny to his three children, and the two have a will-they or won’t-they relationship aided by Sheffield’s butler Niles and opposed by Sheffield’s business partner C.C. Babcock.
  • You can find the second edition of the Turkey City Lexicon on the Science Fiction & Fantasy Writers Association website.
  • The Neil Gaiman Masterclass on “The Art of Storytelling” is offered as part of the Masterclass streaming video service, which features hundreds of tutorials from famous leaders in their fields covering everything from acting to philosphy, personal style and astronomy. The BBC has a similar series of videos, BBC Maestro, with a class on Storytelling hosted by Alan Moore.
  • Pratchett used the term “figgin” for the kind of joke Peter describes because he used the word for exactly that kind of joke in Guards! Guards! In that novel, figgin is used by the Supreme Grand Master of the Elucidated Brethren of the Ebon Night in one of the order’s oaths, secure in the knowledge that none of his flock knows what it means. (In this instance Pratchett doesn’t make us wait until the very end to discover the truth for ourselves; it’s defined in a footnote. In fact he only uses the word eight times in the novel, and three of those are callbacks made after the footnote.)
  • To avoid confusion, Ben would like to explain that the “sherbert lemon” kind of joke is not an example of shelving, which is when a comedian mentions a concept seemingly in passing so that they can come back to it later in a new context once the audience has forgotten about it and helping the comedy work through surprising recognition. (There’s a reason explaining how comedy works is described as “dissecting the frog”.)
  • Pratchett is on record (in the APF, of course) that there’s no pun in Twoflower:
    “[…] there’s no joke in Twoflower. I just wanted a coherent way of making up ‘foreign’ names and I think I pinched the Mayan construction (Nine Turning Mirrors, Three Rabbits, etc.).”
  • Andrew Harman is the English author of eleven pun-filled comic fantasy novels, published between 1993 and 2000. Most of them are set in the medieval fantasy kingdom of Rhyngill and surrounds, and five, beginning with The Sorcerer’s Appendix and ending with One Hundred and One Damnations, form a loose series following the adventures of the peasant Firkin and his friends. Harman went on to find more creative success as a game designer, founding his own publisher, YAY Games, which specialises in “gateway games” – ones that work well for introducing new people to hobby boardgames.
  • Fawlty Towers, John Cleese’s classic sitcom farce about long-suffering but obnoxious hotel manager Basil Fawlty, ran for two series in 1975 and 1979 on BBC Two. It is often cited amongst the greatest sitcoms ever made, though its characters and many of the episodes’ premises rely heavily on ethnic and gender stereotypes. The titular hotel is located in the resort town of Torquay in the coastal “English Rivieria” region of Devon. Cleese was inspired to create the setting and main character for the show after an experience with the manager of a real Torquay hotel where the Monty Python crew stayed while filming on location in 1971.
  • For some perspective on the Roald Dahl rewrite controversy, you could do worse than these pieces from The Conversation:
    • “Roald Dahl rewrites: rather than bowdlerising books on moral grounds we should help children to navigate history” by Michelle Smith
    • “Roald Dahl: A brief history of sensitivity edits to children’s literature” by Alison Baker
    • “From Roald Dahl to Goosebumps, revisions to children’s classics are really about copyright – a legal expert explains” by Cathay Smith

More notes coming soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Ankh-Morpork, Ben McKenzie, Discworld, Elizabeth Flux, Matt Roden, Mustrum Ridcully, Ponder Stibbons, Short Fiction, Vetinari, Wizards

#Pratchat61 Notes and Errata

5 December 2022 by Ben 2 Comments

These are the episode notes and errata for Pratchat episode 61, “What Terry Wrote“, discussing the 24th Discworld novel, 2005‘s Thud! with guest Matt Roden.

Notes and Errata

  • The episode title plays with “What Tak wrote”, the creation myth of the dwarfs, as featured at the start of Thud!
  • For those interested, here’s the Pratchat intro script as it appears in our episode notes template. Ben updates it when creating the notes for a new episode, inserting the book’s title and the details for the guest.
LIZ: I’m Elizabeth Flux.
BEN: I’m Ben McKenzie.
LIZ: Welcome to Pratchat, the monthly Terry Pratchett book club podcast.
BEN: Each month we discuss one of Terry Pratchett’s books with a special guest.
LIZ: This month we’re reading Book Title, [pun/joke about the book].
BEN: And our [returning] guest is [descriptors], [guest name] - welcome [guest]!
  • 100 Story Building and Story Factory are not-for-profit creative writing centres for children and young people which run workshops centred around storytelling, literacy and writing, mostly in schools. Both were inspired in large part by 826 Valencia, a creative writing centre for established in San Francisco in 2002 by educator Ninive Caligari and novelist Dave Eggers (of McSweeney’s fame). Other similar organisations exist in many countries, including The Ministry of Stories in London (with which Matt was involved) and Fighting Words in Dublin.
  • A geode is a hollow, rounded sedimentary or igneous rock (and we’ll come back to that term) which has minerals on the inside of the hard outer shell. Those minerals often include crystals, like quartz or amethyst. Igneous geodes are often formed when there is a bubble of gas inside a flow of magma or lava. They’re very popular as jewellery and ornaments, and are often cut in half for display, with the flat edge of the shell polished to show off its formations too. They’re not to be confused with thunder eggs, which are similar but distinct spherical structures also formed in lava.
  • Octarine – the eighth colour, the colour of magic – is last definitely mentioned before Thud! in The Last Continent, back in 1998. (It might also be mentioned in The Last Hero, though this is harder to verify without re-reading the whole book.) It does get a passing mention in The Science of Discworld III: Darwin’s Watch, but only in a non-fiction chapter.
  • Detritus and Cuddy, the Watch’s first troll and dwarf recruits, argue – and become fast friends – in Men at Arms. We discussed the book all the way back in #Pratchat1, “Boots Theory“, and revisited in the live special #PratchatNALC, “Twice as Alive“.
  • The “dwarf and the troll in the rock band together” are hornblower Glod Glodsson and percussionist Lias Bluestone who form a band with Imp y Celyn’s in Soul Music. We discussed the novel in #Pratchat19, “It Don’t Mean a Thing If It Ain’t Got Rocks In“.
  • Rush Hour is a 1998 action comedy directed by Brett Ratner and starring Jackie Chan and Chris Tucker as Detective Inspector Lee from Hong Kong and Detective James Carter of the LAPD. Lee is summoned to Los Angeles to help rescue the kidnapped daughter of his former boss, and Carter is assigned to “babysit” him as punishment, making him determined to solve the case. It was a big hit, spawning two sequels: Rush Hour 2 in 2001, which moved the action to Hong Kong, and Rush Hour 3 in 2007, which took both officers away from home to Paris. There have been rumours of a fourth film for years, and in this era of legacy sequels who knows – it could still happen.
  • The Wire is an American crime television series created for HBO by David Simon, an American author and former crime reporter. It’s set in the city of Baltimore, in the US state of Maryland, and each season explores a different group connected to crime and law enforcement, though drug gangs and the police appear in all five seasons, which were first broadcast between 2002 and 2008. Season four, the one specifically mentioned by Matt, deals with the education system and the mayor’s office. The Wire notably stars Wendell Pierce as William “The Bunk” Moreland, a homicide detective who features in all five seasons; you might know him as the voice of Death in BBC America’s The Watch. (See #Pratchat52, “A Near-Watch Experience“.)
  • We’ll mention the earlier Watch novel, The Fifth Elephant, quite a few times this episode. It introduced the idea of the Deep Downers and is the origin of a lot of Discworld dwarf culture, previous books having mostly stuck to a parody of Tolkien’s dwarfs. It also announced the impending arrival of Young Sam We discussed it in #Pratchat40, “The King and the Hole of the King“, back in February 2021.
  • Fizz, the political cartoonist for The Ankh-Morpork Times, is named for Phiz, the pen name of popular Huguenot illustrator Hablot Knight Browne (1815-1882). His inclusion here (and in Monstrous Regiment) reflects that he contributed cartoons for the British satricial magazine Punch in very much the same style, but Browne was also known for illustrating novels and serialised stories in more reputable publications, most notably for Charles Dickens’ Pickwick Papers, which started with the pseudonym Nemo before changing it to Phiz. “Phiz”, by the way, is short for “Phizzog”, an English slang term for face which is derived from the word “physiognomy”, which means “a person’s facial features or expression”. (We’re not sure which came first, the cartoonist’s tag or the slang term, but its a fun word all the same.)
  • The Good Wife is a CBS legal drama set in Chicago, which ran for seven seasons between 2009 and 2016. It stars Julianna Margulies as Alicia Florrick, a woman who restarts her legal career as a junior lawyer when her State’s Attorney husband is jailed for corruption. It was followed in 2017 by The Good Fight, a spin-off starring Christine Baranski as her The Good Wife character Diane Lockhart, a senior lawyer at Florrick’s firm who has to start over at a new one after her daughter is scammed, resulting in financial disaster. It ran for six seasons between 2017 and 2022. We previously mentioned both shows in #Pratchat51, “Boffoing the Winter Slayer“. The Good Dwarf could deal with similar themes of what women are expected to give up for men, but adding in the unique species and gender angles of Discworld dwarfs. Don’t forget to tell us which characters you think should be in it!
  • Code-switching is originally a linguistic term for when a multi-lingual speaker changes between languages (or varieties of the same language) in the same conversation. This usage dates back to 1951 with the book Language of the Sierra Miwok by Lucy Shepard Freeland, when she notes it in the context of Californian First Nations people. Code-switching involves a great deal of mental energy as different languages have very different structures, idioms and modes of speech, and multilingual speakers often have to switch for their own needs as well those of the people they’re speaking to. The term has seen expanded use to mean switching between any two different modes of speaking (or thinking), especially when it comes to different levels of privilege, expected gender roles, and neurodiversity.
  • The Da Vinci Code was Dan Brown’s smash hit novel from 2003 (two years before Thud!), the second to star Robert Langdon, a university professor who specialises in religious iconography and “symbology”. Langdon, who was introduced in Brown’s 2000 novel Angels & Demons, would appear in four more books. The Da Vinci Code‘s plot uses ideas from earlier writings about the Holy Grail and the Templars, and kicks off when professor is murdered to protect a secret about Christ which was uncovered by Leonardo da Vinci, who left clues in his paintings – most notably The Last Supper. It was controversial for its portrayal of the Catholic Church (who employ assassins in the book) and Christianity in general, as well as for its cavalier attitude to religion, history and art – Brown claimed in interviews that the background history he used for the book was “all” or “99%” true, including the existence of secret societies generally considered fictitious. In 2005, the same year as Thud!, Tony Robinson – comic actor, Discworld audiobook narrator and presenter of Time Team – produced The Real Da Vinci Code for Channel 4, in which he debunked many of the supposed historical facts mentioned in the book. This didn’t hamper the book’s immense popularity, though, and in 2006 it was adapted for film by Ron Howard, with a script by Akiva Goldman and starring Tom Hanks as Langdon. The film was followed by adaptations of Angels & Demons and the fourth Langdon novel, Inferno.
  • A cyclorama (not “cyclodrama” as Matt says, though we’re all for drama in the round) is the Roundworld equivalent of Ransom’s painting in the book: a panoramic painting intended to be displayed on the inside of a cylindrical platform, surrounding the viewer. The term is also used for the building or room designed to hold such a painting. They were apparently very popular in the late 19th century. These days “cyclorama” is more commonly used to refer to the all-white backdrops used on stages, or in photography studios, where they are curved to give the illusion of there being no background at all.
  • Mr Sheen is an Australian brand of cleaning products – specifically an aerosol-based surface polish – created in the 1950s. They were popular well into the 1990s, remembered for their mascot, a small Mr Magoo-like cartoon figure with a large shiny forehead and glasses, and his catchy advertising jingle. He found success in other markets, too, notably the UK, where the Australian mascot was replaced by a moustached flying ace who flew around the house on a can of the product. “Mr Shine” has also been used as a name by many cleaning companies and products, though none of them seem famous enough to be a direct reference.
  • The city of Dis appears in Inferno, the first part of Dante’s The Divine Comedy, where it encompasses Lower or Nether Hell – which are the sixth, seventh, eighth and ninth circles, housing those souls whose sins were willing or “obdurate” (i.e. unrepentant) – in order, those of heresy, violence, fraud and treachery. The city’s outer walls are surrounded by the River Styx, which forms a moat. Its name is derived from Virgil’s Aeneid, which refers to the Underworld as “the realms of Dis”, and mentions its “mighty walls”. “Dis Pater”, Latin for “Father of Dis”, was also the ruler of the Underworld in Roman mythology.
  • The Gooseberry is most obviously a pun on the Blackberry, the early smartphone which was a little ahead of its time, but nonetheless popular with high-powered business folks in the 1990s and 2000s, before the advent of touch-screen smartphones with the iPhone and its competitors. It might also be a reference to UK slang, in which a “gooseberry” is like a “third wheel” – someone who feels a bit unnecessary or left out in company, usually a couple.
  • “Unrelenting standards” is a psychological term for internal pressure to perform well, manifesting as perfectionism, difficulty in gauging one’s own performance compared to what’s generally considered acceptable, a desire to avoid criticism or mistakes, and an obsession with productivity and efficiency. It’s often said to be a product of growing up being valued primarily for your achievements, or in an atmosphere of frequent criticism and little praise.
  • We’ve previously mentioned the Love Languages in #Pratchat46, “The Helen Green Preservation Society“. They originate in the 1992 book The Five Love Languages: How to Express Heartfelt Commitment to Your Mate, which was written by Gary Chapman, a Baptist pastor and radio host. The book was phenomenally successful, selling more than 11 million copies and spawning many sequels and imitators. Ben is not a fan because the idea is very reductive; psychologists and counsellors have criticised Chapman’s work for over-simplifying and homogenising human experiences of love and communication, even where they appreciate the metaphor and have tried to expand it. Other critics note that Chapman is not professionally trained in psychology or counselling, holds some deeply conservative and homophobic views, and based his book on his experience with a fairly narrow sample of his parishioners. He also rejects any expansion of the idea. perhaps because its made him a great deal of money… For the record, his original five love languages are “Acts of Service”, “Words of Affirmation”, “Quality Time”, “Receiving Gifts” and “Physical Touch” – which you can probably see already leaves out a lot.
  • For more about Moving Pictures as a horror story, see our discussion in #Pratchat10, “We’re Gonna Need a Bigger Broomstick“.
  • Stephen King’s “Tak” appears in his 1996 novels Desperation and The Regulators, the latter of which was published under King’s outed pen name Richard Bachman, claiming to be a novel Bachman had written years earlier. Instead, it’s intentionally a story set in a parallel universe to Desperation, with alternate versions of many of the same characters – including the author!. Like the Summoning Dark, King’s Tak comes out of a deep mine in the desert and inhabits a human host – in Desperation it is a police officer who becomes a sort of berserker. We won’t say too much more, but as Ben mentions in the episode, the similarities don’t go much further than that, but it might be a deliberate reference.
  • The HBO miniseries starring Ben Mendelsohn is the 2020 adaptation of another Stephen King book, 2018’s The Outsider, which does indeed have a similar plot.
  • “And then the car ate a person I guess?” is a reference to Stephen King’s Christine, a 1983 novel about a seemingly possessed, jealous and violent classic car named “Christine”. It was adapted the same year into a film by John Carpenter, with some details – notably the source of the car’s demonic presence – changed considerably. Carpenter directed it as a career-saving move after his previous labour-of-love film, The Thing, didn’t do well at the box office, but both films are now cult classics. A remake of Christine is rumoured to be in production.
  • A “cryptex” is a small container with a secure, complex lock, intended to carry secret messages. The term – a portmanteau of “cryptic” and “codex” – was invented by Dan Brown for The Da Vinci Code, though there’s nothing about the device itself that requires the use of cryptology to use. The original version in the novel is a hollow cylinder made of stone and brass with five rotating sections, each containing every letter of the alphabet (though whether it’s the Latin or modern English alphabet is unclear). This makes it basically a letter-based combination lock with between 280,000 and 11 million possible combinations, depending on some details not given in the novel. Physical reproductions of the cryptex have become widely available since the release of the Da Vinci Code film; Ben has even used one as part of an escape room experience he designed.
  • We mention that on the Discworld, werewolves are classified as undead, something which dates back to Angua’s first appearance in Men at Arms. We’ve never really agreed; see above for our episodes about the book, where we decide they are, if anything, “twice as alive”.
  • “A Collegiate Casting-Out of Devilish Devices” is the fifth and final Discworld short story, first published in the Times Higher Education Supplement in May 2005, just four months before Thud! We’ll be discussing it in #Pratchat63, coming in January 2023.
  • “Fracas“, along with “rumpus”, are both used by William de Worde during a meeting with Lord Vetinari in The Truth. A footnote describes them as the word equivalent of rare fish, claiming that they are “found only in certain kinds of newspapers” and “never used in normal conversation.” For more on this, see #Pratchat42, “Truth, the Printing Press and Every -ing“.
  • Liz mentions “Incepting The Wire“; she’s invoking the concept of “inception” from Christopher Nolan’s 2010 film Inception. The film is about a crew of criminals who use technology to enter the dreams of others, stealing important secrets from their subconscious. The plot of the film involves the crew being hired for the more difficult crime of “inception”: inserting an idea into the mind of the target.
  • We Own This City is a 2022 television mini-seres created by David Simon for HBO. Like The Wire, it’s set in Baltimore and is about law enforcement – in this case, corrupt members of the Gun Trace Task Force, based on real-life events which occurred between 2015 and 2019.
  • The Descent is a 2005 British horror film written and directed by Neil Marshall. Ben doesn’t necessarily recommend it, especially if, like him, you’re not really a horror fan – it’s pretty full on. Ben prefers the director’s previous film, the 2002 black werewolf comedy Dog Soldiers, but The Descent was pretty successful. A sequel, The Descent Part 2, was released in 2009, though it was directed by Jon Harris, who edited the original. It’s considered to be…not as good.
  • When Detritus is in the desert of Klatch in Jingo, he initially has a lot of trouble in the heat, especially as his helmet conks out. Later, at night when the desert is very cold, his brain cools and becomes more efficient, as he puts it. Sadly he doesn’t say anything about the apparent demise of his helmet; the relevant passage is quoted below, and the helmet isn’t mentioned again. See also our discussion of the novel in #Pratchat27, “Leshp Miserablés“, and our next episode, #Pratchat62, “There’s a Cow in There“, when we mention the helmet again.

The troll was standing with his knuckles on the ground. The motor of his cooling helmet sounded harsh for a moment in the dry air, and then stopped as the sand got into the mechanism.

Jingo – Terry Pratchett, 1997
  • Matt mentions Brick’s stream-of-consciousness passages read like “an excerpt from an Irvine Welsh novel“. Welsh is a Scottish author, most famously of Trainspotting, the 1993 novel about a group of addicts – of heroin or other things – that was adapted into film by Danny Boyle in 1996. Both book and film are considered classics.
  • Matt’s “dribbling dragon” is an allusion to “Chekhov’s gun” (originally “Чеховское ружьё”, or “Chekhov’s rifle” in Russian), advice given by the Russian playwright Anton Chekhov in several letters to younger writers in the early twentieth century. It’s basically the idea that you should only include necessary details in your story – the usual example being that if you include a gun in the first act of your story, it should be used to shoot someone before the end of the play or else taken out of the story entirely.
  • Reg Shoe, revolutionary-turned-zombie-turned-activist-turned-police detective, is not at all mentioned in Thud!, despite having a prominent supporting role in the two preceding Watch novels, The Fifth Elephant and Night Watch. Angua does mention in passing to Sally that “no-one cares if you’re a troll or a gnome or a zombie or a vampire”, but that’s as close as it comes. Vimes doesn’t even think of Reg during the flashback to his meeting with the Patrician about Sally, when he mentally lists the weirder members of the Watch: he thinks only of trolls, dwarfs, golems, a werewolf, an Igor and Nobby.
  • We’ve mentioned the British drama Downton Abbey a few times before on the podcast, most notably in #Pratchat36. The series was created and co-written by English actor, writer, director and actual aristocrat and member of the House of Lords, Julian Fellowes. It follows the inhabitants of the titular manor house: the aristocratic Crawley family, led by Lord Grantham, and their servants. It’s set between 1912 and 1925 and features many significant historical events, including the sinking of the Titanic, the Great War, and the Spanish Flu epidemic. (Of note: Mary Crawley, eldest daughter of Lord Grantham, is played by Susan Dockery, known to Discworld fans as Susan in the television adaptation of Hogfather.) It ran for six series on ITV between 2010 and 2015, and became a worldwide phenomenon, especially after it was added to the streaming service Netflix. The story has since been continued in two films: Downton Abbey in 2019, set during a visit by the royal family to Downton in 1927, and Downton Abbey: A New Era in 2022, set in 1928 and involving a film crew hiring the Abbey as a location, and the family going on a trip to France to visit a villa the Dowager Countess (played by Maggie Smith) is bequeathing to one of her great granddaughters. Fellowes also created the HBO series The Gilded Age, set in 1880s America, and there’s been talk of potentially featuring a younger version of Smith’s character in that show.
  • When Ben mentions “the witch in that Tiffany Aching book“, he’s referring to Miss Level, the witch with two bodies – kind of the opposite of Miss Pickles and Miss Pointer – who mentors Tiffany in A Hat Full of Sky. For more on that, listen to #Pratchat43, “Big Wee Hag: Far Fra’ Home“.
  • The Leonardo DiCaprio pointing meme is an image of the actor character Rick Dalton pointing at a movie screen when he sees himself, taken from the film Once Upon a Time in Hollywood (2019, dir. Quentin Tarantino). It’s often used in conjunction with a quote, retweet or another image to show the poster self-identifies with it. We previously mentioned it in #Pratchat36, “Home Alone, But Vampires“, and #Pratchat43, “Big Wee Hag: Far Fra’ Home“.
  • Ben hasn’t yet confirmed whether its Mr Shine or Grag Bashfulsson who warns Vimes he might have to rein in his anger more than usual, but he’ll keep looking.
  • Vetinari worries he’s pushed Vimes too far in Men at Arms, though Ben has the reasoning backwards – he’s worried because, as he mentions to Leonard da Quirm, Vimes didn’t punch the wall.
  • Tracey Emin is a British artist known for her personal, confessional works in a variety of media, and was considered an enfant terrible of the Young British Artists (or YBAs) in the late 1980s and early 1990s. Her most famous piece is probably Everyone I Have Ever Slept With 1963-1995, a tent appliquéd with the names of all her sexual partners, which was destroyed in a fire in a storage facility in 2004. The “modern” artworks mentioned in the book are by Daniella Pouter, and include Don’t Talk to Me About Mondays, described as a pile of rags, which might be a reference to Emin’s famous 1998 work My Bed, literally the artist’s bed piled with items from her bedroom in disarray.
  • “The Peaky Blinders thing” is a reference to the flat caps with sharpened pennies sewn into the brim, used as concealed weapons by Willikins street gang. The real “Peaky Blinders” were a street gang in Birmingham in the 1880s through to the 1910s; there’s a story that they used caps with razor blades sewn into them as weapons, leading to the gang’s name, but the name pre-dates disposable razor blades so this is probably apocryphal. A more sound theory is it referred to their sartorial style: they did wear flat caps, but also dressed rather well for a street gang, so the name probably referred to the hats and that they were fancy, as “blinder” is Birmingham slang for “dapper”. Another possibility is their technique of grabbing a robbery victim’s hat from behind and pulling it down over their eyes, so they wouldn’t be seen and couldn’t be identified. The term has become popular again since the BBC series Peaky Blinders gained popularity, though it’s a heavily fictionalised version of the real gang. It ran for six series between 2013 and 2022.
  • We heard the story of Michael Williams’ 2014 interview with Pratchett during the recording of #Pratchat26, “The Long Dark Mr Teatime of the Soul“, and we included his story in the third episode of our subscriber bonus podcast, Ook Club. You can hear the full discussion as “Imagination, Not Intelligence, Made Us Human” on the Wheeler Centre website…or you could. Now, instead, we direct you to the video of the discussion on YouTube. There’s a lot of good stuff in it!
  • If you’re interested in a full count of who dies in the Discworld books, you’re in luck: The L-Space Web fan site has just such a record! Like a lot of things on L-Space, “The Death Lists” wasn’t maintained all the way to the end of the series, but peters out around the time newsgroups and static websites were being replaced by social media and wikis. But, in this case, it only goes up to Thud! so happily (if that’s the right word) it covers most of the books we’ve discussed on the podcast up to this point. Though you might want to take it with a grain of salt – we note the Thud! entry doesn’t seem to include the four mining dwarfs left to die under Ankh-Morpork after hearing what the Cube had to say…
  • Ben would like to apologise for being needlessly pedantic about the two Discworld books which don’t feature Death, and his roasting at Matt’s hands is well deserved. Despite that, we can confirm he remembered correctly that they are The Wee Free Men (which we covered in #Pratchat32, “Meet the Feegles”) and Snuff. The Reaper Man thing is absolutely not true, do not go back and check or listen to #Pratchat11, “At Bill’s Door”.
  • The Thing appears in the Bromeliad, mostly the first and final books Truckers (see #Pratchat9, “Upscalator to Heaven”) and Wings (see #Pratchat20, “The Thing Beneath My Wings”). In those books the Thing is a small, seemingly indestructible black cube passed down through generations of Nomes to Old Torrit and then Masklin, which used to occasionally speak and provide advice. When Masklin brings it to Arnold Bros, it recharges itself using the Store’s electricity and reveals that it is “Flight Recorder and Navigation Computer of the Starship Swan”, helping Masklin with a lot of his plans to get the Nomes out of the Store and eventually back to their home planet. Cube-shaped computers and recording devices also appear in other media, most notably in Star Wars, where both the Jedi and the Sith store holographic recordings on “holocrons” which are commonly cube-shaped.
  • The main mentions of school projects in Pratchett’s work occur in the Johnny books. In Chapter 5 of Johnny and the Dead, Johnny uses the excuse of a school project to ask about the surviving member of the Blackbury Pals, claiming that “You could get away with anything if you said you were doing a project.” He uses this trick again in Johnny and the Dead in order to speak to Mrs Tachyon when she’s in hospital, and his legit history project comes in handy when the kids have to disguise themselves for a trip back in time to the 1940s.
  • Bedknobs and Broomsticks (1971) is a Disney musical blending live-action and animation, much like Mary Poppins. Also like Mary Poppins, its based on novels for children by an English author, in this case Mary Norton’s The Magic Bedknob; or, How to Become a Witch in Ten Easy Lessons (1944) and Bonfires and Broomsticks (1947). The protagonist, Ms Eglantine Price (played by Angela Lansbury in the film, in her screen musical debut), is a single woman living in a coastal village in Dorset during World War II who is, against her will, saddled with some children evacuated from London. They discover Ms Price is learning witchcraft by correspondence, and end up joining her on an adventure to complete her education and locate a powerful spell she believes can aid in the war effort. It’s not specifically included in the list of Pratchett Family Movies (or PFMs) mentioned in a footnote in Chapter 9 of A Life With Footnotes, but it wouldn’t look out of place next to the likes of Time Bandits, The Princess Bride and Ladyhawke.
  • Irish, British and American actor Angela Lansbury (1925-2022) had a long and distinguished career on stage and screen. She is best remembered as Jessica Fletcher, the crime writer protagonist of the popular American cosy mystery TV series Murder, She Wrote, which ran for twelve seasons between 1984 and 1996, followed by four TV movies up until 2003. But she was also an accomplished singer, and played many famous roles in stage musicals including being the original Mrs Lovett in Sweeney Todd: The Demon Barber of Fleet Street, and Mrs Potts in the Disney film Beauty and the Beast. Her last role being a cameo appearance as herself in Ryan Johnson’s Glass Onion in 2022, and she died on 11 October, 2022, not long before we recorded this episode.
  • In Thud!, while complaining to Cheery about the announcement in the Times that the post office is issuing memorial Koom Valley stamps, Vimes says “Remember the cabbage-scented stamp last month?” This is an unusually direct reference to the events of the immediately previous Discworld novel, Going Postal (see #Pratchat38, “Moisten to Steal”). In Chapter 12, once stamp collecting has started to take off, Junior Postman Stanley Howler presents his own design to Moist for a stamp depicting a cabbage, printed with cabbage ink and using gum made from broccoli: “A Salute to the Cabbage Industry of the Sto Plains”. This directly links the two books as being closer in time than the gap between their publication, and reinforces the basic idea that the Discworld books more or less happen in the order in which they’re published, with a couple of notable exceptions.
  • Ridcully certainly has a busy month. The above link suggests that there is less than a month between Ridcully overseeing Moist’s race against the Clacks in Going Postal and tricking out Vimes’ coaches in Thud! Ridcully also appears at an important meeting near the end of Making Money, and also has his head printed on the fee-dollar note when Moist introduces paper money in the final chapter. Of note: The Science of Discworld III (see #Pratchat59) and the short story “A Collegiate Casting-Out of Devilish Devices” (see #Pratchat63) were also published the same year as Thud!, so Ridcully may also be dealing with A. E. Pessimal’s inspection and an invasion of Auditors into Roundworld at around the same time. A busy month indeed!
  • Brian Blessed (b. 1936) is an English actor from Yorkshire who is known for his booming voice. His best-known roles include King Richard IV in the first series of Blackadder, Prince Vultan of the Hawkmen in the 1981 film version of Flash Gordon, and the voice of Boss Nass in Star Wars Episode I: The Phantom Menace. But he’s been a fixture of British television, stage and film for years, popping up in memorable guest roles in Space: 1999, Blake’s 7, Doctor Who and many more. As well as many cult films of the 1980s, he’s been in Kenneth Branagh’s Shakespeare films Henry V (1989), Much Ado About Nothing (1993) and Hamlet (1996). Of note to Terry Pratchett fans, he appears as William “Bill” Stickers, deceased communist, in ITV’s 1995 adaptation of Johnny and the Dead.
  • Lord Melchett, played by Stephen Fry, is another character from the British sitcom Blackadder. He appears in the second series, Blackadder II, as an obsequious member of the royal court and Lord Edmund Blackadder’s rival for the favour of Queen Elizabeth I. In this instance, though, Ben is really thinking more of Lord Melchett’s descendent, the Blackadder Goes Forth character General Melchett (also played by Fry), who is more over-the-top eccentric and dangerously in charge of British soldiers on the front line during World War I.
  • We’ve mentioned Back to the Future before, most recently in #Pratchat54, “The Land Before Vimes”, our discussion of Night Watch. In the film, eccentric scientist Doc Brown creates a time machine using a DeLorean sports car. Its time travel device, the “flux capacitor”, requires the vehicle to travel at 88 miles per hour (about 142 kilometres per hour); when it hits that speed the car and its occupants are instantly transported to the destination point in time, leaving behind flaming tyre tracks. At the end of the first film, Doc returns from a trip to the future to take his young friend Marty “back to the future”; Marty worries they don’t have enough road to get up to 88mph, to which Doc famously replies “Roads? Where we’re going, we don’t need roads.” The DeLorean then begins to fly… Pratchett was a fan of the film – the biography A Life With Footnotes recounts the story of the time he almost bought a replica of the DeLorean time machine – and he previously referenced it in Soul Music, in which Binky leaves flaming hoof prints behind when he travels time-bendingly fast.
  • George R. R. Martin is the bestselling author of the A Song of Ice and Fire fantasy series of books that begins with A Game of Thrones. The series was famously adapted for television by HBO as Game of Thrones. The novels are very long, but don’t all cover the same amount of time; by some estimates, the narrative time that passes varies between as little as a few months to more than a year. And then you have to factor in that the seasons of the world of the book are also irregular, for undisclosed fantastical reasons…
  • Listener Graeme Kay sent us in his tip that he thinks Koom Valley might be based on a place in Far North Queensland, not least because Pratchett is known to have spent plenty of time on holiday in that part of Australia. The specific place Graeme was thinking of is at Babinda Boulders on the land of the Yidindji people south of Cairns. Graeme mentioned “The Devil’s Pool”, but it’s one of several specific spots at Babinda which are connected by rushing water (the others are “The Chute” and “The Washing Machine”). Despite warning signs and local oral traditions about Siren-like dangers, younger tourists continue to visit those parts of the Boulders. More than twenty people have died there in the last century or so, largely because of underwater hazards that make it very difficult to survive being dragged under by the current. Those hazards do sound very similar to the ones encountered by Vimes in Koom Valley, and which would have surely killed him if not for the influence of the Summoning Dark. Sadly this is not a phenomenon of the past; the latest death occurred in December 2021, and a recent safety review completed in January 2023 recommended better signage to try and prevent more deaths. You can read about that, and see pictures of the location and diagrams of the hazards there, in this ABC news article.
  • We discussed Carpe Jugulum, the last of the witches books, in #Pratchat36, “Home Alone, But Vampires”.
  • Granny Weatherwax battles with her sister Lily in Witches Abroad. It’s never stated clearly, but it’s suggested that Lily is older than Granny, though her use of magic makes her look younger. She’s never described as her twin.
  • Granny doesn’t say anything about it, but in Carpe Jugulum when she is fighting the influence of Count de Magpyr, she has to choose between the darkness and the light to escape the lands of Death. In the end, she faces the light…and steps backwards. A very Granny Weatherwax solution, and reminiscent of her dilemma in the mirror dimension in Witches Abroad.
  • Liz says “Revved up like a deuce”, which is a lyric from “Blinded by the Light”, a song by Bruce Springsteen released on first album, 1973’s Greetings from Asbury Park, N.J. It was famously covered by Manfred Mann’s Earth Band on the 1976 album The Roaring Silence, and that version was a top ten hit in several countries.
  • We’ve previously mentioned Sophie’s Choice, the 1979 final novel by American author William Styron, which was adapted into a film in 1981 starring Meryl Streep, Kevin Kline and Peter MacNicol. While it’s meant to be a surprise revelation in the story, it’s now famous for Sophie – a Polish immigrant who escaped Nazi Germany – having to choose which of her two children would be killed when she was sent to Auschwitz, with both of them being killed if she refused to choose. It’s since entered popular culture as a shorthand for an impossible (or at least very difficult) choice.
  • We mention a few famous fictional butlers this episode, including Alfred Pennyworth (Batman), Mr Butler (Miss FIsher’s Murder Mysteries), Alfred Pennyworth (not to be confused with Pennywise the Clown), and Jeeves (of Jeeves and Wooster fame). We previously talked about Willikins and the “battle butler” trope in #Pratchat27, “Leshp Miserablés”, when discussing Jingo.
  • The line about a god of policemen does not actually appear in Feet of Clay (#Pratchat24), and Vimes doesn’t say it – though it is attributed to him. In The Last Hero (#Pratchat55), when Carrot arrives in Dunmanifestin, chief god of the Disc Blind Io asks Carrot if there’s a god of policemen. ‘No, sir,’ Carrot replies. ‘Coppers would be far too suspicious of anyone calling themselves a god of policemen to believe in one.’ There’s also this line from near the start of Night Watch (#Pratchat54), which explains why most Watch members are buried in the Cemetery of Small Gods: “Policemen, after a few years, found it hard enough to believe in people, let alone anyone they couldn’t see.”
  • Despite his self-doubt, Ben is right: igneous rock is indeed formed by volcanoes. Specifically, igneous rock is formed from cooled magma or lava, forms of molten rock that naturally occur beneath the Earth’s crust but come nearer the surface in volcanos (magma) or are released during an eruption (lava).
  • Liz and Ben are both sort of right about the difference between concrete and cement. Cement is the binding agent used to make concrete, mortar, stucco and grout. It’s a combination of limestone, clay, shells and silica sand, which is mixed with water and then sets hard when it dries out. It’s not often used on its own, but instead combined with aggregate (a mixture of gravel and sand) to make concrete, which is the hard substance used for footpaths, driveways and structures. Most cement today is “Portland cement”, a fine grey powder developed in the 19th century by father and son Joseph and William Aspdin, who named it for its resemblance to Portland stone from the island of Portland in Dorset in the south of England. It mostly replaced the use of hydraulic lime, or “quicklime”. Cement is also combined with sand to make mortar, the “glue” that holds bricks together, and stucco, also known as render, used as a wall covering and to fashion ornamentations; and grout, used to fill the gaps between tiles. While all three use the same basic ingredients, they use different recipes, techniques and additives to achieve different consistencies suited to each use.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Angua, Ankh-Morpork, Ben McKenzie, Carrot, Colon, Detritus, Dwarfs, Elizabeth Flux, Matt Roden, Mustrum Ridcully, Nobby, The Watch, Trolls, Vetinari, Vimes
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