Pratchat
  • Home
  • News
  • Episodes
  • The Books
  • More!
    • Reading Challenge
    • The Guild of Recappers & Podcasters
  • Support Us
  • About

Death

#Pratchat85 – AT LAST, SIR TERRY

8 March 2025 by Pratchat Imps 1 Comment

To mark ten years since Terry Pratchett’s death, Liz, Ben and guest Myfanwy Coghill discuss his 2010 Richard Dimbleby lecture, “Shaking Hands with Death”. Please note that this episode includes discussions of death, terminal illness, assisted dying and suicide.

Pratchett was the first novelist to give the Richard Dimbleby Lecture, an annual talk broadcast on the BBC in memory of Dimbleby, a BBC broadcaster who died in 1965. His subject was a turning point in his activism: from raising awareness (and money) for Alzheimer’s Disease, to talking openly about the inevitability of death, and the importance of being able to choose a good one, safely and legally. The speech was collected in A Slip of the Keyboard in 2014, and published in a standalone volume with an introduction by Rob Wilkins in 2015. (A new edition, with an updated introduction by Rob, will be published in October 2025.) The televised version is also (currently) on YouTube.

We hope we’ve done Pratchett justice in carrying on this discussion. We are lucky to live in Australia, where citizens in most states have access to assisted dying – if under more narrow circumstances than Pratchett might have liked. The Terminally Ill Adults (End of Life) Bill provides similar access, and was introduced in the UK parliament by backbench Labour MP Kim Leadbeater in November 2024. At the time of publication (March 2025), it’s currently at the committee stage; see the episode notes for more details.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_85.mp3

Podcast: Play in new window | Download (Duration: 1:54:26 — 52.9MB)

Subscribe: RSS | More

Guest Myfanwy Coghill (she/her) has been many things, including an opera singer, a teacher, a funeral director, and a Dungeon Master (of the Dungeons & Dragons variety). She previously appeared to discuss Maskerade in #Pratchat23, “The Music of the Nitt”, in September 2019.

GNU Elspeth Sutherland; Kat Muscat; Stella Young; Cal Wilson; DJ Ian; and Terry Pratchett. We’d love you to consider supporting the Kat Muscat Fellowship, which provides support and development for a young Australian writer or editor each year; or helping to fund a new documentary about Stella Young, I Am Not Your Inspiration (which coincidentally launched in between us recording and publishing this episode). Pratchett’s favoured charities are well known: the Orang Utan Foundation, and the Alzheimer’s Society. The local Australian equivalent is Dementia Australia.

You can find episode notes and errata on our web site.

Next month is our rescheduled discussion about both volumes of the Ankh-Morpork Archives, which collect material from the Discworld diaries, and their sibling publication The Discworld Almanack! There’s still time for a few more questions; send them in via email (chat@pratchatpodcast.com), or social media using the hashtag #Pratchat84.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ben McKenzie, Death, Elizabeth Flux, Myf Coghill, non-Discworld, non-fiction, Shaking Hands with Death

#Pratchat79 Notes and Errata

8 August 2024 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 79, “Unalive from Überwald”, discussing Terry Pratchett’s 2002 short story “Death and What Comes Next”, with returning guest Tansy Rayner Roberts and new guest Karen J Carlisle.

Iconographic Evidence

If you also took photos of us at the convention, please get in touch – we’d love to see them and add a few here!

You can also find photos of the convention at the official website.

A photo of Ben and Liz, in costume as Rincewind and Moist von Lipwig, attempting to recreate the pose from the Pratchat logo.
Ben and Liz attempted to recreate the pose from the Pratchat logo, with costume and iconographic assistance from Danny Sag.
A photo of a small piece of white paper on a green surface. Handwriting in black pen reads:
“dead and not dead”
Schrödinger’s cat
What if the cat is Greebo?
Next to the writing is drawn a small cartoon cat with prominent whiskers and an eye patch.
The audience question with the very cute illustration of Greebo!

Notes and Errata

  • The episode title refers to the theme for Nullus Anxietas IX, “Come Alive in Überwald”, but since we were talking mostly about Death, “Live from Überwald” didn’t seem quite right.
  • Nullus Anxietas IX is, as you probably know, the ninth bi-annual Australian Discworld convention. As mentioned at the end of the episode, the next convention will be in Sydney in 2026, and you can already get a supporting membership for the next convention. For details, plus information on past conventions and Discworld fan clubs across Australia, head to ausdwcon.org.
  • Our previous live shows are:
    • #PratchatNA7, “A Troll New World” from Nullus Anxietas 7
    • “Book Discussion: The Carpet People” from the Virtual Discworld Fun Day (on YouTube)
    • #PratchatNALC, “Twice as Alive” from Nullus Anxietas: The Lost Con
  • Liz mentions two of her short stories:
    • The story about women turning into cleaning equipment is “Call Him Al”. You can read it in Meanjin, where it was published in 2020.
    • The story about an immigrant splitting into two people is “One’s Company”, originally published in the anthology Best Australian Stories 2017. It was published online at InterSastra in an Indonesian translation (“Cukup Sendiri”) by Nicolaus Gogor Seta Dewa; the original English version is also available there.
  • “Pantsers and Plotters” are widespread terms for “the two types” of writers, embraced to varying degrees by writing communities and individuals. The classification is based on whether a writer works out a plot in advance (a plotter), or writes by the seat of their pants (a pantser), making it up as they go along. It’s not entirely clear where these terms originated, but these days some writers refer to themselves as “plantsers” (a combination of the two), and other terms exist for roughly the same ideas. For example, in 2011 George R. R. Martin used the terms architect (similar to a plotter) and gardener (a variation on pantser in which the emphasis is on the weeding, i.e. editing).
  • Tansy’s stories that get mentioned include:
    • Musketeer Space, the gender-swapped Three Musketeers in space;
    • Teacup Magic, the Regency-inspired fantasy mystery series (we’ve linked to the collection);
    • We don’t think Tansy has written “Beauty and the Beast with cyborgs”, but she has written Curse of Bronze, a novella which riffs on Beauty and the Beast. It’s available for free as an ebook via BookFunnel (you’ll need to sign up to Tansy’s mailing list), or in audio form on her podcast Sheep Might Fly.
  • More notes coming soon.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Ben McKenzie, Death, Discworld, Discworld Convention, Elizabeth Flux, Karen J Carlisle, live episode, non-Discworld, Short Fiction, Tansy Rayner Roberts

#Pratchat79 – Unalive from Überwald

8 August 2024 by Pratchat Imps 2 Comments

Recorded live at the Australian Discworld Convention in Tarntanyangga (Adelaide), Karen J Carlisle and Tansy Rayner Roberts join us on stage to discuss short fiction, Death and the (sort of) last of Terry Pratchett’s Discworld short stories, 2004’s “Death and What Comes Next”.

Somewhere in time and space, a philosopher lies on his deathbed…and Death has come to collect. Only the philosopher isn’t convinced he’s real, or that any of this is even happening. Will “quantum” and cats in boxes be enough of an argument to dissuade Death from his job?

Created for the now defunct Time Hunt puzzle website, “Death and What Comes Next” was written somewhere between 2002 and 2004. At under 1,000 words it’s one of Pratchett’s shorter pieces of fiction, and contains several jokes he’d go on to re-use elsewhere, as well as a word puzzle which provided a code word for Time Hunt site. You can read the story for free at the L-Space Web, which also hosts fan translations in many languages.

Despite its placement in A Blink of the Screen, is this truly a Discworld story? Have you tried to solve the puzzle? How would you challenge Death to delay the time of your passing – and have you thought about what an encounter with the Discworld Death might be like for you? And is Death at his funniest here, or do you have other favourite Death moments? Join the conversation by using the hashtag #Pratchat79 on social media.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_79.mp3

Podcast: Play in new window | Download (Duration: 1:28:10 — 40.9MB)

Subscribe: RSS | More

Guest Tansy Rayner Roberts (she/her) is a Tasmanian author of sci-fi, fantasy, cosy crime and much, much more. Her essay series Pratchett’s Women was collected into a book, and her follow up series on Pratchett’s men, “Men Who Respect Witches”, can be found at the online magazine Speculative Insight. Her latest novel is a time travel comedy called Time of the Cat, and you can find Tansy online at tansyrr.com and as @tansyrr on social media. Tansy was also a guest on our previous live episode, “A Troll New World”, recorded at Nullus Anxietas 7 in 2019.

Guest Karen J Carlisle (she/her) is a writer and illustrator based in Adelaide whose work spans Victorian mystery, steampunk, fantasy and yes, even (mostly) cosy murders. She has some new writing in the works, but her recent “Jack the Ripper thing” is Blood Ties, which you can find via her website, karenjcarlisle.com. You can also find her on Instagram, Twitter and various other social platforms as @karenjcarlisle.

As usual, you can find notes and errata for this episode on our website.

Next month it’s back to the books as we rejoin Moist von Lipwig for Making Money! Send us your questions about the book ASAP using the hashtag #Pratchat80.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ben McKenzie, Death, Death and What Comes Next, Discworld, Elizabeth Flux, Karen J Carlisle, live episode, non-Discworld, Short Fiction, Tansy Rayner Roberts

#Pratchat72 Notes and Errata

8 November 2023 by Ben 2 Comments

These are the episode notes and errata for Pratchat episode 72, “The Masked Dancer”, discussing Terry Pratchett’s 1989 short story “Turntables of the Night” with guest Andrew McClelland.

Iconographic Evidence

The cover art of the 1997 anthology The Flying Sorcerers is a Josh Kirby illustration of this story. The full jacket illustration also appears in A Blink of the Screen.

Notes and Errata

  • The quest for this month’s episode title was a long one, but we settled on this riff on The Masked Singer, a popular reality gameshow based on a format originating in Korea. In the show, celebrities perform songs in elaborate costumes that hide their identities and a judging panel and the audience try to guess who they are while also voting for their favourites, with the singer with the fewest votes being unmasked and eliminated each round. Appropriately enough, the Australian show’s most recent season which finished the day before this episode was published featured a singer dressed as the Grim Reaper, who turned out to be Darren Hayes of Savage Garden fame!
  • The Vengaboys are a Dutch Eurodance group who were huge in the late 1990s, best known for the songs “We Like to Party” and “Boom, Boom, Boom, Boom!!”, the former of which includes the line “The Vengabus is coming”. Ben’s memory is sketchy but he thinks Liz is referring to a comedy bit Andy used to do about the nature of the Vengabus, painting it as something more ominous. (We’ll check up on this and update this note!)
  • Gilbert and Sullivan are dramatist W. S. Gilbert (1836–1911) and composer Arthur Sullivan (1842–1900), who wrote a series of comic light operas in the Victorian era which have since become world famous. Andy’s love for them was expressed through his most recent comedy show with Martine Wengrow: The Very Model of a Modern Major Musical, a two-person performance of his own full-cast opera in the distinctive Gilbert and Sullivan style which he wrote during the lockdowns of 2020.
  • Truckers, published in 1989 (the same year as “Turntables of the Night”), is the first book in Terry Pratchett’s trilogy about a band of tiny Nomes trying to survive in the human world. We discussed it way back in #Pratchat9, “Upscalator to Heaven”.
  • Good Omens is Pratchett’s famous 1990 collaboration with Neil Gaiman about an angel and demon who share an unlikely friendship and try to avert the impending apocalypse, a task made more difficulty when they mislay the Anti-Christ. We discussed it in #Pratchat15, “It’s the End of the World as We Know It (and I Feel Nice and Accurate)”.
  • The Long Earth is Pratchett’s collaboration with sci-fi author Stephen Baxter, a sci-fi series based on an idea he had around the time of The Colour of Magic about a string of infinite parallel Earths devoid of humans. We’ve discussed four out of the five books; for an overview of the plot of the first three, see #PratchatPreviously, “The Long Footnote”.
  • Actor and comedian Peter Serafinowicz is probably best known for his film and television work in things like Look Around You, Black Books, Shaun of the Dead and The Tick. He has a distinctive deep voice (a feature of his guest role on Black Books), and was famously the speaking voice of Darth Maul in Star Wars Episode I: The Phantom Menace (Maul was physically played by stunt performer Ray Park). He played the demon Crowley opposite Mark Heap’s Aziraphale in the 2014 BBC Radio adaptation of Good Omens before going on to perform the voice of Death in all forty recently released Penguin Discworld audiobooks (they didn’t do The Last Hero), which are otherwise read by a different narrator for each sub-series. (Bill Nighy also appears in every book, reading the footnotes.) Serafinowicz also voices Death in the animated feature film The Amazing Maurice.
  • Harry Harrison (1925-2012) was an American science fiction author best known for his character the Stainless Steel Rat, an interplanetary con man and rogue who starred in several short stories and novels beginning with “The Stainless Steel Rat” in 1957. The final book, The Stainless Steel Rat Returns, was published in 2010.
  • Harry Turtledove is an American speculative fiction author best known for his works of alternate history. Andy mentions Turtledove’s 1992 novel The Guns of the South, in which time-travellers from 2014 South Africa supply advanced arms to the Confedercy, allowing them to win the US civil war. He is also known for the similar Southern Victory series, in which the Confederacy wins thanks to one small difference in history (no time travel is involved), and the Worldwar series, in which aliens invade Earth in 1942 during World War II.
  • Hidden Turnings was published in February 1989 and included works by Pratchett, Diana Wynne Jones, Roger Zelazny (best known for The Chronicles of Amber), Tanith Lee and many others. You can find all the details of the book and the stories within at its Internet Speculative Fiction Database entry.
  • We’ve talked many times of British fantasy author Diana Wynne Jones (1934-2011), and especially of her Chrestomanci series about a connected series of parallel magical worlds; Howl’s Moving Castle and its sequel; and her parody of both travel guides and fantasy tropes, The Tough Guide to Fantasyland.
  • The panel Ben featuring Terry Pratchett and Diana Wynne Jones was “Whose Fantasy” at the Institute of Contemporary Arts. (Ben found it after we wondered if the two were friends in #Pratchat46, “The Helen Green Preservation Society”). The talk was indeed chaired by Neil Gaiman, and also featured John Harrison and Geoff Ryman. Ben was on the money when he said it was from around the time of “Turntables of the Night” – it’s from the same year, 1988!
  • The Flying Sorcerers is a 1997 (not 1996) anthology of comic fantasy stories, organised into three sections: “Hordes of the Things: Comic Fantasies”, “Deadly Nightshapes: Tales of the Supernatural” and “Vacant Space: Stories of Science Fiction”. As well as Pratchett’s story it features work from P. G. Wodehouse, Mervyn Peake, C. S. Lewis, Kurt Vonnegut Jr, Michael Moorcock, Roald Dahl, Stanislaw Lem and Angela Carter and many others. You can see the full list of stories on the Internet Speculative Fiction Database.
  • Peter Haining has edited and written introductions for a long list of books, mostly compilations of previously published works. As well as The Flying Sorcerers he also published Pratchett works in Space Movies II, The Wizards of Odd and Vintage Science Fiction. He also compiled five major nonfiction books about Doctor Who in the 1980s, including the 25th anniversary book 25 Glorious Years in 1988. Haining’s full bibliography can also be found on the ISFDb.
  • The Wizards of Odd was published in 1996. It was also edited by Peter Haining, featured a previously published piece by Terry Pratchett as its first story, and used a Josh Kirby illustration for that story as its cover art. In this case it was “Theatre of Cruelty”, which we just discussed in #Pratchat70, “Punching Up”. The full contents are (you guessed it) on the ISFDb.
  • Hordes of the Things was a 1980 BBC radio series written by Andrew Marshall and John Lloyd (who had just written and produced The Hitchhikers Guide to the Galaxy with Douglas Adams), under pseudonyms with three initials to emulate J R R Tolkien, and starring Simon Callow and Paul Eddington. A fairly broad parody of Lord of the Rings set in the kingdom of Albion as it faces an invasion of the “Dark One”, it was also loose political satire.
  • Small caps can be simulated by modern word processing and desktop publishing software, but this is usually unsatisfactory since scaled-down capital letters have a lighter weight (i.e. because they’re shrunk the lines are thinner), whereas proper small caps should have the same weight as full size lower case letters.
  • Death’s dialogue has varied a bit between editions; in some, like the Corgi paperback of The Colour of Magic and the collector’s library editions of many of the books, he speaks in all small caps – i.e. only small capital letters. In others, like the first hardcover edition of Hogfather, he speaks in mixed small caps, with regular capitalisation. It’s only in anthologies like The Flying Sorcerers where he seems to speak in all caps.
  • Roger Zelazny (1937-1995) was an award-winning American science fiction writer. His Chronicles of Amber series, consisting of two sets of five novels published between 1970 and 1991, is about a group of immortals, the Princes and Princesses of Amber, who rule their one “true” world of Amber. They are able to walk between “shadows”, the infinite alternate realities given order and substance by the Pattern, a mystic labyrinth; the royals of Amber gain their shadow-walking ability by walking the Pattern. They organise into several factions and scheme amongst themselves to take the throne. A hugely popular roleplaying game of the 1990s, Amber Diceless Roleplaying, was based on these stories; player characters oppose each other, vying for power, and instead of using dice are simply ranked in order of who is best at what during an “auction” at the start of the game.
  • “Kalifriki of the Thread” is a short story about Kalifriki, more or less an assassin who can travel between dimensions (called shifting into the “side-by-side lands”) and whose signature method of killing is the Thread, an unusual and seemingly multidimensional weapon or force. In the story, Kalifriki is hunting the Kife, another shifter who inhabits the bodies of others. The character returns in the short story “Come Back to the Killing Ground Alice, My Love”, first published in Amazing Stories in 1992. Both stories were collected into one volume in 2022.
  • DJ Ian Bell was not only a DJ, he was also a photographer, a music historian, and a record store worker and owner. He died in May 2023. You can hear him talking about his history in this 2019 segment from ABC Radio in Adelaide, played again the week after his death.
  • Since 2021 Taylor Swift has been re-recording and releasing new versions of her first six studio albums, in part because she regretted signing away ownership of the master recordings as a teenager (she was 15!) in her original contract with the label Big Machine in 2005, and subsequently became responsible for something like 80% of their revenue. After a series of disagreements, including not being able to buy the masters rights, and Big Machine selling out to her former manager, Scooter Braun, she enacted the re-recording plan under her new and much more favourable contract with Republic Records. Because she wrote her own songs, she owns the composition rights, and so controls who can record new versions of the songs – including herself. The new releases are subtitled “(Taylor’s Version)” and so far have included Fearless, Red, Speak Now and 1989, and they’ve plummeted streams and sales of the originals as her loyal fans stick to her versions.

More notes to come soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Andrew McClelland, Ben McKenzie, Death, Elizabeth Flux, non-Discworld, Short Fiction, short story

#Pratchat72 – The Masked Dancer

8 November 2023 by Pratchat Imps Leave a Comment

Unlike some DJs, Liz and Ben do take requests – like this month’s short story! They’re joined by comedian and DJ Andrew McClelland to spin discs with the soul collector, as they discuss Terry Pratchett’s 1989 short story “Turntables of the Night”.

John, one half of the “Hellfire Disco” mobile DJ business, is helping the police with their enquiries. His latest gig, a fairly sedate Halloween party, did not go smoothly – and it all revolves around a mysterious visitor to the dancefloor, who had an unusual request for DJ Wayne…

Written for Diana Wynne Jones’ 1989 collection of original fiction Hidden Turnings, “Turntables of the Night” came to Pratchett title first. It’s a spooky tale of obsession, records, music and death – or rather Death, appearing outside the Discworld for perhaps the first time in Pratchett’s writing.

Is this fantasy or horror? Did Pratchett really know who Ian Curtis was? Who did he call up to get insight into the DJ trade? What would Death ask you to curate for him? Who would be the crown jewel in his collection now? And which of Pratchett’s other short stories do you want us to devote an entire episode to? Join in the conversation using the hashtag #Pratchat72 on social media.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_72.mp3

Podcast: Play in new window | Download (Duration: 1:45:11 — 48.6MB)

Subscribe: RSS | More

Guest Andrew McClelland (he/him) is a writer, comedian and DJ who has often mixed in his other loves, like history, music, DJing and Gilbert & Sullivan, to create the “niche” nerdy and gentlemanly comedy for which he’s known. Andy has also frequently collaborated with #Pratchat38 guest Lawrence Leung. As a DJ, Andy works constantly in Melbourne and did indeed open for Cher during her 2018 Australia and New Zealand tour. His club night Andrew McClelland’s Finishing School doesn’t run as regularly as it used to, but as of this episode it has a 15th anniversary night on 10 November, and an annual 90s night on 24 November. Find Andy on Instagram, Facebook, Twitter (if you must) or at his website djandrewmcclelland.com. Finishing School is on Facebook.

As usual, you can find notes and errata for this episode on our website.

Next episode we get into the Hogswatch spirit by opening an entire book of season stories, as we discuss the 2017 collection of Pratchett’s children’s fiction, Father Christmas’s Fake Beard. You can send us questions about any of the stories (which we’ll list on our website for reference), or about the book in general, using the hashtag #Pratchat72 on social media. Or send them in via email to chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Andrew McClelland, Ben McKenzie, Death, Elizabeth Flux, non-Discworld, short story

#Pratchat70 Notes and Errata

8 September 2023 by Ben Leave a Comment

These are the episode notes and errata for Pratchat episode 70, “Punching Up”, discussing Terry Pratchett’s 1993 Discworld short story, “Theatre of Cruelty”, with guest Caimh McDonnell.

Iconographic Evidence

Since it was available for free, there are lots of scans floating about on the internet, and it’s a shorter version than the one available for free on the L-Space web, we figure it should be okay for us to share the original two-page spread of the story from Bookcase magazine, including the original version of Josh Kirby’s illustration.

Notes and Errata

  • The episode title plays on Mr Punch, the concept of “punching up” in comedy (i.e. the idea that the targets of derision in comedy should be those with more power), and the other concept of “punching up” in writing (i.e. adding more jokes and/or pace to a script to improve it).
  • We’ve mentioned Ben Aaronovitch’s Rivers of London series of urban fantasy novels before. They follow the adventures of new police officer Peter Grant as he becomes apprentice to the last wizard in England, who also works for the London police. There are now nine novels, four novellas, a short story collection, nine graphic novels (originally published as separate issue comic books) and a tabletop roleplaying game. The best place to start is probably Rivers of London, the first novel from 2011, which was originally titled Midnight Riot in the US (but is now published there under its proper title). The first comic, Body Work, is also a good place to dip in, as are most of the novellas and short stories.
  • The Fortean Times is the magazine of the Fortean Society, an organisation founded by American researcher and writer Charles Fort. He collected and wrote about “anomalous phenomena” – unusual events and experiences which had gone unexplained by science, though apparently he did it to keep scientists on their toes rather than because he believed any of the theories put forth in his writing. The Fortean Times is still published in the US, UK and other countries today, and you can find them online at forteantimes.com (though you have to subscribe in print). Fort himself is mentioned in Good Omens.
  • We can’t find a good reference for the edition of Good Omens with two Thursdays in one week, if that is a real error and not a fevered imagining of Ben’s. But there have been other notable ones: in some recent editions, Anathema is referred to as Agnes in one sentence when showing her index cards to Newt, and a persistent one in earlier editions was Famine saying his name had seven letters when cryptically referring to himself with a crossword clue. Some white editions of the book had a cover misprint in which the text and Crowley’s glass of wine appear, but the demon himself does not!
  • On Roundworld, “theatre of cruelty” is an artistic concept created by Antonin Artaud, a French poet and theatre maker (among many other things) active in the 1920s and 30s. His theatre of cruelty wasn’t literally theatre, or literally cruel, but rather a reaction against realism. He wanted performance to be something more visceral: a spectacle, incorporating music, dance, lights and everything other than text, performed by “athletes of the heart” who would surround audiences to shock them out of complacency and wake them up to the horrors and violence of real life. While not embraced widely, it’s been an influence on many theatre makers, notably director Peter Brook in his work with the Royal Shakespeare Company in the 1960s, including a famous 1966 production of the play Marat/Sade. This YouTube video from CrashCourse is a pretty good overview.
  • Neil Gaiman’s Sherlock Holmes stories are “A Study in Emerald”, from the 2003 anthology Shadows Over Baker Street, and “The Case of Death and Honey”, from the 2011 collection A Study in Sherlock. “A Study in Emerald” won both a Hugo and Locus Award in 2004, and has been adapted into a board game by Martin Wallace, of Discworld: Ankh-Morpork and The Witches fame.
  • Harlan Ellison (1934-2018) was an American speculative fiction writer whose work encompassed novels, short stories, television (most famously the Star Trek episode “The Guardian on the Edge of Forever”), videogames and more. Angry Candy is his 1988 anthology about death, containing the award-winning short stories “Eidolons”, “Paladins of the Lost Hour” and “Soft Monkey”. Dangerous Visions was a 1967 collection of groundbreaking science fiction stories edited by Ellison and was hugely influential, not least for the way it included sex in the genre. It was followed by Again, Dangerous Visions in 1972, and he announced a third, The Last Dangerous Visions, in 1973, but it was not published in his lifetime. His failure to publish the book became a controversy in speculative fiction circles, especially after several of the authors who sold him stories died before seeing them in print; British author Christopher Priest wrote about the book for his own fanzine, eventually expanding the piece into a short book titled The Book on the Edge of Forever in 1988. Ellison’s literary estate is now managed by Babylon 5 creator J. Michael Straczynski, who announced in 2022 that The Last Dangerous Visions would finally be published in September 2024, preceded by new editions of the first two books.
  • Regular listeners will be familiar with Liz’s love for Diana Wynn Jones, and we’ve previously mentioned her 1988 novelette “Carol O’Neir’s Hundredth Dream”. It’s part of her Chrestomanci series of stories and books, set in a magical universe where there are a specific number of alternate worlds.
  • We’ve also previously discussed American horror and mystery writer Shirley Jackson (1916-1965), most notably in #Pratchat58, “The Barbarian Switch”. Her famous story “The Lottery” appears in the many collections, including 1949’s The Lottery and Other Stories. Dark Tales is a more recent anthology, published by Penguin in 2016.

More notes to come soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

Posted in: Episode Notes Tagged: Ankh-Morpork, Ben McKenzie, Carrot, Colon, Death, Discworld, Elizabeth Flux, Nobby, The Watch, Vimes

#Pratchat70 – Punching Up

8 September 2023 by Pratchat Imps Leave a Comment

Liz and Ben are joined by guest author Caimh “C. K.” McDonnell as they read a very early and very short chapter in the history of the Watch: Terry Pratchett’s 1993 short Discworld story, “Theatre of Cruelty”.

When the Watch discover a murdered entertainer with pockets full of change, a string of sausages round his neck, and no witnesses to the crime, the Clues are very unhelpful. But Corporal Carrot is on the case – and when it comes to solving the crime, he knows the way to do it…

Written for W H Smith’s free Bookcase magazine – a pristine copy of which now fetches a few hundred dollars – “Theatre of Cruelty” was published not long before the second Watch novel, Men at Arms. It packs more jokes into 1,000 words than most people write in a lifetime, and is also a delightful extra outing with the original officers of the Ankh-Morpork City Watch. But don’t take our word for it: you can read it yourself at the L-Space web.

Is it a satisfying murder mystery? Why does Pratchett seem to have a thing for Punch and Judy? And how on Earth did we talk for nearly two hours about such a short piece of writing? Join the conversation – and send us your favourite short stories and cruel bits of theatre – using the hashtag #Pratchat70.

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_70.mp3

Podcast: Play in new window | Download (Duration: 1:50:23 — 51.2MB)

Subscribe: RSS | More

Guest Caimh McDonnell is a comedian, writer and author best known for two series of books. The first is the “Dublin Trilogy” comic thrillers, starring Bunny McGarry and a cast of loveable rogues, beginning with A Man With One of Those Faces in 2016 (though see the reading order on his website). The other – as C. K. McDonnell – is the comic urban fantasy series The Stranger Times, about a weird newspaper called The Stranger Times, and beginning with the novel titled…er…The Stranger Times in 2021. Aside from his books you can hear his writing on two podcasts: The Bunnycast for further crime stories, and The Stranger Times Podcast for more Stranger Times. You might also catch him live this Halloween via his Facebook or YouTube accounts! Caimh is on Twitter at @caimh, and his website is whitehairedirishman.com. The Stranger Times series has its own site at thestrangertimes.co.uk.

You’ll find notes and errata for this episode on our web site.

For our October episode, we’re going on one last trip to Roundworld as we read and discuss The Science of Discworld IV: Judgement Day with two special guests, including our old friend and Uniting Church minister, the Reverend Doctor Avril Hannah-Jones. We’re recording around the 25th of September, so don’t delay – get your questions about the book (or the Science series as a whole!) in ASAP via email to chat@pratchatpodcast.com, or on social media using the hashtag #Pratchat71.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ankh-Morpork, Ben McKenzie, Caimh McDonnell, Carrot, Colon, Death, Discworld, Elizabeth Flux, Nobby, Short Fiction, The Watch

#Pratchat48 – Lu-Tze in the Sky with Lobsang

8 October 2021 by Pratchat Imps 3 Comments

Freelance writer and journalist Ben Riley joins Liz and Ben for a magical history tour as Susan Sto Helit teams up with a couple of monks to stop time…er…stopping in Terry Pratchett’s twenty-sixth Discworld novel: 2001’s Thief of Time.

In Ankh-Morpork, a mystery woman tasks the odd but talented Jeremy Clockson to build a clock so accurate it can measure the tick of the Universe. In mountain monastery of Oi Dong, Lu-Tze, sweeper of the History Monks, gains a new apprentice: the unmotivated but gifted Newgate “Lobsang” Ludd. And in his domain, Death senses that the Auditors of Reality, grey entities who count every atom, are once again seeking to curb the chaos of life. He recruits his granddaughter Susan to help find the son of Time. If they can’t, he’ll have to get the old band back together and ride out for the end of the world – at precisely one o’clock, this Wednesday…

Pratchett brings back a string of old favourites for this action-packed romp through…well, not quite through time, but it’s certainly “about” time. It’s the last book to properly star Susan Sto Helit, and for that matter Death; it brings back Lu-Tze, the sweeper who nudged Brutha in the right direction back in Small Gods; and Nanny Ogg is here too, in her first major appearance since the last Witches book, Carpe Jugulum. Oh, and there’s a main character named Lobsang, and we know all about that name…

Is this what you were hoping for in a third outing for Susan? How do you feel about the fate(s) of Lobsang and Jeremy? Where do you land on having an in-universe excuse for continuity errors in Discworld? And are the monkish wisdom jokes okay because they’re based more on kung fu movie tropes than actual Tibetan culture, or is it still a bit on the nose? Join the conversation using the hashtag #Pratchat48 on social media!

https://media.blubrry.com/pratchat/pratchatpodcast.com/episodes/Pratchat_episode_48.mp3

Podcast: Play in new window | Download (Duration: 2:27:34 — 68.0MB)

Subscribe: RSS | More

Guest Benjamin Riley (he/him) – not to be confused with Spider-Man clone Ben Reilly – is an award-winning freelance writer and journalist. He’s written for Junkee, SBS Online, PopMatters, Overland, the Star Observer and many other publications. Ben also works in AIDS research and in HIV and sexual health policy, organises queer community events, and co-hosted and produced the queer political podcast Queers with Simon Copland from 2015 to 2019. (You can still find old episodes in most podcast directories and via the Queers acast page.) For more on what Ben’s up to, follow him at @bencriley on Twitter or hit up his website at benjaminriley.com.au.

In other Ben news, the videogame Table of Tales: The Crooked Crown, written by Ben McKenzie (yes, this one), is now available on Steam!

As usual, you can find notes and errata for this episode on our web site.

Next episode we take another little breather – it’s been a long lockdown here in Melbourne, folks – to read a Pratchett short story: his take on Arthurian myth, “Once and Future”! It was originally published in 1995 in the collection Camelot, but like most of his short fiction you can find it in A Blink of the Screen. Send us your questions using the hashtag #Pratchat49, or via email to chat@pratchatpodcast.com.

And yes, we are planning something a little different and special for our fiftieth episode in December – watch our website and social media for news on that soon!

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Posted in: Podcast Tagged: Ankh-Morpork, Auditors, Ben McKenzie, Ben Riley, Death, Death of Rats, Discworld, Elizabeth Flux, Lobsang, Lu-Tze, Nanny Ogg, Susan

#Pratchat48 Notes and Errata

8 October 2021 by Ben Leave a Comment

These are the episode notes and errata for episode 48, “Lu-Tze in the Sky with Lobsang”, featuring guest Benjamin Riley, discussing the 26th Discworld novel: 2001’s Thief of Time.

(To avoid any confusion, in these notes we’ve referred to our guest this episode as “Guest Ben”, and our co-host as “our Ben”, which has the delightful side effect of making it sound like he’s part of the Ogg clan.)

  • The episode title is a riff on the Beatles song “Lucy in the Sky with Diamonds”, featured on their 1967 concept album Sgt. Pepper’s Lonely Hearts Club Band. While long rumoured to be about hallucinations brought on by the use of psychotropic drugs – in large part because the title coincidentally includes the acronym LSD – it was actually inspired by an illustration made by John’s young son, Julian Lennon, which he described using the phrase.
  • Guest Ben and Liz used to have “Time Travel Wednesdays” when they worked together, but our Ben’s brain immediately time travels to Tuesdays, presumably for the sake of alliteration. We apologise for any confusion caused.
  • Craig Hildebrand-Burke was indeed our guest when we discussed Jingo back in #Pratchat27, “Leshp Miserablés“. (This is one we’d like to revisit with a bit more sensitivity to some things in our blindspot last time.)
  • Guest Ben’s favourite Discworld period (which he points out is the same as previous guest Craig’s) runs from Jingo (the twenty-first Discworld novel, published in November 1997; see #Pratchat27) to Thud (the thirty-fourth, published in September 2005; probably coming in 2022). This period also includes the first three Science of Discworld books, the first three younger readers books (The Amazing Maurice and the first two Tiffany Aching books), and the introduction of Moist von Lipwig in Going Postal. It’s also notable that Pratchett didn’t publish any non-Discworld books during this period. (Our Ben feels that thematically and tonally this run begins slightly earlier, with either Maskerade or Feet of Clay, meaning it also includes Hogfather.)
  • Cigars are most associated with His Grace Sir Samuel Vimes, Commander of the Watch and Duke of Ankh, though in Guards! Guards!, when he was still just the low-paid Captain of the disregarded Night Watch, he rolls his own cigarettes. By Men at Arms he has moved on to “cheap” cigars, and in Feet of Clay “thin” ones which he carries in a case (or at least he did until Nobby stole the case). He sometimes lights them using swamp dragons, a habit which annoys Sybil. He’s not the only cigar smoker; Nobby is plied with cigars in Feet of Clay, and Nanny Ogg also indulges, though this is only seen briefly in Wyrd Sisters when she’s also drinking in the pub.
  • “That X-Men movie that fixes that crap X-Men movie” is X-Men: Days of Future Past (2014; dir. Bryan Singer), a film adaptation of the epic comic book time travel story which turned the intended reboot film X-Men: First Class (2011; dir. Matthew Vaughn) into a prequel of the original X-Men movie trilogy. The film opens in a future in which mutants have been hunted nearly to extinction, so Wolverine (Hugh Jackman) is psychically sent back in time to prevent the murder which sent history down that leg of the trousers of time. He is successful, and when he returns to the present, the timeline resembles that of the original trilogy – except that the events of the near-universally hated X-Men: The Last Stand (2006, dir. Brett Ratner) haven’t happened, as quickly established by the inclusion of characters either only appearing or killed off in that film.
  • The idea of the white face and the red nose – named after two styles of clown makeup, and expounded upon in Eric Idle’s sci-fi novel The Road to Mars – is a characterisation of comedic duos in which one, the “white face”, is serious and has (or assumes) a higher level or importance than the other, the buffoon or “red nose”. As well as the obvious surface level, comedy is often derived from the red nose puncturing the white face’s pompous attitude. Colon and Nobby are in some ways the archetypal Discworld example, but there are many others. In theatre terms, the white face is said to be a “high status” character, while the red nose is “low status”.
  • There are two kinds of big wheel that circus performers roll around in, but the one our Ben is thinking of is a German wheel: two big metal hoops connected by metal struts with stirrups and handholds. They were invented for – and are still used in – gymnastics. (The other kind of circus wheel is a single metal hoop called a Cyr wheel.)
  • Wallace and Gromit are the stop-motion animated stars several short and feature films, created by Nick Park of Aardman Animations. Wallace (voiced primarily by Peter Sallis) is a well-meaning, eccentric and talented inventor with a passion for cheese, while Gromit is his supremely competent and loyal dog. The success of their first film, 1989’s A Grand Day Out, led to several sequels and spin-offs, including the television and film series Shaun the Sheep.
  • We’re afraid you’ll have to get used to the term “timey-wimey” during this episode, since it just feels so apt for a book with little in the way of actual time travel, but much in the way of time-related weirdness. Its origin is Doctor Who, specifically the Tenth Doctor’s explanation of causality in the third season episode “Blink”. We gave the full quote in our notes for #Pratchat35, but here we’ll add that in the fiftieth anniversary special The Day of the Doctor, when the Eleventh Doctor uses the phrase and the War Doctor (an earlier, grumpier incarnation) finds it preposterous, the Tenth Doctor pretends he’s never heard it.
  • Jeremy Clarkson started out as a journalist, but is best known now as a television personality. He was one of many hosts of the original version of Top Gear, the BBC Two motoring show which ran from 1977 to 2001, and after it was cancelled devised a new format for the show which debuted in 2002 – the year after Thief of Time was published, so he was considerably less famous then (though still pretty well-known in the UK). He was one of the new version’s original hosts, alongside Richard Hammond; they were joined by James May from the second series and remained the main hosting team for over a decade. Even before the new Top Gear, Clarkson attracted criticism for making bigoted remarks, but these only increased in frequency as he grew more famous, with a series of controversies over comments on- and off-air that ran the gamut of anti-environmentalism, sexism, homophobia, ableism and racism. (There’s an entire Wikipedia page dedicated to controversies on Top Gear, most of them involving Clarkson.) Clarkson generally dismisses these criticisms, but also seems to court controversy deliberately to increase his fame, stating on multiple occasions that he may not believe all the things he says. By 2014, however, he was on a “final warning” from the BBC, and in 2015, after he verbally abused and then physically assaulted one of the show’s producers while on location (ostensibly because he wasn’t served the meal he wanted), the BBC cut the show’s season short and declined to renew Clarkson’s contract, despite a petition from fans with a million signatures. Hammond and May left the show with him, which continued with various new presenters, including Friends and Episodes star Matt leBlanc. Clarkson’s new show with Hammond and May, The Grand Tour, was basically Top Gear in all but name, and began on Amazon Prime in 2016, where he now also hosts Clarkson’s Farm, a show about the farm he owns in the Cotswolds, not far from Pratchett’s home in Wiltshire. He’s still very famous in the UK, where he has hosted their version of Who Wants to Be a Millionaire? since 2018 and makes various other television appearances – though not on the BBC.
  • Lobsang is a favourite name of Pratchett’s, used most prominently here and as the name of a major character in The Long Earth books, though it crops up many times in the novels. The earliest Lobsang is the Abbott Mort deals with on his first solo round as Death in Mort, though his name is only mentioned once – the rest of the time he’s just “the Abbott” – so don’t feel bad if you missed it. Another early appearance is near the end of Guards! Guards! (See also the note below about knowledge coming from a long way away.) The name is a fairly specific reference to “Dr Tuesday Lobsang Rampa”, author of several books about the spiritual and paranormal, most famously The Third Eye in 1956. He was later revealed to be Cyril Henry Hoskin, a plumber from Devon. For more on his weird story, listen to our discussion of The Long Earth in #Pratchat31, “It’s Just a Step to the West“, or look him up yourself; you’ll be amazed.
  • The tick of the Universe more or less exists in the real world in the concept of Planck time, the “briefest physically meaningful span of time”, which is about 5.39×10−44 seconds. According to an article from 2020, the briefest time so far measured is 247 zeptoseconds (or 10-21 seconds), so even the most accurate atomic clocks can’t duplicate Jeremy’s feat. (Assuming the same length of tick in Discworld space is dubious, but if true, the glass clock is approximately 10,000,000,000,000,000,000,000 times more accurate than the best atomic clock.)
  • Susan Sto-Helit is the daughter of the Duke and Duchess of Sto-Helit – Death’s one-time apprentice Mort and adopted daughter Ysabell. Their story is told in the fourth Discworld novel, Mort (see #Pratchat2), while Susan first appeared as a teenager in Soul Music (#Pratchat19) before returning at more-or-less the same age she is here in Hogfather (#Pratchat26). In the animated Soul Music she was voiced by Debra J Gillet (who also provided the voice of Grimma in the stop-motion version of Truckers), and in the live-action adaptation of Hogfather, she was played by Michelle Dockery (now best known for her starring role as Lady Mary Crawley in Downton Abbey).
  • Montessori and Steiner schools are two different alternative models for educating children and young people.
    • Montessori education, developed by Italian doctor and educator Maria Montessori (1870-1952) around the turn of the twentieth century, focuses on self-directed learning based on natural human development. Its basis is that children naturally want to learn, but formal education prevents them from doing so in the way that’s best for them; Montessori schools are usually primary schools and allow students to pursue the activities and subjects they find most interesting, usually through playful means. Many aspects of Montessori’s work have been adopted into mainstream teaching as well.
    • Steiner education, also known as Waldorf education, is based on the work of Rudolph Steiner (1861-1925), an Austrian philosopher (among many other things). Steiner’s “anthroposophy” teaches that humans can better understand the spiritual world through personal development, though the spiritual aspects of the philosophy are not always emphasised in Steiner education. Its main focus is holistic teaching, believing that students will do best if they develop their intellectual skills alongside artistic and practical ones. Steiner schools use a developmental model that runs from infancy through to secondary education, and have become increasingly popular; they are now the largest independent educational movement in the world, and have forty-five schools across Australia.
  • Professor Valerie Felicity Frizzle, PhD, originally known as Ms Frizzle or “the Frizz”, is the teacher in The Magic School Bus books by Joanna Cole, later developed into television series and videogames. The titular bus could travel safely to just about anywhere in time and space, allowing Ms Frizzle to teach her students about various scientific concepts. Cole died in 2020, the year a Netflix continuation, The Magic School Bus Rides Again, debuted. In the sequel, the original Ms Frizzle gets her doctorate and passes the school bus on to her younger sister, Miss Fiona Felicity Frizzle. In both the television and Netflix series, Valerie Frizzle is played by Lily Tomlin; Fiona was played by Kate McKinnon (of Saturday Night Live and Ghostbusters fame).
  • Lu-Tze and the History Monks first appear in 1992’s Small Gods (discussed in #Pratchat16, “He Ain’t Heavy, He’s My Vorbis“). They are described as the caretakers of history, keepers of the “the books from which history is derived”. Lu-Tze is sent by the 493rd Abbot – the same one recently reincarnated in this book – to Omnia, where “things must be…carefully observed“. Lu-Tze mentions in Small Gods that he hasn’t been to Omnia in seven hundred years, which almost agrees with his age of eight hundred in this book, set about a century later. By the end of that book he has “patched up” history such that Brutha does not die, avoiding a century of terrible warfare; Brutha instead lives for most of the intervening century and reforms Omnianism. This suggests Lu-Tze’s mission to Omnia was one of the things that needed fixing as a result of the first glass clock; Igors are long-lived enough that this Igor’s grandfather could certainly have built the previous clock a century earlier, though it also seems that the History Monks are able to leave their valley at just about any point in history they choose. Lu-Tze will return in Night Watch.
  • Lu-Tze’s name is derived from Loazi (老子), author of the Tao Te Ching and founder of Taoism, who lived in the 6th century BCE. Loazi – also romanised as Lao Tze or Loa Tzu – is actually an honorific title meaning “venerable master”, and there is some debate about who he was, or even if such a single person truly existed, or was just a pen name for multiple authors of the Tao Te Ching. Listener Felix let us known that Lu-Tze might be an intentional bilingual pun, as Lǔ is a Mandarin word meaning “foolish” or “crude”, making Lu-Tze a “Foolish/Crude Master”.
  • While we may not have been able to spot many references to specific kung fu movies, there’s at least one clear reference to the 1972 American TV series Kung Fu. When Lu-Tze takes on Lobsang as an apprentice, he tells him: ‘Word One is, you don’t call me “master” and I don’t name you after some damn insect.’ In Kung Fu, the main character Caine – played by white American actor David Carradine, who was cast over a host of potential Asian American actors, including Bruce Lee – is a Shaolin monk wandering the Old West looking for his brother. In flashbacks to his training, he refers to he teacher as “Master”, who calls Caine “Grasshopper”.
  • We previously talked about The Karate Kid (1984, dir. John G Avildsen) in #Pratchat25, “Eskist Attitudes“. Mr Miyagi is the elderly Japanese neighbour of Danny LaRusso, who asks him to teach him karate so he can protect himself from the bullies at his new school. Miyagi sets Danny chores which are revealed to have taught him some basic movements essential to karate.
  • We’ve not yet nailed down which kung fu movie with the famous moving shot Liz is thinking about; suffice to say it’s not called The Tenth Dojo. If you know the one, please get in touch!
  • If you want to get a handle on the history of martial arts films, The Conversation recently published a great article by Joyleen Christensen: “From Bruce Lee to Shang-Chi: a short history of the Kung Fu film in cinema”.
  • Speaking of kung fu cinema, one of the many things that inspired George Lucas’ Star Wars was the Master-Apprentice relationship in such films. Thus Jedi ideally begin training at a young age, and when they reach the rank of “Padawan” they are apprenticed to a Jedi Master, travelling with them and learning from them until the Jedi Council deems them worthy of the rank of Jedi Knight, at which point they have finished their apprenticeship.
  • The previous joke about people thinking wisdom has to come from far away appears in Witches Abroad (see #Pratchat12), where Magrat is reading The Path of the Scorpion, a book of which she is suspicious partly because the author – “Grand Master Lobsang Dibbler” – has an address in Ankh-Morpork. (The author is clearly CMOT Dibbler, leading us to wonder why the name “Lobsang” is apparently well-known on the Disc – and why Newgate Ludd ends up with it…) The full quote of the joke appears below (though see also the following note):

It’s a strange thing about determined seekers-after-wisdom that, no matter where they happen to be, they’ll always seek wisdom which is a long way off. Wisdom is one of the few things that looks bigger the further away it is.*

Terry Pratchett, Witches Abroad (1991)
  • Mrs Marietta Cosmopolite appears in Moving Pictures, where she is a “little old lady” seamstress in Ankh-Morpork who becomes a costume designer in Holy Wood for Century of the Fruitbat Moving Pictures. She is also mentioned in the footnote to the quote above from Witches Abroad, which contains the first appearance of The Way of Mrs Cosmopolite, in which monks travel from the Hub mountains to hear her wisdom, though they can’t understand her. It would seem Lu-Tze was the first of these monks, since by the time others come to visit her she is hitting them with a broom and telling them to push off, rather than taking them in as lodgers. Her address is consistently given in all the books as 3 Quirm Street, an unusually specific bit of continuity that leads us to wonder if she is an obscure reference of some sort? (Despite that attention to detail, her surname is spelt “Cosmopolite” in all the books except Thief of Time, where its spelt “Cosmopilite”; the reasons for this are a mystery.)
  • Slaughterhouse-Five is Kurt Vonnegut’s 1969 anti-war novel, in which protagonist Billy Pilgrim is “unstuck in time”, and thus experiences his life somewhat out of order. We previously discussed it in #Pratchat26. A film adaptation was made in 1972; Vonnegut was very happy with it.
  • Monstrous Regiment is the thirty-first Discworld novel, published in 2003. We’ll cover it in a future episode, but listener Steavie urged Guest Ben (and the rest of us) to listen to Pratchett’s interview for the Wheeler Centre in 2014 (now available only YouTube), which we previously linked to in #Pratchat26 when the interviewer, Michael Williams, was our guest. Pratchett talks (from around the 31:30 mark) about researching the history of women fighting and living as men at “a nice little place in London run by ladies who like other ladies very much indeed”. (In The Magic of Terry Pratchett, Marc Burrows identifies this research as taking place in “queer-focussed bookshops”, though no specific ones are named.) This seems a pretty good indication that he knew what he was writing, at least on some level.
  • The gay character in Unseen Academicals, Pepe the dwarf fashion designer, was quite definitely intended by Pratchett to be gay; in the same 2014 interview linked above, Pratchett describes Pepe being “as gay as a tree full of monkeys”. (The question and answer where he says this starts at around 16m30s.)
  • Of course there’s no way for us to know if Pratchett had many out gay friends, but he certainly met a great number of queer and trans fans, many of whom have shared stories via social media that show him to have been kind and empathetic towards them.
  • Many of the stories from the note above were reported in response to the “gender critical” incident, which we won’t give too much oxygen. (If you need some background on what “trans” means, guest Fury gives a little 101 in #Pratchat29.) The short version is that a couple of vocal anti-trans commentators, angry that Maragret Atwood had identified herself as a trans ally, got fed up with Neil Gaiman also being clearly pro-trans. So they suggested on Twitter that Terry Pratchett was more “acquainted with reality” than Gaiman and that the Witches books showed Pratchett knew “what female is and means in the world”. Twitter’s considerable number of Terry fans – including his daughter Rhianna – of course found this absurd, given the way he writes about gender roles in books like Equal Rites, Feet of Clay, The Fifth Elephant and Monstrous Regiment. That didn’t stop commentators claiming that we “couldn’t know” what he thinks as he wasn’t around to ask…though we reckon his closest friends and family might have a pretty good idea?
  • The idea of consensual reality is that the universe conforms to people’s beliefs. Wikiality is sort of the opposite idea – that people have a common idea of what’s true that might not align with objective reality. The word was coined by Stephen Colbert on the July 6, 2006 episode of his satirical show The Colbert Report; his right-wing persona, in his “The Wørd” segment, praised Wikipedia for being editable, meaning that it could be changed to reflect “truthiness”, Colbert’s parody of terms used by conservative politicians to deny facts they found inconvenient. He defined the word “wikiality” to mean “truth by consensus”, and encouraged his viewers to edit Wikipedia to change “facts”, making people believe things that weren’t true. This resulted in a whole thing where people edited multiple articles on Wikipedia to suggest the world’s elephant population had tripled…
  • We’ve previously mentioned alt.fan.pratchett, the newsgroup from the 1990s where Pratchett occasionally answered fan questions; see the notes for #Pratchat42 for more information.
  • Listener Vlad pointed out to us that there is indeed an aviator on the Discworld – Hamish, of the Nac Mac Feegle, is referred to as “Hamish the aviator” by Tiffany in Chapter 7 of The Wee Free Men (see #Pratchat32). While Tiffany presumably learned the word from her cover-to-cover read of the dictionary, in our Ben’s defence, it’s a bit weird that it’s in the dictionary if it’s a term invented by or for the Feegles – though as it comes from the same root word as “Avian”, it certainly makes sense for Hamish to use it, since he does his flying on birds! (We’ve since realised that this also applies to Corporal Buggy Swires, gnome recruit in the Ankh-Morpork City Watch, who rides a heron in Night Watch.) All that said, in the same chapter Tiffany tells Hamish about a paratrooper toy she had as a younger child, so perhaps we just have to accept that things which were singular oddities before powered flight on Roundworld have somehow gained enough notice to become talked of frequently and affect language on the Disc…
  • Despite it being generally believed that he did, Terry did not cover nuclear reactors as a journalist; a case of wikiality in action! As Marc Burrows clarifies in his biography The Magic of Terry Pratchett, Terry quit journalism in 1979 (before he sold his first big novel) and took a job – mostly for the money – in public relations, specifically for the South-West office of the Central Electricity Generating Board (or CEGB). The job wasn’t meant to revolve around nuclear power, but the infamous partial meltdown at Three Mile Island in the US – causing the evacuation of 140,000 people – happened three weeks before he started, and the region covered by his office of the CEGB included three of Britain’s nuclear power plants. So of course he spent most of his time responding to public and media fears of meltdowns.
  • Lifetimers, mentioned only in passing in this book, are the hourglass-like devices which Death uses to determine when people on the Disc will die. Everyone has one, even the gods and – in Reaper Man at least – Death himself. While Death doesn’t always seem to need one – they’re not often referred to in his cameos to collect souls – Mort is taught to take with him the lifetimers of those he needs to visit in Mort, so our speculation that they’re required might be correct. (Death clearly has somewhere in his robe where he can hide them…)
  • Q – with the help of his department, Q Branch – is the boffin responsible for James Bond’s famous gadgets, like the car that could turn into a submarine, various watches with electromagnets, lasers and knockout gas, and a tiny rocket launcher disguised as a cigarette (no really) – plus of course dozens of different things that could explode. The character’s codename is short for “Quartermaster”, a military term which in the army refers to a senior soldier in charge of equipment and supplies. Q is mentioned but never appears in the original novels; the closest equivalent is Major Boothroyd, an armourer who appears in Dr. No, the sixth novel. Desmond Llewellyn appeared as Boothroyd in the film version of Dr. No, and the producers decided to keep him on as Q in subsequent films, merging the two characters together (or at least making audiences think they’re the same person). Llewellyn’s Q appears in seventeen of the Bond films, in scenes where he would show off gadgets to Bond and often have to remark “Oh do pay attention, 007”. He announced his plans to retire in 1999’s The World is Not Enough, which also introduced his assistant “R”, played by John Cleese, who took over as Q in the following film, 2002’s Die Another Day. The Daniel Craig Bond films feature a new younger Q, played by Ben Wishaw, who appears in Skyfall, Spectre and No Time to Die.
  • Desmond Llewellyn died in a car accident in December 1999, a few weeks after the release of The World is Not Enough, while on his way to a book signing. Thief of Time was published about eighteen months later, in May 2001, so Pratchett may have started writing it while Llewellyn was still alive. Terry’s quote on the matter from the Annotated Pratchett File is: “As I wrote it I could [hear Llewellyn’s voice], too. Qu will be back — unlike, alas, Desmond Llewellyn.” (Qu did come back, in Night Watch.)
  • The boffin with the exploding gadgets in Night Terrace – the time travel radio comedy co-produced, co-written and co-starring Ben – is Horatio Gray (played by The Chaser’s Andrew Hansen). He appears primarily in the second season episode “The Retirement of Horatio Gray”, and is the creation of Night Terrace co-creator Lee Zachariah. (You can find out more about the show at nightterrace.com.)
  • Guest Ben’s summary of the theory of relativity is pretty much spot on: special relativity was Einstein’s explanation for the speed of light, which had been observed in experiments to always be the same, even under conditions where you’d expect it to be different. The theory tells us that time and distance are not fixed, but are relative, in the same way we already though of motion as being relative. “History” – in this case, our personal perception of time – has to “give” to keep the speed of light constant in those circumstances. (General relativity, which came later, explained how special relativity interacted with gravity by combining space and time into a single set of dimensions we now know as “spacetime”. It describes gravity as a curving of spacetime near massive objects.) Of note is that the idea of time and distance being relative had already been worked out mathematically by Hendrik Lorentz, a Dutch physicist, ten years before Einstein, but he thought this was an abstract mathematical model, not a description of the way the physical universe worked. (This is why the equations involved in translating time and location information between frames of reference – between you on the surface of the Earth and a satellite in orbit, for example – are called Lorentz transformations.)
  • We’ve previously talked about Pratchett’s love of videogames in #Pratchat28 (about Only You Can Save Mankind) and #Pratchat36 (about Carpe Jugulum, which includes a pretty blatant reference to Tomb Raider). Of note: he was a big fan of roleplaying games too; his special favourite for a long time was The Elder Scrolls IV: Oblivion, largely because of the modding community of fans who create “mods” (modifications) that add in extra stuff, like being able to make a living from crafting, more realistic weather, even rainbows. You can read an out-take from a radio interview where he talked about this stuff on The Author Hour in 2009.
  • “Man not of woman born” is a reference to Shakespeare’s Macbeth, in which Lord Macbeth is given a prophecy by three witches that “none of woman born / Shall harm Macbeth”. It later turns out that Macduff was “from his mother’s womb / Untimely ripped” – i.e. born via Caesarean section – which apparently doesn’t count as being “of woman born”. Bit of a long bow, if you ask us. Probably a closer analogue to what we were talking about was the prophecy in The Lord of the Rings, in which it is said of the mighty Witch-king, the Lord of the Nazgūl (the Ring-wraiths who serve Sauron), that “not by the hand of man shall he fall”. He ends up being killed instead by Merry (a hobbit) and Éowyn (a woman) at the Battle of Pelennor Fields. (This is the big fight between orcs and men at the city of Minas Tirith; it appears in the third book and film, The Return of the King.)
  • Reservoir Dogs (1992) was the first feature film written and directed by Quentin Tarantino. In the film, six men participating in a bank heist refer to each other only by the pseudonyms Mr. Brown, Mr. White, Mr. Blonde, Mr. Blue, Mr. Orange and Mr. Pink. In the scene where they get their aliases, they argue about the allocation of names, which are given out by the organiser. (Content warning for the clip: it’s not gentle language, and the crims are casually homophobic.)
  • Guest Ben talks about Steven Moffat’s Doctor Who, likening the incarnated Auditors to monsters from his era (perhaps the Whispermen from The Name of the Doctor), and the time in the museum to the the end of Matt Smith’s first season – The Pandorica Opens/The Big Bang.
  • Was Pratchett a Doctor Who fan? Not really…though he did enjoy the show. Writing for SFX magazine in 2010, he complained that it “breaks most of the laws of narrative”, and he derided the modern show as being powered by “makeitupasyougoalongeum”, a sentiment he repeated when writing the introduction to Behind the Sofa, a 2012 collection of celebrity reminiscences about the program published to raise money for Alzheimers research. (It was updated and expanded in 2013.) He did confess, in the SFX article, that despite his misgivings he continued to watch: “After all, when you’ve had your moan you have to admit that it is very, very entertaining, with its heart in the right place, even if its head is often in orbit around Jupiter.” (You can find some excerpts from the SFX article in this piece at The Guardian; Behind the Sofa is still available as an eBook.)
  • Both Death and the Doctor having a granddaughter named Susan is likely a deliberate decision on Pratchett’s part, given that in the introduction to Behind the Sofa (see above) he starts by saying “I was there in the beginning,” and refers to “that strange grandchild and rare teachers who took everything in their stride”. This is Susan, and her teachers Ian Chesterton and Barbara Wright, the first humans to travel with the Doctor in the TARDIS.
  • The Horsemen of Good Omens are much more closely based on the Biblical account, inasmuch as that’s possible – Revelations doesn’t actually have that much to say about them, beyond the signature items that identify each of them, and the colours of their horses. Notably in these global pandemic times, the Pestilence of Good Omens quit the position in 1936, “muttering about penicillin”, though in the same paragraph his successor Pollution seems to think that was premature: “If only the old boy had known what opportunities the future had held…” (For more on all this, see #Pratchat15.)
  • The Horsemen of the Apocralypse previously rode out – or at least tried to – in Sourcery, when the magic unleashed by Coin, the Disc’s first sourcerer in millennia, released the ice giants from their prison and they rode towards Dunmanifestin to end the world, in a cataclysm more inspired by Norse mythology than the Bible. On that occasion, a certain amateur hairdresser, her barbarian sidekick, and the Seriph of Al Khali stole War, Pestilence and Famine’s horses, rather putting the kibosh on the whole thing. (See #Pratchat3 for more on Sourcery.)
  • There are still many thousands of deaths in hospitals caused by lack of hand washing. As recently as 2018 the World Health Organisation put the figure at up to 30,000 women and 400,000 babies every year from preventable infections, such as puerperal sepsis, though those numbers also include deaths due to lack of sanitation or clean water. It’s easy to forget that in the majority world (i.e. most of it outside the relatively affluent nations in places like North America, Western Europe and Oceania), those things aren’t guaranteed even in hospital facilities, and even health workers without consistent access to clean water and soap need to work at getting into the habit. Cleanliness in general was championed by many before the germ model of disease was accepted, including Florence Nightingale, though she apparently fudged her stats to push her case. The generally accepted pioneer of hand-washing in particular, though, was Hungarian doctor Ignaz Semmelweis, who in 1846 briefly convinced doctors working with pregnant women to wash their hands after conducting autopsies. It didn’t last…and his story has a sad ending. But you can learn more about the history of hand washing via this episode of NPR’s Short Wave podcast.
  • When our Ben mentions Dirk Gently, he is referring to the protagonist of Douglas Adams’ novels Dirk Gently’s Holistic Detective Agency and The Long Dark Tea-Time of the Soul. Dirk claims to solve mysteries via the “fundamental interconnectedness of all things”, one manifestation of which is that when he doesn’t know where to go, he follows someone who looks like they know where they’re going. Through this method he claims that, while he might not end up where he wanted to go, he frequently ended up somewhere he needed to be.
  • 100 Story Building is a creative writing centre for young people based in Footscray in Melbourne. Ben has been one of their workshop facilitators since 2016. They primarily work with schools; you can find out more at 100storybuilding.org.au.
  • The Matrix: Resurrections is the upcoming 2021 sequel to the original Matrix trilogy, written and directed by half of the original Matrix creative duo, Lana Wachowski, with Lily’s blessing. In the first teaser trailer, there’s a shot of Keanu Reeves in the bath with a rubber duck on his head – and dedicated listener A’Tuin Sneezed beat our Ben to the punch with this tweet:

@PratchatPodcast @McKenzie_Ben @ElizabethFlux Keanu out here auditioning for Duck Man when the beggars get a spin off 🦆 https://t.co/954q18vG6u

— A’tuin Sneezed (@damethelog) September 10, 2021
  • When Liz says “For Star Wars reasons we’re sending you to different places”, she’s referring to the end of Star Wars Episode III: Revenge of the Sith, in which twins Luke and Leia are sent into “hiding” from their father, Darth Vader. We used scare quotes there because they send Luke to Tattooine (his father’s home planet) to be cared for by his Uncle and Aunt through marriage (on his mother’s side), and Leia to Alderaan, where she’s adopted by Bail Organa, a galactic Senator (and secret Rebellion leader) well-known to Vader’s master, the Emperor. I mean…where else would you send them? Somewhere with no connection to the people trying to protect them, or their actual parents?
  • There are several “fifth Beatles”, but the best known is drummer Pete Best. He was indeed the fifth member of the band then called “The Silver Beatles” (though there had been others in John’s previous band, The Quarrymen). Pete joined John, Paul, George and Stuart (Sutcliffe), four guitarists in need of a drummer, in 1960. After Sutcliffe left, Best remained with the group until he was fired and replaced by Ringo Starr (whom, we’d like to point out, is never referred to as “the sixth Beatle”, which seems a little unfair). We previously talked about Pete in #Pratchat34, “Only You Can Save Deadkind”. Ronnie Soak, having left under his own steam over “creative differences”, seems to have had the better treatment.
  • The fifth horseman doesn’t appear in a previous footnote, but there are a number of other groups of “four horsemen” of lesser disasters listed in Interesting Times, and Good Omens features “the Other Horsemen” – a bunch of bikies who ride out with the real four, arguing with each other over what their names should be.
  • There are many angels in the book of Revelations of the Christian Bible, though the one most resembling the angel mentioned in Thief of Time is probably the one from chapter 10, in an interlude between the sixth and seventh trumpets. This angel appears to John of Patmos carrying “a little scroll”, and cries out with a lion’s roar; in response, seven thunders utter mysteries to John which he is not allowed to write down (and given what he is allowed to write down, must be pretty wild). The angel then gives the scroll to John and has him eat it, leading to a further vision in chapter 11 before the final trumpet sounds. Note that this is well after the four horsemen, who are introduced upon the opening of the first four of the seven seals, which is before the first trumpet. Revelations is a lot.
  • We’ve previously talked about the cosmic battle of Law versus Chaos in the work of Michael Moorcock in #Pratchat14, #Pratchat29, #Pratchat44 and #Pratchat45. While we don’t know if Pratchett ever corresponded with Moorcock, Moorcock was the editor who published Pratchett’s first professionally published story. See the notes for #Pratchat45 for more info.
  • In the tabletop roleplaying game Dungeons & Dragons, alignment is a declaration of where a character stands in the opposition of the forces of good and evil, and law and chaos. It was much more significant and restrictive in older editions, where it was expected to dictate (or at least match) your character’s behaviour, and where magic could detect what your alignment was: Paladins – holy warriors who had to be on the side of lawful good to be granted their powers – could cast detect evil and determine straight up if someone was evil or not. In modern editions, it’s been described more as a guideline for actions, and the ability to detect alignments has been removed from the game; for example the equivalent spell is now detect evil and good, and it detects only beings that are intrinsically linked to forces of positive and negative energy, like angels, demons and the undead.
  • The Thunderdome – clear inspiration for the Iron Dome dojo in Oi Dong – is the gladiatorial arena featured in the film Mad Max Beyond Thunderdome (1985, dir. George Miller). It is used in the post-apocalyptic settlement of Bartertown to settle disagreements via a battle to the death – “two men enter, one man leaves”, as the crowd chants.
  • Albert is Death’s manservant, a major character in Mort and Hogfather, and a supporting character in Reaper Man and Soul Music, but who is mentioned exactly once in this book. Following the events of Soul Music, Albert has very little real life left to him, so while it’s not surprising he doesn’t take part in Thief of Time, it’s weird not to at least see him briefly in the opening scenes set in Death’s Domain.
  • Ysabell is Susan’s mother, a sixteen-year-old girl rescued and adopted by Death for reasons that are never fully explained. She appears in Mort, and briefly – during scenes set in the past – Soul Music.
  • The other characters we mention towards the end of the podcast are:
    • Angua von Überwald, werewolf member of the watch introduced in Men at Arms (#Pratchat1) and a major supporting character in most subsequent Watch books, especially The Fifth Elephant (#Pratchat40);
    • Agnes Nitt, a younger witch who first appears in Lords and Ladies (#Pratchat17) but is a major character in Maskerade (#Pratchat23) and Carpe Jugulum (#Pratchat36); and
    • Adorabelle Dearheart, who runs the Golem Trust in Ankh-Morpork, a major character in the Moist von Lipwig books starting with Going Postal (#Pratchat38).
  • The concept of “substition” also appears in Jingo (see #Pratchat27). Pratchett writes of 71-Hour Ahmed: “He didn’t believe in the things everyone believed in but which nevertheless were untrue. He believed instead in the things that were true in which no one else believed.” Rather appropriately for Thief of Time, among the examples of substitions he gives in Jingo is “It’ll get better if you don’t pick at it”.
  • The Doctor’s “pull the trigger, end my life” speech to the sniper occurs in part 2 of the 1988 story The Happiness Patrol. You can find the scene on YouTube.
  • In The Matrix films, “the machines” have enslaved humanity in a simulated reality – a 1999 megacity which forms the titular Matrix. Agents are the machines’ troubleshooting programs which hunt down humans who are resisting the Matrix program; they look like men in black and are stronger and faster than humans. Agent Smith is the main antagonist of the first film; during the sequels he becomes a virus-like entity who threatens to destroy the Matrix itself, something neither machines or humans want. The films also feature other “rogue programs”, intelligent bits of software who escape the machines’ mainframe and live in the Matrix, where they take on the forms of humans or human-like creatures.
  • You can find out more about the OverLondon Project (not to be confused with London Above, London Below or Fallen London) at overlondon.net.
  • The software toy Mountain was developed by Irish artist David OReilly and published by Double Fine Productions, the games company founded by Tim Schafer of LucasArts and Monkey Island fame. Originally released in 2014, it received a major 2.0 update in 2018 (at no additional cost). It’s still available on Steam (for Windows and Mac) and for smartphones and tablets. (This discussion has prompted our Ben to reinstall it and have another play with it; while working on these notes, a brain and a bomb embedded themselves in the side of his mountain! Let us know if you check it out too.) The 2017 follow up was Everything, which simulates an entire universe – a bit like Roundworld Project!
  • The main staff of The Ankh-Morpork Times are William de Word, Sacharissa Cripslock and Otto von Schriek, all introduced in The Truth (#Pratchat42). Sacharissa and Otto especially appear in cameo roles in several later books.
  • Pteppic is the protagonist of Pyramids (see #Pratchat5).
  • The 2019 TV show Pennyworth tells the story of how ex-British special forces officer Alfred Pennyworth ends up working for the wealthy Wayne family in America, and is set in an alternate universe in which the Nazis won World War II. (Sigh…there are other alternate universes, right?) Two seasons have been made for the US cable channel ePix, and there’s talk of a third, perhaps for HBO Max. Reports are that it’s…okay, actually?
  • The fates of Greek mythology are the Moirai, last mentioned in #Pratchat36. The version in which they number three is best known; those three are Clotho (spinner in ancient Greek), who spins new threads; Lachesis (alotter), who measures the threads; and Atropos (inevitable), who cuts the threads. Our Ben’s idea of a recycler might be named Nostos, which is Ancient Greek for “returner”.
  • While the cat doesn’t appear in the Chinese “zodiac”, it does appear as the fourth sign in the Vietnamese equivalent, replacing the Chinese rabbit. There are multiple versions of the story Liz mentions; several involve Cat being tricked by Rat, or even Rat just not waking Cat up as requested, explaining their modern day relationship.
Posted in: Episode Notes Tagged: Ankh-Morpork, Auditors, Ben McKenzie, Ben Riley, Death, Death of Rats, Discworld, Elizabeth Flux, Lobsang, Lu-Tze, Nanny Ogg, Susan

#Pratchat44 Notes and Errata

8 June 2021 by Ben Leave a Comment

These are the episode notes and errata for episode 44, “Cosmic Turtle Soup“, featuring guest Joel Martin, discussing the 2nd Discworld novel, 1986’s The Light Fantastic.

Iconographic Evidence

You can listen to the State Swim jingle right here:

The ridiculous fight between Xander and cheerleader-turned-vampire Harmony, occurs in Buffy: the Vampire Slayer‘s fourth season, in the seventh episode “The Initiative”. But you can see it on YouTube:

Notes and Errata

  • The episode title is references Joel’s comments that this book is the “primordial soup” of the Discworld books yet to come, the analogy of the “cosmic ocean” put forward by Carl Sagan in his book and television series Cosmos, and of course Great A’Tuin the World Turtle himself.
  • The term “hat-trick” does indeed originate with cricket, where it means taking three wickets (i.e. getting the batter out) on three consecutive deliveries (i.e. a single bowl of the ball). It has since spread to other sports and to mean more generally three successful attempts in a row. (In football, it specifically refers to a player scoring three goals in one game.) The term dates back to 1858, when English cricketer Heathfield Harman Stephenson performed the first recorded hat-trick; fans collected up money for him and used it to buy a hat, which they presented to him to commemorate the achievement. While this story seems well-documented, if Helen Zaltzman (see below) has taught Ben anything, it’s to be suspicious of neat etymological explanations…
  • The custom of throwing hats in the air to celebrate a victory or achievement is said by multiple sources to be a military tradition: cadets graduating to officer status would be given new hats, or at least no longer need to wear their old cadet ones, and they would symbolically throw them away. At least one story says this started specifically at the US Naval Academy with the class of 1912.
  • Helen Zaltzman is a comedian, writer and podcaster best known for the long-running comedy podcast Answer Me This? with fellow comedian Olly Mann, and her more recent show, The Allusionist, which explores language in as many different ways as possible. The Allusionist started out as part of the Radiotopia Network, but went fully independent in 2020 as part of Helen putting her money where her mouth was in backing diversity and inclusion in podcasting. If you enjoy the show, please consider supporting The Allusionist via Patreon. Oh, and we nearly forgot: Helen also makes a Veronica Mars recap podcast called Veronica Mars Investigations! Helen is the best.
  • “Commitment to the bit“, or “commit to the bit“, is a common phrase in comedy circles. It means to stick with a joke or comic premise all the way to the end, rather than shy away from it because it it doesn’t immediately work, or is impractical or uncomfortable. It’s obviously not always a good tactic, as seen recently during Eurovision 2021. Iceland employed actor Hannes Óli Ágústsson to relay their jury’s points in character as Olaf Yohansson from the comedy film Eurovision Song Contest: The Story of Fire Saga. Olaf’s whole shtick is that he only likes one song, “Ja Ja Ding Dong”, which he awkwardly and angrily demands at every opportunity. At the contest, he tried to give Iceland’s 12 points to the song – twice. Few things are as hated at Eurovision as a country’s jury announcer talking too long before delivering the points, so this over-commitment to the bit did not go down well.
  • The Colour of Magic was first published on the 24th of November, 1983 (one day after the 20th anniversary of Doctor Who!), and so its 35th anniversary was two weeks before #Pratchat14, published on December 8, 2018. It originally had cover art of Great A’Tuin swimming through space painted by Alan Smith; the Josh Kirby art first appeared on the first UK paperback edition, published in March 1985. The Light Fantastic was first published on the 2nd of June, 1986, so we’re a bit closer to the anniversary this time around!
  • Liz’s “double book” is the combined edition of The Colour of Magic and The Light Fantastic published in 2008, to tie in with The Mob’s two-part television adaptation The Colour of Magic, which also combined both books. They had previously been collected as a single volume in 1999 as The First Discworld Novels.
  • Liz’s annoyance with the “cosmic turtle business” at the start of many of the earlier Discworld books is well documented in many previous episodes.
  • In The Colour of Magic, Krull’s spaceship the Potent Voyager is only vaguely described as being made of bronze and looking “like a great flying fish”. The graphic novel depicts it as fish shaped, but without the wing-fins of a flying fish.
  • The Rocket Clock is one of the clocks used by the Australian version of Playschool to help tell the time in the 1980s. (The other famous one is the Flower Clock.) As you might expect, it resembles a space rocket, with a clock on the top section, and a bottom section which rotates to reveal a small diorama connected to a theme explored in that episode. The original version of the clock, used from 1966 to at least the 1980s, is now in the collection of the National Museum of Australia.
  • Mr Squiggle was a long-running Australian children’s program starring puppet character Mr Squiggle, “the Man in the Moon”. It ran for forty years between 1959 and 1999. Mr Squiggle, who would arrive in “Rocket“, his smoke-belching impatient rocket ship, had a pencil for a nose. He would use it to turn “squiggles” – scribbles sent in by children – into pictures. Because he was a marionette, puppeteer Norman Heatherington was watching upside down from above, so a lot of his drawings were upside down. This led to him having to tell his assistant, who was holding the puppet’s hand to keep him still, that “Everything’s upside down, Miss Jane”. He would later inspire the title of #Pratchat55: “Mr Doodle, the Man on the Moon“.
  • In the tabletop roleplaying game Dungeons & Dragons, players create characters whose power is measured in “levels”. As they accumulate experience, they gain levels of power and new abilities. In the current edition all characters can reach up to level 20, with wizards learning more and more powerful spells as they level up. Ben has mentioned Dungeons & Dragons many times, as far back as #Pratchat4; his article “What Even Is Dungeons & Dragons?” is a good primer for the novice, though note it’s a little sweary.
  • The Necrotelicomnicon is mentioned in several books, including The Colour of Magic, Sourcery and Moving Pictures. It’s a pun on the Necronomicon, a fictional book of evil magic written by the “Mad Arab Abdul Alhazred” that appears in the stories of H. P. Lovecraft.
  • “Vancian magic” is the sort used in older editions of Dungeons & Dragons, in which a wizard must study their spell book and memorise a spell, fixing it in their mind, before they can cast it. Once cast, the spell leaves their mind entirely, and they must memorise it anew to cast it again. The name comes from the source that inspired this form of spellcasting, the “Dying Earth” books by American writer Jack Vance.
  • The comic with several different Joker origin stories is probably 2020’s Three Jokers, by Geoff Johns and Jason Fabok, which reveals that three of the stories are correct – there have been more than one Joker all along. But he’s had many other origin stories; this article from Screen Rant runs through many of them.
  • In case the pun is lost on you, timber is wood that’s been prepared for building, usually by being sawn into planks. Timbre is the quality of tone of a sound, especially a voice or musical instrument. You can think of it as all the things that distinguish two sounds of the same frequency from each other.
  • The Tooth Fairy – well, one of them at least – plays a major part in Hogfather (#Pratchat24). Buggy Swires is a gnome exterminator living in Ankh-Morpork; he returns in several books, starting with Feet of Clay (#Pratchat24). The pictsies known as the Nac Mac Feegle first appear in Carpe Jugulum (#Pratchat36).
  • Toadstool houses are the traditional homes of Smurfs, small blue creatures invented in 1959 by Belgian cartoonist Peyo. We previously talked about them in #Pratchat9, “Upscalator to Heaven”, about Pratchett’s second tiny people book, Truckers; and in #Pratchat36, “Home Alone, But Vampires”, about the book that introduced the Nac Mac Feegle, Carpe Jugulum. (There’s more detail about the Smurfs in the show notes for #Pratchat36.)
  • Lonely Planet is a prominent publisher of travel guides for tourists on a budget. In the pre-smartphone days every backpacker bought a Lonely Planet guide to the country where they were headed, but in recent years – especially since the global pandemic – their business has waned. The company was started in Australia by Maureen and Tony Wheeler in 1972, but was later sold to the BBC and is now owned by Red Media, the company behind CNET, Metacritic and GameSpot, among other prominent online media outlets.
  • Pratchett writes about tiny people many times, including in his first novel The Carpet People, the Bromeliad trilogy (Truckers, Diggers and Wings), and the various tiny denizens of the Discworld, most prominently gnomes and pictsies.
  • While houses made of food or confectionary date back further, the gingerbread cottage appears in the fairytale of “Hansel and Gretel”, collected and published by the Brothers Grimm in 1812. “Hansel and Gretel” is the archetypal story of Aarne–Thompson–Uther type 327A. Pratchett returns to the idea in the witches books, especially Wyrd Sisters (#Pratchat4). The witches refer to Aliss Demurrage, aka “Black Aliss”, as a witch who worked some of the greatest magic, but also as a cautionary tale: she built a gingerbread cottage, a sure sign she’d gone to the bad, and by the end was making poisoned apples before she was pushed into her own oven by children she was trying to eat. (Her cottage is also said to be in Skund, leading some Pratchett fans to suggest that Granny Whitlow was an alias she used to lure children.)
  • The Rite of AshkEnte is performed here, and also in Mort (when it summons Mort as well as Death), Reaper Man, and Soul Music (where it summons Susan). Death tends to show up without needing to be asked in later books.
  • We have a play with the famous “you have my sword” sequence from the film Lord of the Rings: The Fellowship of the Ring, which doesn’t appear in the book. (Frodo does say “I will take the Ring to Mordor!” and then “Though I do not know the way” in the book, but Elrond decides who will accompany him after the council is over.) Here’s the dialogue from the movie:

Frodo: I will take it. I will take it. I will take the Ring to Mordor. Though… I do not know the way.
Gandalf: I will help you bear this burden, Frodo Baggins, as long as it is yours to bear.
Aragorn: If by my life or death I can protect you, I will. You have my sword.
Legolas: And you have my bow.
Gimli: And my axe!

The Lord of the Rings: Fellowship of the Ring (2001, dir. Peter Jackson)
  • You can find Fury’s drawing of the Luggage as Trunkie from The Last Continent in the notes for #Pratchat29, “Great Rimward Land”.
  • The Last Continent was published twelve years after The Light Fantastic, in 1998, so Liz was pretty close with her guess of ten years.
  • Liz suggests the Luggage might have “a chamber full of pigs?” in reference to the “having your enemies’ corpses eaten by pigs” method of getting away with murder. This features prominently in the television series Deadwood, and also Guy Richie’s film Snatch. You can find a list of uses as the “Fed to Pigs” trope on TV Tropes. Ben also mentions a bath full of (Hollywood style) acid, most famously used by Walter White in Breaking Bad.
  • Pratchett uses the Megalith pun in Lords and Ladies: “It was always cheaper to build a new 33-MegaLith circle than upgrade an old slow one.” This is a pun on MegaHertz (MHz), the unit used to measure the clock speed or clock rate of computer processors – in simple terms, how many instructions they execute per second. In the 1980s, home computers used chips like Intel’s 386, which had speeds of between 16 and 40 MHz. While it was used heavily in marketing, clock speed was not a sure measure of computer performance.
  • Pratchett moved to Broad Chalke in Wiltshire in 1993, seven years after The Light Fantastic was published. Before that he lived in the village of Rowberrow, Somerset, about 67 kilometres (or about 42 miles) to the northwest. He was never very far from many sites of ancient interest, but Broad Chalke was only a stone’s throw (sorry) from Stonehenge.
  • There are several stone circles better than Stonehenge, depending on who you ask and how you define “better”, but the one at Avebury is about 30km to the north and much, much bigger. Longtime British YouTuber Tom Scott made this video about it.
  • The Small Faint Group of Boring Stars is mentioned again in The Last Continent; the wizards travel quite far back in time, to an age when the stars were much closer and less faint (though possibly just as boring).  
  • The Free and Sovereign State of Yucatán is one of the 52 states of Mexico. There are several theories behind its name, and there are two versions of the “Your Finger You Fool” type: one involves the Mayan phrase Ma’anaatik ka t’ann, or “I do not understand you”, and the other uh yu ka t’ann, or “hear how they talk”. Another involves the casava plant, known locally as yuca (see #Pratchat41, “The Adventures of Crab Boy and Trouser Girl” for more on this plant) which was cultivated in the area, the name Yucatá meaning “land of yucas”. A third one suggests the name comes from the local Chontal Maya people, who call themselves the Yokot’anob or Yokot’an, meaning “the speakers of Yoko ochoco”.
  • Cohen is not in fact mentioned in The Colour of Magic; this is the first time we meet him.
  • The famous “What is best in life?” dialogue was made famous by Arnold Schwarzenegger in the 1982 film Conan the Barbarian, based on the Conan stories of Robert E Howard. The lines in full are below; they don’t appear in Robert E Howard’s stories, but are instead inspired by words attributed to Genghis Khan himself…

Mongol General: Hao! Dai ye! We won again! This is good but what is best in life?
Mongol Soldier: The open steppe, fleet horse, falcons at your wrist and the wind in your hair.
Mongol General: Wrong! Conan, what is best in life?
Conan: To crush your enemies, see them driven before you and to hear the lamentation of their women.

Conan the Barbarian (1982, dir. John Milius)
  • The people around the breakfast table in The Truth are Mr Windling and the other lodgers at Mars Arcanum’s guest house, where William de Worde lives. He doesn’t tell them he’s the editor of The Ankh-Morpork Times. (We covered The Truth in #Pratchat42, “Truth, the Printing Press and Every -ing”.
  • The cover art we’re talking about is the Josh Kirby art for the Corgi edition, still used for the Corgi edition (though the one currently in print uses a zoomed in subset of the image). You can find it on the official Josh Kirby website.
  • The “uncanny valley” describes the discomfort felt at seeing an artificial creature that is very like, but not mistakable for, the real thing. It can apply to anything living but is strongest – and most often used – to refer to the effect produced by androids and computer-generated representations of faces. There are many theories that try and account for why these things creep it out.
  • In Stanley Kubrick’s 1980 film version of The Shining, based on Stephen King’s 1977 novel, a pair of creepy twins appear as ghosts. The “Grady twins” are not twins in the book, but sisters aged 8 and 10, and are only mentioned, rather than appearing as ghosts. In the film, they appear to the young psychic Danny Torrance, dressed identically and speaking to him in unison saying “Come and play with us” – now a famous classic line of horror cinema. Though Kubrick denied it was intentional, many have pointed out that the look of the twins in the film resembles the photograph Identical Twins, Roselle, New Jersey, 1967 by American photographer Diane Arbus.
  • Mort was published in November 1987, so about seventeen months after The Light Fantastic. Liz’s guess of seven months is spot on for the third Discworld book, though – Equal Rites was published in January 1987!
  • It was announced on the 28th of April, 2020 that Narrativia had made an exclusive new deal with Motive Pictures and Endeavour Content to produce “definitive” and “absolutely faithful” Discworld adaptations for the screen. So far no actual productions have been announced, but the Narrativia website now has sections for all of the major Discworld screen projects of the last decade or so. The page about the new Discworld deal still lists only the initial agreement.
  • The extra space in Death’s House is described near the start of Soul Music, when Death watches Albert flit from the edge of his impossibly large office to the edge of the carpet around his desk:

Death gave up wondering how Albert covered the intervening space when it dawned on him that, to his servant, there was no intervening space…

Pratchett, Soul Music (1994)
  • By season three of The Good Place, the humans who are at the centre of the show have been exposed to a lot of the weirdness that exists beyond the mortal, material world. Near the end of the season, an accident in the “Interdimensional Hole of Pancakes” sends Chidi briefly to another realm, and when he returns he describes it like this:

Chidi Anagonye: I… I just saw a trillion different realities folding onto each other like thin sheets of metal forming… a single blade.

Michael: Yeah yeah, the Time-Knife. We’ve all seen it.

The Good Place, season 3 episode 12, “Chidi Sees the Time-Knife” (2019)
  • The Untempered Schism is “a gap in the fabric of reality from which can be seen the whole of the Vortex” of space and time. It’s introduced at the end of the third season of the revived Doctor Who in the penultimate episode, “The Sound of Drums”. The Doctor explains that it’s an initiation rite for young Gallifreyans, who at the age of eight must stare into it; according to him, “some would be inspired, some would run away, and some would go mad.” He says he ran away; the Master instead went mad, constantly hearing “the drumming”, though this is later revealed to be more than it seems.
  • The Doctor Who universe influencer jokes refer to the city of New New York, as introduced in the episode “New Earth”; the “EarPods” used by alternate universe Cybermen to control and convert humans, as seen in the two-part season two story “Rise of the Cyberman”/”The Age of Steel”; and the Adipose, a species of creatures whose cute babies could be incubated in a human body by accumulating fat tissue, under the guise of a diet pill, as seen in the season four opening episode “Partners in Crime”. The idea of influencers in the Whoniverse isn’t a million miles away from the later BBC fiction podcast Doctor Who: Redacted, published in April 2022, which features a gang of podcasters who follow a conspiracy theory about a blue box associated with mysteries throughout human history.
  • Icelandic names are subject to some fairly strict conventions, overseen by the Icelandic Naming Committee. There’s a list of around 4,000 traditional Icelandic names which can be used freely, but new names must be approved by the committee. In addition, by convention Icelandic people take either their father’s or mother’s name as a surname, appended with -son, –dottir or (since 2019) –bur for son, daughter or child, respectively. Episode 87 of The Allusionist podcast, “Name v. Law”, covers some of this in detail, though note it was released in 2018, before the change allowing non-gendered suffixes. The Allusionist returned to Icelandic names in December 2021 for episode 147, the second of the two-part story, “Survival: Today, Tomorrow” about trying to change the Icelandic language.
  • “That bit in The Hobbit” is Chapter II, “Roast Mutton”, when Bilbo is scouting ahead of the company of dwarves and comes upon three trolls named William, Bert and Tom. Bilbo is caught picking a troll’s pocket (Tolkien trolls wear trousers!), and he and the dwarves are caught. Gandalf manages to keep all three trolls arguing with each other, distracting them until the sun comes up and turns them to stone.
  • 5G, short for fifth-generation, is the name given to the newest mobile communications network technology being rolled out around the world. 5G is capable of far greater data transfer speeds than its predecessor 4G, at least at short range. It has been the subject of many conspiracy theories that claim it causes health problems in humans, despite a lack of any evidence that this is true. These theories mutated during 2020 to suggest that 5G caused or spread COVID-19, and they were believed enough that 5G towers in several countries were vandalised.
  • Lackjaw does indeed describe himself as “of the dwarfish persuasion“.
  • The magic shop trope can be traced back as far as H. G. Wells’ stories The Crystal Egg (1897) and The Magic Shop (1903). TV Tropes lists it as “The Little Shop That Wasn’t There Yesterday” and has many other examples. Pratchett revisits it in a more traditional way in Soul Music (discussed by us in #Pratchat19, “It Don’t Mean a Thing if It Ain’t Got Rocks In”), where Buddy buys his guitar. It’s not the same shop, though – the proprietor is an old woman who seems quite happy with her lot, and she seems to sell only musical instruments.
  • We keep mentioning Howl’s Moving Castle, so it’s probably a good idea for us to do that Diana Wynne Jones episode we keep talking about. Previous episodes where this book have been mentioned include #Pratchat17, #Pratchat26, #Pratchat30 and #Pratchat43. In a nutshell: Howl is a wizard who lives as a recluse in a castle that not only can move from place to place, but has a magical front door that can open in one of several fixed locations.
  • Cane toads, Rhinella marina, are native to the Americas and were introduced to Australia from Hawaii in 1935 for purposes of pest control on sugar cane farms. We previously talked about them in #Pratchat22, “The Cat in the Prat“, where we recommended in the episode notes the documentaries Cane Toads: An Unnatural History (1988) and its sequel, Cane Toads: The Conquest (2010). You can indeed still get various souvenirs made from dead toads; you can see examples at the website Souvenirs Australia (though it’s not a pretty sight).
  • The “critical Black Mass” pun is not about wizards or gods, but rather books of magic. It comes up in a description of the library as Trymon heads there to bribe the Librarian while the wizards are still speaking to Death.
  • Bethan is not mentioned in Interesting Times. Rincewind does mention in Sourcery that he was a guest at Cohen’s wedding to “a girl of about Conina’s age”, but Bethan isn’t mentioned by name and Rincewind gives no indication that he knows how the marriage went.
  • We looked up Echidna penises for #Pratchat12, “Brooms, Boats and Pumpkinmobiles“.
  • Rincewind will return in The Last Hero, The Science of Discworld II: The Globe, The Science of Discworld III: Darwin’s Watch and The Science of Discworld IV: Judgment Day. He’s also a minor character in Unseen Academicals, and mentioned briefly in Raising Steam.
  • Michael Moorcock’s “Wizardry and Wild Romance: A Study of Epic Fantasy” is less an essay, and more of a book, first published in 1987. An expanded edition, now 206 pages long, was released in 2004.
  • Blades in the Dark is a tabletop roleplaying game written and designed by John Harper and published in 2015. It’s set in an “industrial-fantasy” world, and players form a company of criminals who try to stake a claim for themselves in the inescapable city of Duskvol, surrounded by horror and haunted by deadly ghosts. Among its distinctive features are a system of retroactively planning heists and packing gear, which gets you into the action quicker. If industrial-fantasy isn’t your thing the system has also been used to make several other games in other genres.
  • Campaign settings are the various fantasy worlds used for Dungeons & Dragons and other games which aren’t tied too much to a specific universe. D&D has a large number of these covering various sub-genres of fantasy, from the post-apocalyptic sword and sorcery of Dark Sun to the gothic horror of Ravenloft. There are too many to list them all, since aside from the dozens of official ones there are many more published independently. (Ben’s favourite is probably Planescape, which both ties together all the others in a weird multiverse, and introduces an interdimensional hub city on the inside of a ring in the theoretical centre of everything.)
  • Mage: The Ascension, first published in 1993, was the third game in the World of Darkness series of modern horror roleplaying games, following Vampire: the Masquerade and Werewolf: the Apocalypse. Mage is also effectively a sequel to the earlier game about medieval wizards, Ars Magicka, but in the modern world the rise of science and rational thought means magic doesn’t work like it used to.
  • Cavaliers of Mars by Rose Bailey is the latest in a fine tradition of games that seek to emulate the “planetary romance” genre of fiction. These were science fiction or fantasy stories from around the turn of the twentieth century in which the fantastic adventures take place on other worlds – either in our own solar system as in A Princess of Mars by Edgar Rice Burroughs (adapted as the hugely underrated film John Carter), or in other galaxies entirely – for example, James Herbert’s Dune is sometimes classified as a planetary romance.
  • The Old-School Renaissance or Revival – usually abbreviated to OSR – is a movement in roleplaying game communities which prefers the early versions of Dungeons & Dragons and similar games from the 1970s and 1980s. There are now many games that seek to recapture the feel of those games, either by re-implementing the original rules (a genre known as “retro-clones”) or writing games with more modern rules but the old-school philosophy in mind. Exactly what that philosophy is varies according to who you ask, but it usually means a smaller set of rules, and more reliance on both player skill (as opposed to rules which emulate the skill of the characters being played) and rulings by the Game Master (who OSR games often call the referee). Famous examples include Torchbearer, The Black Hack, Dungeon Crawl Classics, the Old School Reference and Index Compilation (OSRIC) and Old-School Essentials. Dungeon World isn’t usually counted as an OSR game, but it has many similarities. (It’s a translation of D&D-like fantasy into the now super popular “Powered by the Apocalypse” framework, created by Meguey & Vincent Baker for their post-apocalyptic RPG Apocalypse World.)
  • The six flavours of quarks are up, down, charmed, strange, top and bottom. “Flavour” is the name given to unique combinations of other characteristics like spin and charge; it’s sometimes also called “species”. Quarks form other particles, like neutrons and protons, when three of them are combined in different flavour combinations.
  • The World War II realtime Twitter account is @RealTimeWWII. It tweets “on this day” war events from the years 1939 to 1945, and is currently up to 1943 on its second time around.
  • In Chinese numerology, four – 四 (Anglicised as sì or sei) – is inauspicious because it sounds like the word for “death”, 死 (sǐ or séi). This causes as serious an aversion as Europeans traditionally have to the number thirteen, and just as some might have triskaidekaphobia, in China and other parts of East Asia, tetraphobia is common enough that buildings do not number floors using the digit 4.
Posted in: Episode Notes Tagged: Ankh-Morpork, Ben McKenzie, Death, Discworld, Elizabeth Flux, Genghiz Cohen, Joel Martin, Rincewind, The Luggage, Twoflower, Unseen University, Ysabell
1 2 Next »

Follow Pratchat

Apple PodcastsSpotifyPodchaserPodcast IndexYoutube MusicRSSMore Subscribe Options
  • Bluesky
  • Mastodon
  • Instagram
  • YouTube
  • Facebook
  • Twitter

Latest episode:

  • Pratchat89 - An Awfully Teeny Weeny Adventure
    #Pratchat89 – An Awfully Teeny Weeny Adventure

Next time…

#Pratchat87 - Discworld: Ankh-Morpork (the board game)8 July 2025
Listen to us discuss the most popular of the Discworld board games: 2011’s Discworld: Ankh-Morpork, designed by Martin Wallace. Join the discussion using the hashtag #Pratchat87.

We’re on Podchaser!

Podchaser - Pratchat

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.

To find out more, including how to control cookies, see here: Cookie Policy

Copyright © 2025 Pratchat.

Pratchat WordPress Theme by Ben McKenzie

 

Loading Comments...