Ben McKenzie

#Pratchat75 – …And That Spells Trouble

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In this very three-quarters-of-a-century episode, Liz, Ben and guest Dr Melissa Rogerson get out the eight-sided dice and roll for initative – or at least cunning – as we play the 2011 board game, Guards! Guards!, designed by Leonard Boyd and David Brashaw, and based on the Discworld novels by Terry Pratchett.

The eight great spells have escaped from Unseen University’s library, ready to unleash chaos on Ankh-Morpork! Thankfully Commander Vimes has taken charge. He’s assigned members of the Watch (that’s you) to liaise with four of the Guilds to round up volunteers and bring those spells back. But Guild rivalries run deep, and surely the Patrician will look kindly on whoever saves the day the most. So if one of the other Guilds’ volunteers should go missing or explode or fall into the Ankh, your Guild would only be too willing to shoulder more of the burden of saving the city…

Created by two Irish Discworld fans who approached Terry with the idea (see David Brashaw’s great interview with The Truth Shall Make Ye Fret), Guards! Guards! A Discworld Board Game sees players roaming about a hexagon-based map of Ankh-Morpork collecting Discworld characters, casting spells from scrolls, equipping magic items and occasionally fighting dragons. Which sounds suspiciously like a very different kind of game… Originally published in 2011 by BackSpindle Games and Z-Man Games, and reprinted with a revised rulebook in 2012, Guards! Guards! was a hit with fans – but board game hobbyists were less enthusiastic.

Have you played Guards! Guards! – and if so, how long did it take you? Do you like the kind of game where being mean to the other players is part of the fun? Do you think it captures the essence of the source material, and if so, which books in particular? Is this the best name for the game, or do you have a better suggestion? (Ours was Guilds! Guilds!) And should we play an exhibition match at the Australian Discworld Convention, of this or one of the other games? We’d love to hear what you think: use the hashtag #Pratchat75 to join the conversation.

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Dr Melissa Rogerson is a Lecturer and Assistant Professor in the School of Computing and Information Systems at The University of Melbourne. She was last on for #PratchatPlaysThud, “The Troll’s Gambit”, discussing the first Discworld board game in Nivember 2022. Melissa’s current research is about hybrid games which use both physical and digital components, as well as the possibility of using games to tell the stories of older people. You can find out more about her work at hybridgameresearch.net, melissarogerson.com, or find her on Twitter and Mastodon as @melissainau, and on BoardGameGeek as melissa. (A mentioned last time, Ben is on there too, as beejay.)

As usual you’ll find comprehensive notes and errata for this episode on our website, including lots of photos of the components we discuss.

Next episode we’ll be discussing a Discworld novel for the first time in ages – and not just any Discworld novel, but one of the most beloved! Yes, for #Pratchat76 we’re finally talking about Monstrous Regiment. Get your questions in before the last week of February to give them a chance of getting on the show! Use the hashtag on social media (Mastodon, Twitter, Facebook, Instagram and BlueSky), or email us at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat75 Notes and Errata

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These are the episode notes and errata for Pratchat episode 75, “…And That Spells Trouble”, discussing the 2012 revised edition of Guards! Guards! A Discworld Board Game, designed by Leonard Boyd and David Brashaw, with guest Dr Melissa Rogerson.

Iconographic Evidence

Guards! Guards! has a lot more components than the other board games we’ve discussed so far. Here’s a gallery featuring the board and the playing pieces; and another with some of the specific cards we mentioned.

A photo of the game Guards! Guards! laid out on a table. Visible are the board, rulebook, top and bottom halves of the box, player reference card, three piles of volunteer cards, four dragon pieces, the Fate deck, and player boards, starting money and other tokens for three players. On the board are the token for the Luggage, the pawns for three players, and four piles of cards in the corners, two for scrolls and two for items.
All the components set up and laid out for a game, plus the box, rules and player reference card.
A photo of the cardboard standee piece of the Luggage on it’s starting space on the Guards! Guards! board, a bridge over the river Ankh.
The Luggage piece in all its glory.
A photo of the player board for the Guild of Alchemists. Three red wooden cubes marke the starting values for the stats of Charm, Magic and Guild. The board also has the Guild crest, a pentagram-shaped symbol showing which spells this player can collect, and two parchment-like sections description the Sabotage and Guild Ability rules. Above the player board are a pile of “Fire Water” markers, one cardboard $5 coin, a round green “Spell Run” marker, and a pile of square Saboteur markers.
A sample player board, in this case one for the Guild of Alchemists. The red cubes track your three player stats.
A photo of the four Saboteur markers face up, showing the crests of the four different guilds in the game, and labelled “SABOTEUR” above and the name of the quadrant: the Fool’s, Alchemist’s, Thieve’s and Assassin’s Quadrants. Some other game components are visible at the edges of the photo.
The Sabotage markers, face up. (They are kept face down in play.)
A closer photo of part of the Guards! Guards! board, showing a pattern of hexagons. Most are coloured grey with a stone-like texture; others have names and small illustrations, special spaces that allow players to perform certain actions. There are also gaps where hexagons are missing, constraining the players’ movement. A path of tiny barefoot footprints goes clockwise round the board, branching and then joining back up in some places.
Detail of the board, showing spell spaces, various locations, and the path of the Luggage (the footprints).
A photo of the four cardboard standees for the dragons in the game, on the board next to a player’s pawn. Three of them are clearly visible: the illustrations are of the head and long neck of a purple, red and green dragon.
The dragons. Oh my!
A photo of the six decks of cards for the game, each bound by a coloured rubber band.
There are a lot of cards in the game.
A photo of the Guards! Guards! board game with most of the components still in place. The game is in the final state: one player has five gold-coloured wooden cylinders arranged in a row in their slice of the central large University area, showing they’ve returned five spells. Two other players have four.
Ben’s view of the end of the game.
A photo of the Guards! Guards! board from above, showing the twelve-sided central section representing Unseen University, the River Ankh dividing the board into two halves, and the pattern of hexagonal spaces representing the city streets and various special locations. Around the outside of the board are labels showing where piles of item and spell scroll cards should go, as well as the cardinal directions of the Disc.
Just the board from above. A functional representation of Ankh-Morpork.
A close up photo of two eight-sided dice: one the plastic red one from the Guards! Guards! game, showing an eight face up; the other a gold-coloured metal die showing “7a”.
The eight-sided dice from the game, and the golden D8 from the Australian Discworld Convention.
The Guards! Guards! rulebook. The illustration on the cover shows a member of the City Watch in breastplate, leather skirt and helmet running while carrying a glowing mote of light which hovers just above his hands. He is surrounded by various other characters running with him through the streets of Ankh-Morpork at night, including a red-bearded wizard in a red robe, a Feegle riding a cat, a dwarf, an older woman in black leather armour and a huge rocky troll. A classic witch silhouette flies through the sky in the background above a full moon.
The rulebook has the same art as the box.
A photo of various volunteer cards from the Guards! Guards! board game, depicing Magrat Garlick, Granny Weatherwax, Mrs Earwig, Gladys (a Golem), Errol (a swamp dragon), the Maquis of Fantailer (a boxing fop), Moist von Lipwig/Albert Spangler (in a Groucho Marx style disguise) and Tawnee (an exotic dancer).
Some of our favourite character illustrations from the cards, and others we mentioned in the episode.
A photo of various volunteer cards from the Guards! Guards! board game, depicing Constable Visit, Detritus, Lance Corporal Cuddy, Cheery Littlebottom, Errol (the swamp dragon), Lady Sybil Ramkin, Constable Downspout (a gargoyle), Constable Brakenshield (a dwarf) and Findthee Swing.
These are the most prominent characters who appear from the Watch books, along with a few other supporting characters we love, but the main cast of Guards! Guards! do not appear!
A photo of various volunteer cards from the Guards! Guards! board game, depicting Constable Brakenshield (a dwarf), Armpit (probably a dwarf), George Aggy (senior postman) and a generic Swamp Dragon (not Errol).
Ben mentions that some of the characters who appear are a bit more obscure; here are a few examples.
A photo of two volunteer cards from the Guards! Guards! board game: Lias Bluestone and Glod Glodsson, both characters from Soul Music. Lias’ card has text from his book describing a man getting out an axe to throw at him. Glod’s card has a quote about the nature of dwarfs from Guards! Guards!
Two of our fave characters from Soul Music, who are also examples of quotes that didn’t quite hit the mark for Ben.

Notes and Errata

  • The episode title was more or less inspired by the song “You’ve Got Trouble” from the musical The Music Man. In the song, con man Harold Hill convinces the residents of River City that they’ve got trouble, inventing spurious dangers to their youth which he blames on the introduction of a pool table to the town’s billiard parlour.
  • Ben wonders how up-to-date the characters are in the game. At the time it was first published in September 2011, all but the last three Discworld novels (Snuff, Raising Steam and The Shepherd’s Crown) had been published. The game definitely includes characters from beyond the 31st novel, Monstrous Regiment, including Mrs Earwig (who didn’t appear in a novel until the 32nd book, A Hat Full of Sky); Moist von Lipwig and Gladys the golem (both introduced in the 33rd book, Going Postal); and Constable Brakenshield (a very minor charcater from Thud!, the 34th novel).
  • Ben several times mentions David Brashaw’s interview with The Truth Shall Make Ye Fret; we linked to it in the main episode description, but for completeness’ sake, it’s “Picture Books and Board Games with Pratchat and David Brashaw” from 20 November 2023. David’s interview starts at around the 1 hour, 8 minutes and 45 seconds mark. (If you’ve not listened to it already, don’t skip the start; as you may have guessed from the title, Liz and Ben are also guests!)
  • We’ve mentioned Miss Fisher’s Murder Mysteries many times before; it’s a television series about the high society lady Miss Phryne Fisher, who solves mysteries in 1920s Melbourne, adapted from the popular series of books by Kerry Greenwood. Liz mentions that it seems like the perfect setting for the Maquis of Fantailer, a minor character mentioned in The Fifth Elephant as the Disc’s equivalent of the Maquis of Queensberry – i.e. the nobleman who invented rules for boxing as a sport, which are entirely useless in a street fight.
  • Mrs Harris Goes to Paris (2022, dir. Anthony Fabian) is a British film adaptation of the 1958 novel Mrs ‘Arris Goes to Paris. It tells the story of Ada Harris, a working class cleaner whose husband died in World War II; she never realised she was supposed to receive a war widow pension and when she is paid it in arrears, uses the windfall to visit Paris in the hopes of buying a Dior dress.
  • On BoardGameGeek, a game’s “weight” is described as a measure of how difficult it is to understand (though not everyone thinks of it that way). A heavier weight generally means more rules and/or components, and more complex interactions and strategies; the scores are Light (1), Medium Light (2), Medium (3), Medium Heavy (4) and Heavy (5). Guards! Guards! has a weight (averaged from votes by users of the site) of 2.61 out of 5, so between Medium and Medium Light. For comparison, Monopoly scores 1.65 (between Light and Medium Light), while Chess has a weight of 3.66. (In case you’re interested, the heaviest game in Ben’s collection is Oath: Chronicles of Empire & Exile, with a rating of 4.11; he also has a lot of party games with a weight at or near 1.0, but most of his favourite games are Medium or Light Medium.) We’ve listed the weight of the other games suggested below for contrast, but keep in mind it’s a subjective measure; most games fall in between two of the scores.
  • Shut Up & Sit Down (SUSD) was launched in 2011. Its major components are a YouTube channel, where they are best known for their funny but thoughtful board game reviews, and a website, where they have extensive forums and written reviews and features as well. They’ve also expanded to produce a podcast, and a games convention, SHUX, which is held in Vancouver, Canada. If you like their stuff, Ben reckons you’ll also like No Pun Included, who make similarly in-depth and funny board game review videos, and also have a website and podcast (now called Talk Cardboard).
  • Unsurprisingly, we mention a lot of board games in this episode. Here’s a full list; links are to the game’s entries on BoardGameGeek.
    • Talisman (weight 2.17, Medium Light) was first published in 1983, but hit it big with the second edition in 1985. Players take are one of many fantasy archetypes like wizard, barbarian, sorceress and thief, all racing around a slightly Monopoly-like board having weird encounters as they try to reach the centre space and claim the Crown of Command. The currently available revised fourth edition is substantially similar to the earlier versions, and was first released in 2007.
    • Dungeon! (weight 1.56, Light/Medium Light) was first published in 1975 by TSR, the company behind Dungeons & Dragons at the time. Players choose a “class” (elf, hero, superhero or wizard) and then delve into the chambers of a board designed like a dungeon, hoping to fight monsters and steal their stuff. The most recent edition was first published in 2014 by D&D’s current owners, Wizards of the Coast, and hasn’t changed much except the art and production values.
    • The Witches (weight 1.66, Light/Medium Light) is the previous Discworld board game we covered on the podcast, in #Pratchat67, “The Three-Elf Problem”. Ben mentions it’s the “other Martin Wallace one”, the first one being Ankh-Morpork, which we have yet to discuss.
    • King of Tokyo (weight 1.49, Light/Medium Light) was first published in 2011, and has remained popular. There are a few spin-offs, including King of New York and King of Monster Island, which feature twists on the original; and plenty of expansions, mostly extra giant monsters. It also comes with a set of very satisfyingly big and heavy dice, which use symbols instead of numbers.
    • Survive: Escape from Atlantis! (weight 1.70, Medium Light) was first published in 1982, and sees players trying to get as many of their ten people to safety as possible as Atlantis sinks. The fun twist is they’re once the game starts, you can’t look at the bottom of your people tokens – and they’re each worth a different number of points. A 30th anniversary edition is still in print. The dolphin, giant squid and two other expansions were available combined in one box, but are a bit hard to find now.
    • Reign of Cthulhu (weight 2.16, Medium Light) is the 2016 game Liz mentions playing at a board game cafe in New Zealand. It is based on Pandemic by Matt Leacock, but is now marketed as a “Pandemic System Game” rather than having “Pandemic” in the title. Players work together to close magical gates to other dimensions before an ancient “Old One” – a cosmic entity with the power of a god – arrives to destroy the world.
    • Castles of Mad King Ludwig (weight 2.65, Medium Light/Medium) has players trying to build a castle that will please the randomly selected whims of the King. It’s (very) loosely based on the real King of Bavaria, Ludwig II, who spent his fortunes on building a number of lavish castles during the nineteenth century, earning him the nickname “the Fairytale King”. Ben also likes the spin-off game The Palace of Mad King Ludwig, in which all the players build the same castle.
    • Big Top (weight 1.03, Light) from GameWright is, as Melissa mentions, one of many versions of the game originally published as Barnyard Buddies in 1996. (The versions are pretty much identical aside from art and theme, so there’s just one entry for all of them on BGG.)
    • Kingdomino (weight 1.22, Light) is a 2016 game in which players build medieval kingdoms by playing domino-like tiles showing various kinds of land, like fields, lakes and mountains. It’s been a pretty big success and has spawned many spin-offs and similar games, including Queendomino, which can be combined with the original.
    • Daybreak (weight 2.96, Medium) is Matt Leacock’s 2023 game of fighting climate change. It’s really interesting and important, but also great fun to play. Has a great solo mode.
    • Paperback Adventures (weight 2.70, Medium) is a solo deckbuilding game where you make words out of letter cards to generate points used by your protagonist character to fight a series of six villains. It does have rules for two players, but they’re generally not considered that great; but you can play it with multiple players cooperating to work out the best word to play! Ben has all three of the available characters, and loves them all, but if he had to pick a favourite it’s a toss-up between assassin princess Damsel and undead pirate Plot Hook.
  • Liz mentioned the Quarter Quell, which she also referenced last episode; it’s a special version of the Hunger Games (from the book series of the same name by Suzanne Collins), a death match by lottery imposed by the fascist state, where they bend the usual rules to make it even more horrible.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat74 – Hogswitch

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In this very special Hogswatch-adjacent episode of Pratchat, Liz and Ben don’t discuss a Terry Pratchett book! Instead, they interview Rhianna Pratchett and Gabrielle Kent, authors of Tiffany Aching’s Guide to Being a Witch.

Tiffany Aching’s Guide to Being a Witch is a new lavishly illustrated guidebook to witchcraft, compiled by the famous young witch of the Chalk – with a little help from her friends, of course. Granny Weatherwax, Nanny Ogg, Miss Tick, Mrs Letice Earwig and more have all annotated the manuscript – as have Tiffany’s fairy allies and protectors, the Nac Mac Feegle.

We’ll return to the book for a regular discussion in a future episode, but for now, please enjoy our chat with Rhianna and Gabrielle – though note that as Tiffany Aching’s Guide is set after The Shepherd’s Crown, you might catch a couple of brief spoilers for the final Discworld novel in this interview. The same is true for their previous appearances on our spiritual sibling podcasts, The Truth Shall Make Ye Fret and The Compleat Discography, which you will probably also enjoy.

You can send us comments and questions about this episode using the hashtag #Pratchat74. And as usual you can find errata and other notes for this episode on our website.

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Guest Rhianna Pratchett is a writer best known for her work in videogames, most famously the 2013 reboot of Tomb Raider, and most recently Lost Words: Beyond the Page with Sketchbook Games. Rhianna also works in film and television production, and since 2012 has co-run Narrativia, the company which manages Terry Pratchett’s intellectual property. Rhianna recently made her first podcast series, Mythical Creatures, for BBC Radio 4; find it via your favourite podcast app, or on the BBC Sounds website. You can also follow Rhianna on social media at @rhipratchett on Twitter and Mastodon, and as @rhi.bsky.social on Bluesky.

Guest Gabrielle Kent is now best known as a children’s author, but worked in videogames as an artist and lecturer for many years. Her books include the Knights and Bikes series based on the videogame of the same name; the Alfie Bloom series about a boy who inherits a magical castle; and most recently Rani Reports, a series about a young aspiring journalist, co-written with her husband Satish Shewhorak. You can find out more about Gabrielle via her website, gabriellekent.com. Gabrielle is also on social media as @gabriellekent on Twitter and Bluesky.

Next month we get our game one again as we play and discuss the second published Discworld board game, Guards! Guards!, designed by Leonard Boyd and David Brashaw of BackSpindle Games. Get your questions in via social media using the hashtag #Pratchat75, or send us an email at chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#PratchatPreviously – The Long Footnote

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Our July episode about The Long Utopia, fourth of the Long Earth series, is going to be late! To tide you over for the next week or so, here’s a long footnote of a bonus episode presenting a quick recap of the Long Earth so far.

Was this helpful? Would you like a recap like this for any of the other series we cover? Do you dare us to do this for the Discworld series as whole? (Please don’t…) Let us know what you think, using the hashtag #PratchatPreviously on social media, or get in touch via email or our subscriber Discord.

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As mentioned by Ben at the top of this footnote, Liz and Ben appeared alongside hosts from The Truth Shall Make Ye Fret and Who Watches the Watch on the June 18th episode of Al Kennedy’s Pratchett interview podcast Desert Island Discworld, “7A.1 Discworld Podcasters and Eric”.

Our own discussion of Eric is #Pratchat7, “All the Fingle Ladies”, from May 2018.

Our next episode is still #Pratchat69, with Deanne Sheldon-Collins discussing The Long Utopia. Watch out for it in mid July.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat73 – This Christmas Goes to Eleven

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In this very special Christmas episode, Liz and Ben fly without a guest as they turn the seasonal silliness up to maximum and discuss all eleven stories in Terry Pratchett’s 2017 collection of short Christmas stories, Father Christmas’s Fake Beard.

It’s not always easy being Father Christmas. You might be forced out of home by a rogue submarine or the harsh reality of a job where you only work one day a year; you might be sent fifty thousand identical letters by a computer or put on trial for three thousand counts of breaking and entering. But at least you don’t live in Blackbury, where giant pies explode, the snow falls so thick you have to dig tunnels to see your granny, and where weird creatures show up every other day. And you won’t believe the true stories behind some of your favourite Christmas songs…

While he later claimed short stories “cost me blood”, Pratchett wrote scores of stories every year while working in his first newspaper jobs between 1965 and 1979, and continued to sell them to his old papers even after he went to work for the Central Electricity Governing Board. These included plenty of Christmas stories – and eleven of them (well…eight plus three wintery ring-ins) from between 1967 and 1992 are collected in this third volume of his early work for children.

Have you read Father Christmas’s Fake Beard? Is “Father Christmas” more British than Santa Claus? Do you prefer these (close to) original versions of the stories, or some of the later re-written versions unearthed for A Stroke of the Pen? Have you ever seen one of these stories in their original habitat, the Southwestern British Newspaper? And what should we name our Prod-Ye-A’Diddle Oh team? Join in the conversation on social media using the hashtag #Pratchat73!

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“Guest” Elizabeth Flux is a freelance writer and editor, and also currently Arts Editor for The Age newspaper in Melbourne. You can find out where Liz’s short fiction has been published via her website, elizabethflux.com.

“Guest” Ben McKenzie is a writer, game designer and educator who doesn’t usually work in short fiction. But you can find a few short Twine games on his website, benmckenzie.com.au.

As usual, you can find notes and errata for this episode on our website.

Next episode we have two actual very special guests: Rhianna Pratchett and Gabrielle Kent! They’re joining us for a chat about their new book, Tiffany Aching’s Guide to Being a Witch. This will be more an interview than an in-depth discussion about the book (which, we feel we should warn you, include spoilers for some key events and characters for The Shepherd’s Crown, but we’ll try to keep those spoilers to a minimum). As well as asking our own questions, we want to ask them yours! So send them in using the hashtag #Pratchat74 or via email to chat@pratchatpodcast.com, but be quick: we’ll be recording on the 15th of December!

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat73 Notes and Errata

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These are the episode notes and errata for Pratchat episode 73, “This Christmas Goes to Eleven”, discussing Terry Pratchett’s 2017 collection of short children’s fiction, Father Christmas’s Fake Beard.

Iconographic Evidence

Here’s the Instagram photo of Richard from Cracked and Spineless bookshop in Hobart, showing off his Ineffable Edition of The Definitive Good Omens in 2019!

We’ll be sure to add photos of some of the Christmas food we mentioned here when we can.

Notes and Errata

  • The episode title is a reference to the famous scene in the 1984 mockumentary film This is Spinal Tap. The film follows famous metal band Spinal Tap on a fairly disastrous tour; at one point guitarist Nigel Tufnel (Christopher Guest) shows off his amplifiers which he has had custom made with dials that go to eleven rather than ten, which makes them “one louder”. When asked why he didn’t just “make ten louder”, he replies: “This one goes to eleven.” It seemed a perfect reference for the extreme Christmasness of Father Christmas’ Fake Beard, which also contains eleven stories.
  • The twelve days of Christmas are a Christian celebration of the Nativity of Jesus. Some traditions have it starting with Christmas Day, and some the day after, which is Boxing Day in the UK and Commonwealth countries like Australia, and also St Stephen’s Day (the “Feast of Stephen” referenced in the other song featured in this book, Good King Wenceslas). The season is also called Twelvetide, though “Christmastide” is technically a different thing that doesn’t exactly match up, depending on your church. The last night is “Twelfth Night”, as in the Shakespeare play.
  • Father Christmas is now synonymous with Santa Claus, but this wasn’t always the case. He was the folkloric personification of Christmas in Britain, going back a few hundred years, but by Victorian times began to more resemble the modern Santa Claus, especially after the American version was imported in the mid 1800s. As Ben mentions, Santa Claus’s origins lie with Sinterklaas, the Dutch version of Saint Nicholas (not German as Ben misremembers), but the modern version also incorporates bits of Father Christmas and Saint Nicholas. Ben did once know this, but it’s as if he’s forgotten everything he learned for our Hogfather episode back in 2019! And Pratchett certainly dove deep on the folklore and history when he was writing the novel. But we’re still keen to know what modern sentiment is around the names, because there’s no longer any meaningful distinction between the traditions – Father Christmas has been fully Santa-fied.
  • The book is still in print as far as we can tell! But this isn’t as easy to determine as it once was…
  • Pratchett’s other collections of children’s stories also contain a few stories seen elsewhere. Dragons at Crumbling Castle and The Witch’s Vacuum Cleaner both had deluxe slipcase editions which contained a couple of additional stories, and those stories are included in all editions of the fourth volume The Time-travelling Caveman (though it too had a deluxe edition with a story so far not collected elsewhere). In addition, The Witch’s Vacuum Cleaner also includes “Rincemangle, the Gnome of Even Moor”, which also appears in Once More* *with Footnotes and A Blink of the Screen.
  • Some of these stories were originally published without any title, especially those from the Bucks Free Press. The titles were made up for the purposes of this book. But then again, according to the list in the book, that includes some of the stories which had been previously published in earlier collections under other titles, like “The Twelve Gifts of Christmas”.
  • Father Christmas’s Fake Beard includes the opening section of Truckers as bonus material. It’s in that book that “Arnold Bros (est 1905)” (not 1903) is revealed to be owned by Arnco Group, along with a great many other businesses, when Gurder, Masklin and Grimma travel to the Top of the Store to learn the truth about the Thing’s warnings of it being demolished. You can hear more about that in #Pratchat9, “Upscalator to Heaven”.
  • “Old man yells at cloud” is a meme derived from The Simpsons, specifically the 2002 episode “The Old Man and the Key”. In one scene Homer’s father Abe Simpson needs a photograph for a driver’s license, and uses a photo from a newspaper story about him; it shows him shaking his fist at a cloud in the sky, with the headline “OLD MAN YELLS AT CLOUD”. It’s been used as a meme since around 2008, usually to denote someone complaining about something for no good reason.
  • Clinkers are a lolly (or sweet or candy, depending on which flavour of English you speak) manufactured by the Australian confectionary brand Pascall (now owned by Cadbury, in turn owned by Mondelez International). They consist of brightly coloured oval-shaped hard nougat, much like the candy honeycomb you find in Violet Crumble or Crunchie chocolate bars, coated in Cadbury chocolate. We’re not actually sure what Liz’s Dad thinks “Clinker” means, but Ben is pretty close: it’s a generic name for industrial waste products formed by the burning of coal or working of metal, which usually forms small, brittle glassy round shapes – much like the candy.
  • Isembard Kingdom Brunel (1806-1859) was an English engineer best known for his work during the Industrial Revolution, especially with steamships, railways, bridges and tunnels. There’s a lot to say about him – way more than we can fit in a note – but remember that “Great Man” histories are always over-simplified and leave out a lot of people who were vital to whatever the man in question did, even if he was very great.
  • It’s been a while since we mentioned the steamroller story, but the short version is that his hard drives containing his unfinished work were destroyed by a steamroller, according to his wishes, in 2017 – the same year Father Christmas’s Fake Beard was published! You can read about it in this Guardian article.
  • We discussed Nanny Ogg’s Cookbook back in #Pratchat50, “Salt Rat Arsenic Heat”. B S Johnson’s giant pie was also a disaster. Described informally as “the Great Fruit Pie” (it was made mostly of apples), and under the title “Bloody Stupid Johnson’s Individual Fruit Pie”, Ben remembers rightly that Johnson thought of making a giant pie whistle; however it wasn’t finished until a week after the explosion, and the 30-foot-high “whistling blackbird” is said to be a memorial to those lost to the pie, situated in Hide Park. (The dish created for the pie is now the roof of a house.)
  • While there is more detail to be found at colinsmythe.co.uk, Ben entirely missed that the book does include original titles and publications for each of the stories in it – they’re in small text on the imprint page, just before Rob Wilkin’s introduction.

More notes to come!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#PratchatElsewhere Notes and Errata

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These are the episode notes and errata for the bonus Pratchat episode “We’re on a Road to Elsewhere“, in which Ben discusses recent Pratchett news, and interviews guest Danny Sag from the Australian Discworld Convention.

Iconographic Evidence

The opening sequence to Good Omens 2 – and handily, the still image for this video is the poster Ben also mentioned!
Here’s the official trailer for Good Omens 2!

Notes and Errata

  • The episode title is a riff on the chorus lyric from the Talking Heads son “Road to Nowhere”. It might have made a good title for the Strata episode, but Ben will have to think of another one now! (Elsewhere is the equivalent of hyperspace in Strata, traversed through the use of a “Matrix drive”.)
  • You can see the new narrators and covers for the Penguin Discworld audiobooks at their official website.
  • As well as the intro sequence above, you might find these Good Omens links handy:
  • “Cute aggression”, originally “playful aggression”, was popularised around 2013 by the work of psychologists Rebecca Dyer and Aragón. Note that it refers to superficial aggression; folks who express their feelings about cute things this way are not actually violent or aggressive.
  • A Stroke of the Pen was announced on the 28th of February 2023. You can read about how the stories were rediscovered in this article at LoveReading. The blurb available on several bookstore listings has this to say about the stories within: “Meet Og the inventor, the first caveman to cultivate fire, as he discovers the highs and lows of progress; haunt the Council with the defiant evicted ghosts of Pilgarlic Towers; visit Blackbury, a small market town with weird weather and an otherworldly visitor; and travel millions of years back in time to The Old Red Sandstone Lion pub.”
  • Tiffany Aching’s Guide to Being a Witch was announced on the 12th of May 2023, with more details revealed on the 1st of June. There’s an official page for the book at terrypratchett.com, and an article in The Bookseller magazine which includes some of Rhianna’s thoughts about writing for Discworld.
  • You can find out more about Gabrielle Kent on her website, gabriellekent.com. The books about a boy who inherits a magic castle are the Alfie Bloom series, beginning with Alfie Bloom and the Secrets of Hexbridge Castle, published in 2015. Rani Reports is the series about the young journalist, beginning with Rani Reports on the Missing Millions, which was published in May this year.
  • Knights and Bikes (2019) is the first videogame from indie UK developer Foam Sword Games. It was created by Rex Crowle and Moo Yu, who you might know from their work on games like Tearaway, Little Big Planet, Ratchet & Clank, Ring Fling and MonstrosCity. Crowle is also the brain behind the roleplaying game inspired to-do list app Epic Win. The game is available on most platforms.
  • There are several Discworld books specifically credited to the Discworld Emporium, but most of them do include Terry’s name in one way or another! The credit on The Compleat Ankh-Morpork and The Compleat Discworld Atlas is “Terry Pratchett aided and abetted by the Discworld Emporium”. (The copyright has Terry Pratchett and the Emporium as a partnership as the officially credited authors, with Emporium identified as Isobel Pearson, Reb Voyce, Bernard Pearson and Ian Mitchell in that order.) Earlier books produced by the Emporium like The World of Poo and Mrs Bradshaw’s Handbook are credited on the cover only as “Terry Pratchett presents”, with the Handbook “aided and abetted” credit on the inside, while for the earlier World of Poo fictional author Miss Felicity Beadle was “assisted by Bernard and Isobel Pearson”. Only The Nac Mac Feegles’ Big Wee Alphabet Book uses the credit “by the Discworld Emporium”, separately including the same “Terry Pratchett’s Discworld” identifier seen on Tiffany Aching’s Guide to Being a Witch. (The description on the website says the Feegle book was “lovingly produced by Ian Mitchell”.) Earlier books worked on by Bernard Pearson, like the Discworld Almanack, have him as a co-author with Terry.
    So the new Tiffany book is not the first to identify specific people as the author without Terry being one of them, but it is the first to do so on the front cover. Ben is wrong, but it still feels like a big deal to him.
  • You can see Colleen Doran‘s impressive list of comic book credits, and some of her amazing artwork, at colleendoran.com. You can get notified about the crowdfunding campaign for the Good Omens graphic novel by signing up at Kickstarter.
  • You can see a list of the books published by Dunmanifestin on the company website. They don’t yet list the Good Omens Kickstarter, but “The Terry Pratchett Estate” is listed as the campaign owner, and their username is “dunmanifestin”, so that seems pretty clear. The campaign has been mentioned by the official Good Omens Twitter account, which is @GoodOmensHQ.
  • There are currently eight other active Pratchett podcasts by Ben’s count. He keeps track of them via the Pratchat side-project wiki, The Guild of Recappers & Podcasters.
  • Ted Lasso is an Apple TV+ show starring Jason Sudeikis as the title character, a college football coach from Kansas who is hired to manage Richmond AFC by the ex-wife of its previous owner, who took it in her divorce. It’s a beautiful and heartwarming show that has just finished up its third and (supposedly) final season, and as so many people have said about Unseen Academicals, “the important thing about football is that it’s not about football.” Ben highly recommends the show.
  • As well as Nullus Anxietas, which you can find at ausdwcon.org, we mention lots of Discworld conventions this episode, but missed out a few. Here’s a run-down:
    • The original Discworld Convention, now known as the International Discworld Convention, started in the UK in 1996, as Danny mentions, and runs every two years. Thanks to Rachel Rowlands of Discworld Monthly for pointing out that it has missed two of those years: 2000 and 2020. The next one is in Birmingham in August 2024, and you can find out more at dwcon.org.
    • The Irish Discworld Convention began in 2009 and also runs every two years, though not in 2021. The next one is in Cork in October 2023; find out more at idwcon.org.
    • The North American Discworld Convention also started in 2009, and has run five times since then, most recently (as per Ben’s footnote) in 2019. Their website, nadwcon.org, is offline as of the publication of this episode, but Rachel Rowlands informs us that a team is working on putting together another convention in the US, so keep an eye out for information about it in the near future.
    • Die Scheibenwelt Convention, aka the German Discworld Convention, has run six times since 2011, most recently in May 2023 – and they hold it in a castle! (The Truth Shall Make Ye Fret’s Joanna Hagan went this year; keep on eye on their social media for her video diary if you want to know more about what that was like.) They’re planning the next one for 2025. Find out more at discworld-convention.de (the website is in German and English).
    • Cabbagecon, the Dutch Discworld Convention, has run six times since 2011, and most recently in 2022. The next one will be in October 2024; find out more at dutchdwcon.nl (they also have info available in English).
    • The Ineffable Con is not a Discworld convention, but as it’s name suggests a celebration of Good Omens, specifically the television series. It’s run three times in the UK since 2019, and a fourth online-only convention is coming in October 2023. Find out more at theineffablecon.org.uk.
    • The Llamedos Holiday Camp is the newest fan event, which has run in Wales since 2020. It’s organised by the folks behind Discworld Monthly (hello again Rachel – thanks for the reminder!), and rather than being a traditional convention, describes itself as an “Interactive Immersive Discworld Experience” – it’s presented as if the event is taking place in Llamedos as the Discworld equivalent of an old-school British holiday camp. It will next appear in 2024 with a “Scout Jamboree” theme, and you can find out more at llamedosholidaycamp.com.
  • The special convention episodes we’ve released in conjunction with Nullus Anxietas are:
    • #PratchatNA7, “A Troll New World”, recorded live at Nullus Anxietas 7 in 2019.
    • #PratchatNALC, “Twice as Alive”, recorded for The Lost Con online event in 2021.
    • A special Hogswatch video for the con’s 2021 Christmas event; it’s available to Pratchat subscribers on YouTube.
    • “A Tale of Two Carpets”, recorded for the Discworld Virtual Fun Day in June 2022; the title is from a special version released to Pratchat subscribers with extra footnotes, but you can see the original that played at the event at this link.
  • Blow Up is a 2023 Australian reality television show made by Channel 7 in which contestants compete to make the biggest and best balloon sculptures. It’s based on a Dutch show, also called Blow Up, from 2022. You can watch Blow Up via 7Plus, which is the channel’s catch-up streaming service, though it may not be available to viewers outside Australia. We won’t spoil the results in case you want to watch it for yourself, but don’t get your hopes up for a second season; Blow Up was moved from Channel 7 to one of their digital-only channels, 7flix, after two episodes, thanks to disappointing ratings.
  • Werewolf is a social deduction party game. Players are secretly assigned a role as a werewolf or villager, and play in alternating day and night turns. The werewolves, who know who each other are, eliminate one villager player each night turn, while during the day turns the villagers must debate who are the werewolves and vote to eliminate players they suspect. Either team wins if they eliminate all of the other players. The game was invented in Russia as Mafia by Dimitry Davidoff in 1986, but didn’t take off in America until it was re-themed to be about werewolves by Andy Plotkin in around 1997. It is often treated like a folk game, even though it’s origin can be traced, and there are many, many published and free versions available, many with large numbers of unique roles for the villagers which grant them various special abilities and win or lose conditions. Personally Ben considers it inferior to newer social deduction games that don’t rely so heavily on player elimination, but he’s developed a couple of variations of his own, including Spy Catcher and Smuggletown.
  • For more about the Australian Discworld Convention, visit their website or Facebook page, join their Facebook group, or follow them on Twitter, Instagram or YouTube.

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#PratchatRuby – How Did Discworld Get to 40?

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24 November 2023 marks forty years since Terry Pratchett’s The Colour of Magic was first published. That’s right – it’s Discworld’s fortieth birthday! To celebrate, join Pratchat producer and co-host Ben McKenzie as he – and a bunch of special guests – try to figure out why that book, and moreso the Discworld series it started, have endured for so long.

This episode is something of an experiment for Pratchat, and as Ben says during the episode, this can’t possibly cover all the reasons why the series is so beloved. We want to hear about your favourite Discworld books, and what the Discworld means to you. And we’d love to know what you thought of this episode, and whether you’d like to hear more like it in the future! Tell us via the hashtag #PratchatRuby on social media, or get in touch via email or our subscriber Discord.

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Huge thanks to everyone who contributed to this episode:

Our original discussion of The Colour of Magic can be found in #Pratchat14, “City-State Lampoon’s Disc-Wide Vacation”, from December 2018.

Our December episode will be #Pratchat73, discussing the stories of Father Christmas’s Fake Beard. But we are hoping to bring you one more little extra before the year is out.

Want to help us get to every Pratchett book? You can subscribe for as little as $2 a month – and that’s cuttin’ our own throats! (Sorry.) Check out our Support Us page for details.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

#Pratchat72 Notes and Errata

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These are the episode notes and errata for Pratchat episode 72, “The Masked Dancer”, discussing Terry Pratchett’s 1989 short story “Turntables of the Night” with guest Andrew McClelland.

Iconographic Evidence

The cover art of the 1997 anthology The Flying Sorcerers is a Josh Kirby illustration of this story. The full jacket illustration also appears in A Blink of the Screen.

Notes and Errata

  • The quest for this month’s episode title was a long one, but we settled on this riff on The Masked Singer, a popular reality gameshow based on a format originating in Korea. In the show, celebrities perform songs in elaborate costumes that hide their identities and a judging panel and the audience try to guess who they are while also voting for their favourites, with the singer with the fewest votes being unmasked and eliminated each round. Appropriately enough, the Australian show’s most recent season which finished the day before this episode was published featured a singer dressed as the Grim Reaper, who turned out to be Darren Hayes of Savage Garden fame!
  • The Vengaboys are a Dutch Eurodance group who were huge in the late 1990s, best known for the songs “We Like to Party” and “Boom, Boom, Boom, Boom!!”, the former of which includes the line “The Vengabus is coming”. Ben’s memory is sketchy but he thinks Liz is referring to a comedy bit Andy used to do about the nature of the Vengabus, painting it as something more ominous. (We’ll check up on this and update this note!)
  • Gilbert and Sullivan are dramatist W. S. Gilbert (1836–1911) and composer Arthur Sullivan (1842–1900), who wrote a series of comic light operas in the Victorian era which have since become world famous. Andy’s love for them was expressed through his most recent comedy show with Martine Wengrow: The Very Model of a Modern Major Musical, a two-person performance of his own full-cast opera in the distinctive Gilbert and Sullivan style which he wrote during the lockdowns of 2020.
  • Truckers, published in 1989 (the same year as “Turntables of the Night”), is the first book in Terry Pratchett’s trilogy about a band of tiny Nomes trying to survive in the human world. We discussed it way back in #Pratchat9, “Upscalator to Heaven”.
  • Good Omens is Pratchett’s famous 1990 collaboration with Neil Gaiman about an angel and demon who share an unlikely friendship and try to avert the impending apocalypse, a task made more difficulty when they mislay the Anti-Christ. We discussed it in #Pratchat15, “It’s the End of the World as We Know It (and I Feel Nice and Accurate)”.
  • The Long Earth is Pratchett’s collaboration with sci-fi author Stephen Baxter, a sci-fi series based on an idea he had around the time of The Colour of Magic about a string of infinite parallel Earths devoid of humans. We’ve discussed four out of the five books; for an overview of the plot of the first three, see #PratchatPreviously, “The Long Footnote”.
  • Actor and comedian Peter Serafinowicz is probably best known for his film and television work in things like Look Around You, Black Books, Shaun of the Dead and The Tick. He has a distinctive deep voice (a feature of his guest role on Black Books), and was famously the speaking voice of Darth Maul in Star Wars Episode I: The Phantom Menace (Maul was physically played by stunt performer Ray Park). He played the demon Crowley opposite Mark Heap’s Aziraphale in the 2014 BBC Radio adaptation of Good Omens before going on to perform the voice of Death in all forty recently released Penguin Discworld audiobooks (they didn’t do The Last Hero), which are otherwise read by a different narrator for each sub-series. (Bill Nighy also appears in every book, reading the footnotes.) Serafinowicz also voices Death in the animated feature film The Amazing Maurice.
  • Harry Harrison (1925-2012) was an American science fiction author best known for his character the Stainless Steel Rat, an interplanetary con man and rogue who starred in several short stories and novels beginning with “The Stainless Steel Rat” in 1957. The final book, The Stainless Steel Rat Returns, was published in 2010.
  • Harry Turtledove is an American speculative fiction author best known for his works of alternate history. Andy mentions Turtledove’s 1992 novel The Guns of the South, in which time-travellers from 2014 South Africa supply advanced arms to the Confedercy, allowing them to win the US civil war. He is also known for the similar Southern Victory series, in which the Confederacy wins thanks to one small difference in history (no time travel is involved), and the Worldwar series, in which aliens invade Earth in 1942 during World War II.
  • Hidden Turnings was published in February 1989 and included works by Pratchett, Diana Wynne Jones, Roger Zelazny (best known for The Chronicles of Amber), Tanith Lee and many others. You can find all the details of the book and the stories within at its Internet Speculative Fiction Database entry.
  • We’ve talked many times of British fantasy author Diana Wynne Jones (1934-2011), and especially of her Chrestomanci series about a connected series of parallel magical worlds; Howl’s Moving Castle and its sequel; and her parody of both travel guides and fantasy tropes, The Tough Guide to Fantasyland.
  • The panel Ben featuring Terry Pratchett and Diana Wynne Jones was “Whose Fantasy” at the Institute of Contemporary Arts. (Ben found it after we wondered if the two were friends in #Pratchat46, “The Helen Green Preservation Society”). The talk was indeed chaired by Neil Gaiman, and also featured John Harrison and Geoff Ryman. Ben was on the money when he said it was from around the time of “Turntables of the Night” – it’s from the same year, 1988!
  • The Flying Sorcerers is a 1997 (not 1996) anthology of comic fantasy stories, organised into three sections: “Hordes of the Things: Comic Fantasies”, “Deadly Nightshapes: Tales of the Supernatural” and “Vacant Space: Stories of Science Fiction”. As well as Pratchett’s story it features work from P. G. Wodehouse, Mervyn Peake, C. S. Lewis, Kurt Vonnegut Jr, Michael Moorcock, Roald Dahl, Stanislaw Lem and Angela Carter and many others. You can see the full list of stories on the Internet Speculative Fiction Database.
  • Peter Haining has edited and written introductions for a long list of books, mostly compilations of previously published works. As well as The Flying Sorcerers he also published Pratchett works in Space Movies II, The Wizards of Odd and Vintage Science Fiction. He also compiled five major nonfiction books about Doctor Who in the 1980s, including the 25th anniversary book 25 Glorious Years in 1988. Haining’s full bibliography can also be found on the ISFDb.
  • The Wizards of Odd was published in 1996. It was also edited by Peter Haining, featured a previously published piece by Terry Pratchett as its first story, and used a Josh Kirby illustration for that story as its cover art. In this case it was “Theatre of Cruelty”, which we just discussed in #Pratchat70, “Punching Up”. The full contents are (you guessed it) on the ISFDb.
  • Hordes of the Things was a 1980 BBC radio series written by Andrew Marshall and John Lloyd (who had just written and produced The Hitchhikers Guide to the Galaxy with Douglas Adams), under pseudonyms with three initials to emulate J R R Tolkien, and starring Simon Callow and Paul Eddington. A fairly broad parody of Lord of the Rings set in the kingdom of Albion as it faces an invasion of the “Dark One”, it was also loose political satire.
  • Small caps can be simulated by modern word processing and desktop publishing software, but this is usually unsatisfactory since scaled-down capital letters have a lighter weight (i.e. because they’re shrunk the lines are thinner), whereas proper small caps should have the same weight as full size lower case letters.
  • Death’s dialogue has varied a bit between editions; in some, like the Corgi paperback of The Colour of Magic and the collector’s library editions of many of the books, he speaks in all small caps – i.e. only small capital letters. In others, like the first hardcover edition of Hogfather, he speaks in mixed small caps, with regular capitalisation. It’s only in anthologies like The Flying Sorcerers where he seems to speak in all caps.
  • Roger Zelazny (1937-1995) was an award-winning American science fiction writer. His Chronicles of Amber series, consisting of two sets of five novels published between 1970 and 1991, is about a group of immortals, the Princes and Princesses of Amber, who rule their one “true” world of Amber. They are able to walk between “shadows”, the infinite alternate realities given order and substance by the Pattern, a mystic labyrinth; the royals of Amber gain their shadow-walking ability by walking the Pattern. They organise into several factions and scheme amongst themselves to take the throne. A hugely popular roleplaying game of the 1990s, Amber Diceless Roleplaying, was based on these stories; player characters oppose each other, vying for power, and instead of using dice are simply ranked in order of who is best at what during an “auction” at the start of the game.
  • “Kalifriki of the Thread” is a short story about Kalifriki, more or less an assassin who can travel between dimensions (called shifting into the “side-by-side lands”) and whose signature method of killing is the Thread, an unusual and seemingly multidimensional weapon or force. In the story, Kalifriki is hunting the Kife, another shifter who inhabits the bodies of others. The character returns in the short story “Come Back to the Killing Ground Alice, My Love”, first published in Amazing Stories in 1992. Both stories were collected into one volume in 2022.
  • DJ Ian Bell was not only a DJ, he was also a photographer, a music historian, and a record store worker and owner. He died in May 2023. You can hear him talking about his history in this 2019 segment from ABC Radio in Adelaide, played again the week after his death.
  • Since 2021 Taylor Swift has been re-recording and releasing new versions of her first six studio albums, in part because she regretted signing away ownership of the master recordings as a teenager (she was 15!) in her original contract with the label Big Machine in 2005, and subsequently became responsible for something like 80% of their revenue. After a series of disagreements, including not being able to buy the masters rights, and Big Machine selling out to her former manager, Scooter Braun, she enacted the re-recording plan under her new and much more favourable contract with Republic Records. Because she wrote her own songs, she owns the composition rights, and so controls who can record new versions of the songs – including herself. The new releases are subtitled “(Taylor’s Version)” and so far have included Fearless, Red, Speak Now and 1989, and they’ve plummeted streams and sales of the originals as her loyal fans stick to her versions.

More notes to come soon!

Thanks for reading our notes! If we missed anything, or you have questions, please let us know.

#Pratchat72 – The Masked Dancer

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Unlike some DJs, Liz and Ben do take requests – like this month’s short story! They’re joined by comedian and DJ Andrew McClelland to spin discs with the soul collector, as they discuss Terry Pratchett’s 1989 short story “Turntables of the Night”.

John, one half of the “Hellfire Disco” mobile DJ business, is helping the police with their enquiries. His latest gig, a fairly sedate Halloween party, did not go smoothly – and it all revolves around a mysterious visitor to the dancefloor, who had an unusual request for DJ Wayne…

Written for Diana Wynne Jones’ 1989 collection of original fiction Hidden Turnings, “Turntables of the Night” came to Pratchett title first. It’s a spooky tale of obsession, records, music and death – or rather Death, appearing outside the Discworld for perhaps the first time in Pratchett’s writing.

Is this fantasy or horror? Did Pratchett really know who Ian Curtis was? Who did he call up to get insight into the DJ trade? What would Death ask you to curate for him? Who would be the crown jewel in his collection now? And which of Pratchett’s other short stories do you want us to devote an entire episode to? Join in the conversation using the hashtag #Pratchat72 on social media.

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Guest Andrew McClelland (he/him) is a writer, comedian and DJ who has often mixed in his other loves, like history, music, DJing and Gilbert & Sullivan, to create the “niche” nerdy and gentlemanly comedy for which he’s known. Andy has also frequently collaborated with #Pratchat38 guest Lawrence Leung. As a DJ, Andy works constantly in Melbourne and did indeed open for Cher during her 2018 Australia and New Zealand tour. His club night Andrew McClelland’s Finishing School doesn’t run as regularly as it used to, but as of this episode it has a 15th anniversary night on 10 November, and an annual 90s night on 24 November. Find Andy on Instagram, Facebook, Twitter (if you must) or at his website djandrewmcclelland.com. Finishing School is on Facebook.

As usual, you can find notes and errata for this episode on our website.

Next episode we get into the Hogswatch spirit by opening an entire book of season stories, as we discuss the 2017 collection of Pratchett’s children’s fiction, Father Christmas’s Fake Beard. You can send us questions about any of the stories (which we’ll list on our website for reference), or about the book in general, using the hashtag #Pratchat72 on social media. Or send them in via email to chat@pratchatpodcast.com.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.