These are the episode notes and errata for our special Glorious 25th of May episode, “Eeek Club 2024“, discussing topics chosen by our Eeek tier subscribers.
Iconographic Evidence
Notes and Errata
If you need an explanation of the Glorious 25th of May, see #Pratchat54, “The Land Before Vimes”, our episode discussing Night Watch. As mentioned in our previous Eeek Club specials, the 25th of May is also Towel Day and Geek Pride Day.
“Ramen hacks” are things you can add into your bowl of traditional Japanese noodle soup to make it even more delicious. (Not a lot of them are vegetarian, so Ben has given them a miss.) If you want to find some, you could look up the hashtag #ramenhacks on TikTok or Instagram, search YouTube, or do a web search, which will find a fair number of listicles.
Find out all the details about the Australian Discworld Convention (12-14 July 2024 in Adelaide) at their website, ausdwcon.org.
“Mad March” is the name given in Adelaide to the period of the year usually starting in late February and running through March when nearly all of their big cultural events occur: the Adelaide Fringe Festival (the second largest fringe arts festival in the world!), the Adelaide Festival, Womadelaide, the Clipsal 500 car race, and in some years even South Australia’s major horse race and a state election. It used to be not much else of note would happen there during the rest of the year, but as Liz mentions that’s no longer the case.
Maid Marian and Her Merry Men was a sitcom pitched at kids created by Tony Robinson. It spoofed the Robin Hood myth by having Robin be a cowardly tailor mistaken for a rebel leader, when actually Marian is the brains behind the outfit. We’ve mentioned it before, though not for a long time – it was way back in #Pratchat7A, “The Curious Incident of the Dragon and the Night Watch”, and #Pratchat17, “Midsummer (Elf) Murders”. The episode Ben is thinking of here is “They Came From Outer Space” from the show’s third series in 1993. (Fun fact: Ben wrote the first – and for a long time only – website dedicated to the show way back in around 1994, and even corresponded with a couple of the writers and actors on the show. A lot of the information on modern Marian sites is plag- well, copied from his site, which no longer exists except in the Internet Archive.)
The “Keep your secrets, Gandalf” meme is from the scene where Frodo meets Gandalf as he arrives in the Shire at the start of The Lord of the Rings: Fellowship of the Ring.
We mention a few TV shows:
The Worst Witch was originally a series of children’s books written and illustrated by Jill Murphy, the first of which was published in 1974. It chronicles the adventures of Mildred Hubble, a student at Miss Cackle’s Academy for Young Witches; Mildred’s clumsiness gets her into all sorts of trouble and earns her the titular epithet. It’s actually been two different television series, one fairly low budget one in 1998 which was so popular it had two spin-offs, and a newer one in 2017. There was also a stage musical in 2018!
Dead Boy Detectives is on Netflix, and is based on characters created by Neil Gaiman for the Sandman comics, who later went on to star in more adventures in comics and appear briefly in the Doom Patrol television series before getting their own show. The titular dead boys are a pair of ghosts who solve supernatural crimes while hiding out from Death so they can stay together. The first season was released ion 25 April 2024.
Wednesday is also on Netflix. Created by Tim Burton, it’s a new version of The Addams Family focussed on Wednesday Addams, played by Jenna Ortega. After being expelled from a regular high school, Wednesday is sent to the much creepier Nevermore Academy. A second season is coming, probably in 2025.
The White Lotus is a black comedy anthology series on HBO. Each season takes place at a different hotel run by the fictional White Lotus chain. The third season is coming in 2025.
Thanks for reading our notes! If we missed anything, or you have questions, please let us know.
These are the episode notes and errata for Pratchat episode 76, “Real Men Don’t Drink…Decaf”, discussing the 2003 standalone Discworld novel Monstrous Regiment with guest Freya Daly Sadgrove.
Iconographic Evidence
Here’s “how is prangent formed”, the most famous YouTube compilation of misspelled Yahoo Answers questions about being pregnant, from 21 October 2016. While it’s mostly a bit of fun, it’s important to remember these were all asked by real people who had real fears and worries, just no way to edit their hastily (and perhaps secretly) typed questions. The US has a lot to answer for when it comes to sex (and indeed general) education…
Here’s that Traffic Accident Commission ad we mentioned, but please be warned, it’s pretty intense (though not gory).
Notes and Errata
The episode title is a bit of a mash-up of two ideas: first, Real Men Don’t Eat Quiche, the 1982 book by Bruce Feirstein satirising American ideas of masculinity (and which we last mentioned in our episode about The Unadulterated Cat, “The Cat in the Prat”). The second is another riff on the classic vampire line “I don’t drink…wine”, originally from the 1931 film Dracula starring Bela Lugosi (though the original line was “I never drink…wine”). Just to be clear: we don’t think there’s anything wrong with drinking decaf, or believe in the idea of a “real man”. You’re a man if you think you are; that’s how gender works.
“Let’s Get Down to Business” is the first line of the song “I’ll Make a Man Out of You” from the 1998 Disney animated film Mulan. Mulan is an adaptation of a Chinese folk story from around the 4th to 6th centuries BCE about Hua Mulan, a young woman who disguises herself as a man to fulfil her family’s conscription obligations, saving her father from being forced to join the army. She goes on to win great battles and achieve great fame. In the film, “I’ll Make a Man Out of You” is sung by Mulan’s Captain, Li Shang (played by BD Wong, but sung by Donny Osmond!), during a training montage for Mulan and her fellow fresh recruits.
Diana Wynne Jones (1934-2011) was a British fantasy children’s author. As one of Liz’s other favourite authors, we’ve mentioned her a lot – and one of these days we’ll do an episode or more about her books. Her most famous works include the Chrestomanci series about magical parallel universes, and Howl’s Moving Castle. The titular Howl is a mighty wizard, but the protagonist of the story is Sophie, the eldest daughter of a hat shop owner, who is cursed with old age by the Witch of the Wastes. Sophie gets a job as a cleaner for the wizard Howl, and makes a bargain with his fire demon, Calcifer, that he will restore her youth if she can free him from his contract to the wizard. It was very succesfully (if very loosely) adapted into a film by Hayao Miyazaki for Studio Ghibli in 2004.
You can read the full text of the Daily Express review of Monstrous Regiment on Colin Smythe’s web page for the book. It opens with: “Not so long ago in a pub far, far, away Terry Pratchett announced that he had discovered an interesting fact. In the American Civil War more than 300 women had enlisted in the army dressed as men. There may have been more. These were just one ones who told people about it afterwards.”
Questionable Content (QC for short) is a long-running webcomic written and illustrated by American-Canadian cartoonist Jeph Jacques. It started in 2003, and is a slice-of-life story about indie rock fan Martin Reed and friends, set in a slightly futuristic world where artificial intelligence and advanced cybernetics are commonplace. At the time of writing it’s had more than 5,200 instalments! Elliot is a character introduced in 2011, an employee at a bakery first visited by Martin in Comic 1,845. Like Paul Perks, he’s a big but gentle man.
We previously met the small-but-officious Nuggan in the “illustrated Discworld fable” The Last Hero, as discussed in #Pratchat55, “Mr Doodle, the Man on the Moon”.
For the curious, you can find a list of Abominations Unto Nuggan mentioned in this book (and elsewhere – mainly The Last Hero and The Compleat Discworld Atlas) at the L-Space Wiki.
For reference, the members of the Monstrous Regiment are:
Lieutenant Blouse (no first name given; later promoted to much higher rank)
Sergeant Jack Jackrum (no other name given; later promoted to Sergeant Major)
Corporal Strappi (later revealed to (probably?) be a Captain and a “political”)
Private Oliver “Ozzer” Perks (Polly; later promoted to Sergeant)
Private Maladicta (Maladict)
Private Carborundum (Jade)
Private Igor (Igorina)
Private “Tonker” Halter (Magda)
Private “Shufti” Manickle (Betty)
Private “Wazzer” Goom (Alice)
Private “Lofty” Tewt (Tilda)
Ben gives a short account of The First Blast of the Trumpet Against the Monstruous Regiment of Women in the footnote, but if you want to read it, the full text is available via Project Goodmountain – er, Gutenberg.
We first heard about Terry Pratchett’s 2014 interview at the Wheeler Centre during the recording of #Pratchat26, “The Long Dark Mr Teatime of the Soul“ – our guest, Michael Williams, was director of the Centre at the time, and was the interviewer for the event. His story about making a faux pas – and Terry’s reaction – are included in the third episode of our subscriber bonus podcast, Ook Club. The full discussion, titled “Imagination, Not Intelligence, Made Us Human”, is available via YouTube. There’s a lot of good stuff in it! Pratchett mentions researching the history of women fighting and living as men at “a nice little place in London run by ladies who like other ladies very much indeed”; this is around the 31:30 mark.
“Sweet Polly Oliver” (also known as “Pretty Polly Oliver”) is song #367 in the Roud folk song index. It comes from around 1840 or earlier, and the first lines are “As sweet Polly Oliver lay musing in bed / A sudden strange fancy came into her head.” As Liz mentions, in the song Polly is following her lover, whom she eventually finds promoted to Captain and wounded; the doctors give up on him, but she nurses him back to health and they get married.
There are many other references to real protest and folk songs in the book; here are some of the folk songs:
“The World Turned Upside Down” – a British protest song from the 1640s, railing against restrictions placed on the celebration of Christmas by the British Parliament. A long-standing but unlikely story is that it was played by the British army band when Lord Cornwallis surrendered to the Americans after the Battle of Yorktown, hence the Hamilton song “Yorktown (The World Turned Upside Down)”. (Usually the band would play a song from the victor’s nation, but supposedly George Washington refused this tradition and told them to play a British song.)
“The Devil Shall Be My Sergeant” – a reference to “The Rogue’s March”, a song which was once traditionally played when drumming a disgraced solider out of the army. It had various sets of unofficial lyrics, many of which included the line “the Divil shall be me sergeant”. When it was no longer used officially by armies, it was played as “rough music” – yes, that was a thing on Roundworld, both in a similar sense as in I Shall Wear Midnight (see #Pratchat66, “Ol’ No Eyes is Back”), and more literally as a tune to shame followers of unpopular causes.
“Johnny Has Gone for a Solider” – an Irish folk song popular during the American Revolutionary War.
“The Girl I Left Behind Me” – Roud index #262, also known as “The Girl I Left Behind”. This is an English folk song from Elizabethan times, traditionally sung when soldiers marched off to war or a naval vessel set sail. It’s also the source of the lyric “Her golden hair in ringlets fair” which Igor quotes when coming up with excuses for Polly to have her old hair in her bag.
“Lisbon” or “William and Nancy” or “William and Polly” – #551 in the Roud index, this is possibly the song that Jackrum mentions when explaining the “Cheesemongers” nickname, which begins with the line “’Twas on a Monday morning, all in the month of May”. It’s sung by a sailor, William, who’s about to sail for Lisbon, and is leaving his pregnant lover, Nancy or Polly, behind. Nancy writes back to him saying she’ll disguise herself as a man so she can sail with him and save him from the terrors of the navy. The rest of the song doesn’t really match Jackrum’s description, which mashes up a whole lot of different bawdy folk tunes. There’s also “Dashing Away With the Smoothing Iron”, #869 in the Roud index, which begins with the first half of the line; it’s about a man repeatedly admiring a woman while she’s doing her ironing, and was the inspiration for Flanders and Swann’s “The Gas-Man Cometh”.
We read The Last Continent way back in 2020 in #Pratchat29, “Great Rimward Land”. The Last Continent is the twenty-second Discworld book, published in 1998, nine books and four years and four months before Monstrous Regiment. (Pratchett was still publishing two books a year at the time.)
Traditionally, tailors do indeed ask if gentlemen “dress to the left or right”, but stories conflict over whether this is because they intend to make said gentleman’s trousers more roomy on that side, or whether they just ask to avoid any awkward moments while taking inside leg measurements.
There have been many Roundworld equivalents of the Nugganite Working Girl Schools; some of the most infamous were the Magdalene Laundries run by the Catholic Church in Ireland. These were filled with so-called “fallen women” – mostly, but not exclusively, sex workers and pregnant girls – who were forced to work for free and suffered abuse at the hands of the staff.
Indulgences are a practice of the Catholic church. Ben is referring to “full indulgence”, a complete forgiveness for all sins offered to Crusaders, but regular indulgences are the reason for the minor penances of saying a number of “Hail Mary”s in order to be forgiven for sins confessed. When they were introduced the idea was that previous Catholics had lived such perfect lives that there’s a “treasury of merit” within the church, allowing them to give out lesser penances than the older, much harsher ones.
Ogres having layers is a reference to the 2001 DreamWorks animated film Shrek, in which the titular ogre (played by Mike Myers with a Scottish accent) explains to a talking Donkey (played by Eddie Murphy) that he’s not just the awful smelly monster that everyone assumes: “Ogres are like onions. They have layers. You peel them back and you find something else.” The film is (very loosely) based on a 1990 picture book by William Steig.
Maladict’s hallucinations make many general references to the tropes of Vietnam War films, but the main specific one we could spot was from Stanley Kubrick’s Full Metal Jacket (1987). In the film, the character Joker (played by Matthew Modine) writes “BORN TO KILL” on his hat, which matches the undead Maladict’s “BORN TO DIE”.
Matchbox Twenty are an American rock band from Orlando, Florida, fronted by singer and keyboard player Rob Thomas. Their debut 1996 post-grunge album Yourself or Somebody Like You was a massive hit, including the song “Push”, most recently seen being sung by various versions of Ken in the 2023 movie Barbie.
Blink-182 are a Californian rock band formed in 1992 whose third album, Enema of the State (1999), was probably their biggest success, with the singles “What’s My Age Again?” and “All the Small Things” doing well in many English-speaking countries at the time.
We last spoke of Danger 5 in #Pratchat52, “A Near-Watch Experience”. Created for SBS in 2012, Danger 5 is an action-comedy from the Australian comedy team Dinosaur. The first season is a parody of old school “men’s adventure” magazines and TV shows, with the titular “Danger 5” team repeatedly thwarting (though failing to capture or kill) Adolf Hitler in an absurd 1960s version of World War II. The second season from 2015 moves the team, Hitler and the target of their parody into the 1980s. You might still find it on Blu-Ray or DVD if you’re lucky; it was released by Madman Entertainment, but isn’t widely available. It was on Netflix in several territories for a while, but not any more; you can at least find clips, cast commentaries and even the prequel episode “The Diamond Girls” on the Dinosaur YouTube channel. In 2020 there was a new “Only on Audible” podcast series, Danger 5: Stereo Adventures. Dinosaur, or at least some of their creative team, have since created the animated series Koala Man for Hulu (it’s on Disney+ in Australia).
A few more notes coming soon!
Thanks for reading our notes! If we missed anything, or you have questions, please let us know.
These are the episode notes and errata for Pratchat episode 75, “…And That Spells Trouble”, discussing the 2012 revised edition of Guards! Guards! A Discworld Board Game, designed by Leonard Boyd and David Brashaw, with guest Dr Melissa Rogerson.
Iconographic Evidence
Guards! Guards! has a lot more components than the other board games we’ve discussed so far. Here’s a gallery featuring the board and the playing pieces; and another with some of the specific cards we mentioned.
All the components set up and laid out for a game, plus the box, rules and player reference card. The Luggage piece in all its glory.A sample player board, in this case one for the Guild of Alchemists. The red cubes track your three player stats.The Sabotage markers, face up. (They are kept face down in play.)Detail of the board, showing spell spaces, various locations, and the path of the Luggage (the footprints).The dragons. Oh my!There are a lot of cards in the game.Ben’s view of the end of the game.Just the board from above. A functional representation of Ankh-Morpork.The eight-sided dice from the game, and the golden D8 from the Australian Discworld Convention.The rulebook has the same art as the box.Some of our favourite character illustrations from the cards, and others we mentioned in the episode.These are the most prominent characters who appear from the Watch books, along with a few other supporting characters we love, but the main cast of Guards! Guards! do not appear!Ben mentions that some of the characters who appear are a bit more obscure; here are a few examples.Two of our fave characters from Soul Music, who are also examples of quotes that didn’t quite hit the mark for Ben.
Notes and Errata
The episode title was more or less inspired by the song “You’ve Got Trouble” from the musical The Music Man. In the song, con man Harold Hill convinces the residents of River City that they’ve got trouble, inventing spurious dangers to their youth which he blames on the introduction of a pool table to the town’s billiard parlour.
Ben wonders how up-to-date the characters are in the game. At the time it was first published in September 2011, all but the last three Discworld novels (Snuff, Raising Steam and The Shepherd’s Crown) had been published. The game definitely includes characters from beyond the 31st novel, Monstrous Regiment, including Mrs Earwig (who didn’t appear in a novel until the 32nd book, A Hat Full of Sky); Moist von Lipwig and Gladys the golem (both introduced in the 33rd book, Going Postal); and Constable Brakenshield (a very minor charcater from Thud!, the 34th novel).
Ben several times mentions David Brashaw’s interview with The Truth Shall Make Ye Fret; we linked to it in the main episode description, but for completeness’ sake, it’s “Picture Books and Board Games with Pratchat and David Brashaw” from 20 November 2023. David’s interview starts at around the 1 hour, 8 minutes and 45 seconds mark. (If you’ve not listened to it already, don’t skip the start; as you may have guessed from the title, Liz and Ben are also guests!)
We’ve mentioned Miss Fisher’s Murder Mysteries many times before; it’s a television series about the high society lady Miss Phryne Fisher, who solves mysteries in 1920s Melbourne, adapted from the popular series of books by Kerry Greenwood. Liz mentions that it seems like the perfect setting for the Maquis of Fantailer, a minor character mentioned in The Fifth Elephant as the Disc’s equivalent of the Maquis of Queensberry – i.e. the nobleman who invented rules for boxing as a sport, which are entirely useless in a street fight.
Mrs Harris Goes to Paris (2022, dir. Anthony Fabian) is a British film adaptation of the 1958 novel Mrs ‘Arris Goes to Paris. It tells the story of Ada Harris, a working class cleaner whose husband died in World War II; she never realised she was supposed to receive a war widow pension and when she is paid it in arrears, uses the windfall to visit Paris in the hopes of buying a Dior dress.
On BoardGameGeek, a game’s “weight” is described as a measure of how difficult it is to understand (though not everyone thinks of it that way). A heavier weight generally means more rules and/or components, and more complex interactions and strategies; the scores are Light (1), Medium Light (2), Medium (3), Medium Heavy (4) and Heavy (5). Guards! Guards! has a weight (averaged from votes by users of the site) of 2.61 out of 5, so between Medium and Medium Light. For comparison, Monopoly scores 1.65 (between Light and Medium Light), while Chess has a weight of 3.66. (In case you’re interested, the heaviest game in Ben’s collection is Oath: Chronicles of Empire & Exile, with a rating of 4.11; he also has a lot of party games with a weight at or near 1.0, but most of his favourite games are Medium or Light Medium.) We’ve listed the weight of the other games suggested below for contrast, but keep in mind it’s a subjective measure; most games fall in between two of the scores.
Shut Up & Sit Down (SUSD) was launched in 2011. Its major components are a YouTube channel, where they are best known for their funny but thoughtful board game reviews, and a website, where they have extensive forums and written reviews and features as well. They’ve also expanded to produce a podcast, and a games convention, SHUX, which is held in Vancouver, Canada. If you like their stuff, Ben reckons you’ll also like No Pun Included, who make similarly in-depth and funny board game review videos, and also have a website and podcast (now called Talk Cardboard).
Unsurprisingly, we mention a lot of board games in this episode. Here’s a full list; links are to the game’s entries on BoardGameGeek.
Talisman (weight 2.17, Medium Light) was first published in 1983, but hit it big with the second edition in 1985. Players take are one of many fantasy archetypes like wizard, barbarian, sorceress and thief, all racing around a slightly Monopoly-like board having weird encounters as they try to reach the centre space and claim the Crown of Command. The currently available revised fourth edition is substantially similar to the earlier versions, and was first released in 2007.
Dungeon! (weight 1.56, Light/Medium Light) was first published in 1975 by TSR, the company behind Dungeons & Dragons at the time. Players choose a “class” (elf, hero, superhero or wizard) and then delve into the chambers of a board designed like a dungeon, hoping to fight monsters and steal their stuff. The most recent edition was first published in 2014 by D&D’s current owners, Wizards of the Coast, and hasn’t changed much except the art and production values.
The Witches (weight 1.66, Light/Medium Light) is the previous Discworld board game we covered on the podcast, in #Pratchat67, “The Three-Elf Problem”. Ben mentions it’s the “other Martin Wallace one”, the first one being Ankh-Morpork, which we have yet to discuss.
King of Tokyo (weight 1.49, Light/Medium Light) was first published in 2011, and has remained popular. There are a few spin-offs, including King of New York and King of Monster Island, which feature twists on the original; and plenty of expansions, mostly extra giant monsters. It also comes with a set of very satisfyingly big and heavy dice, which use symbols instead of numbers.
Survive: Escape from Atlantis! (weight 1.70, Medium Light) was first published in 1982, and sees players trying to get as many of their ten people to safety as possible as Atlantis sinks. The fun twist is they’re once the game starts, you can’t look at the bottom of your people tokens – and they’re each worth a different number of points. A 30th anniversary edition is still in print. The dolphin, giant squid and two other expansions were available combined in one box, but are a bit hard to find now.
Reign of Cthulhu (weight 2.16, Medium Light) is the 2016 game Liz mentions playing at a board game cafe in New Zealand. It is based on Pandemic by Matt Leacock, but is now marketed as a “Pandemic System Game” rather than having “Pandemic” in the title. Players work together to close magical gates to other dimensions before an ancient “Old One” – a cosmic entity with the power of a god – arrives to destroy the world.
Castles of Mad King Ludwig (weight 2.65, Medium Light/Medium) has players trying to build a castle that will please the randomly selected whims of the King. It’s (very) loosely based on the real King of Bavaria, Ludwig II, who spent his fortunes on building a number of lavish castles during the nineteenth century, earning him the nickname “the Fairytale King”. Ben also likes the spin-off game The Palace of Mad King Ludwig, in which all the players build the same castle.
Big Top (weight 1.03, Light) from GameWright is, as Melissa mentions, one of many versions of the game originally published as Barnyard Buddies in 1996. (The versions are pretty much identical aside from art and theme, so there’s just one entry for all of them on BGG.)
Kingdomino (weight 1.22, Light) is a 2016 game in which players build medieval kingdoms by playing domino-like tiles showing various kinds of land, like fields, lakes and mountains. It’s been a pretty big success and has spawned many spin-offs and similar games, including Queendomino, which can be combined with the original.
Daybreak (weight 2.96, Medium) is Matt Leacock’s 2023 game of fighting climate change. It’s really interesting and important, but also great fun to play. Has a great solo mode.
Paperback Adventures (weight 2.70, Medium) is a solo deckbuilding game where you make words out of letter cards to generate points used by your protagonist character to fight a series of six villains. It does have rules for two players, but they’re generally not considered that great; but you can play it with multiple players cooperating to work out the best word to play! Ben has all three of the available characters, and loves them all, but if he had to pick a favourite it’s a toss-up between assassin princess Damsel and undead pirate Plot Hook.
Liz mentioned the Quarter Quell, which she also referenced last episode; it’s a special version of the Hunger Games (from the book series of the same name by Suzanne Collins), a death match by lottery imposed by the fascist state, where they bend the usual rules to make it even more horrible.
Thanks for reading our notes! If we missed anything, or you have questions, please let us know.
These are the episode notes and errata for Pratchat episode 74, “Hogswitch”, an interview with the authors of Tiffany Aching’s Guide to Being a Witch, Rhianna Pratchett and Gabrielle Kent.
Iconographic Evidence
This is “Love is All”, the music video Ben talks about for a song from the 1974 concept album The Butterfly Ball and the Grasshopper’s Feast. See below for the origins of the album, which was written by Roger Glover and featured lots of high profile rock stars, including here Ronnie James Dio as the frog.
Notes and Errata
The talk at the British Library mentioned by Rhianna is the book’s launch event at the British Library, organised by the Living Knowledge Network and held in conjunction with the “Fantasy: Realms of Imagination” exhibition. It was held on 27 October 2023, the day after the book’s original release date – the release was delayed by Typhoon Saola, which delayed shipping to the UK including the initial supplies of the book. You can watch the whole event on the Living Knowledge Network website.
The talk at Waterstones Picadilly is not available as a video or audio recording; you had to be there, folks! For those not in the know, Waterstones is one of the major book chains in the UK, and the Picadilly store is one of their flagship shops in London. Its hosted many Pratchett events in the past, including a midnight opening for The Shepherd’s Crown, an event for Crystal of Storms (see below), and many signings.
Travelling Man is a games, comics and fantasy books business with stores in Leeds, York, Newcastle and Manchester in the UK. They also run their own small press. You can find outmore about them at travellingman.com.
Crystal of Storms is Rhianna’s 2020 Fighting Fantasy book: a branching narrative told in the second person in which the reader chooses their path through the story, and also must occasionally roll dice to try and overcome obstacles and defeat monsters. The series was created by Steve Jackson and Ian Livingstone of Games Workshop fame in 1982. Crystal of Storms was part of a revival of the Fighting Fantasy books by Scholastic Books that began in 2017, one of six new books published along side new editions of the classic ones.
Gabrielle’s previous seven books are:
The Alfie Bloom trilogy: Alfie Bloom and the Secrets of Hexbridge Castle (2015), Alfie Bloom and the Talisman Thief (2016) and Alfie Bloom and the Witch of Demon Rock (2017)
The three Knights and Bikes books: Knights and Bikes (2018), Knights and Bikes: Rebel Bicycle Club (2019) and Knights and Bikes: Wheels of Legend (2020)
The first Rani Reports book, Rani Reports on the Missing Millions (2023)
The second Rani Reports book is due to be published on 5 September 2024, and currently available info lists the title as Rani Reports on the Copycat Crimes.
“Frou-frou” is term derived from French (originally the sound of a rustling bag), which has become British slang meaning overly ornamental or excessively fancy. (A famous example is the character Le Comte de Frou Frou from Blackadder the Third.) Frou-frou flavoured coffees might therefore include a pumpkin spice or salted caramel latte. We’ve no objection to any of this, by the way; enjoy your coffee any way you like! (Ben’s partner often has a bit of cardamom mixed into her coffee, and uses a spiced drinking chocolate on top of the frothed milk for a cappuccino.)
Yorkshire Biscuit Tea is indeed a frou-frou flavoured tea, manufactured by the Yorkshire Tea company and marketed as tasting like “tea and biscuits”. They also have a “Toast & Jam” flavour, and both were at least temporarily available in Australia in 2023.
There are several official Discworld and Terry Pratchett websites:
dunmanifestin.com – the site for Dunmanifestin, the company created by Terry and Lynne Pratchett to hold copyright for Pratchett’s work, and the official site for the Terry Pratchett estate. Dunmanifestin directly publishes deluxe editions of various Pratchett works, like the Ultimate Discworld Companion and the upcoming graphic novel adaptation of Good Omens.
narrativia.com – the production company that controls licensing rights for all Pratchett’s works since 2012.
discworld.com – an official Discworld shop, originally known as PJSM Prints, founded, owned and run by Sandra and Jo Kidby. They originally sold only Paul Kidby’s art prints, but have since expanded to many other Discworld items, notably special editions of the books. (Note that Paul Kidby also has his own website, paulkidby.com, and sells items based on his artwork there, too.)
discworldemporium.com – the Discworld Emporium is the other official Discworld merchandise shop, set up by Bernard and Isobel Pearson after they closed their first business, Clarecraft.
Geoffrey Swivel is, as mentioned, Tiffany’s apprentice in The Shepherd’s Crown. In the novel Geoffrey uses he/him pronouns, but also makes it clear he doesn’t think of himself as either traditional gender. This led Rhianna and Gabrielle to update Geoffrey’s pronouns to they/them for Tiffany Aching’s Guide to Being a Witch. We’ll leave any further discussion for our episode about The Shepherd’s Crown (and eventual return to Tiffany Aching’s Guide).
Spill words are a concept introduced in I Shall Wear Midnight. Mrs Proust, the city witch in Ankh-Morpork who runs Boffo’s Emporium, explains it to Tiffany: “A spill word is a word that somebody almost says, but doesn’t. For a moment they hover in the conversation but aren’t spoken”. We discussed them in #Pratchat66, “Ol’ No Eyes is Back”.
Annagramma is the conventionally attractive mean girl and presumptive leader of the coven of young witches introduced in A Hat Full of Sky. In Wintersmith she takes over the steading that belonged to Miss Treason; she is only mentioned in passing in I Shall Wear Midnight, and plays a very minor role in The Shepherd’s Crown.
You is the white kitten Tiffany gives to Granny Weatherwax in Wintersmith, described her as the daughter of “Pinky, the Widow Cable’s cat”. During research for Tiffany Aching’s Guide, Gabrielle connected this to Tiffany’s next book, I Shall Wear Midnight, where she tells her father about having to deal with a widow up near Slice who’d been dead two months, locked up alone in her house with her cats. The cats couldn’t escape the house and had started to eat her, including one who had a litter of white kittens in her bed…
Granny Whitlow is the witch who built the gingerbread house in the Forest of Skund, as depicted in The Light Fantastic. Rincewind and Twoflower are led there by the gnome Swires when they need food, and steal Whitlow’s broomstick, which has handlebars, to escape the wizards sent to capture them. According to Swires, Whitlow herself hasn’t been seen in a long time, rumoured to have been “done up good and proper by a couple of young tearways”. This is usually interpreted as a version of the story of Hansel and Gretel.
Marchessa is a young Krullian wizard who appears in The Colour of Magic, in the final book, “Close to the Edge”. She describes herself as a wizard of the fifth level, and wields Ajandurah’s Wand of Utter Negativity when taking Rincewind and Twoflower captive so they can be sacrificed. She is well informed about Rincewind’s history.
Mistress Pullunder and Old Mother Dismass are mentioned briefly as Tiffany’s previous mentors at the start of Wintersmith. Dismass also appears during the sabbat at the start of Witches Abroad with Granny, Nanny and Gammer Brevis, discussing the shortage of young witches in the wake of Desiderata Hollow’s death. Her oracular ability causes her attention to wander backwards and forwards from the present moment in a manner not dissimilar to Mrs Cake. We discussed Witches Abroad way back in #Pratchat12, “Brooms, Boats and Pumkinmobiles”.
The Butterfly Ball and the Grasshopper’s Feast is a 1974 concept album (and 1975 rock opera) written primarily by Welsh musician Roger Glover, best known as a bassist and member of Deep Purple. The album, credited to “Roger Glover & Guests”, features Ronnie James Dio (of Black Sabbath fame) and Micky Lee Soule, who was in the band Rainbow with both Dio and Glover. The album is based on the 1972 children’s book which Gabrielle mentions: The Butterfly’s Ball, and the Grasshopper’s Feast by Alan Aldridge and William Plomer. The book is itself based on an 1802 poem written by English banker, lawyer, abolitionist and Member of Parliament William Roscoe (1753-1831). The song Ben mentions is called “Love is All”, sung by Dio, and written by Glover, Dio and Eddie Hardin; it’s the nineteenth track, the second-last of the album. It was a number one hit in a few countries in Europe on release. Ben is probably incorrect about the music video being part of a larger animated film project, but it was definitely a hit on television: in Australia the song also made it into the top 10 in 1980 when the video was played on the music programme Countdown, and remained a frequently shown clip on the ABC for many years. It was also played regularly in France and some stations in the US, and featured in a 2021 trailer for French jeweller Cartier.
The Jedi Path: A Manual for Students of the Force is Star Wars book written by Daniel Wallace, and first published in 2010. Similarly to Tiffany Aching’s Guide to Being a Witch, it’s presented as an in-universe book – though in this case a specific copy of the third edition training guide for Jedi, which has been owned or used by several Jedi characters from the films who leave notes and other marks on the book. It survived the destruction of the Order, and was eventually being given to Luke Skywalker, it’s “owner” at the time it was published. The original edition was inside a “Vault”, but it has been re-published several times since with some additional material added and minor corrections. A similar volume also by Wallace, Book of Sith: Secrets from the Dark Side, was first published in 2012 and later bundled with The Jedi Path and then also with two similar books, The Bounty Hunter Code: From the Files of Boba Fett (2013) and Imperial Handbook: A Commander’s Guide (2014). The most recent editions of all four were published by Chronicle Books in 2016.
Toggenburgs are a medium-sized purebred variety of goat originally from the Toggenburg region of the Canton of St. Gallen in Switzerland. They’re very popular and farmed all over the world, known for their high milk production, though the UK has it’s own local breed, the British Toggenburg, recognised in 1921. Compared to the Pure Toggenburg, British Toggenburgs are bigger, heavier, have shorter hair and longer faces, a greater variety of coat colours, and make even more milk. One source we found described Toggenburgs as having a “robust nature” which makes them “a hardy goat able to look after its best interests,” which seems clear inspiration for the way goats are described in the Discworld books.
Indira Varma is a British actor best known to nerds for her screen roles in Game of Thrones, Obi-Wan Kenobi and Torchwood, though she’s done plenty of other film and television – and will appear in the upcoming 2024 season of Doctor Who as a Duchess. She has narrated all the Witches and Tiffany Aching books for the new Penguin Audiobooks series, which also feature Peter Serafinowicz as Death, Bill Nighy as the voice of the author reading the footnotes, and Steven Cree as the Nac Mac Feegle. The illustration of Miss Level inspired by her appears on page 31 of Tiffany Aching’s Guide, as well as in the collection of portraits used in the endpapers.
Joan Hickson (1906-1998) played Agatha Christie’s sleuth Miss Marple in the BBC television films adapting all twelve Miss Marple novels made between 1984 and 1992. She is the most recognisable screen version of the character.
Big thanks to listener armcie, who managed to uncover Nanny’s scribbled-out note on page 22 via some ebook jiggery pokery. According to them, the note reads:
Brings back a memory. Mr Ogg had a similar party piece, and after narry two sips of scumble, he’d get out his party piece and wave it around, we did all laugh, though we’d all seen it plenty before.
Nanny Ogg, Tiffany Aching’s Guide to Being a Witch
Tiffany’s favourite word being susurration is another classic bit of Terry re-using something he’d already written – in this case, his own answer to the question which he wrote for The Word, a publication for London’s Festival of Literature in 2000, three years before the publication of The Wee Free Men. In his introduction to the piece, he says these sorts of questions are referred to as “My Fabourite Spoon” items.
Fecund means “very fertile”, and – like so many other English words – comes from the Latin (fecundus, “fertile”) by way of French.
Crepuscular is an adjective meaning “of or resembling twilight”, but is more often used in its zoological context, where it means “active and dawn and/or dusk”, describing animals which are not diurnal (active during the day) or nocturnal (active during the night), but which inhabit the edge in between. A fitting word for a writer of edge witches!
The Overlord series are videogames published by Codemasters and originally developed by Triumph Studios. In the games the player is “the Overlord”, the new incarnation of evil who resembles Sauron from Lord of the Rings, who must vanquish the heroes who defeated the previous incarnation to regain enough strength to again conquer the land. Initially too weak to fight on their own, the Overlord instead commands a small army of goblin-like “Minions” who come in various colours with different special abilities. The games are a dark comedy, and the first game particularly parodies Lord of the Rings, with the heroes who are the player’s enemies parodying various members of the Fellowship, but later games include other fantasy elements as well, notably . The games in the series are:
Overlord (2007) for the XBox 360, PlayStation 3 and PC.
Overlord: Raising Hell (2008); an expansion for Overlord.
Overlord II (2009); a sequel to the original games for the XBox 360, PlayStation 3 and PC.
Overlord: Dark Legend (2009); an Overlord II spin-off for the Nintendo Wii developed by Climax Action.
Overlord: Minions (2009); an Overlord II spin-off for the Nintendo DS, also developed by Climax Action.
Overlord: Fellowship of Evil (2015); a for the XBox One, PlayStation 4 and PC (developed in-house at Codemasters)
Gnarl is the older minion who advises the new Overlord, and also does most of the narration for the player, since the Overlord themselves is a non-speaking character. He is played by Marc Silk, a prolific English voice actor who you’ve probably heard in something. He’s been Bob the Builder and various Danger Mouse characters, and been in some other classic videogames including Black & White and the Two Point series of sim games.
Knights and Bikes is a 2019 videogame designed by indie company Foam Sword, which was formed by developers who had previously worked at Media Molecule on games like LittleBigPlanet and Tearaway. It was originally a PlayStation 4 exclusive but was later released on the XBox One and Nintendo Switch. The game is set on the small (and fictional) British island of Penfurzy in the 1980s, and one or two players control Nessa and Demelz, two young girls who explore the island on their bikes and have fantastic adventures inspired by films like Goonies.
Adventure games are traditionally ones in which the player must navigate a story by examining their environment, talking to other characters and collecting and using objects to solve puzzles. The original text adventure games used typed commands, but in the 1990s companies like Sierra On-Line and LucasArts transitioned the genre into graphic or point-and-click adventures. These used graphics, sound and more-and-more sophisticated mouse-based interfaces to place the emphasis on the puzzles and their narrative solution instead of how to tell the game what you wanted to do, though some – including the original Discworld adventure game – were still very difficult. Telltale Games was a games development company founded in 2004 by ex LucasArts employees who developed a serialised, episodic format for adventure games. They started out making new stories featuring characters from the old LucasArts games, then moved on to using licensed characters and worlds like Back to the Future, Game of Thrones, Batman, The Walking Dead and the comic book Fables, which produced one of their most critically acclaimed games, The Wolf Among Us. The company collapsed in 2018 after revelations of extreme “crunch” culture – punishing hours and conditions for staff under pressure to meet unrealistic deadlines, something common in the videogame industry but at an extreme at TellTale. The name is now owned by a different company, LCG Entertainment, who re-released the TellTale Batman games and is working to complete a sequel to The Wolf Among Us.
The Quarter Quell is an event in The Hunger Games books by Suzanne Collins and their film adaptations. In the future dystopia of Panem, the government responds to an attempted rebellion by instigating the “Hunger Games” – an annual lottery where a boy and a girl are selected from each of the twelve Districts as “tributes” who will fight to the death in a specially designed arena. The Games are televised, and each twenty-five years since the original they do a special “Quarter Quell” in which the usual rules are bent in some way; during the second novel, President Snow uses the 75th Hunger Games to bend the rules and make the protagonist Katniss fight again, something that is usually forbidden.
Thanks for reading our notes! If we missed anything, or you have questions, please let us know.
These are the episode notes and errata for Pratchat episode 73, “This Christmas Goes to Eleven”, discussing Terry Pratchett’s 2017 collection of short children’s fiction, Father Christmas’s Fake Beard.
Here’s the Instagram photo of Richard from Cracked and Spineless bookshop in Hobart, showing off his Ineffable Edition of The Definitive Good Omens in 2019!
We’ll be sure to add photos of some of the Christmas food we mentioned here when we can.
Notes and Errata
The episode title is a reference to the famous scene in the 1984 mockumentary film This is Spinal Tap. The film follows famous metal band Spinal Tap on a fairly disastrous tour; at one point guitarist Nigel Tufnel (Christopher Guest) shows off his amplifiers which he has had custom made with dials that go to eleven rather than ten, which makes them “one louder”. When asked why he didn’t just “make ten louder”, he replies: “This one goes to eleven.” It seemed a perfect reference for the extreme Christmasness of Father Christmas’ Fake Beard, which also contains eleven stories.
The twelve days of Christmas are a Christian celebration of the Nativity of Jesus. Some traditions have it starting with Christmas Day, and some the day after, which is Boxing Day in the UK and Commonwealth countries like Australia, and also St Stephen’s Day (the “Feast of Stephen” referenced in the other song featured in this book, Good King Wenceslas). The season is also called Twelvetide, though “Christmastide” is technically a different thing that doesn’t exactly match up, depending on your church. The last night is “Twelfth Night”, as in the Shakespeare play.
Father Christmas is now synonymous with Santa Claus, but this wasn’t always the case. He was the folkloric personification of Christmas in Britain, going back a few hundred years, but by Victorian times began to more resemble the modern Santa Claus, especially after the American version was imported in the mid 1800s. As Ben mentions, Santa Claus’s origins lie with Sinterklaas, the Dutch version of Saint Nicholas (not German as Ben misremembers), but the modern version also incorporates bits of Father Christmas and Saint Nicholas. Ben did once know this, but it’s as if he’s forgotten everything he learned for our Hogfather episode back in 2019! And Pratchett certainly dove deep on the folklore and history when he was writing the novel. But we’re still keen to know what modern sentiment is around the names, because there’s no longer any meaningful distinction between the traditions – Father Christmas has been fully Santa-fied.
The book is still in print as far as we can tell! But this isn’t as easy to determine as it once was…
Pratchett’s other collections of children’s stories also contain a few stories seen elsewhere. Dragons at Crumbling Castle and The Witch’s Vacuum Cleaner both had deluxe slipcase editions which contained a couple of additional stories, and those stories are included in all editions of the fourth volume The Time-travelling Caveman (though it too had a deluxe edition with a story so far not collected elsewhere). In addition, The Witch’s Vacuum Cleaner also includes “Rincemangle, the Gnome of Even Moor”, which also appears in Once More* *with Footnotes and A Blink of the Screen.
Some of these stories were originally published without any title, especially those from the Bucks Free Press. The titles were made up for the purposes of this book. But then again, according to the list in the book, that includes some of the stories which had been previously published in earlier collections under other titles, like “The Twelve Gifts of Christmas”.
Father Christmas’s Fake Beard includes the opening section of Truckers as bonus material. It’s in that book that “Arnold Bros (est 1905)” (not 1903) is revealed to be owned by Arnco Group, along with a great many other businesses, when Gurder, Masklin and Grimma travel to the Top of the Store to learn the truth about the Thing’s warnings of it being demolished. You can hear more about that in #Pratchat9, “Upscalator to Heaven”.
“Old man yells at cloud” is a meme derived from The Simpsons, specifically the 2002 episode “The Old Man and the Key”. In one scene Homer’s father Abe Simpson needs a photograph for a driver’s license, and uses a photo from a newspaper story about him; it shows him shaking his fist at a cloud in the sky, with the headline “OLD MAN YELLS AT CLOUD”. It’s been used as a meme since around 2008, usually to denote someone complaining about something for no good reason.
Clinkers are a lolly (or sweet or candy, depending on which flavour of English you speak) manufactured by the Australian confectionary brand Pascall (now owned by Cadbury, in turn owned by Mondelez International). They consist of brightly coloured oval-shaped hard nougat, much like the candy honeycomb you find in Violet Crumble or Crunchie chocolate bars, coated in Cadbury chocolate. We’re not actually sure what Liz’s Dad thinks “Clinker” means, but Ben is pretty close: it’s a generic name for industrial waste products formed by the burning of coal or working of metal, which usually forms small, brittle glassy round shapes – much like the candy.
Isembard Kingdom Brunel (1806-1859) was an English engineer best known for his work during the Industrial Revolution, especially with steamships, railways, bridges and tunnels. There’s a lot to say about him – way more than we can fit in a note – but remember that “Great Man” histories are always over-simplified and leave out a lot of people who were vital to whatever the man in question did, even if he was very great.
It’s been a while since we mentioned the steamroller story, but the short version is that his hard drives containing his unfinished work were destroyed by a steamroller, according to his wishes, in 2017 – the same year Father Christmas’s Fake Beard was published! You can read about it in this Guardian article.
We discussed Nanny Ogg’s Cookbook back in #Pratchat50, “Salt Rat Arsenic Heat”. B S Johnson’s giant pie was also a disaster. Described informally as “the Great Fruit Pie” (it was made mostly of apples), and under the title “Bloody Stupid Johnson’s Individual Fruit Pie”, Ben remembers rightly that Johnson thought of making a giant pie whistle; however it wasn’t finished until a week after the explosion, and the 30-foot-high “whistling blackbird” is said to be a memorial to those lost to the pie, situated in Hide Park. (The dish created for the pie is now the roof of a house.)
While there is more detail to be found at colinsmythe.co.uk, Ben entirely missed that the book does include original titles and publications for each of the stories in it – they’re in small text on the imprint page, just before Rob Wilkin’s introduction.
More notes to come!
Thanks for reading our notes! If we missed anything, or you have questions, please let us know.
We’ll shortly be discussing the third collection of Terry Pratchett’s early short stories for children, Father Christmas’s Fake Beard, for our December episode #Pratchat73! This is the first time we’re discussing an entire book’s worth of short stories, and we’ve realised this book isn’t as readily available as others, so we thought we’d better come through on our promise to list the individual stories we’ll be discussing.
Ben’s deluxe edition of Father Christmas’s Fake Beard in its fancy red slipcase.
Here they are, in the order they appear in the book. We’ve noted where else they appear, in case you want to read one you have access to and ask about that!
“Father Christmas’s Fake Beard”
“The Blackbury Pie” – this is a slightly revised version of the original 1967 story; a different version from 1970, retitled “The Great Blackbury Pie”, appears in A Stroke of the Pen. (It’s largely the same, but a lot of the specific details are changed.)
“Prod-Ye-A’Diddle Oh!”
“A Very Short Ice Age”
“The Computer Who Wrote to Father Christmas” – also appears, under the title “FTB”, in Once More* *With Footnotes and A Blink of the Screen.
“Good King Wences-lost” – Pratchett seemingly significantly rewrote this story a few years later to produce “How Good King Wenceslas Went Pop for the DJ’s Feast of Stephen”, which appears in A Stroke of the Pen.
“The Weatherchick”
“Judgement Day for Father Christmas”
“The Abominable Snow-baby” – adapted for television for Channel 4 for Christmas 2021.
“The Twelve Gifts of Christmas” – also appears, under the original title of “The Prince and the Partridge”, in A Blink of the Screen.
“Father Christmas Goes to Work at the Zoo” – also appears in special editions of Dragons at Crumbling Castle, in the US version as “Father Christmas Goes to Work”.
These are the episode notes and errata for Pratchat episode 72, “The Masked Dancer”, discussing Terry Pratchett’s 1989 short story “Turntables of the Night” with guest Andrew McClelland.
Iconographic Evidence
The cover art of the 1997 anthology The Flying Sorcerers is a Josh Kirby illustration of this story. The full jacket illustration also appears in A Blink of the Screen.
Notes and Errata
The quest for this month’s episode title was a long one, but we settled on this riff on The Masked Singer, a popular reality gameshow based on a format originating in Korea. In the show, celebrities perform songs in elaborate costumes that hide their identities and a judging panel and the audience try to guess who they are while also voting for their favourites, with the singer with the fewest votes being unmasked and eliminated each round. Appropriately enough, the Australian show’s most recent season which finished the day before this episode was published featured a singer dressed as the Grim Reaper, who turned out to be Darren Hayes of Savage Garden fame!
The Vengaboys are a Dutch Eurodance group who were huge in the late 1990s, best known for the songs “We Like to Party” and “Boom, Boom, Boom, Boom!!”, the former of which includes the line “The Vengabus is coming”. Ben’s memory is sketchy but he thinks Liz is referring to a comedy bit Andy used to do about the nature of the Vengabus, painting it as something more ominous. (We’ll check up on this and update this note!)
Gilbert and Sullivan are dramatist W. S. Gilbert (1836–1911) and composer Arthur Sullivan (1842–1900), who wrote a series of comic light operas in the Victorian era which have since become world famous. Andy’s love for them was expressed through his most recent comedy show with Martine Wengrow: The Very Model of a Modern Major Musical, a two-person performance of his own full-cast opera in the distinctive Gilbert and Sullivan style which he wrote during the lockdowns of 2020.
Truckers, published in 1989 (the same year as “Turntables of the Night”), is the first book in Terry Pratchett’s trilogy about a band of tiny Nomes trying to survive in the human world. We discussed it way back in #Pratchat9, “Upscalator to Heaven”.
Good Omens is Pratchett’s famous 1990 collaboration with Neil Gaiman about an angel and demon who share an unlikely friendship and try to avert the impending apocalypse, a task made more difficulty when they mislay the Anti-Christ. We discussed it in #Pratchat15, “It’s the End of the World as We Know It (and I Feel Nice and Accurate)”.
The Long Earth is Pratchett’s collaboration with sci-fi author Stephen Baxter, a sci-fi series based on an idea he had around the time of The Colour of Magic about a string of infinite parallel Earths devoid of humans. We’ve discussed four out of the five books; for an overview of the plot of the first three, see #PratchatPreviously, “The Long Footnote”.
Actor and comedian Peter Serafinowicz is probably best known for his film and television work in things like Look Around You, Black Books, Shaun of the Dead and The Tick. He has a distinctive deep voice (a feature of his guest role on Black Books), and was famously the speaking voice of Darth Maul in Star Wars Episode I: The Phantom Menace (Maul was physically played by stunt performer Ray Park). He played the demon Crowley opposite Mark Heap’s Aziraphale in the 2014 BBC Radio adaptation of Good Omens before going on to perform the voice of Death in all forty recently released Penguin Discworld audiobooks (they didn’t do The Last Hero), which are otherwise read by a different narrator for each sub-series. (Bill Nighy also appears in every book, reading the footnotes.) Serafinowicz also voices Death in the animated feature film The Amazing Maurice.
Harry Harrison (1925-2012) was an American science fiction author best known for his character the Stainless Steel Rat, an interplanetary con man and rogue who starred in several short stories and novels beginning with “The Stainless Steel Rat” in 1957. The final book, The Stainless Steel Rat Returns, was published in 2010.
Harry Turtledove is an American speculative fiction author best known for his works of alternate history. Andy mentions Turtledove’s 1992 novel The Guns of the South, in which time-travellers from 2014 South Africa supply advanced arms to the Confedercy, allowing them to win the US civil war. He is also known for the similar Southern Victory series, in which the Confederacy wins thanks to one small difference in history (no time travel is involved), and the Worldwar series, in which aliens invade Earth in 1942 during World War II.
Hidden Turnings was published in February 1989 and included works by Pratchett, Diana Wynne Jones, Roger Zelazny (best known for The Chronicles of Amber), Tanith Lee and many others. You can find all the details of the book and the stories within at its Internet Speculative Fiction Database entry.
We’ve talked many times of British fantasy author Diana Wynne Jones (1934-2011), and especially of her Chrestomanci series about a connected series of parallel magical worlds; Howl’s Moving Castle and its sequel; and her parody of both travel guides and fantasy tropes, The Tough Guide to Fantasyland.
The panel Ben featuring Terry Pratchett and Diana Wynne Jones was “Whose Fantasy” at the Institute of Contemporary Arts. (Ben found it after we wondered if the two were friends in #Pratchat46, “The Helen Green Preservation Society”). The talk was indeed chaired by Neil Gaiman, and also featured John Harrison and Geoff Ryman. Ben was on the money when he said it was from around the time of “Turntables of the Night” – it’s from the same year, 1988!
The Flying Sorcerers is a 1997 (not 1996) anthology of comic fantasy stories, organised into three sections: “Hordes of the Things: Comic Fantasies”, “Deadly Nightshapes: Tales of the Supernatural” and “Vacant Space: Stories of Science Fiction”. As well as Pratchett’s story it features work from P. G. Wodehouse, Mervyn Peake, C. S. Lewis, Kurt Vonnegut Jr, Michael Moorcock, Roald Dahl, Stanislaw Lem and Angela Carter and many others. You can see the full list of stories on the Internet Speculative Fiction Database.
Peter Haining has edited and written introductions for a long list of books, mostly compilations of previously published works. As well as The Flying Sorcerers he also published Pratchett works in Space Movies II, The Wizards of Odd and Vintage Science Fiction. He also compiled five major nonfiction books about Doctor Who in the 1980s, including the 25th anniversary book 25 Glorious Years in 1988. Haining’s full bibliography can also be found on the ISFDb.
The Wizards of Odd was published in 1996. It was also edited by Peter Haining, featured a previously published piece by Terry Pratchett as its first story, and used a Josh Kirby illustration for that story as its cover art. In this case it was “Theatre of Cruelty”, which we just discussed in #Pratchat70, “Punching Up”. The full contents are (you guessed it) on the ISFDb.
Hordes of the Things was a 1980 BBC radio series written by Andrew Marshall and John Lloyd (who had just written and produced The Hitchhikers Guide to the Galaxy with Douglas Adams), under pseudonyms with three initials to emulate J R R Tolkien, and starring Simon Callow and Paul Eddington. A fairly broad parody of Lord of the Rings set in the kingdom of Albion as it faces an invasion of the “Dark One”, it was also loose political satire.
Small caps can be simulated by modern word processing and desktop publishing software, but this is usually unsatisfactory since scaled-down capital letters have a lighter weight (i.e. because they’re shrunk the lines are thinner), whereas proper small caps should have the same weight as full size lower case letters.
Death’s dialogue has varied a bit between editions; in some, like the Corgi paperback of The Colour of Magic and the collector’s library editions of many of the books, he speaks in all small caps – i.e. only small capital letters. In others, like the first hardcover edition of Hogfather, he speaks in mixed small caps, with regular capitalisation. It’s only in anthologies like The Flying Sorcerers where he seems to speak in all caps.
Roger Zelazny (1937-1995) was an award-winning American science fiction writer. His Chronicles of Amber series, consisting of two sets of five novels published between 1970 and 1991, is about a group of immortals, the Princes and Princesses of Amber, who rule their one “true” world of Amber. They are able to walk between “shadows”, the infinite alternate realities given order and substance by the Pattern, a mystic labyrinth; the royals of Amber gain their shadow-walking ability by walking the Pattern. They organise into several factions and scheme amongst themselves to take the throne. A hugely popular roleplaying game of the 1990s, Amber Diceless Roleplaying, was based on these stories; player characters oppose each other, vying for power, and instead of using dice are simply ranked in order of who is best at what during an “auction” at the start of the game.
“Kalifriki of the Thread” is a short story about Kalifriki, more or less an assassin who can travel between dimensions (called shifting into the “side-by-side lands”) and whose signature method of killing is the Thread, an unusual and seemingly multidimensional weapon or force. In the story, Kalifriki is hunting the Kife, another shifter who inhabits the bodies of others. The character returns in the short story “Come Back to the Killing Ground Alice, My Love”, first published in Amazing Stories in 1992. Both stories were collected into one volume in 2022.
DJ Ian Bell was not only a DJ, he was also a photographer, a music historian, and a record store worker and owner. He died in May 2023. You can hear him talking about his history in this 2019 segment from ABC Radio in Adelaide, played again the week after his death.
Since 2021 Taylor Swift has been re-recording and releasing new versions of her first six studio albums, in part because she regretted signing away ownership of the master recordings as a teenager (she was 15!) in her original contract with the label Big Machine in 2005, and subsequently became responsible for something like 80% of their revenue. After a series of disagreements, including not being able to buy the masters rights, and Big Machine selling out to her former manager, Scooter Braun, she enacted the re-recording plan under her new and much more favourable contract with Republic Records. Because she wrote her own songs, she owns the composition rights, and so controls who can record new versions of the songs – including herself. The new releases are subtitled “(Taylor’s Version)” and so far have included Fearless, Red, Speak Now and 1989, and they’ve plummeted streams and sales of the originals as her loyal fans stick to her versions.
More notes to come soon!
Thanks for reading our notes! If we missed anything, or you have questions, please let us know.
These are the episode notes and errata for Pratchat episode 71, “It Belongs in a University”, discussing Terry Pratchett’s 2013 collaboration with Ian Stewart and Jack Cohen, The Science of Discworld IV: Judgement Day, with guests Rev Dr Avril Hannah-Jones and Dr Charlotte Pezaro.
Iconographic Evidence
This is the video from the Waterstones event for the launch of the fourth book, with Terry talking about Charles Darwin and The Origin of Species.This is the Eye of Magnus, the magical Great Big Thing from the videogame The Elder Scrolls V: Skyrim, which Ben immediately thought of while reading the descriptions of Ponder Stibbons’ “Challenger Project”.
Notes and Errata
The episode title echoes Indiana Jones’ famous (and very colonialist) line, “It belongs in a museum!” Thankfully the wizards didn’t steal Roundworld from anyone…but if you want to know how this sort of thinking affects people in the colonised countries, we’d recommend Marc Fennel’s podcast (and television series) Stuff the British Stole.
The term “philosopause” is referred to in The Science of Discworld II: The Globe, where Jack and Ian describe it as when “elderly scientists … stop doing science and take up not very good philosophy instead”. They didn’t coin the term; it dates back to at least 1996, and probably earlier.
Gregory Benford (1941-) is both an influential science fiction author and a physicist, but not a qualified theologian or philosopher. The first source footnoted in the book is the one for Benford’s idea of human- and universe-centred thinking, and it’s “a creature of double vision”, from Science Fiction and the Two Cultures: Essays on Bridging the Gap Between Science and the Humanities, edited by Gary Westfahl and George Slusser, McFarland Publishers 2009, pages 228-236.
Epistemology is the philosophy of knowledge: how do we know what we know, and what qualifies a belief as knowledge?
Liz has talked about “hounding the germ man to death” before; you can hear her talk about Semmelweis in #Pratchat48 (about Thief of Time) and #Pratchat54 (Night Watch). As on those occasions, we recommend this episode of NPR’s Shortwavepodcast to get a good short version of his struggle to just get doctors to wash their hands in a time when no-one believed in germs.
L-Space is originally described as a distortion of space into “poly-fractal L-Space”. While the Librarian frequently travels through L-Space, it’s not presented as a “space” where things exist, but a way to travel through space and time. Books create L-Space.
Narrativia as a Discworld goddess pre-dates this book by a couple of years, Pratchett having named her – and commissioned a statue of her – in 2011, as detailed in this Guardian article. This does seem to be her first appearance in fiction, though the production company Narrativia, which holds the media licensing rights to his works, was formed in 2012.
Charlotte recommended Bill Bryson’s 2003 book A Short History of Nearly Everything, as well as Pratchett’s own Nation. Avril recommended Marilynne Robinson’s 2016 collection The Givenness of Things: Essays.
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These are the episode notes and errata for Pratchat episode 70, “Punching Up”, discussing Terry Pratchett’s 1993 Discworld short story, “Theatre of Cruelty”, with guest Caimh McDonnell.
Iconographic Evidence
Since it was available for free, there are lots of scans floating about on the internet, and it’s a shorter version than the one available for free on the L-Space web, we figure it should be okay for us to share the original two-page spread of the story from Bookcase magazine, including the original version of Josh Kirby’s illustration.
Notes and Errata
The episode title plays on Mr Punch, the concept of “punching up” in comedy (i.e. the idea that the targets of derision in comedy should be those with more power), and the other concept of “punching up” in writing (i.e. adding more jokes and/or pace to a script to improve it).
We’ve mentioned Ben Aaronovitch’s Rivers of London series of urban fantasy novels before. They follow the adventures of new police officer Peter Grant as he becomes apprentice to the last wizard in England, who also works for the London police. There are now nine novels, four novellas, a short story collection, nine graphic novels (originally published as separate issue comic books) and a tabletop roleplaying game. The best place to start is probably Rivers of London, the first novel from 2011, which was originally titled Midnight Riot in the US (but is now published there under its proper title). The first comic, Body Work, is also a good place to dip in, as are most of the novellas and short stories.
The Fortean Times is the magazine of the Fortean Society, an organisation founded by American researcher and writer Charles Fort. He collected and wrote about “anomalous phenomena” – unusual events and experiences which had gone unexplained by science, though apparently he did it to keep scientists on their toes rather than because he believed any of the theories put forth in his writing. The Fortean Times is still published in the US, UK and other countries today, and you can find them online at forteantimes.com (though you have to subscribe in print). Fort himself is mentioned in Good Omens.
We can’t find a good reference for the edition of Good Omens with two Thursdays in one week, if that is a real error and not a fevered imagining of Ben’s. But there have been other notable ones: in some recent editions, Anathema is referred to as Agnes in one sentence when showing her index cards to Newt, and a persistent one in earlier editions was Famine saying his name had seven letters when cryptically referring to himself with a crossword clue. Some white editions of the book had a cover misprint in which the text and Crowley’s glass of wine appear, but the demon himself does not!
On Roundworld, “theatre of cruelty” is an artistic concept created by Antonin Artaud, a French poet and theatre maker (among many other things) active in the 1920s and 30s. His theatre of cruelty wasn’t literally theatre, or literally cruel, but rather a reaction against realism. He wanted performance to be something more visceral: a spectacle, incorporating music, dance, lights and everything other than text, performed by “athletes of the heart” who would surround audiences to shock them out of complacency and wake them up to the horrors and violence of real life. While not embraced widely, it’s been an influence on many theatre makers, notably director Peter Brook in his work with the Royal Shakespeare Company in the 1960s, including a famous 1966 production of the play Marat/Sade. This YouTube video from CrashCourse is a pretty good overview.
Neil Gaiman’s Sherlock Holmes stories are “A Study in Emerald”, from the 2003 anthology Shadows Over Baker Street, and “The Case of Death and Honey”, from the 2011 collection A Study in Sherlock. “A Study in Emerald” won both a Hugo and Locus Award in 2004, and has been adapted into a board game by Martin Wallace, of Discworld: Ankh-Morpork and The Witches fame.
Harlan Ellison (1934-2018) was an American speculative fiction writer whose work encompassed novels, short stories, television (most famously the Star Trek episode “The Guardian on the Edge of Forever”), videogames and more. Angry Candy is his 1988 anthology about death, containing the award-winning short stories “Eidolons”, “Paladins of the Lost Hour” and “Soft Monkey”. Dangerous Visions was a 1967 collection of groundbreaking science fiction stories edited by Ellison and was hugely influential, not least for the way it included sex in the genre. It was followed by Again, Dangerous Visions in 1972, and he announced a third, The Last Dangerous Visions, in 1973, but it was not published in his lifetime. His failure to publish the book became a controversy in speculative fiction circles, especially after several of the authors who sold him stories died before seeing them in print; British author Christopher Priest wrote about the book for his own fanzine, eventually expanding the piece into a short book titled The Book on the Edge of Forever in 1988. Ellison’s literary estate is now managed by Babylon 5 creator J. Michael Straczynski, who announced in 2022 that The Last Dangerous Visions would finally be published in September 2024, preceded by new editions of the first two books.
Regular listeners will be familiar with Liz’s love for Diana Wynn Jones, and we’ve previously mentioned her 1988 novelette “Carol O’Neir’s Hundredth Dream”. It’s part of her Chrestomanci series of stories and books, set in a magical universe where there are a specific number of alternate worlds.
We’ve also previously discussed American horror and mystery writer Shirley Jackson (1916-1965), most notably in #Pratchat58, “The Barbarian Switch”. Her famous story “The Lottery” appears in the many collections, including 1949’s The Lottery and Other Stories. Dark Tales is a more recent anthology, published by Penguin in 2016.
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These are the episode notes and errata for Pratchat episode 68, “Discus Ex Machina”, discussing Terry Pratchett’s third novel, 1981’s Strata, with guest EJ Mann.
Iconographic Evidence
Australian Bush Heritage’s thread of “Pedro Pascal as Australian frogs” first appeared in a Twitter thread, but we’ve embedded the Instagram version below. (Twitter is…not as stable as it once was.) Make sure you check out all of them!
Here are the first edition covers of Pratchett’s two early science fiction novels. Ben mistakenly remembered Pratchett’s cover for The Dark Side of the Sun featuring dragonflies, not bees; he may be remembering the later cover, also by original Strata artist Tim White, which depicts a robot insect which…well, it’s also not a dragonfly, but it’s more like one than Pratchett’s bees. Though the weird fungal creatures on his Strata cover do look like dragonflies – one of the many details that makes it entirely unlike the book in every way, aside from the inclusion of a lightning bolt.
Strata first edition; cover art by Tim WhiteThe Dark Side of the Sun, first edition; cover art by Terry Pratchett
Below is the earliest post we could find for the photo of the common snapping turtle with the “world” on its back. It’s from the source, the Twitter account for Task Force Turtle; see below in the notes for more on the turtle, and for an article where you can see it if Twitter becomes too unstable to supply this embedded tweet.
The episode title plays with the well-known Latin phrase “deus ex machina”, “God from the machine”. Originally used in Ancient Greek theatre as a literal stage direction, in which actors playing the roles of gods would be brought on stage via a machine, it has come to mean an unexpected plot resolution brought about by supernatural or implausible means, especially if those means have not previously been established in the narrative. We don’t think Strata is an example of this, but the Latin for “disc from the machine” seemed too perfect not to use.
The last in-person Australian Discworld Convention was Nullus Anxietas 7, held in Melbourne in April 2019. We recorded a live episode there: #PratchatNA7, “A Troll New World”, discussing the short story “Troll Bridge”.
Bush Heritage Australia is a non-profit organisation which was started as “The Australian Bush Heritage Fund” in 1991, with the purchase of forest land in Tasmania by environmentalist and former leader of the Australian Greens, Bob Brown. The charity now owns millions of hectares of bushland across Australia, which it manages in partnership with Aboriginal and Torres Strait Islander peoples. You can find out more at bushheritage.org.au, or follow them (and their very funny social media manager) as @BushHeritageAus on Twitter or Instagram.
You can read what Pratchett had to say about the Disc in 1981on Colin Smythe’s website, where you’ll also find early reviews – including one by Neil Gaiman! Of the Discworld, Pratchett said: “I am also working on another ‘discworld’ theme, since I don’t think I’ve exhausted all the possibilities in one book!”
Thanks to subscriber Craig, who shared a photo of the full blurb for the first edition of Strata, which we can also confirm was first published by Colin Smythe in hardcover. (See above for the original covers of both Strata and The Dark Side of the Sun.) Here’s the longer blurb:
A flat earth? Impossible. Kin Arad is the 210-year-old supervisor in charge of resurfacing the newly named planet, Kingdom. When she finds Jago Jalo, a man who has a cloak of invisibility and should have died a thousand years ago, in her office, she decides he must have an unusual tale. He has. He knows where such a world is. It is like the medieval earth…almost. Leiv Eiriksson is setting off for the New World, but he will never find it. Instead he sails to the edge of the world and its eternal waterfall. It is obvious that this ‘earth’ has been built by the Great Spindle Kings, makers of universes, inventors of the strata machine and the ultimate in claustrophobes, and Jalo lures the human Kin, the kung Marco Farfarer and the fiftv-six-syllable-named shand better known as Silver, to undertake a voyage of discovery with him: the rewards must be beyond their dreams…or nightmares. In Strata Terry Pratchett again shows the remarkably witty, imaginative and descriptive talents that have characterised his earlier works and show him to be one of the best s.f. writers of the younger generation.
Strata – blurb from the first hardcover edition (1981)
You can find many different covers for Strata at the Internet Speculative Fiction Database. While many seem to use stock sci-fi or fantasy art, most use Josh Kirby’s cover (though some use his art for The Dark Side of the Sun!). The German cover by Katarzyna Oleska is Ben’s favourite, and is the only one to show Kin as a Black woman; we also like the French one by Marc Simonetti, though he inexplicably depicts Kin as a cyborg with red skin, though accurately makes her bald. The mass market US paperback has a cover by Darrell K. Sweet which gets special mention for the very retro image of Kin in a silver spacesuit holding a raygun while on a Viking ship menaced by a dragon, but it makes her white (and ginger) and leaves out Marco and Silver entirely.
Magrathea is the fabled planet manufacturing planet which features prominently in the plot of The Hitchhiker’s Guide to the Galaxy. As well as many luxury planets built during a boom in the galactic economy, it also built the planet Earth; the fjords were designed by planetary architect Slartibartfast, who meets Arthur Dent during the final chapters of the first radio series/book/film etc.
Speaking of The Hitchhiker’s Guide to the Galaxy, Ben is correct: the original radio series was broadcast betweem 1978 and 1980. The first novel was published in 1979, while the original BBC television series was made in 1980, but broadcast in 1981. There have been numerous other versions, including an LP (which differs from the radio series), a videogame, a feature film, several stage plays, a comic book and, supposedly, another television series currently in production at Hulu.
The film Liz mentions with Olivia Wilde where remaining lifetime is a currency is indeed In Time (2011, dir. Andrew Niccol), a sci-fi action film starring Amanda Seyfried and Justin Timberlake. It’s similar to the earlier film Price of Life (1987, dir. Stephen Tolkin), and also the 1965 Harlan Ellison short story “‘Repent, Harlequin!’ Said the Ticktockman”. Ellison briefly sued Niccol (who is best known for Gattaca) and the producers of In Time, but dropped the suit after seeing the film.
Ringworld is a 1970 science fiction novel by American author Larry Niven. In the book, 29th century human Louis Gridley Wu is recruited on his 200th birthday by an alien “Puppeteer” named Nessus to go on an expedition. He is to investigate the Ringworld, a massive construct surrounding a Sun which has an immense Earth-like inner surface. He travels there with Nessus, a cat-like Tzin named Speaker-to-Animals, and another human, Teela Brown. Their ship is damaged on arrival and crashes; its hyperdrive still functions but it cannot get back into space to use it safely. The crew head towards the edge of the Ring, hoping to find technology to help them repair their ship, encountering strange technologies and the remnants of the Ring’s civilisations along the way. As Terry Pratchett put it on alt.fan.pratchett, “I intended Strata to be as much a (pisstake/homage/satire) on Ringworld as, say, Bill the Galactic Hero was of Starship Troopers. All Niven’s heroes are competent and all his technology works for millions of years…but he’s a nice guy and says he enjoyed the book.” There are four sequels: The Ringworld Engineers (1979), The Ringworld Throne (1996), Ringworld’s Children (2004) and Fate of Worlds (2012), which is also the last book in Niven’s Fleet of Worlds series. All of these books are set in Niven’s broader “Known Space” universe.
EFTPOS systems, which allow a transfer of funds direct from a purchaser’s bank account to a merchant, first appeared in America in 1981. The system was slow to be adopted by consumers, and credit cards and cheques remained much more popular alternatives to cash. Australian banks were pretty quick to adopt a national EFTPOS system, in part because they had already had to cooperate to set up Bankcard, a domestic credit card implemented in the 1970s before the major card companies came to Australia and New Zealand. Unfortunately, as is so often the case with these things, it appears one of the main reasons Australians call it EFTPOS is advertising: the major company making and selling the infrastructure equipment, and marketing it to the public during the 80s and 90s, was “eftpos Australia”. EFTPOS is also popular, and known by that term, in New Zealand and Singapore.
Budgie is the nickname for the budgerigar, a small species of parakeet with long tails. Like Liz, many Australians growing up in cities don’t realise they’re native birds, in part because they’re so commonly kept as pets – very unusual for native animals! In country areas they gather in huge flocks at water holes. Their popularity is largely due to their small size, colourful plumage (usually white and blue or yellow and green, but many other breeds exist), and their ability to “speak” and whistle. They’ve been exported – legally and otherwise – to many countries around the world. A common bit of Australian slang for men’s swimming costumes is “budgie smugglers”, referring to the fact that they don’t leave much to the imagination and the wearer’s genitals are often outlined, appearing around the same size as a budgie.
The Wayfarer series by American author Becky Chambers begins with her debut 2014 novel, The Long Way to a Small, Angry Planet, which she originally crowdfunded and self-published. It was nominated for several awards and republished by Hodder & Stoughton in 2015. The Wayfarer of the series title is a “tunnelling ship” – a spacecraft which builds wormholes between distant parts of space for other spaceships to use as shortcuts. The original novel follows the multi-species crew of the Wayfarer and their relationships during one long mission. It has so far been followed by three sequels: A Closed and Common Orbit (2016), Record of a Spaceborn Few (2018) and The Galaxy, and the Ground Within (2021), plus a short story, “A Good Heretic” (2019), though these follow different characters and stories in the same universe. The species who can communicate via coloured patches on their cheeks are the Aeluon, otherwise plain-coloured humanoids who are one of the more powerful species in the galaxy.
The Lying Bastard, the spaceship constructed by the Puppeteers for the mission to the Ringworld and named by Louis Wu, was sadly not shaped like a disc. In most depictions, including the ones sanctioned by Larry Niven himself, it looks more like a fighter jet.
Silver actually says her name is fifty-six syllables long – considerably more than Ben’s guess of twenty-three! The “unpronounceable name” trope is a common excuse to give aliens, demons and the like simple names, even when their origins suggest they should have a language and/or culture very different to human ones. Doctor Who has several examples, including the Doctor’s own name (in the modern series a secret, but hinted to be very long in some of the books) and that of fellow Time Lord Romanadvoratrelundar, more commonly known as Romana (though when they first meet, the Doctor also offers to call her “Fred”).
Slashie and multi-hyphenate are both terms for those who diversify into multiple disciplines, particularly in the arts. “Multi-hyphenate” is more common in the screen industry, where one might be a writer-director-producer on the same project; “slashie” is a more general arts term, for folks who (like Ben) have several different freelance careers to ensure enough work. (Ben is an actor/writer/game designer/educator, among other things.)
We’re still pretty sure that the whole “you might outnumber me, but how many of you will die before you get me?” thing does appear in a Discworld book somewhere, but we haven’t been able to find it. Do you know where it is? Let us know!
The turtle that burrows underground and comes up looking like A’Tuin (or Torterra, if you’re a Pokémon fan) is the common snapping turtle of North America, Chelydra serpentina. They migrate to muddy holes where they bury themselves to hibernate during Winter. In 2018, a photo of one such turtle was taken in Maryland by Timothy Roth, a psychology professor working with Task Force Turtle. The photo went viral on social media and is now posted to various Discworld forums at least a few times each year, though this turtle hadn’t just woken up from hibernation… You can see the image above, and read the story of how and why it was taken, and learn more about the turtles themselves, in the LiveScience article “How Butt Gas, Drugs and Amazing Memories Led to This Weird Turtle Photo”, from December 2018. As EJ mentions, its often linked to the “turtle island” stories of several North American peoples, including the Lenape and Haudenosaunee.
Stephen Briggs’ unabridged audiobooks of both Strata and The Dark Side of the Sun were released by Isis Audio Books as boxed sets of CDs in the early 2000s. The same recordings were re-released around 2007 on “mp3-CD” – yes, a CD-ROM with the tracks from the original CDs as mp3 files. This format was playable by some CD players produced in the 2000s (and may still be playable by some in-car CD players now), but quickly became obsolete as solid-state media (like USB drives) became cheaper, and then the audio industry shifted to download and streaming. When the Isis unabridged recordings of the Discworld novels and other books were licensed for digital distribution via Audible, Apple Books and so on, it seems Strata and The Dark Side of the Sun were not included, but then the Isis Discworld audiobooks – including the earlier ones narrated by Nigel Planer – don’t seem available digitally any more either. (We assume they were removed to avoid confusion, now the new Penguin audiobooks are out; Tony Robinson’s ones are still available, but under the series title “Discworld (abridged)” to make the distinction clear.) You can still find the physical media versions secondhand, though, if you’re keen.
More notes to come soon!
Thanks for reading our notes! If we missed anything, or you have questions, please let us know.
